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‘Elio' review: Pixar goes sweet and simple for its original outer space adventure

‘Elio' review: Pixar goes sweet and simple for its original outer space adventure

New York Post3 days ago

movie review ELIO
Running time: 99 minutes. Rated PG (some action/peril and thematic elements). In theaters June 20.
Like the 11-year-old title character of 'Elio,' Pixar's latest original is small and cute.
Nothing wrong with that.
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It's time to accept that gone are the days of 'WALL-E,' 'Up' and 'Ratatouille,' when the Disney-owned animation studio had a stratospherically imaginative and artful vision that once put it firmly in the Best Picture conversation.
Now that the bouncing lamp's bulb is dimming, they're pumping out modest, but nonetheless charming movies such as 'Onward,' 'Luca' and 'Elio.'
The new one is more likable than blobby 'Elemental' or pointless 'Lightyear' were. 'Inside Out 2' sure felt like a '2.' ET won't phone home about it, but 'Elio' is a nice, frequently rewarding 100 minutes.
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There's a simple focus on feeling in the outer-space tearjerker about a lonely orphan boy who dreams of being abducted by aliens so he can finally make friends.
Staring up at the stars is a powerful, timeless idea. Good enough for Galileo.
3 In Pixar's 'Elio,' a boy dreams of traveling to outer space to make friends.
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'Is life really out there?' Elio asks his Aunt Olga (Zoe Saldaña), an orbital analyst who works on a military base while raising her nephew, after he stumbles into a museum exhibit about the Voyager satellite. Lost and confused, he becomes obsessed with finding extraterrestrials.
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One night, they find him. He's beamed up to a kind of United Nations of species — called the Communiverse — and they ask Elio to become Earth's representative, believing him to be the leader of the third rock from the sun.
A couple of the aliens, an effete beetle dweeb and a ballet-dancing dragon, are cloying. I wanted Will Smith to come and punch them — a la 'Independence Day,' not the Oscars. The space station looks like a Las Vegas hotel built by a narcissistic jellyfish.
3 When he arrives, a group of aliens believe he's the leader of Earth.
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The story of mistaken identities is basically a kid-friendly 'Galaxy Quest.' Elio desperately wants to join the intergalactic club, but they'll only make him a member if he can talk scary Lord Grigon (Brad Garrett), the chief of a warrior species, out of attacking the Communiverse.
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Plenty of familiar bases are covered: Making your dad proud, the true meaning of family, friendship, purpose and courage, among others. In the final scene, Pixar forces us — effectively — to cry like a boot camp officer.
Beyond the requisite lessons, there are some witty touches. A subplot involving a creepy Elio clone nods to the horror genre in a funny way for adults. And the twist with Grigon and his slug son Glordon is smart.
3 Elio finds a pal in wormy Glordon.
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During one bizarre montage, I'm pretty sure the 11-year-old and his friend Glordon go on a booze-soaked bender around the Communiverse and hurl into a hedge. But the drink is called 'glorg,' so who's to say what the alcohol content is?
Elio travels lightyears away from home, and 'Elio' lands comfortably in the middle of the Pixar pack.

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'Elio': Toronto Oscar winner Domee Shi explains why title character has an eye patch
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Oscar winner Domee Shi drew inspiration from her own mother for her 2018 animated short film Bao, crafted a love letter to Toronto with one of the best fictional boy bands with Turning Red in 2022, and now takes on sci-fi with the movie Elio (currently in theatres). For Shi, it was exciting to get to play with the genre as one of the film's directors. "This was my first time directing a sci-fi movie, but I've always loved sci-fi as a genre. Some of my favourite movies are sci-fi movies, like Alien, Gravity," Shi told Yahoo Canada in Toronto. "It was so great to be able to pay homage to all of my favourite movies." "I love that in our movie we can use space as a symbol of aspiration, of wish fulfillment, instead of a scary space or a threatening space. It's a space that welcomes and accepts our main character." Unlike what we see in most movies, the main character Elio Solis (voiced by Yonas Kibreab) wants to be abducted by aliens. As an orphaned child, he lives with his aunt Olga (voiced by Zoe Saldaña), who works in the military as a major in the U.S. Air Force tasked with scanning for space debris. Olga had dreams of pursing the astronaut space program, but those plans had to be put aside when she became Elio's legal guardian. Elio is an 11-year-old boy who just doesn't feel like he belongs, which makes him long for a life in space with the aliens. As we see early on in the movie, as Elio tries to craft a device to communicate with aliens, things don't go as planned and he ends up injuring his eye, requiring him to wear and eye patch until he's healed. The eye patch was something that was quickly embraced by many, even when we didn't know exactly why he was wearing one. "I love that people have embraced Eliot's eye patch," Shi said. "The original idea came from the original director, Adrian Molina, just this idea that a characteristic that Elio could be othered for is something that he can be celebrated for, that could make him look actually really cool once he's in space." "Once he is in space and he has the eye patch and the cape, he looks like ... a cool space pirate, but it's so amazing that kids and audiences have embraced that eye patch." Elio's attempt at alien abduction pays off when he's beamed up to the Communiverse, an organization with representatives from each galaxy, like a sci-fi version of the United Nations, but it's all a misunderstanding. The aliens think that Elio is the leader of Earth. But he doesn't want to go home just yet, so Elio goes along with it and does not tell them he's actually just a kid who loves space. 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"Me and [co-director Madeline Sharafian], when we started on this project, ... it was our idea to kind of make Elio obsessed with getting abducted by aliens, obsessed with going into space and living with aliens, but we had to understand why," Shi explained. "We had to understand the emotion driving that and we realized it had to be loneliness." "When Elio gets abducted, when that beam hits him and he's whooping for joy, audiences have to be whooping with him. ... We had to introduce him in a way that made audiences really empathize and understand why he doesn't feel like he belongs on Earth. And that means introducing him as this recently orphaned kid who's thrust upon his aunt who's still struggling with trying to figure out how to balance her career and being a new mom. It's a fine balance too. We don't want to start the movie off in too much of a sad way." And what's impressive about Elio is that it's able to present its message in a way that can speak to both children and adults. 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‘28 Years Later' Review: Danny Boyle Delivers Severed Heads And Broken Hearts In His Gory Zombie-Horror Threequel
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Now/then, now/then… The past and the present exist in perpetual tension in the gory second sequel to Danny Boyle's zombie horror franchise. 'Time didn't heal anything,' goes the tagline, and as we learned from the recent pandemic, mankind isn't always prepared for the worst. By far the most political of the three films, 28 Years Later is particularly scathing about Brexit Britain and its little-islander mentality. But it does have global relevance at a time of rising tensions across the world, bringing to mind the possibly apocryphal quote attributed to famed German physicist Albert Einstein: 'I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.' 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‘28 Years Later' $5.8M, ‘Elio' $3M Previews – Friday AM Box Office
‘28 Years Later' $5.8M, ‘Elio' $3M Previews – Friday AM Box Office

