Dakota Fanning Took a Risk While Getting Ready for the Chanel Show
The Chanel fall/winter 2025 show marked a milestone for Dakota Fanning. While she has attended several of the fashion house's shows in the past, this was her first in Paris, and seeing the collection at the Grand Palais was a special thrill. '[It's always] a pinch-me dream come true every time. You enjoy it [as if] you'll never go again. You just soak it up,' she tells ELLE.com. Fanning celebrated the moment in a gold leather suit that she described as 'a twist on the classic Chanel' and 'a bright, literally shiny thing. It felt like being a ray of sunshine.'
A more out-there ensemble than the The Perfect Couple actress usually goes for, Fanning explains,'I wanted to do something to push it a little bit. You're at Paris Fashion Week, you're at the Chanel show, so you can take a little bit of a risk and do something a little different than you would normally.'
The suit, a golden crumpled leather jacket with floral detailing on the pockets and matching pants, was from the Métiers d'art 2024/25 collection. Fanning added a metal and strass belt with bow details and accessorized with 18k yellow gold Coco Crush earrings, gold platform heels with a black cap toe (some of the most comfortable shoes she can recall wearing, despite the height of the heel), and a Chanel bag. 'The suit was a little bit of a moment and on the louder side, so I just kept my hair and makeup very clean and simple and easy,' she adds.
Fanning was joined in Paris by her best friend, and the show was the high point of their trip. 'I can't stop talking about the bags that are shaped like the bows and different fabrics and materials and sizes. I'm obsessed with that,' she says. 'It was very classic Chanel, but very playful. I'm such a girly girl at heart. My soul is very feminine.'
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We Have Seven Questions After Watching the June 20 Days of Our Lives
The Friday, June 20 episode of Days of Our Lives honored Juneteenth and graduated the high school crew. Sophia thought she was in labor. Chanel threatened EJ, and the secret Rachel's keeping continued to manifest itself physically. Meanwhile, Marlena struggled. Physically, she was okay. Psychologically, not so much. She has a devastating case of grief, and she may need to seek help to get her through this trying time. What was the purpose of having Chanel (Raven Bowens) threaten EJ (Dan Feuerriegel)? He was already shot. It's looking like Johnny's relationship with his father is going to be the next hurdle for Chanel and Johnny (Carson Boatman) to jump. Well, that, and the fact that Johnny shot EJ, our next question. Brady (Eric Martsolf) just came out and said it. Before, it was Rachel seeing Johnny and EJ fighting, and Johnny had a gun. Now, it's she saw Johnny shoot EJ…point blank. Poor Rachel (Alice Halsey) keeps getting sick over what she saw, and now she's with Marlena (Deidre Hall), and she might say something incriminating in her sleep. This is a strange way of solving an attempted murder mystery. What isn't strange is that EJ will do whatever it takes to keep Johnny from going to jail. We get budget restrictions, logistics, and other limitations that soaps have to face. But we learned that EJ un-disappeared Rachel Blake (Roslyn Gentle). And thanks to Rita (Maggie Carney), the Woman in White is back at Aremid, never to step foot in Salem again. The extent of the graduation was the students decked in cap and gown, standing in a Salem High School hallway. No stage for the students to walk. No speech for Salutatorian Holly Jonas (Ashley Puzemis) to give. Same with Mayor Paulina's inspiring Juneteenth-related words to the graduates. We had to settle for Paulina (Jackée Harry) practicing her speech for Abe (James Reynolds). Plus, we had to take Holly's word for it that both Eric (Greg Vaughan) and Nicole (Arianne Zucker) were out in the audience at the graduation. We should have at least seen Eric since he returned to Salem for John's funeral. Speaking of which… We can see Eric not mentioning anything about what's going on with him because his latest visit was all about losing John, supporting Marlena, and marrying Andrew and Paul. But couldn't he have at least told Belle (Martha Madison) or Brady that he and Nicole were having problems? And why go there? If Eric and Nicole aren't in Salem, we want to think of them living their best soulmate lives in Paris with Jude. First of all, she was the Salutatorian of her high school class. She would have picked a college by now. But is she serious about leaving Salem? They are cutting it close with Tate (Leo Howard) and Sophia (Rachel Boyd). In Friday's episode, she simply had Braxton Hicks contractions. But her due date isn't that far away. Where is this going? When Brady thanked Sarah (Linsey Godfrey) for all her help with Rachel and Sophia, we got a vibe. And Brady has been single for a while. Just wondering. What are your thoughts and questions about Friday's episode? Let us know in the comments.
