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Rahul doubts intention of Modi on caste census

Rahul doubts intention of Modi on caste census

Rajgir, June 06 (UNI) Congress leader Rahul Gandhi on Friday expressed his doubt over the intention of Prime Minister Narendra Modi on the caste census, saying he would not allow emerge true picture of the prevailing scenario on social dynamics in the country.
Gandhi, while addressing a conference organised on the theme of "save the constitution ", said that Prime Minister Modi was not sincere and his intention was not clear on the caste census, as he had promised to do it in the country.
Initially, he was not at all prepared for the caste census at the national level, but under his continued and sustained pressure in Lok Sabha and the struggle made by Congress on the issue forced him to get prepared for the caste census, he added.
" PM Mod had once said that there was no caste in the country and I had then asked him why he claimed to be coming from the OBC category, if there is no existence of the caste system ", Congress leader said, adding that the BJP had never been sincere and prepared for caste census. The intention of PM Modi on the caste census was still doubtful as it was reflected from the fact that the questionnaire of the caste census exercise was prepared by 11 senior officers in a closed room and no public suggestion was invited by the government on the issue, he pointed out.
Gandhi said that there were two models of caste census in the country-- one by the BJP and the other by Congress. A model of Congress was visible in the caste census, conducted in Telangana, he stated. So far as the question of the BJP was concerned, the caste census was an attempt to suppress the true picture of social dynamics and mislead the people on the issue, while Congress had conducted a fair and transparent caste census in Telangana, he added.
Based on the caste census conducted by the Congress government in Telangana, several decisions were taken, including the hike in reservation limit for Extremely Backward Classes(EBCs), Backward Classes, and others in government services, he further added.
Congress leader said if the BJP did not conduct the caste census properly, then his party would do the job if given an opportunity to serve the people. He would also raise the issue in Lok Sabha if an attempt was made by the Narendra Modi government to mislead the people on the issue of caste census, he added.
Gandhi said that Schedule Castes (SCS), Scheduled Tribes(STs) Extremely Backward Classes (EBCs), and others who lagged on the path of development, were 90 percent of the population, who could not get proper representation in government services. In the top bureaucracy, only a few of them were in the decision-making process, and they too had been given responsibilities of minor departments, he added.
Congress leader said that in the corporate sector representation of Backward Scheduled Castes and Scheduled Tribes was negligible. Top corporate houses were being given relief by the government, in the form of tax rebates, running into lakhs of crores of rupees, he pointed out. On the other hand, those who remained backwards and deprived were forced to live pathetic lives, he lamented.
Gandhi exhorted the people of the Backward Classes and deprived not to get frightened and continue to struggle for their rights. Congress would always remain solidly behind them to give strength and ensure that they could get justice, he promised.
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Aandhi: A cinematic storm that echoed Indira's era
Aandhi: A cinematic storm that echoed Indira's era

