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'Boop,' 'Smash,' fuming Tony Awards 2025 won't let them perform

'Boop,' 'Smash,' fuming Tony Awards 2025 won't let them perform

New York Post03-06-2025

Usually, the week before the Tony Awards is a joyful time to celebrate the wonderful work of the Broadway season.
Not this year!
Two big shows were fuming Tuesday that they're being left out of the Tony Awards broadcast on CBS Sunday night: 'Boop! The Betty Boop Musical' and 'Smash.'
5 'Smash,' starring Robyn Hurder, was one Broadway show that the Tony Awards is not letting perform on Sunday night's broadcast.
Matthew Murphy
The Post can confirm that both productions asked to perform, were willing to pay the $300,000 or so that an appearance costs and were told 'Nope!' by the Tonys' producers.
Of course, there is no guarantee any show that was not nominated for Best Musical or Best Musical Revival will get to sing and hoof on the telecast.
Neither 'Smash' nor 'Boop!' are in contention for the big kahuna.
However, the same is true of two productions that will get highly valuable minutes onstage at Radio City Music Hall: 'Just in Time,' the sold-out Bobby Darin dazzler starring Jonathan Groff, and the struggling 'Real Women Have Curves.'
'It's bizarre,' said one Broadway producer.
And it's a pretty catty move. And I'm not talking about Mr. Mistoffelees.
Only three currently running musicals were given the brush by the televised ceremony: 'Boop!,' 'Real Women' and 'The Last Five Years' starring Nick Jonas and Adrienne Warren.
'Last Five Years' got squat on nominations morning, so they don't have a case for crooning Jason Robert Brown's mopey songs.
5 Despite receiving four nominations, 'Boop!' is not performing on the Tonys, while 'Real Women Have Curves,' with two, is.
Matthew Murphy and Evan Zimmerman
But what's weird is that 'Boop!,' with four nominations — including Best Actress in a Musical for its incredible breakout star Jasmine Amy Rogers — has more nods than 'Real Women,' which notched just two.
And yet the real women got a slot.
The Post has reached out to representatives for the Tonys for an explanation.
At the Broadhurst Theatre, everybody is Boop-ing furious.
'Why wouldn't the Tonys want a highly telegenic number from 'Boop'!?,' said a member of Team 'Boop!.'
5 'Boop!' planned to perform the songs 'Where's Betty?' and 'Something to Shout About.'
Matthew Murphy and Evan Zimmerman
The show had planned to perform the impressive dance number 'Where's Betty?,' which showcases director Jerry Mitchell's choreography and Gregg Barnes' clever costumes.
That would then segue into the 11 O'Clock solo 'Something to Shout About' from Rogers, who's so far won the Outer Critics Circle and Drama Desk Awards for Best Actress.
She's in a tough Tony race with Nicole Scherzinger ('Sunset Boulevard') and Audra McDonald ('Gypsy'), but I've spoken to plenty of Rogers voters.
Considering the Tonys begin at 6:30 p.m. on the app Pluto — which I download once a year like a TV Brigadoon — and continue through 11 p.m. on CBS (four and a half hours!), five minutes would go by quicker than you can say 'Boop!'
5 'Just in Time,' which was not nominated for Best Musical, will perform on the broadcast.
Matthew Murphy and Evan Zimmerman
The slight has given fans something to shout about.
'What's been amazing and eye-opening has been the public response,' a moved 'Boop!' cast member said.
'When the Tonys announced which shows are performing, 90% of the comments were outcries about 'Boop''s glaring omission. In fact, there is a fan-created petition circling around to include Jasmine in some capacity. The petition has over 100 signatures in the first hour!'
At time of publication, that Change.org petition had secured more than 800 names.
5 The slight is like something out of 'Smash.'
Matthew Murphy
Over at the Imperial, 'Smash,' the Susan Stroman-directed musical based on the canceled NBC TV series about Broadway backstabbing, has been quieter. But I'm told they also feel like smashing some things.
Actually, the Tonys' totally predictable, self-made mess is a plot-line straight outta 'Smash'!

