Doctor Who confirms surprise new-season plot twist role for Graham Norton that's "not just a cameo"
Graham Norton has been confirmed to guest star in a new episode of Doctor Who.
The beloved sci-fi show is due to return with its 15th season on April 12, marking Ncuti Gatwa's second season as the Doctor.
It's now been confirmed that Norton will appear in the season's sixth episode on May 17, titled 'The Interstellar Song Contest'.
The episode will follow the Doctor and his new companion Belinda Chandra (Varada Sethu) as they travel to the 803rd Interstellar Song Contest – where planets from across the universe compete for the top prize.
Norton – who has served as the BBC's television commentator for the Eurovision Song Contest since 2009 – will appear in the episode, and showrunner Russell T Davies has confirmed "it's not just a cameo".
Related: Best streaming services
"There's no song contest without the great man himself, and it was an honour to welcome Graham Norton to our studios in Cardiff," he shared.
"And it's not just a cameo, he has a whole plot twist all to himself! This is the wildest episode of all, and we're lucky to have Graham adding to the mayhem."
The episode will also include guest appearances from Unforgotten's Charlie Condou, Slow Horses stars Kadiff Kirwan and Freddie Fox, presenter Rylan Clark, and Miriam-Teak Lee.
Related:
Meanwhile, it was confirmed earlier this year that The Traitors US host Alan Cumming will guest star in the second episode of the season, voicing a character named Mr Ring-a-Ding.
Mr Ring-a-Ding is described as a "happy, funny, singalong cartoon, who lives in Sunny Town with his friend Sunshine Sally.
"However, in 1952, after years of repeats in cinemas across the land, Mr Ring-a-Ding suddenly looks beyond the screen and sees the real world outside – and the consequences are terrifying."
Take our interdimensional Doctor Who quiz!
Doctor Who airs on BBC One in the UK and Disney+ elsewhere. Classic episodes of Doctor Who are available on BBC iPlayer in the UK.
Interested in talking about Doctor Who? Visit our dedicated sub-forum
Read more Doctor Who news on our dedicated homepage at sky.com at Pandora at at amazon.co.uk at at digitalspy.com at Apple at disneyplus.com at amazon.co.uk at amazon.co.uk
You Might Also Like
PS5 consoles for sale – PlayStation 5 stock and restocks: Where to buy PS5 today?
IS MISSION: IMPOSSIBLE 7 THE BEST IN THE SERIES? OUR REVIEW
AEW game is a modern mix of No Mercy and SmackDown
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Forbes
3 hours ago
- Forbes
Bubba Ray Responds To R-Truth, Makes Bold Prediction About WWE LFG
WWE LFG Season 2 premieres June 22, 2025 on A&E. If Bubba Ray Dudley (AKA Bully Ray) was a catchphrase, it would be 'That's my story, and I'm sticking to it.' As a no-nonsense curmudgeon with a heart of gold, Bubba Ray took to coaching the Season 1 cast of WWE LFG like a duck to water. Bubba showed a soft spot for potential prodigies in Zena Sterling and Drake Morreaux, but never hesitated to default to mean Uncle Bubba when he was shown disrespect. This manifested itself several times through the season-long beef alongside Season 1's habitual line-stepper BJ Ray. Jasper Troy (Team Booker T) and Olympic gold medalist Tyra May Steele (Team Undertaker) prevailed in Season 1, however neither was under the tutelage of Bubba Ray. Now back for Season 2, Bubba Ray is picking up where he left off. Bubba back as a coach in Season 2, where most of the Season 1 cast will be returning alongside new coach Michelle McCool and new talent Trill London, Hayley Montoya and Karyn Best. Bubba was also in rare form throughout this informative, if not heated, interview. Bubba Ray On Season 2 Of WWE LFG Bubba Ray Dudley: Alfred, before we get started- Alfred Konuwa: Let's go, let's go. BRD: Have you ever buried me on social media? AK: I don't believe I have. BRD: You don't believe you have? AK: No, because— BRD: Ah, ah, ah, ah, ah When Uncle Bubba talks you listen. Have you ever spoken disparagingly of me on the old Twitter machine? AK: My answer to you is: I do not think so. But because you're bringing this up, can you let me know what I may or may not have said? BRD: No, I'm asking you a flat…you would know if you talked bad about me. It's a yes or no question. AK: My answer is no because I've always put you over. BRD: Then we can proceed. As a matter of fact, since you put me over in the past, why don't you put me over some more? AK: I will (laughing), because one of my most viral tweets is when I said that I thought the Bully Ray character in TNA is a top five heel all time, without any qualifiers. And I can't tell you how many people I fought. Now, I'm not one of these people who stays on Twitter all the time and cares about what people tweet about me. But that was one where I got a lot of blowback about it and I stood on business about that. So no, I've said way more good things than bad, if I've said any