India Today

time31 minutes ago

  • India Today

Aandhi: A cinematic storm that echoed Indira's era

In this week's Retro Review, we dive into 'Aandhi', a bold political satire that stirred controversy for its striking parallels to Indira Gandhi. A timeless tale of ambition, love, and sacrifice, it remains a cinematic Review: Aandhi (1975)Cast: Sanjeev Kumar, Suchitra Sen, Om Prakash, AK Hangal, Om ShivpuriDirector: GulzarMusic/Lyrics: RD Burman, GulzarBox-Office Status: HitWhere to Watch: YouTubeWhy to Watch: For its poignant portrayal of politics' toll on personal livesMoral of the Story: Kuch toh log kahenge, logon ka kaam hai kehnaadvertisementFormer Indian Prime Minister Indira Gandhi devoted an hour every morning to yoga. She spent almost an equivalent amount of time with her stylist every week. The combination of the two gave her a distinct personality, highlighted by a slender physique, brisk walk, crisp sarees, and a hairstyle with a signature streak of the 1970s, Mrs Gandhi (as she was known worldwide) was at the peak of her popularity. The victory over Bangladesh, and her 'garibi hatao' campaign had endeared her to the masses and the classes. Even the opposition hailed her as an avatar of Durga. Photo: IMDb advertisement Film-maker Gulzar saw in Indira's unique persona and soaring popularity an opportunity to craft a political satire. The outcome was 'Aandhi', a film that suffered the highs and lows of the character that inspired has said many times the film was not based on Indira Gandhi's life. Only the lead character, Aarti Devi, was inspired by her, and Tarkeshwari Sinha, a popular Parliamentarian from Patna. But at the time of 'Aandhi's' release, the film was marketed as an Indira Gandhi biopic, with posters exhorting the audience to come and watch 'their PM on the screen.'The strategy, initially successful, backfired when Mrs Gandhi's opponents started screening some of the scenes in 'Aandhi' to tarnish her image during elections for the Gujarat assembly, fought in the heat of the Navnirman on a complaint filed by the Congress, the Election Commission banned 'Aandhi', 24 weeks after its initial release. Soon after, on June 26, 1975, Indira Gandhi's firm voice crackled through All India Radio, announcing the imposition of the Emergency. The film, thus, was indelibly linked with Mrs Gandhi, and the excesses of the Emergency that coincided with the PLOT'Aandhi's' narrative unfolds with a delicate balance of personal drama and political intrigue, centred on Aarti Devi (Suchitra Sen), a charismatic yet embattled politician whose chance reunion with her estranged husband, JK (Sanjeev Kumar), forces her to confront the sacrifices her ambition has demanded. Sanjeev Kumar and Suchitra Sen in a still from 'Aandhi'. (Photo: Facebook/FilmHistoryPic) While Aarti navigates the deluge of emotions from the past, an election unfolds, with all its trickery and subterfuge. Unable to match her aura and sharp moves, the opposition attacks Aarti's personal tongues, like they always do, begin to wag with rumours, snide remarks and salacious gossip. But, with a bold move at the end, Aarti stuns her critics, stealing the show, literally, from their own narrative similarities with Indira Gandhi are hard to miss. Her father, India's first PM Jawaharlal Nehru, wasn't happy with her marriage to Feroze Gandhi, a Parsi. The marriage was solemnised with Vedic rituals, at Nehru's Gandhi, a dynamic politician and journalist, maintained an independent identity. Elected to the Lok Sabha from Rae Bareli in 1952 and 1957, he often sparred with the government. In 1958, he famously uncovered the LIC scandal, which implicated the relationship with Indira was complex, marked by periods of strain. Burdened with contradictions, the alliance didn't last long. Indira Gandhi soon shifted to her father's home with her sons Rajiv and 'Aandhi', Aarti's complex marriage with JK, who has an independent spirit, mirrors the Indira-Feroze dynamics. But, unlike Feroze Gandhi's tragic end - he died young after a heart attack - the film ends on a happy another scene, Aarti is pelted with stones. This happens after she delivers a speech and is confronted by an angry crowd. A journalist then asks her if violence is a part of politics, to which she replies that it is a part of bad incident has an uncanny similarity with a political rally where a stone hit Indira Gandhi's nose, requiring minor surgery. Photo: IMDb THE GOOD, BAD AND UGLYThe film's brilliance lies in Gulzar's ability to craft a story that is both intimate and universal, exploring the toll of public life on personal relationships. Sen's portrayal of Aarti is magnetic. She channels the poise and steely resolve of a leader while revealing the quiet loneliness beneath her polished as JK, matches her with a performance that is understated yet deeply affecting, his character's stoic demeanour masking years of unresolved film's non-linear storytelling, a Gulzar trademark, weaves past and present seamlessly, showing how Aarti's rise in politics strained her marriage and distanced her from her daughter. This personal conflict is juxtaposed with her public persona, where she navigates a world of sycophants, rivals, and moral compromises.'Aandhi' doesn't shy away from showing the gritty realities of politics - bribery, manipulation, and public scrutiny - but it does so with a poetic restraint that avoids Burman's music, paired with Gulzar's evocative lyrics, is the film's emotional heartbeat. Songs like 'Tere Bina Zindagi Se' and 'Is Mod Se Jaate Hain' are not mere interludes but narrative pillars, amplifying the themes of longing and chemistry between Sen and Kumar is most palpable in these musical moments, where their unspoken emotions speak louder than words. The supporting cast - Om Prakash, AK Hangal, and Om Shivpuri - adds depth, portraying the loyalists and sceptics who orbit Aarti's problem with the film is its climax. It starts with a problem that looks like a pointless 'Aandhi', a storm in a teacup, and ends with a dramatic solution. The subplot feels forced, relying on exaggerated gossip to dramatise Aarti's marriage, which clashes with the film's nuanced VERDICTDespite this flaw, the film's depiction of a strong, flawed female leader was groundbreaking for its time, challenging stereotypes in a male-dominated industry. The human story at its core - a love tested by ambition and time - makes 'Aandhi' timeless. The formula has been copied many times, almost verbatim in later films like 'Pyar Jhukta Nahin', underlining its evergreen Gandhi lost the 1977 election. When 'Aandhi' was re-released by the Moraraji Desai government, the audiences embraced its nuanced take on power and vulnerability. The film's success was a reminder that Indira Gandhi may have been defeated, but she wasn't forgotten. Like 'Aandhi', Indira Gandhi also got a second chance at redemption.'Aandhi' remains a must-watch for its bold storytelling, unforgettable performances, and its unflinching look at the personal costs of political life. It's a reminder that behind every public figure lies a private struggle, and that art, even when banned, has the power to endure and provoke. Watch it to witness a masterclass in filmmaking, music composition, and to reflect on the timeless truth: kuch toh log kahenge, but the heart knows its own story.P.S.: In 'Aandhi', Suchitra Sen is styled after Indira Gandhi. She wears crisp sarees, and has her trademark streak of grey. Habib Ahmed, the famous stylist, once revealed Indira's hair was 99 per cent except that grey streak, the rest had to be dyed black. 'She had it done first in France, and then I took over,' Habib revealed, adding that he saw the PM once or twice a week to help her maintain her iconic look.

