logo
Rihanna's Classics Return As Her New Single Vanishes Almost Immediately

Rihanna's Classics Return As Her New Single Vanishes Almost Immediately

Forbes06-06-2025

Last week, the world was treated to a new song by Rihanna, which is a fairly rare occurrence these days. The singer is otherwise preoccupied with being a mother and running her massively successful cosmetics brand, Fenty Beauty, but she does deliver a track or two here and there, and they are usually associated with film projects.
"Friend of Mine" is set to be featured in the upcoming animated Smurfs film, which is expected later this summer. While there was plenty of excitement when the tune was announced, it didn't prove to be a massive commercial success. Just days after its debut, the cut has already faded, while several of Rihanna's time-tested smashes are back.
Two of Rihanna's most popular songs reappear on the Official Hip-Hop and R&B Singles chart this week. The pair rebounds together and sit side-by-side, as "Don't Stop the Music" reenters the list of the bestselling tracks in those genres at No. 36, while "Love the Way You Lie," one of her collaborations with Eminem, is back at No. 37.
"Don't Stop the Music" and "Love the Way You Lie" rank among Rihanna's 14 No. 1s on the Official Hip-Hop and R&B Singles chart. Nearly half of the 33 tracks she's pushed into the top 10 on the genre-only tally have spent time in the highest spot, and most have racked up more than one frame on the throne.
Rihanna currently fills three spaces on the 40-rung roster. "Stay," her collaboration with Mikky Ekko and a former runner-up, dips from No. 24 to No. 27, and is joined this frame by both 'Don't Stop the Music' and 'Love the Way You Lie.'
"Friend of Mine" didn't reach the Official Hip-Hop and R&B Singles chart, as it was classified under a different genre by the Official Charts Company. Instead, it launched at No. 19 on the Official Dance Singles chart — but it can no longer be found on that ranking. In fact, even though "Friend of Mine" opened on four song rosters across the U.K. just days ago, it now appears on none of them.
The tune started at No. 72 on the Official Singles chart, No. 75 on the Official Singles Downloads list, and No. 79 on the Official Singles Sales ranking. It only managed one frame on each tally, at least so far. That's quite a stark contrast when compared to tracks like "Stay" and "Love the Way You Lie," which have both racked up more than 100 weeks on the Official Hip-Hop and R&B Singles chart.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Andrew Schulz, ‘Podcast Bro,' Might Be America's Foremost Political Journalist
Andrew Schulz, ‘Podcast Bro,' Might Be America's Foremost Political Journalist

New York Times

time13 minutes ago

  • New York Times

Andrew Schulz, ‘Podcast Bro,' Might Be America's Foremost Political Journalist

The comedian Andrew Schulz has risen to arena-headliner status on the strength of his irreverent, defiantly anti-woke standup. His material is a high-energy blend of gleeful raunch and precise observation, all peppered with ethnic jokes, slurs and smack talk. (Which, as much as such a thing is possible, generally comes across as good-hearted or, at least, not meanspirited.) But provocation is not the only trick in his bag. In Schulz's most recent special, 'Life,' which came out on Netflix this year, the 41-year-old moved into more vulnerable and narratively driven territory. It's about his and his wife's experience with I.V.F. (told in highly un-family-friendly language). Despite all his success with standup, Schulz has perhaps become even better known for his podcasting. His shows 'Flagrant,' co-hosted by Akaash Singh, and 'Brilliant Idiots,' co-hosted by Charlamagne tha God, are appointment listening for millions, not just for humor but for political discussion too. That relatively newfound breadth and Schulz's ready embrace of disparate subject matter — from politics to sports to theology to culture writ large — has led to him becoming a star of the so-called online manosphere. Although that term, or 'podcast bro,' or any other potentially reductive label one might apply, would most likely frustrate the entertainingly pugnacious Schulz. But whatever you want to call him or his corner of the online world, it's influential. Donald Trump went on 'Flagrant' last fall ahead of the presidential election, and progressive politicians like Bernie Sanders and Pete Buttigieg have been guests on the show this year. For me, that raised questions about what Schulz's bigger goals are, and what responsibilities might come with his growing influence. Subscribe: Apple Podcasts | Spotify | YouTube | Amazon | iHeart | NYT Audio App In the last four or five years, you've really blown up. What has shifted in the culture to enable you to come to prominence? When I started posting stuff on the internet, specifically standup, things changed for me. I was trying to get an HBO special or, back in the day, Netflix is just coming to prominence, or Comedy Central. I was trying to get anything, and I couldn't get any motion with standup. So out of desperation, I filmed my own special, pitched it to everybody, nobody wanted it, and I was like, I'm going to put this online. At the time there was a sensitivity, especially in corporate America, about edginess and jokes. So my gamble was maybe if I put this out on YouTube, there will be an audience that likes this type of comedy. I put it out, and a weird thing happened: Everybody only watched 20 minutes. So I put out a 20-minute version of it, and the next weekend, I sold out a comedy club. The next weekend I sold out another one. I was like, Whoa, there's really something over here on the internet, and I can be my authentic self with comedy despite what the cultural sensitivity of the time is. You obviously have clear ideas about what works with audiences. Does that create a temptation to pander? If you actually are trying to create something authentic, you're going to make less money, but you maintain your integrity. Oftentimes what happens is you'll have an opinion that's maybe a little different, and you'll be rebuked for that opinion for years, and then people will start to come around. Then the same people that rebuked you will start echoing those sentiments with no accountability. We had Bernie on the pod, who I love. Want all of The Times? Subscribe.

In its third season, ‘The Gilded Age' is as staid and sudsy as ever
In its third season, ‘The Gilded Age' is as staid and sudsy as ever

Washington Post

time28 minutes ago

  • Washington Post

In its third season, ‘The Gilded Age' is as staid and sudsy as ever

'The Gilded Age,' by virtue of its focus on moneyed late-19th-century decorum, is the current HBO drama that hews most closely to network broadcast standards. Indeed, the show was originally tipped for NBC before it got a Bertha Russell-approved status glow-up to the premium cable streamer. But while it eschews the brutality of HBO's reputation-burnishing series such as 'The Sopranos' or 'Game of Thrones,' it induces similar ethical cartwheels in the viewer. We're invited to cheer the victories of an amoral robber baron and his Machiavellian wife, whose campaign to conquer the old-money battlements of 1880s New York forms the overarching narrative of the series.

Jay Ellis Considers Colson Whitehead His Literary GOAT
Jay Ellis Considers Colson Whitehead His Literary GOAT

New York Times

time29 minutes ago

  • New York Times

Jay Ellis Considers Colson Whitehead His Literary GOAT

So far this year, Jay Ellis has played a basketball coach in the Netflix comedy 'Running Point' and a record-setting M.V.P. in the action movie 'Freaky Tales.' This summer, he's swapping free throws for freestyles as he steps into the role of a hip-hop star in the Off Broadway play 'Duke & Roya,' at the Lucille Lortel Theater. The drama finds him stumbling into a cross-cultural romance with life-threatening consequences. 'At first glance,' he said, 'there's no reason why you think these two people would ever hit it off.' He added: 'We're in a world where everyone yells, no one listens. Everybody really just wants connection, to be seen, to be understood, and I just loved the idea that these two characters do.' Ellis, 43, temporarily relocated his family of four to New York from their home in Los Angeles. One particular aspect of the local culture suits him well. 'I absolutely love pizza,' he said, name-dropping his latest find, Fini. 'My daughter took a bite and was like, 'Why don't we have pizza like this in L.A., Daddy?'' Want all of The Times? Subscribe.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store