bad things about you. BRD: Uh, uh, uh you almost slipped up there, Alfred, you almost... At, at, we almost caught you. AK: (Laughing) Okay, but I'm positive I've never buried you on social media. BRD: So, doesn't Forbes always do like their Top 100 or Top 500 or something like that? AK: They do do stuff like that. They have the 40 Under 40, Top Real-Time Billionaires etc. BRD: So is this like for the Top 10 Most Handsome Men in Professional Wrestling? AK: We could make it that. Why not? BRD: Because we all know by listening to 'Busted Open' every day and there's super sexy swinging sounds of Uncle Bubba's sandpapery smooth voice, that I am one of the most handsome men in professional wrestling. You would agree, right? Alfred? AK: I would agree that you are a Top 5 handsome man, without any question, without any qualifiers. BRD: (Laughing) You may ask your questions now, Alfred. AK: Absolutely. Well, I want to start by, of course thanking you. Again, big fan of yours. I don't care what anybody says. You are obviously an all-time great and you're coming back for season two of LFG. I would like to know, just based on Season 1, seeing everybody's coaching styles: Booker T, Undertaker's coming back, Michelle McCool is going to be there. Who do you feel is your biggest competition in terms of the coach? BRD: Actually, I have no competition because I don't look at it as a competition. And that's a genuine answer. We all have very unique in coaching styles. Obviously myself and Booker having wrestling schools over the past 15 to 20 years, Booker with Reality of Wrestling in Houston, Texas, myself and my brother D-Von with the Team 3D Academy down in Orlando, Florida, Booker has pumped out a lot of talent that has made it to the top. We have pumped out so much talent that has made it to the top of all wrestling companies. So, we have our very unique styles. As a matter of fact, as much as me and Booker break each other's chops about so many things, we agree on nine out of 10 things that will come up about the way we train. And we often find ourselves using the same terminology or the same methods to help pass down the knowledge. This is very new for the Undertaker. This is new because we're seeing more of the Undertaker than we probably ever have seen before. As a matter of fact, the word on the streets is that Undertaker is too nice on season one. Will we see a meaner, more stern Undertaker on Season 2? And Michelle brings a different set of eyes and ears for the women. I think Mickie James did a phenomenal job in season one. Mickie became like the mother to these future greats. I don't think Michelle McCool has that same vibe with them, but she is now a Hall of Famer, four Hall of Famers, four legendary talents up there, all judging these 16 future greats. It's not a competition to me. I want to see all 16 of these future greats take steps forward. But mostly, I want to see Zena Sterling do in Season 2 what should have happened in Season 1. And that is her being given that NXT contract and moving on to become the star that Zena will become. AK: I'm glad that you brought up Zena because there's a lot of familiar faces we're going to see an LFG from Season 1. Are there any names that come to mind that after seeing and working with this talent in Season 2, where your opinion has either gone up or down about them? BRD: Not my opinion because I'm pretty dead on balls accurate, once I meet you for the first time. I've been doing this for a while so I can kind of figure it out within the first five minutes. It's like a song. I know within the first five seconds whether I know a song or not. And I can tell you within the first five minutes whether or not I think a talent will pan out, and whether or not I think they have the right personality for our industry. There are however talents that have come out of their shell, that at first you say to yourself, "I'm not quite sure if we're ever going to see this person's real personality." And then somehow, some way it shines through. On the women's side, it's Sirena Linton, the girl who, Season 1, told us the story about how she watched her dad get deported and her brother get killed at an early age. And we saw the emotion out of her. She really didn't do too much in the first half of Season 1. She started to shine at the end of Season 1. And in Season 2, we're seeing more of that inner spicy side of her come to life, a lot more confidence in Sirena. And she's going to be interesting to watch. On the men's side, I got two words for you: Elijah, mother-trucking, Holyfield. I'll say those two words again. Elijah, mother-trucking, Holyfield. Elijah, another guy…when I first saw Elijah, I was like, "Oh my God." You want to talk about the it factor when it comes to just the visual? Wow. Dear God. But then he would open his mouth and there'd be nothing there, no confidence, no nothing. But as I spoke to Elijah a little bit more and I watched him and I