Remembering Emergency: When India banned Coke and brewed nationalism in a bottle called Double Seven
Remembering Emergency: When India banned Coke and brewed nationalism in a bottle called Double Seven

Time of India

time33 minutes ago

  • Time of India

Remembering Emergency: When India banned Coke and brewed nationalism in a bottle called Double Seven

In the summer of 1977, just after the 21-month Emergency ended and India turned the page on nearly three decades of uninterrupted Congress rule, a new political force was not the only thing bubbling to the surface. The newly elected Janata Party government had shown the door to Coca-Cola and unveiled its own fizzy response -- Double Seven. The country's first "sarkari cola" was launched as a symbol of economic self-reliance and political change. Named after the landmark year that brought the Morarji Desai-led Janata coalition to power, Double Seven was more than a beverage; it was a political statement in a bottle. The indigenous cola had an elaborate launch at the annual trade fair at Pragati Maidan. Play Video Pause Skip Backward Skip Forward Unmute Current Time 0:00 / Duration 0:00 Loaded : 0% 0:00 Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 1x Playback Rate Chapters Chapters Descriptions descriptions off , selected Captions captions settings , opens captions settings dialog captions off , selected Audio Track Picture-in-Picture Fullscreen This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Opacity Opaque Semi-Transparent Text Background Color Black White Red Green Blue Yellow Magenta Cyan Opacity Opaque Semi-Transparent Transparent Caption Area Background Color Black White Red Green Blue Yellow Magenta Cyan Opacity Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Drop shadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Si estás en Madrid esta es la Alarma que necesitas Movistar Prosegur Alarmas Más información Undo The Double Seven cola , popularly known as "Satattar" (77 in Hindi) was manufactured and marketed by the makers of Modern breads - Modern Food Industries - a government-owned company. 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Tata McGraw Hill's book "Advertising Management: Concepts and Cases" also mentions Double Seven as an example of government branding and "swadeshi" marketing gone awry. Hill cited the launch of Double Seven as a business school case study in government-backed branding, highlighting the campaign's missteps and beverage-market context of the late 1970s. The end of Double Seven, not so surprisingly, coincided with Indira Gandhi reclaiming power in 1980. Coca-Cola made a comeback in October 1993, post-liberalisation of the Indian market by the P V Narasimha Rao government and has maintained a strong presence ever since. Congress leader Shashi Tharoor has also referred to the episode in his book "India: From Midnight to the Millennium and Beyond". "Heedless to the signal these exits sent to the world - whose brief hopes that a change of government might have led to a more welcoming investment climate were poured down the same drain as the Coke - the Janata ministers chose to celebrate the departures of these multinationals as a further triumph for socialism and anti-imperialistic self-reliance," Tharoor wrote in the book. The Emergency was imposed 50 years ago on June 25, 1975, by the then prime minister Indira Gandhi. Triggered by political unrest and a court verdict invalidating Gandhi's election, the Emergency suspended civil liberties, censored the press and saw mass arrests of opposition leaders.

Tripura govt gives jobs to kin of 18 people killed in political violence before 2018
Tripura govt gives jobs to kin of 18 people killed in political violence before 2018

Indian Express

timean hour ago

  • Indian Express

Tripura govt gives jobs to kin of 18 people killed in political violence before 2018

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