logo
Beloved CKCO host's legacy continues

Beloved CKCO host's legacy continues

CTV News06-06-2025

The legacy of a former CKCO host lives on with the return of a beloved event.
Despite the rain early Thursday morning, nothing could dampen the enthusiasm at the Betty Thompson Golf Classic.
The event is an annual tradition run by the Zonta Club of Kitchener-Waterloo.
Thompson spent most of her career at CKCO in Kitchener. She was welcomed into homes across the country as one of the beloved hosts of the children's program Romper Room.
betty thompson ckco ctv kitchener romper room
Miss Betty (Thompson) on Romper Room.
She was also one of the founding members of the local chapter of the Zonta Club. Throughout her life, her passion for the community was clear as she took on roles at the Salvation Army, the John Howard Society, the Victorian Order of Nurses and the United Way, among others.
In 1990 she was diagnosed with breast cancer. Betty turned her personal tragedy into a public campaign focused on educating women about the importance of regular breast examinations.
She was still alive when the Betty Thompson Golf Classic first began in 1992.
She died two years later.
Despite her death, her indelible mark on the community remains, inspiring others to continue giving back.
'All the money raised is kept locally in our community and all to do with projects involving women and girls,' Brenda Graham, co-chair of the Betty Thompson Golf Classic, said.
Throughout the years, the event has raised over $1.3 million. The goal this year was $50,000.
'Last year we raised $48,000, so we had that money to give back to local projects. We received over $250,000 in applications from various organizations, all with projects for women and girls, that needed funds. We have to pick and choose what we can do and how much we can do. The need is so great,' Graham said.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

2b theatre celebrates 25 years of boundary-pushing work
2b theatre celebrates 25 years of boundary-pushing work