observed him, very shy, very reserved. One day he said something and I was like, "Aha, there's something there. There's an inner anger, there's an inner volcano waiting to explode." And we saw it happen in the middle of Season 1. And in Season 2, I think you're going to see even more of Elijah Holyfield. You're going to see that bad mother trucker that we all know that he can be. And I think he's going to open a lot of eyes, and I think he's going to get out of the shadow of being the son of Evander Holyfield. AK: That's amazing. And I've already read some of these synopses for the first couple of episodes. And I saw that it says that you revisited some old issues with one Drake, mother trucking, Morreaux. So what are your thoughts about— BRD: Alfred, Alfred, don't ever use my terms. If you want to use my terms, you have to ask Uncle Bubba permission first. And it should sound like, "Uncle Bubba, can I please use your terms? Thank you. XOXO, Alfred." That's for the future. AK: My apologies, Uncle Bubba. BRD: Drake is… really like Drake Morreaux, I really, really do. But I think that's the problem. I think he's too likable. I think I put this Bayou Boogie kind of New Orleans dancing happy, beer-drinking, alligator-juice-drinking, throwing personality on him because I didn't think that the inner badass would come through because he's so nice. So, I gave him something that the people could get behind, that they could relate to. Everybody loves going to New Orleans, everybody loves having beads thrown at them. To me, Drake Moreau came across as a modern-day, Jimmy Boogie Woogie Man, Valiant. And everybody loved the Boogie Woogie Man. But when the bell rang, Boogie Woogie would kick your ass. And that's what I wanted from Drake. Season 2 starts out with a little bit of animosity with me and Drake because I don't think Drake believes in me like I did not believe in him at the end of Season 1. Although, I really wanted to believe in him. So, you'll see the dynamic between Bubba and Drake play out in Season 2. Bubba Ray Reacts To R-Truth's Response To Him AK: Speaking of the dynamic of the happy-go-lucky wrestler who—when the bell rings—they could get serious. You've had some pretty controversial thoughts about one, Ron Killings in saying that you did not necessarily agree with him going so serious so soon. BRD: You're wrong, Alfred. You're wrong. I never said that. AK: Okay. But can I just premise this by saying that him coming back and being more serious, you did have some objections to that. Am I right about that? BRD: No, you're wrong. AK: Can you let me know exactly what you said, and more importantly what you meant? BRD: So, did you listen to everything that I said on 'Busted Open,' or did you listen to clips on the cesspool that is Twitter? AK: Not only did I listen to everything you said on 'Busted Open,' I saw R-Truth's response, who seemed to also take exception to you saying that maybe he should be more of who he was before he got released. And I'd like to know your response to his response. BRD: When Ron Killings came on 'Busted Open,' did he seem as fired up or more fired up on 'Busted Open' as he was on Monday Night Raw? AK: He did seem very fired up. BRD: You're welcome. Because only I can bring that type of level of fire out of people, because I'm off frickin Sith Lord, when it comes to lighting fires underneath asses. It's what I do. And it's a dying art form in our industry. And very few get it. What I said was, I didn't want to hear…and this was just a personal opinion, did not want to hear him refer to himself as R-Truth anymore. I didn't want to hear the Truth theme. It seemed by cutting off the hair, to me was symbolic of him leaving the Truth persona behind. He wants to be serious Ron Killings, then I only want to hear about Ron Killings. Truth is somebody that we were entertained by for 20 years. I was entertained, I laughed with, I laughed at R-Truth, but did I ever really care about R-Truth? I want to care, I want to be emotionally invested. And I want that serious side of Ron Killings that I want to care about the serious side of Ron Killings. That's why I said, "I don't need to hear the Truth name anymore." This was an opinion. This was not like he has to do this, he must do this. And if Truth heard something that inspired him to pick up the phone and call 'Busted Open,' well, as I said in the beginning, you're welcome. I bring out the best and the worst in everybody. Bubba Ray Praises John Cena Heel Character AK: And Ron Killings, we're seeing what I think is the best of Ron Killings because I love this feud that he has with John Cena, who has been very polarizing as a heel. What do you think WWE has gotten right with the John Cena heel character? What do you think they've gotten wrong with it? BRD: I'm not falling into your trap. AK: What's the trap? I'm asking both sides. BRD: What have they done wrong with John Cena? AK: I'm asking the question, I'm not