‘Etoile' Canceled at Amazon After One Season — Despite Two-Season Order
Amazon's Prime Video has canceled Étoile after a single season — even though the streamer had initially asked for two.
The news comes about six weeks after the series, from Marvelous Mrs. Maisel creators Amy Sherman-Palladino and Daniel Palladino, premiered its full eight-episode season. Étoile is set in the world of ballet and centers on the heads of historic but struggling companies in New York and Paris (played by Maisel alum Luke Kirby and Charlotte Gainsbourg) who decide to swap their principal dancers.
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Prime Video gave the show a two-season, straight-to-series order in 2023 as The Marvelous Mrs. Maisel was in its final season. Such deals often have contingencies, however, by which a streamer or network can opt out after part of a multi-season order. That was the case with Étoile.
In the three weeks of Étoile's release for which data is available, the show has not dented Nielsen's top 10 streaming charts. That would make a second season of the pricey series, which filmed on location in New York and Paris, a tough sell. Amazon MGM Studios, which produces the show and where the Palladinos have an overall deal, is also going through a leadership change: Former studio head Jen Salke, who greenlit Étoile, left Amazon in late March (though she struck a producing deal on her way out). TV chief Vernon Sanders and film boss Courtenay Valenti continue to run their respective divisions, now reporting directly to Mike Hopkins, head of Prime Video and the studio, rather than Salke.
Along with Kirby and Gainsbourg, Étoile stars Gideon Glick, Lou de Laâge, David Alvarez, Ivan du Pontavice, Taïs Vinolo, David Haig, LaMay Zhang and Simon Callow. Sherman-Palladino and Palladino executive produced the series with Dhana Rivera Gilbert. Scott Ellis was co-EP.
Deadline first reported the news.
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Yahoo
4 hours ago
- Yahoo
'Étoile' has been cancelled, but no one blends dance and humour as brilliantly as Marguerite Derricks
One of the most devastating entertainment losses of the year is certainly the cancellation of the show Étoile after just one season, from Gilmore Girls, Bunheads and The Marvelous Mrs. Maisel creator, Amy Sherman-Palladino, and her husband Dan Palladino. But with that puzzling move from Prime Video, there's no better time to celebrate all the talent in the short lived series. That includes Marguerite Derricks, an incredibly beloved and impressive choreographer who's worked on Palladino's previous projects. Additionally, she's contributed her talents to the series Behind The Candelabra and movies including Showgirls, 13 Going On 30 and the Austin Powers franchise. But in terms of what makes the Palladinos such effective collaborators, Derricks stressed that they way they shoot dance in their shows is done in a way where there's a real "marriage of the camera with movement." "For a choreographer, there's nothing greater than that," Derricks told Yahoo. "On Bunheads I started to play with them that way, and it's carried on through four different TV series." "It's just made me such a better choreographer. ... I wish every choreographer would find collaborators like Amy and Dan, because there's nothing like it." One example of how Étoile really makes the dance in the show an integrated part of the story is the Swan Lake moment with Tiler Peck in Episode. It's a dance moment, but written in a way that's injected with humour. "That was written by Dan Palladino and ... when they sent me the outline for the script I literally was laughing out loud," Derricks shared. "I couldn't wait to attack that and to have Tiler Peck be the one that got run over by the swans, it was just such a gas." "Their comedy genius is always on the page and then I just put it into motion. I've worked with comedians my whole life, so it's something that I really, really enjoy, but it's always there on the page. There's never, a question mark for me with Amy and Dan, they're so clear." Another highlight is a piece choreographed by Gideon Glick's character Tobias Bell in Étoile. A character that's hysterical with his quirkiness, brought out in the character's choreography as well. "That was my big voice in the show," Derricks said. "I love Gideon Glick. He is the coolest, craziest human being. He would come and watch me and he thought I was funny because I kind of stalked the dancers like a lion. And so he wanted to pick up on that." "And I studied him and I like his quirks, and I wanted to make sure that that's what was driving me a lot with the choreography. So I the two of us, we kind of became one, we became Tobias together." While Étoile certainly isn't a show that requires the audience to have a dance background to enjoy, there was still such a commitment on the show to make its dance spaces and dancers feel real. What the dancers are doing before classes, what they're doing in the hallways, every detail was thought of to make these moments look authentic. "That was the first thing [Amy] talked about with every department head, we all knew that was our marching orders," Derricks explained. "I kind of had a little bit of a sense of that from working on Bunheads with her, but now we were going from a young kids school to the professional world, and so ... we did our research to make sure that everything was really up to par." "Tiler Peck was a student of mine. I would call Tiler and ask her questions, and it was very important to us that, when this show came out, that the ballet world would give us a thumbs up on it. ... There's been so many shows out there that have been done in a way where it's not authentic. So for me right now, the feedback I'm getting from the ballet world is the greatest thing that I could have ever hoped for." Much of what happens in the "Hollywoodization" of dance, specifically ballet in film and TV, largely sees talented dancers be nameless and on the periphery of the project. But in Étoile, Sherman-Palladino made wanted to use there dancers to their full potential, and crediting them for their work. "That was the most exciting thing for me," Derricks said. "Every single dancer that came into our show, [Amy] read them for parts. She wanted to cast the dancers. She wanted to hear their voices. I want to scream from the rafters, because that's happening more and more, but it really happened on [this] show. ... Dancers are so great at telling stories without speaking, so just get comfortable with talking as well. I'm very proud of that. ... The dancers were getting lines, they were so excited." A core element of Étoile is that dancer was very much used to tell the story, it's an integral part of the narrative. But it also immerses the audience in a dance world many haven't had any exposure to, portraying ballet dancers in a different light and as more fully formed characters, held up by brilliant and unique choreography from Derricks. "Ballet is sexy, ballet is strong. Ballet dancers are like football players, the athleticism that they have," Derricks stressed. "I want people to see ballet in a whole different way." "There's a lot of wonderful choreographers out there now doing out the about box, beautiful work, but for somebody that doesn't know ballet, I hope that we can reach a greater audience and turn them on to all sides of ballet."