CTV News

time18 minutes ago

  • CTV News

2b theatre celebrates 25 years of boundary-pushing work

Christian Barry is photographed at Soulpepper Theatre in Toronto on Saturday, May 24, 2025. In the early days of his music career, Hawksley Workman ran into Christian Barry, the artistic director of the Halifax-based 2b theatre company, backstage after a show. Barry told Workman he wanted to make something theatrical with him. Workman agreed, but it would take a long time for them to find the right inspiration. 'It took years and years of emails back and forth to arrive at a subject,' Workman said. 'I bet that took 15 years.' Eventually Workman, who wanted to do something that focused on hedonism and balance, settled on the idea of adapting The Bacchae, the Greek tragedy about a king who is punished for rejecting Dionysius, the god of festivity. Workman and Barry started piecing together the show that would come to be known as 'The God That Comes,' improvising elements for the one-man show. Workman admits there was a learning curve for him. 'Theatre people love process,' he said. 'Rock and rolls guys like to write the song and get to the gig. Theatre people don't mind building something and tearing it apart. I was really frustrated with Christian at the start. 'Once I got a little more comfortable, we worked and poked away at that show for about three years before it went to stage. We'd set up a stage and I'd be almost forced into improvisation.' 'The God That Comes' debuted in 2013 and took Workman around the world for years with performances in the United Kingdom, New Zealand and Australia. It was a major show for 2b theatre as it demonstrated the fusion of theatre and music that would define them for years to come. 'We're making theatre that incorporates music, or music that incorporates theatre,' Barry said. 'It's driven by a narrative. 'God That Comes' was the first of those. It blew the doors open to the touring scene.' 2b theatre is celebrating its 25th birthday this month by reflecting on major shows like 'The God That Comes' and looking to the future. It will be bringing together past collaborators for a special concert on June 25. 'From the beginning I had a deep interest in music,' Barry said. 'Music was a first love of mine. The idea of working with musicians was core to my idea of what great original theatre could be.' Origins Barry co-founded Bunnies in the Headlights Theatre with several friends in 1999. He said the name referred to being open and honest under the theatre lights, but they ultimately rebranded to 2b theatre. 'Who was going to let us direct anything? The theatre scene in Halifax felt particularly hard to break into at the time,' Barry said. 'It didn't seem like anyone would give the keys of the car to a 19-year-old. We wanted to make our own work.' Barry said they reconsidered their theatrical model around 2004 and began looking at touring original pieces. 'If you're going to take three-to-five years to make an original work, you don't want to just do it for two weeks in Halifax,' he said. Old Stock Following the production of 'The God That Comes,' Barry started working with East Coast musician Ben Caplan in 2015 on a project that would be performed more than 400 times in 37 cities: 'Old Stock – A Refugee Love Story.' 'It was a magic stroke of luck as far as I was concerned,' Caplan said. 'I got a call from Chrisitan Barry who said he was a big admirer and he wanted to make a musical. I didn't really know him at all, but it sounded great. I'd always had an interest in theatre.' Ben Caplan Ben Caplan, a Nova Scotia musician, is seen in Halifax on Wednesday, March 6, 2013. (Andrew Vaughan) Caplan said they wanted to explore Jewish identity with the piece, but he had trouble finding an angle for the songs until he watched the 2015 federal election leadership debates. '(Stephen) Harper talked about 'old stock' Canadians,' Caplan said. 'It really got under my skin. I thought it was a dog whistle. When does somebody become Canadian? Where does the line get drawn? 'Thinking about that kicked off the deeper artistic process. This needs to be an immigration story, a story about refugees. We'll use a Jewish story to think about the universal story.' Caplan and Barry slowly brought the show to life, ultimately debuting it in 2017. It received six Drama Desk Award nominations and was a New York Times Critics' Pick. 'It has the right level of artistic integrity and having a deep meta narrative,' Caplan said. 'Unfortunately, the issue has only become more present in our daily lives and political conversations, this idea of who belongs and who doesn't belong.' Future productions Currently Barry is working with Halifax musician Aquakultre on a show that's set to premiere in 2026. 'Music is the most direct way to the heart,' Barry said. 'Sometimes with theatre people can be intimidated. We make plays about modern existence.' Aquakultre Aquakultre performs during the East Coast Music Awards in Halifax on Thursday, May 4, 2023. (Darren Calabrese) Workman, Caplan and Aquakultre will perform select songs from their 2b shows at the June 25 celebration at the Canadian Museum of Immigration. Looking back at the last 25 years, Barry said he's glad he's been able to represent Halifax theatre on a global stage. 'We just wanted to make original works in Halifax and stay home,' he said. 'It's a tried-and-true path to go to Toronto. We made our own opportunity.' The June 25 show kicks off at 7:30 p.m. For more Nova Scotia news, visit our dedicated provincial page

He left the Moscow symphony in protest. Now he's helping a small B.C. town take centre stage
He left the Moscow symphony in protest. Now he's helping a small B.C. town take centre stage

CBC

time3 hours ago

  • CBC

He left the Moscow symphony in protest. Now he's helping a small B.C. town take centre stage

