How to get Drake UK tour tickets as rapper heads for Wireless residency
Drake has announced his UK and Europe tour dates, following on from his history-making three-night stop at London's Wireless Festival.
The Canadian rapper, who has five Grammys to his name, last visited the UK in 2019 but is set to bring his Anita Max Win tour here in the summer.
Here's all you need to know about where you can catch Drake in the UK and Europe, as well as why his Wireless appearance is so special.
Drake is making a landmark appearance at London's Wireless Festival as part of his UK tour leg where he will, for the first time ever at the event, headline all three nights but with three different sets.
He'll hit the Finsbury Park festival from 11-13 July to mark its 20th anniversary and will be joined by different support acts each night.
View this post on Instagram
A post shared by Wireless Festival (@wirelessfest)
On Friday, Drake begins his Wireless residency with PARTYNEXTDOOR, who he released a recent collaborative album with and who is joining him on tour. They'll also bring special guest Summer Walker.
Saturday sees Drake return to the Finsbury Park stage with The Mandem, while on Sunday he'll wrap things up with special guests Burna Boy and Vybz Kartel. The full Wireless line-up is yet to be announced.
If you can't make it to any of Drake's three nights at Wireless, there are still other options to see him on his tour in the UK and Europe.
He'll travel on to the Utilita Arena in Birmingham on 20 and 21 July, followed by another double set of dates at Manchester's Co-op Live on 25 and 26 July.
The tour heads over to Europe for the rest of the summer, where the rapper will perform in Amsterdam in July. He'll be in Antwerp, Zurich, Cologne, Stockholm, Copenhagen and Milan in August, before moving on to Paris, Berlin, Munich, and finally Hamburg in September.
Singer-songwriter and rapper PARTYNEXTDOOR is touring with Drake after releasing their collaborative album, $ome $exy $ongs 4 U.
Unfortunately for Drake fans who haven't yet snapped up Wireless tickets, most of the festival is already sold out with just the VIP Experience left.
Pre-sale tickets for the UK and Europe dates became available on Wednesday, 4 June, but if you weren't lucky enough to get into the pre-sale there are still chances available to see Drake.
There's another pre-sale on Thursday, 5 June and his tour dates will go on general sale on Friday, 6 June, with all ticket sales starting at 12pm and the waiting room opening at 11:45am.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Hamilton Spectator
31 minutes ago
- Hamilton Spectator
Rejecting Trump's rhetoric, Maine's governor heads to Maritimes to build ties
HALIFAX - Maine's governor is heading to the Maritimes next week with hopes a charm offensive will slow the rapid drop in Canadian tourist visits to her state. In a release issued Friday, Janet Mills says she's aware the historically close relationship between New England and its northern neighbours has been challenged by U.S. president Donald Trump's tariffs and his rhetoric about Canada becoming the 51st state. According to U.S. federal border crossing data released Friday, 85,000 fewer Canadians entered Maine in May than in the same month a year ago, a drop of about 27 per cent. The governor says she will spend three days meeting with premiers, appearing in local media and visiting businesses in hope of sending a message that Maritimers remain 'welcome in Maine' despite Trump's trade policies. On Monday, the governor will stop in Saint John, N.B., where she intends to visit businesses with links to Maine and she then will travel to Fredericton to hold talks with New Brunswick Premier Susan Holt. On Wednesday, Mills will meet with Nova Scotia Premier Tim Houston in Halifax and tour a marine technology centre. Last month, the governor unveiled new, bilingual signs welcoming Canadian visitors, which are being placed in windows around the state. On June 13, in her weekly radio address, Mills said she wants to ensure the 'historic friendship and deeply intertwined economies last for generations to come.' 'It's not just our economies – we are connected so deeply by mutual economic advantages and on centuries-old familial, cuisine, language, and cultural bonds that far supersede politics,' she told her listeners, reminding them that Canada is the United States' closest and most important trading partner. The Democratic Party member said Trump's 'roller coaster tariffs' are unsettling business in her state and 'making our Canadian neighbors feel unwelcome in the United States.' In 2024, nearly 800,000 Canadian visitors spent approximately US$498 million in Maine, according to the state's Office of Tourism. Overall, the data showed Maine welcomed 14.8 million visitors, who spent more than US$9.2 billion, supporting 115,900 jobs and generating US$5.4 billion in wages. This report by The Canadian Press was first published June 21, 2025. Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? Sign up for more at our newsletter page .
New York Post
7 hours ago
- New York Post
Canadian tourism industry goes on offensive, as US travelers ditch Great White North
Canada's tourism industry is going on an offensive — rolling out ad campaigns in US border states to lure Americans back to the Great White North. US travel to Canada dipped by about 10% in recent months, amid the raging trade war between the two neighbors. An American tourist looks confused as he receives a warm hug from a Canadian hotel employee in a new TV ad. YouTube/Tourisme Cantons-de-l'Est Advertisement In one TV ad running across New England and New York, an American tourist – sporting a baseball cap and matching sweater tied around his shoulders – sheepishly whispers to a Canadian hotel front desk worker that he's from the land of the free. The employee looks awkwardly towards him and presses what looks like some kind of red panic button – before bursting out a smile and walking across the desk to hug him. Advertisement Other ads take more of a practical approach, trying instead to appeal to American's pocketbooks. One billboard campaign simply reminds Americans how much further their dollar will go north of the 49th parallel. '$1 USD = $1.43 CAD,' reads the billboard from Destination Ontario, which has been spotted in Detroit and Cleveland, among other border towns. 'Spend less, do more.' Americans make up more than three-quarters of tourists to Canada. Destination Ontario Advertisement American tourists make up the bulk of visitors to Canada – last summer, 78.5%, nearly four out of five visitors to the Great White North came from the US. The drop hasn't been as dramatic as Canadian tourists to the US – who've boycotted the country en masse, leading to a 30-40% fall in air and land travel. But it's sure to make a dent in the tourism industry – according to Statistics Canada, Americans spent $15.3 billion in the country last year.