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‘28 Years Later' $5.8M, ‘Elio' $3M Previews – Friday AM Box Office

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Deadline On The Red Carpet: Aaron Taylor-Johnson On '28 Years Later's Brexit Nod, Danny Boyle Talks "The Growth" Of Horror, Jodie Comer On "Manifesting" A Movie Musical & Tom Rothman With An Actor Tip As we saw with the Rotten Tomatoes audience score of 68% last night, PostTrak audiences were also a hard crowd for this Danny Boyle movie giving it 3 stars and a 54% definite recommend. Men over 25 showed up at 52% and gave the zombie third chapter its best grades at 75%. Women over 25 were next at 27% (72% grade), followed by women under 25 at 13% (65%) and men under 25 at 9% (74%). Meanwhile, Disney/Pixar's Elio in total Wednesday and Thursday previews did $3M. The animated feature is booked in 3,750 theatres including 725 premium large format screens, 2,500+ 3D Screens and 175 D-Box/Motion screens. Elio, 28 Years Later and How to Train Your Dragon are sharing the PLFs, while Imax auditoriums will be held by the latter title. Those who watched Elio, are loving it with a 60% definite recommend from the general audience and 4 1/2 stars. Kids under 12, a near even split between boys and girls at 51%/49%, also think it's 4 1/2 stars. Parents, mostly Dads yesterday at 56%, gave it 4 stars. With yesterday being Juneteenth, a young federal holiday, distribution sources are always mixed on whether it's a big moviegoing day or not. Kids are already off from school. Yeah, but adults are off from work. While not massive, the day did have a pulse, check it out: Eight of the movies in the top 10 saw spikes in their daily grosses over Wednesday including How to Train Your Dragon (+15%), Materialists (+7%), Lilo & Stitch (+16%), Mission: Impossible – Final Reckoning (+22%), Ballerina (+10%), Phoenician Scheme (+6%), and The Life of Chuck (+3%). Top 5 from yesterday: 1.) How to Train Your Dragon (Uni) 4,356 theaters, Thu $9.7M, Wk $123.4M/Wk 1 2.) Lilo & Stitch (Dis) 3,675 (-510) theaters, Thu $2.7M Wk $26M (-45%), Total $376.8M/Wk 4 3.) Materialists (A24) 2,844 theaters, Thu $1.6M, Wk $17.5M/Wk 1 4.) Mission: Impossible – Final Reckoning (Par) 2,942 theaters, Thu $1.5M, Wk $15.8M (-27%), Total $171.8M/Wk 4 5.) Ballerina (LG) 3,409 theaters, Thu $1.1M, $14.1M (-56%), Total $46.5M/Wk 2 EXCLUSIVE: Sony's 28 Years Later is coming in with a preview gross tonight that's well north of $5M, we are hearing from sources. But don't start comping it yet to New Line's box office surprise sequel, Final Destination: Bloodlines which did $5.5M in previews for a franchise best opening of $51.6M. Horror films are frontloaded, duh. Rotten Tomatoes audiences are being pretty hard on this Danny Boyle zombie movie at 67% despite critics giving the installment the best reviews the 23-year old franchise has ever seen at 92%. Final Destination: Bloodlines earned both great reviews and audience exits on Rotten Tomatoes respectively with 92% and 87%. Previews began at noon for 28 Years Later. Tracking spotted this viral infected undead post-apocalyptic movie at an opening between $28M-$30M. The movie reps a return for Boyle as director and Alex Garland as screenwriter after 2002's 28 Days Later. That movie opened to $10M back in the day at 1,261 theaters, while 28 Weeks Later, which was directed by Juan Carlos Fresnadillo, opened to $9.8M back in 2007 at 2,303 theaters. Meanwhile, Disney/Pixar's Elio after two nights of previews is looking to be around $2.5M-$3M. That's the amount of preview cash that Pixar's summer 2023 movie, Elemental, banked before an $11.7M Friday and $29.6M opening. Elio is hoping to clear a 3-day between $20M-$25M. No RT audience scores yet, but critics enjoyed it at 86% certified fresh. Those reviews are stronger than Elemental at 73% fresh which wind up with an audience score of 93% and a solid A CinemaScore. As we mentioned, the best advertisement for Elio is the movie itself. 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