Buzz Feed
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37 Reviewer-Beloved "Glow Up" Beauty Products
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Geek Tyrant
5 hours ago
- Geek Tyrant
Russell Crowe Joins Henry Cavill in Chad Stahelski's HIGHLANDER Reboot — GeekTyrant
Russell Crowe is officially suiting up for sword-swinging immortality. The Oscar-winning actor has joined the cast of Chad Stahelski's Highlander reboot, taking on the iconic Ramirez mentor role originally played by Sean Connery in the 1986 cult classic. He'll star opposite Henry Cavill, who's already been set as the film's lead. Crowe and Cavil previously appeared in Zack Snyder's Man of Steel, so this project is a little reunion for the duo. This new Highlander is coming from Amazon MGM Studios and United Artists for a full theatrical release, with John Wick mastermind Stahelski behind the camera. The script is written by Michael Finch, and the team is aiming for a a fresh, full-throttle experience. For those new to the mythology, the original Highlander , directed by Russell Mulcahy, followed a centuries-spanning battle between immortal warriors, blending historical flashbacks with gritty present-day sword duels. It became a fan-fueled franchise with multiple sequels, a long-running TV series, and more than a few legendary lines. Yes, there can be only one, but clearly, there can also be reboots. Stahelski seems to be playing the long game. United Artists has secured full rights to the 1986 original, previously developed by Lionsgate, and there's already talk of expanding into a new series down the road. Crowe is next appearing in Nuremberg , alongside Rami Malek and Michael Shannon, dropping November 7. He's also wrapped up a Netflix thriller called Unabom , Walden Media's Cold War drama Billion Dollar Spy , and the Derrick Borte-directed action flick Bear Country . The director also previously teased the action in the film and explained that it will be inspired by the action in the John Wick films. "I'll keep it to the core. Most audiences, I'll use the gun analogy, most of what you know about gunfights or car chases because most of us don't get involved in gun fights, or car chases, or sword fights, we learn through movies.' "And what those movies show you is about 95% bullshit. You don't fight 50 guys with your bare hands and then walk away, but it's fun. It's wish fulfillment. 'So John Wick, we know it's a cartoon – I know it's not – but we also have fun with it. But we do tactical reloads, we try to do fire manipulations, stuff like the professionals do, the military do. But then we have fun with it, you know? Sword work is very much the same."' Cavill previously shared how big of a fan his is of the franchise and then said that the script for the film is 'extraordinary' and that the movie will take some 'big swings.' He said: "I am a Highlander fan, they're great fun movies. Obviously I watched them when I was a lot younger and have since rewatched, but also the TV show. 'I really enjoyed the lore behind it, that sense of a tragic warrior with more of a story to tell than a cool guy with a sword, doing cool things, and this goes even deeper into that. "What they've done so far and we're doing with the development of the script is extraordinary, I think people are going to be really, really pleased. 'Big swings are important, you play it safe, you're going to just go, 'Eh, I suppose it's fine?" but if you take a big swing, people love it or they hate it." Stahelski also previously talked about the movie, saying it will include both familiar characters and "elements" taken from the '90s TV series. "We're looking to do our story [and it] engages a lot of the same characters and stuff like that. But we've also brought in elements of all the TV shows. We're trying to do a bit of a prequel setup to The Gathering.' 'We have ideas for days about how to make the coolest characters and to make that an epic TV show. I just think that's a rich, rich mythology." Stahelski also explained that they are taking the best story elements from across the franchise and implementing it all into one story that will be spread out across a trilogy of films: "I think the TV series hit on a lot of great stuff wasn't in the feature, between the watchers and all the different types of immortals. How do we get this into a feature mode before we dribble it into the TV world? 'Well, let's restructure it in parts, let's look at it like it was a TV show, let's look at it like it was a high-end trilogy. How to we tell the story of The Gathering, The Quickenings, The Immortals and how do we really build this world out even more so than the original project? 'That's what we're restructuring right now. It's taking all the good stuff that we had before I was involved in the project from the script; redeveloping the script to give us really good chapters one, two and three; and expanding the world." He also talked about his vision for the film, saying: " The vision we're trying to get across and what we're trying to develop, I equate very close to Star Wars. The first one is a very satisfying ending but it does leave the door open and that's kind of how I see this. 'I would really like to expand it over three. I see The Gathering happening over three. It's tricky, don't get me wrong, that's why we're still developing it. We want to be able to tell three complete stories that all kind of fit. 'I think the Star Wars trilogy, at least up to The Empire Strikes Back, is a good example of how we want to process it." I very excited about this Highlander reboot and I hope that it delivers something awesome. Source: Deadline