The Verge
8 hours ago
- The Verge
The music industry is building the tech to hunt down AI songs
The music industry's nightmare came true in 2023, and it sounded a lot like Drake. 'Heart on My Sleeve,' a convincingly fake duet between Drake and The Weeknd, racked up millions of streams before anyone could explain who made it or where it came from. The track didn't just go viral — it broke the illusion that anyone was in control. In the scramble to respond, a new category of infrastructure is quietly taking shape that's built not to stop generative music outright, but to make it traceable. Detection systems are being embedded across the entire music pipeline: in the tools used to train models, the platforms where songs are uploaded, the databases that license rights, and the algorithms that shape discovery. The goal isn't just to catch synthetic content after the fact. It's to identify it early, tag it with metadata, and govern how it moves through the system. 'If you don't build this stuff into the infrastructure, you're just going to be chasing your tail,' says Matt Adell, cofounder of Musical AI. 'You can't keep reacting to every new track or model — that doesn't scale. You need infrastructure that works from training through distribution.' The goal isn't takedowns, but licensing and control Startups are now popping up to build detection into licensing workflows. Platforms like YouTube and Deezer have developed internal systems to flag synthetic audio as it's uploaded and shape how it surfaces in search and recommendations. Other music companies — including Audible Magic, Pex, Rightsify, and SoundCloud — are expanding detection, moderation, and attribution features across everything from training datasets to distribution. The result is a fragmented but fast-growing ecosystem of companies treating the detection of AI-generated content not as an enforcement tool, but as table-stakes infrastructure for tracking synthetic media. Rather than detecting AI music after it spreads, some companies are building tools to tag it from the moment it's made. Vermillio and Musical AI are developing systems to scan finished tracks for synthetic elements and automatically tag them in the metadata. Vermillio's TraceID framework goes deeper by breaking songs into stems — like vocal tone, melodic phrasing, and lyrical patterns — and flagging the specific AI-generated segments, allowing rights holders to detect mimicry at the stem level, even if a new track only borrows parts of an original. The company says its focus isn't takedowns, but proactive licensing and authenticated release. TraceID is positioned as a replacement for systems like YouTube's Content ID, which often miss subtle or partial imitations. Vermillio estimates that authenticated licensing powered by tools like TraceID could grow from $75 million in 2023 to $10 billion in 2025. In practice, that means a rights holder or platform can run a finished track through TraceID to see if it contains protected elements — and if it does, have the system flag it for licensing before release. 'We're trying to quantify creative influence, not just catch copies.' Some companies are going even further upstream to the training data itself. By analyzing what goes into a model, their aim is to estimate how much a generated track borrows from specific artists or songs. That kind of attribution could enable more precise licensing, with royalties based on creative influence instead of post-release disputes. The idea echoes old debates about musical influence — like the 'Blurred Lines' lawsuit — but applies them to algorithmic generation. The difference now is that licensing can happen before release, not through litigation after the fact. Musical AI is working on a detection system, too. The company describes its system as layered across ingestion, generation, and distribution. Rather than filtering outputs, it tracks provenance from end to end. 'Attribution shouldn't start when the song is done — it should start when the model starts learning,' says Sean Power, the company's cofounder. 'We're trying to quantify creative influence, not just catch copies.' Deezer has developed internal tools to flag fully AI-generated tracks at upload and reduce their visibility in both algorithmic and editorial recommendations, especially when the content appears spammy. Chief Innovation Officer Aurélien Hérault says that, as of April, those tools were detecting roughly 20 percent of new uploads each day as fully AI-generated — more than double what they saw in January. Tracks identified by the system remain accessible on the platform but are not promoted. Hérault says Deezer plans to begin labeling these tracks for users directly 'in a few weeks or a few months.' 'We're not against AI at all,' Hérault says. 'But a lot of this content is being used in bad faith — not for creation, but to exploit the platform. That's why we're paying so much attention.' Spawning AI's DNTP (Do Not Train Protocol) is pushing detection even earlier — at the dataset level. The opt-out protocol lets artists and rights holders label their work as off-limits for model training. While visual artists already have access to similar tools, the audio world is still playing catch-up. So far, there's little consensus on how to standardize consent, transparency, or licensing at scale. Regulation may eventually force the issue, but for now, the approach remains fragmented. Support from major AI training companies has also been inconsistent, and critics say the protocol won't gain traction unless it's governed independently and widely adopted. 'The opt-out protocol needs to be nonprofit, overseen by a few different actors, to be trusted,' Dryhurst says. 'Nobody should trust the future of consent to an opaque centralized company that could go out of business — or much worse.'