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Kerry Kennedy allegedly getting $1M+ to save family's reputation — as cousin Caroline is ‘virtually blacklisted' over son's odd behavior
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Kerry Kennedy allegedly getting $1M+ to save family's reputation — as cousin Caroline is ‘virtually blacklisted' over son's odd behavior

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F Kennedy and wife Jackie Kennedy Onassis. Getty Images Nonetheless, according to insiders, Caroline has been 'virtually blacklisted' by some of her cousins over the bizarre social media postings of her son, Jack Schlossberg. The 31-year-old has posted videos of himself making fun of RFK Jr.'s spasmodic dysphonia, a neurological disorder that affects his speech and which other members of the family may also have. Schlossberg has also called the health secretary a 'liar' and a 'guru shaman figure who runs a cult' and taunted Vice-President J. D. Vance and his wife, Usha, joking about having a baby with her and writing, 'True or false: Usha Vance is way hotter than Jackie O' — his maternal grandmother. 10 Robert F. Kennedy was assassinated in 1968 at a hotel in Los Angeles. Getty Images His various remarks prompted RFK Jr.'s daughter, Kathleen 'Kick' Kennedy to previously tell The Post: 'I hope he gets the help he needs.' 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So this category promises to be an epic showdown yet again! The race for Best Musical is harder to predict since so many new tuners have yet to officially announce their runs. But we do know that director Michael Arden (now a two-time Tony winner thanks to Parade and Maybe Happy Ending) will helm a pair of new musicals: The Queen of Versailles, starring Kristin Chenoweth, and a stage adaptation of The Lost Boys. Do you think Arden could add a third trophy to his mantle next year? Steve Eichner/Variety via Getty Images Buchanan: Next year, either Pinkleton or Arden could join the list of only eight directors in the history of the Tonys to win back-to-back trophies, like Danya Taymor tried to do this year with John Proctor Is the Villain, so that should make for a very exciting race! With his two Tony-winning projects plus Once on This Island and Deaf West's Spring Awakening, I know never to underestimate Arden. Queen of Versailles is a huge creative swing, and though I didn't see the Boston try-out, word of mouth suggests it needs some judicious tightening of its runtime and of its tone. Based on critics' reviews, it sounds like the show may be more of an awards contender for Chenoweth and composer Stephen Schwartz than for directing, despite the humongous scope and set of the musical, which centers on real-life billionaire Jackie Siegel and her dream to construct the largest private residence in America. The Lost Boys is the bigger question mark in my mind. Vampire musicals have an infamous track record on Broadway — Dance of the Vampires, Elton John's Lestat, to name just two — but the song officially released by the Rescues, who composed the score, is strong, as is Arden's creative team, so this could be a contender, sight unseen. But before we pivot to the play categories, let's stick with Chenoweth and dive into Best Actress in a Musical. Folks have called her performance as Siegel the best of her career, but she'll be potentially contending against Caissie Levy in Ragtime as Mother, a two-time Tony-nominated role for Marin Mazzie and Christiane Noll, plus Lea Michele in Chess as Florence, a Tony-nominated role for Judy Kuhn. Do you think we'll have as cutthroat a Best Actress race in 2026 as we did this year? SEE Tony Talk: Dissecting those shocking wins for 'Purpose,' Nicole Scherzinger, Darren Criss, and full show analysis Eckmann: You've already highlighted three formidable contenders who could make the lead actress race just as competitive as this year's. While we don't have a full picture of all the eligible contenders yet, it's hard to imagine a lineup without any of these women. That would mean that Levy and Michele score the first Tony nominations of their career. I believe Levy came close to a nomination with Hair and Frozen, and she is the type of Broadway mainstay that voters are eager to reward once