Arthur Arnold faced a big decision in February of 2022. He was the music director of the Moscow Symphony Orchestra when war broke out. "I was flabbergasted that Putin invaded, that he invaded Ukraine," he says. "I came to the conclusion I just I cannot live with myself if I don't take a stand." So he asked the orchestra if he could speak out. They said no; it would put them all in danger. "That left me with only one thing and that was to resign and with that to make a protest." Arnold stepped down, a decision he says he's never regretted. In fact, he says it's given him more time for his work in what might seem like an unlikely location: Powell River, B.C. An isolated city of 13,000 people on the west coast, it takes two ferries to get there from Vancouver. The town used to be centred around its big pulp and paper mill. But now that it's closed down, residents hope that arts and culture — and people like Arthur Arnold — could be its future. Arnold first visited Powell River in 2000 to guest conduct at the Kathaumixw International Choral Festival. He enjoyed it so much he started coming back each year. But he fell in love with more than just the city and its surroundings, the ocean and mountains. It's also where he met his future wife, Kim Stokes, solidifying his connection to Powell River. He had been travelling between Moscow, Powell River and his home country of The Netherlands for years by the time the war broke out. Arnold says leaving his job in Moscow gave him the time he needed to focus on an event he started in 2012 while living in Powell River part time — the Pacific Region International Summer Music Association (PRISMA). It's a two-week classical music festival held every year at the end of June. Students from around the world are chosen to attend, where they learn and perform alongside guest artists from major orchestras. Thousands attend the final performance held outside on the beach. That's where the Tla'amin First Nation have performed traditional songs backed up by a full orchestra. Drew Blaney, Tla'amin culture and heritage manager who also sings and composes the traditional music, says he appreciates how Arnold involves him in the planning process. "It's not some token thing that we're being there to do a land acknowledgement, or we're just there to check a box of 'we invited the natives here.'" 'It just calmed the entire room' But start asking around in Powell River and it becomes clear that Arnold's influence on the town goes far beyond the festival. "It's like having Wayne Gretzky leading your minor hockey program," quips the town's mayor, Ron Woznow. Arnold has shown up to play his cello at particularly heated town council meetings. "It just calmed the entire room," recalls councillor George Doubt. "I found it spiritually uplifting for him to do that." He also remembers finding Arnold playing his cello at the clinic when he went to get his first vaccination during the height of COVID. "I think it makes everybody think about how they fit into the society and what they can do to make life better, which is what I see Arthur trying to do." Coping with the mill closure Doubt says he hopes Arnold's work will help fill another void in Powell River — an economic one left by the closing of the town's major employer, the pulp and paper mill. It officially shut down in 2023, laying off hundreds of people. But at its height, 4,000 people worked there. Negotiations are underway for another industry to move into the site, but in the meantime, the mayor says the city is operating with $7 million less in tax revenue. "There is some hope that the more cultural events we get going, the more people know about them, the more we'll bring that industry, the cultural industry, here to take over the forest industry," said Doubt. Part of that cultural industry could centre around another project of Arnold's. He was looking for a new office for PRISMA when he stumbled across an empty space in an historic building overlooking the mill and the ocean. He secured government funding, and now construction is underway to turn it into a performance hall with office space and storage for community arts groups. Arthur is quick to acknowledge that the history of Powell River is what makes a project like this even possible. "I think we stand on the shoulders from generations before us," he said. "It's not something that you can just start." In addition to the rich cultural heritage of the Tla'amin First Nation, the region's connection to the arts go back to the early 1900s, when the Powell River Company was formed to build Western Canada's first pulp and paper mill. The company was starting the town and mill from scratch so they could plan everything, right down to the type of workers they wanted in the community. "Originally, there was a vision that culture was extremely important, so both sports and arts, mostly music, was very important right from the very beginnings of this community," says Rob Southcott, a city councillor who was born and raised in Powell River. The company was following an urban planning approach called the Garden City Concept, which prized, among other things, a sense of community. To that end, the company hired people to work at the mill who were also musical. Arthur Arnold says that's part of the reason there's so much music in Powell River today. "That seed has been planted and it spread and the music trees grew, and here we are." All musicians needed For Nancy Hollmann, Arnold's impact has been personal. When she moved to Powell River in 1966 to teach arts and music in school, she quickly got involved in the arts community, leading choirs and playing piano wherever she was needed. But at 89, Hollmann is long retired. Her foray back into the music scene happened after she attended one of the first concerts of a new amateur symphony that Arnold had been supporting. "I noticed that they didn't have a bassoon. And I just, silly me, I mentioned to somebody, 'oh, I played bassoon 40 years ago, but I haven't played it since,'" recalls Hollmann. Word reached Arnold and he asked if she'd take it up again if they found her an instrument. "And I said, 'I'm 80 years old. I probably would die if I tried to blow a bassoon. And he said 'but what a wonderful way to go.' And that's why I borrowed a bassoon from the school district because I'm relearning it." Today she's proud to say she's the oldest person in the symphony. His work in Powell River may seem humble compared to leading the Moscow Symphony Orchestra. But Arnold says, in many ways, it's the same work he's always tried to do. "Community building is something really beautiful," he says. "Music is the perfect vehicle to do that. We understand music deep inside. To connect people through music is one of the most beautiful things that I can think of, and I feel very privileged to be able to do that." The setting just makes it all the more meaningful, he says.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store