Neo Cinema Content Distribution Platform and Creator Marketplace Escape.AI Debuts in Beta
Escape.ai, a neo-cinema content distribution platform and creator marketplace founded by 'The Matrix' VFX Oscar winner John Gaeta, has debuted in beta.
The aim of the platform is to allow filmmakers, digital artists, and game creators to showcase and monetize original content while offering audiences a curated viewing experience. It aims to attract content creators using generative AI, game engines and other emerging production technologies.
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'Escape.ai caters to a new generation of viewers looking to discover a new generation of bold, innovative stories and connect directly with the people producing them,' Gaeta said, adding that he hopes to attract interest from viewers who 'like edgy-fun shows like Love Death + Robots or the type of stories spun from game worlds.'
Of the opportunity for content creators, he added, 'escape.ai champions the autonomy and growth of the newest class of creators by removing old system obstacles, increasing visibility for new voices, harnessing emergent technologies and enabling a vibrant community between artists, fans and supporters. Previously, this combination of qualities was desperately lacking for audiences and creators alike.'
Escape.ai is designed to help creators monetize their work through direct fan support, merchandise offerings, and creator-specific subscription options.
Said Gaeta,'escape.ai champions the autonomy and growth of the newest class of creators by removing old system obstacles, increasing visibility for new voices, harnessing emergent technologies and enabling a vibrant community between artists, fans and supporters.'
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She is so diabolical in that moment, she's so horrible and so nasty. So to be that manipulative and go in there and do that to him like that. I just felt that would be so incredibly fun to do. "Disturbia" is such a great thriller, and you played the mom of Shia LaBeouf's character. Off set, did you feel that same dynamic with him? Not so much. I had just had my second baby, and I was not really that open to working at that particular moment. I had a 2-year-old and a new baby. I remember my team at the time going, "We really think you should do this." And very rarely did they do that; they really respected my need for being home. I do feel motherly to younger actors now, but back then, I didn't feel that. I really liked Shia and thought he was really talented and cared a great deal about him, but I didn't feel like that. You were literally feeling motherly to your own child. Yeah. I was wondering, how I am going to do this? Was your baby on set with you? Yeah. We shot that in LA. I remember getting pulled over on the freeway, nursing him in his car seat at night while I had someone driving me. He was crying so hard to be fed. I was crying. I was thinking, I can't do this. But you figure it out. I did not get a ticket. I was crying, and the baby was crying. I think the cop was just like, "You need to go home." And I was like, "I know!" After "Disturbia," was that the time when you decided to focus more on being a mother than acting? Oh, yeah. I think I had my first child after doing "The Matrix." I think for the premiere of the second one, I was pregnant. It all changed. I was one of those people who didn't even want anyone else to hold my baby. It was all encompassing. It was feeding me so much that it wasn't like I made any kind of mental decision. I actually, physically, couldn't do the work. And I didn't have a built-in support system, and I didn't want it. So when I worked after I had kids, it was, "Can I get help?" So that was really hard. And it sounds so corny, but I would get offers and think about it, especially when my kids were really young, I just thought, at the end of my life, am I going to care that I did another movie or if I held my baby? It was a no-brainer. I have to say I lost a lot of my ambition for the business. But now that the kids have grown, has the drive returned? Yeah, totally different. I don't know if you have ever seen that movie "Searching for Debra Winger." I watched it again recently, and what Debra Winger said is that there's a season for everything. There's a season to be a struggling actor and eating chips and salsa and a little bit of sushi and having enough money to have a coffee — I mean, that was my life. I wasn't going on vacation. I worked a lot because I never went anywhere. So when everyone went home at Thanksgiving, I would get the job. I couldn't afford a plane ticket home. You have your very focused and driven time of really wanting it and fighting for it, and then, for me, a change happened when I had kids. I remember when I went to do "Jessica Jones," it was very jarring. I went to work in New York, and I was commuting a lot, and I literally felt like I didn't even know how to talk to people. I didn't know how to do Uber. Krysten Ritter had to show me how to do it. I mean, going to set and everyone having phones, that was a real culture shock for me. You're doing a take, and the dolly grip is on his phone. It was like, "When did this happen?" It's great to see you working more. You were fantastic in the brief time you were on "The Acolyte." Was it explained to you, going into taking the role, that you would die in the first six minutes of the first episode? Yes. [Show creator] Leslye [Headland] really pitched that to me that she really wanted me to do this because she wanted it to be believable. Did you like that idea? I didn't really think about it. I think the reaction to it from the fans, I kind of thought, "Wow, how did I not think of that?" What was the first movie of yours that you showed your kids? All of them have seen "The Matrix" at a certain age. Did you introduce it to them, or did they come to you and say they wanted to see it? Yeah, it wasn't like, "Hey, I really want to screen a movie for you." They knew it, maybe their friends talked about it. This was by the time they were 12 or 13. All their friends came over, and I made popcorn, and all the moms approved; it was a big thing. I remember when my oldest saw it for the first time, the look of shock on his face because I was the mom who said, "Don't use that stick as a gun, we don't play with guns in this house." [Laughs.] That made me really laugh. When your kids realize you had a whole life that they have no idea —like, "Who is that person?" — that's how it should be. Your kids should be the center of their own world. I've always been very sensitive to that. Kids who have parents who are actors, it's often their parents are the center of attention, they get a lot of attention when they are out in the world. I always stepped back and didn't want that for them. This interview has been condensed and edited for clarity. "FUBAR" season two is now streaming on Netflix. Patricia Clarkson's biggest career regret? Losing out on a role in 'Big.' Jason Isaacs explains what he thinks happened to the Ratliffs after they left the White Lotus Joining the MCU was the best business decision Elizabeth Olsen ever made Read the original article on Business Insider