the right part comes along. Michele is still riding high on a renewed sense of goodwill after rescuing the recent revival of Funny Girl, and the score to Chess is perfectly suited to her high belting capabilities. Speaking of Chess, Michele's costars should also find themselves hotly competitive. Most Broadway fans are already familiar with Tony winner Aaron Tveit, but I suspect the über-talented Nicholas Christopher to finally cement himself as a Broadway superstar with this revival. If you're a theater nerd whose never heard him sing before, prepare yourself for your new obsession. While there are far too many question marks with the musicals at this early stage — I desperately need to know who Pinkleton is going to cast as Frank 'N' Furter in Rocky Horror — we know much more about the plays since the fall is front-loaded with them. I attended Call Me Izzy, the first production of the 2025-26 season, the day before this year's Tony Awards. While the script itself may not be remembered a full year from now in the Best Play race, star Jean Smart is at the height of her powers, delivering a solo performance so devastating that voters will surely be able to remember it next spring. Other contenders for lead actress in a play will surely include whichever mystery actress is cast in Second Stage's revival of Marjorie Prime, which won accolades for star Lois Smith in the off-Broadway run — though at 94, I'm not expecting her to sign up for the Broadway staging. An audition notice has also spoiled that the play Little Bear Ridge is also aiming for Broadway this season. Laurie Metcalf starred in this Samuel D. Hunter play at Steppenwolf Theatre in Chicago. This could be Hunter's first play to transfer to Broadway, and Metcalf is a seemingly guaranteed Tony nominee should she reprise her role. Hunter's The Whale earned Shuler Hensley a Lucille Lortel Award, and the film adaptation scored an Oscar for Brendan Fraser. Perhaps he's written Metcalf a role worthy of Tony No. 3. What plays are you looking forward to next season? SEE 'Every beat is meticulously crafted': An oral history of the Pulitzer Prize- and Tony-winning play 'Purpose' Buchanan: It would be so wonderful to have Metcalf back on Broadway after her Who's Afraid of Virginia Woolf? shuttered prematurely due to COVID in March 2020. Yes, there are a lot of very exciting plays already announced for the season, from Marjorie Prime to fellow Pulitzer finalist Becky Shaw and Tony winner David Lindsay-Abaire's upper-crust satire The Balusters. I'm particularly interested in the U.K. transfers of Oedipus starring the absolutely fabulous Mark Strong and Lesley Manville in a modern, election night retelling of the classic Greek tragedy, as well as the true-story, chilling Punch. The announcement of Pulitzer winner Stephen Adly Guirgis's stage adaptation of Dog Day Afternoon caught me by surprise but seems like a brilliant work to adapt to the stage, especially with its two The Bear stars Ebon Moss-Bachrach and Jon Bernthal. Speaking of those performers, the Best Actor in a Play race already sounds competitive. We'll soon see Keanu Reeves and Alex Winter in Waiting for Godot, and I'll be especially curious to know what director Jamie Lloyd does with the play. He's been in a musical mode lately with this year's Tony winner Sunset Boulevard and now the London revival of Evita with Rachel Zegler, but I have been most taken with his staging of plays including Betrayal in 2019, and it'll be interesting to see how his minimalism matches this classic drama. Yasmina Reza's ART brings a trio of Tony-winning heavyweights back to Broadway with Bobby Cannavale, Neil Patrick Harris, and James Corden. Sight unseen, I'm already rooting for Strong to take home his first Tony, but I'm excited for surprises this Broadway season, too! SIGN UP for Gold Derby's free newsletter with latest predictions Best of GoldDerby 'Maybe Happy Ending' star Darren Criss on his Tony nomination for playing a robot: 'Getting to do this is the true win' Who Needs a Tony to Reach EGOT? Sadie Sink on her character's 'emotional rage' in 'John Proctor Is the Villain' and her reaction to 'Stranger Things: The First Shadow' Click here to read the full article.

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