going to say. BRD: And I'm asking you back. You tell me first. What have they done wrong with him? AK: If I could say anything that they've done wrong, which I've enjoyed more than I haven't, I would say that John Cena not changing anything was a misstep. I think it's a great idea that 'I'm not going to give you fans a new John Cena,' I love the psychology behind that. But for John Cena to continue to come out dressed like that, you still see him as John Cena. He still gets cheered. And I think if he was a completely different character, maybe he would get booed more. BRD: Alfred, are you familiar with a band named Kiss? AK: I am. Detroit Rock City, even though I was born in [Milwaukee.] BRD: Okay. Detroit Rock City, probably the greatest opening song of any rock act in history. Kiss wears the same makeup, plays the same songs. Gene Simmons blows the same fire, he spits the same blood, they play Rock and Roll All Night the same way. At the end of every show, they blow the confetti and they say, "Thank you. Good night. We're Kiss." They haven't changed a damn thing. And up until Kiss's very last show on December 31st in Madison Square Garden in 2000 and I don't know, 23, 24, whatever it was, they sold out every single night doing the exact same thing for 20 years. Why should John Cena change a thing? I'm not a big fan of cliches. And here's one, if it ain't broke, don't fix it. You're getting different side of John, a different personality from John. Why does John have to wear different clothing? It's about the personality. I want to react to everything that John Cena says. I want to react to his words, his tone, his inflections, his mannerisms. I don't give a damn what he's wearing, because if I'm booing the clothing, then I'm not booing the man. By the way, all this advice I'm giving you and smartening you up is free. The next round, you pay for. AK: I really appreciate it because I was going to take out a credit line, but now I don't have to. Thank you so much. I wish we could go on and on. You're going to have to invite me on 'Busted Open' one of these days. I love this conversation. I'm going to put you over on Twitter again. BRD: Thank you, Alfred. Appreciate you. WWE LFG Season 2 premieres January 22, 2025 on A&E at 10 pm EST/9 pm Central. All quotes were received firsthand unless otherwise noted.
Yahoo
7 hours ago
- Yahoo
EXCLUSIVE: Jacquemus Is Returning to Versailles for Next Show
ORANGE APPEAL: Simon Porte Jacquemus is returning to the Château de Versailles for his next fashion show, scheduled for June 29 at the tail end of men's fashion week in Paris, WWD has learned. The designer has chosen the Orangerie, which 'Sun King' Louis XIV had built to shelter his citrus trees and palms in the winter, as the venue to unveil his fall 2025 collection. More from WWD KidSuper Creates Hot Bag for Papa Johns' New Croissant Pizza Saint Laurent, Dries Van Noten Return to Paris Menswear Schedule Halle Berry's 2025 Cannes Film Festival Looks So Far: Chanel Suiting, Shimmering in Custom Gucci and More The grandiose stone greenhouse was famously the site of a Dior haute couture show by John Galliano in 1999. Jacquemus, who comes from a farming family in the South of France, has made lemons, straw and other pastoral references part of the fabric of his brand. The designer staged his first show at the famous palace in 2023 that kicked off a brand elevation strategy — and fulfilled a childhood dream. For that runway spectacle, guests were ferried in small rowboats on the Grand Canal to watch models parade puffball shapes on one shore. The French fashion brand returned to the Versailles palace a second time in 2023 for a dinner hosted by Net-a-porter to fete a Jacquemus eveningwear capsule — and it funded restoration work on the canal's borders. 'Supporting such an historical French monument through (patronage) means a lot to me, especially to nurture this relationship in the long term as an independent designer,' he said, confessing that he's been eyeing the Orangerie and 'waiting for the right collection to show there.' 'Le Paysan felt like that moment, a collection that tells the story of where I come from, but also where we're heading,' Jacquemus told WWD. 'The Château de Versailles, to me, represents the proof that dreams can come true.' Jacquemus has been teasing Le Paysan on Instagram, showing clips of ravishing country lanes, a donkey munching carrots, hands busy shelling beans and a boy selling sheafs of wheat at a roadside stand. 'This collection is an homage to my family, my roots, my culture, where I come from,' he wrote. 'It's also where I'm heading, and the dream I'm chasing.' Best of WWD Kate Middleton's Looks at Trooping the Colour Through the Years [PHOTOS] Young Brooke Shields' Style Evolution, Archive Photos: From Runway Modeling & Red Carpets to Meeting Princess Diana The Most Memorable French Open Tennis Outfits With Serena Williams, Naomi Osaka & More [PHOTOS]


Forbes
7 hours ago
- Forbes
London Climate Week Must Harness The Capital's Cultural Power
London is a capital city of creativity What makes London so special? Oh, it has the skyline, the history, and the tourists. But at its heart, this is a city of stories. And that's something climate action needs more than anything else that London is famous for. The UK's capital city is one of the most culturally powerful cities on Earth. From Shakespeare to Stormzy, from punk to pop-ups, London has always been a cultural forge. According to London's Mayor, my home city generates more than £55 billion in creative economy value annually and employs over 1 in 5 Londoners in industries like music, theatre, television, advertising, design, gaming, art, fashion and publishing. London's ad agencies write the slogans that shape brands worldwide. Its stages and studios host the dreamscapes of global cinema. And its cultural exports, whether BBC dramas or Banksy provocations, shape minds far beyond our borders. This is the side of the city that climate action leaders should seek out during London Climate Action Week, which starts today. The Climate/Culture Gap We have ample evidence all around us that climate crisis is no longer a crisis of information. The facts have been available for decades. We don't lack the logic, we're missing the magic. People don't march, vote, invest or invent because they read Intergovernmental Panel on Climate Change reports. They do it because they believe in a better future and because someone, somewhere, helped them imagine it. But we are currently in a storytelling deficit on climate. Too often, our narratives are either numbing doomsday scenarios or dry technical solutions. Both alienate rather than activate. What we're missing are the cultural touchpoints that make climate feel relevant, hopeful and personal. That's where London comes in. To unlock that potential, we need to entice the world's top creatives to engage. Not just through guilt or doom, but by showing that climate action is the story of our time. Culture doesn't wait for permission. It reaches audiences that politics and science can't touch. It embeds values where lectures fall flat. And it can flip the script in an instant. Just think of the impact of Blue Planet II, which triggered a nationwide backlash against plastic. Or Don't Look Up, which sparked millions to talk about climate denial. Or Coldplay's sustainable tour, which turned carbon accounting into a headline act. This is a power I know well. Last year, the global Film & TV industry voted me onto Entertainment & Culture for Climate Action, a new committee of UNFCCC dedicated to engaging the creative sector in climate solutions. I joined because we need a "public mandate" for climate policy. But public mandates aren't summoned by spreadsheets, they are forged in the crucible of culture. Civil rights had protest songs. Feminism had novels. Anti-apartheid had anthems. Climate needs storytelling. The right story changes how you see yourself. A film lets you rehearse the future. A meme becomes a movement. The right cultural stories don't just activate the 'already concerned'. They reach the undecided, the exhausted, the hopeful-but-hesitant. Those who may never walk into a climate summit, but who walk into a cinema or scroll through Instagram every day. That's why culture must be central to climate action. And there's no where better than London for that to happen. The #LCAW Culture Track If you're attending #LCAW then please connect with the 'culture track' of events. Here's just a taster of the many exciting moments relating to creativity, storytelling and the cultural industries: The British Film Institute will be hosting events and screenings all week, including an incredible session with the creators of Toxic Town, Netflix recent hit. Extreme Hangout will also host film screenings, podcast recordings and creative gatherings all week. Monday, June 23 Climate Curious LIVE | The Culture Edition Ad Brake: How to stop advertising fuelling the climate crisis Tuesday, June 24 The Culture Nexus: Creativity and Climate – which I'll be hosting! Thursday, June 26 Animated For Impact The Power of Communications to Inspire and Drive Positive Change Earth Flicks & Chill x Climate Film Festival Poetry for the Planet night Friday, June 27 Sustainability and Climate Action Short Films Screening Also, find The Herds, life-size nature themed puppets that will sweep through London making stops in multiple locations. By putting culture at the heart of LCAW, we're sending a message to the world: that creativity is not a sideshow to climate action. It is climate action. Because London's cultural exports don't stay in London. They become global language. What starts on our streets, on our stages, in our studios becomes the soundtracks and screenplays of climate action everywhere. So, let New York do the money and let Brussels do the diplomacy. London can do the dreams.