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35 Alternatives To Pricey Fashion Items In Your Cart
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Lesser-Known Movie Facts You Might Not Know
Before The Devil Wears Prada was even published, Fox 2000 snapped up the film rights in a preemptive deal after reading 100 pages and an outline. The manuscript by Lauren Weisberger, a former assistant to Vogue editor Anna Wintour, was generating significant industry buzz. Studio exec Carla Hacken recognized its cinematic potential and moved quickly to option it in 2003. Tasked with writing was Aline Brosh McKenna, who found it hard for anyone in the fashion world to talk to her because they feared being blackballed by Anna. According to McKenna, she did find someone (whom she will never name) who spoke to her, and then read the script. After reading the script, they told her, "The people in this movie are too nice. No one in that world is too nice. They don't have to be, and they don't have time to be." McKenna took the note and made "everyone a bit busier and meaner." 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At the time, Keaton was best known for comedic roles like Mr. Mom, and many felt he lacked the physicality and gravitas required to play the Dark Knight. Critics and fans also feared that, because of his casting, the film would be too campy or repeat the tone of the 1960s TV series. Similar to Michael Keaton, fans were not happy that Heath Ledger had been cast as The Joker in The Dark Knight. Today, it's hard to even imagine anyone else in the Oscar-winning role. However, when it was first announced that he would be playing the role in 2006, people online lost their collective shit, thinking he was too much of a "pretty boy" for the role, wouldn't have the chops to do it, and overall just a really bad choice. Some even campaigned for him to be removed from the part. After Chris Farley's death (who was originally cast as the voice of Shrek), Nicolas Cage was offered the role by his friend and the head of DreamWorks, Jeffrey Katzenberg. However, Cage turned down the role because he didn't want to play an ugly green ogre. In a 2013 interview with Today, he clarified what he meant by that when he turned down voicing the character, saying, "Truth is, I'm not afraid to be ugly in a movie.... When you're drawn, in a way it says more about how children are going to see you than anything else, and I so care about that." In All About Eve, Bette Davis as Margo Channing wears an off-the-shoulder silk cocktail dress in the party scene that is not only one of the most iconic dresses in film history, but has also become synonymous with Davis herself. Legendary costume designer Edith Head designed the dress; however, it was not meant to be off the shoulder — it was supposed to be a square neckline. The dress was made late and delivered to the set right before filming the scene. According to Head, she came to the studio to find Davis wearing a dress that "didn't fit at all... Someone had miscalculated, and the entire bodice and neckline were too big." Horrified, Head prepared to go tell the film's director that the dress was not ready, but Davis shrugged it off, pulled it down around her shoulders, and quipped, "Don't you like it better like this anyway?" As part of her contract, Glenn Close got to keep all her Cruella de Vil costumes from 101 Dalmatians and 102 Dalmatians. However, according to Close, when Disney "found out how expensive they were, they were unhappy that it was in my contract." Disney then offered to create replica outfits for her to take instead of the originals, but she said no. It's hard to imagine anyone other than Emma Thompson as the deliciously wicked Baroness in Cruella — her performance was pitch-perfect and effortlessly commanding. But surprisingly, she wasn't Disney's first pick for the role. The studio initially eyed Nicole Kidman to play the icy fashion designer. Also, the original live-action Cruella de Vil, Glenn Close, is an executive producer on Cruella. Elton John's journey with Disney began when lyricist Tim Rice was tapped to help complete Aladdin following the death of Howard Ashman, who passed away from complications related to AIDS in 1991, just months before Beauty and the Beast was released. Rice had been brought in to collaborate with composer Alan Menken (who had had a musical partnership with Ashman), but when Disney began work on The Lion King, Menken was unavailable. Looking for a new musical partner, Rice suggested none other than Elton John. The pairing proved legendary, resulting in one of the most iconic and beloved soundtracks in Disney history. The two had worked together in 1982 on John's song "Legal Boys." The Wizard of Oz may be a beloved classic today, but it wasn't a box office hit when it premiered in 1939. With a massive budget for its time, the film struggled to earn back its production costs. Despite critical acclaim, its initial theatrical run fell short financially. It wasn't until years later — thanks to frequent re-releases and television broadcasts — that the film finally turned a profit. Also, the reason the film has become such an iconic piece of pop culture is that starting in 1956, it began having yearly TV showings that helped introduce it to new generations of kids over the decades. The first gay kiss in a film was in 1927's Wings. The movie is about two World War I combat pilots and close friends fighting for the same woman's affection. But many have pointed out over the decades that the film has a subtle gay subtext about the two being more than just friends. Wings is also noted as the first film to win the Oscar for Best Picture. Truman Capote, who wrote the novella Breakfast at Tiffany's, disliked Audrey Hepburn's performance as Holly Golightly in the film adaptation. He had really wanted Marilyn Monroe (who turned down the role after being advised against it) to play the character. In fact, Hepburn wasn't even a second, third, or fourth choice to play Holly. After Monroe turned down the role, the producers considered casting Debbie Reynolds, Doris Day, and Elizabeth Taylor in the part before finally settling on Audrey. And for the record, Capote didn't just hate Hepburn's performance; he hated the entire movie in general because it steered away from the darker themes in his book. In the original script for The Addams Family, it was supposed to be revealed at the end that Uncle Fester truly was an imposter. However, Christina Ricci voiced her concern about that ending to the film's director, Barry Sonnenfeld, who decided to change the scene after talking to her. According to Sonnenfeld, the entire cast was unhappy with that ending during the first table read, except for Christopher Lloyd. In an interview with Yahoo Entertainment, Sonnenfeld explained how, with some nudging from Anjelica Huston, Ricci made a really thoughtful case: "Christina explained to me how the audience would be left emotionally adrift if it wasn't the real Fester. Does that mean the real Fester is still out there? And how could Gomez just give up his search for his brother after all these years just because this impostor came into their family?" Contrary to popular belief (internet lore?) Leonardo DiCaprio never turned down the role of Max in Hocus Pocus because he couldn't have accepted even if he wanted it. It's a bit convoluted, but he was asked to come in to read for it, but with director Kenny Ortega being fully aware that he was unavailable to do the movie because he was already committed to filming What's Eating Gilbert Grape and This Boy's Life. According to Ortega, DiCaprio was brought in to read for the role because the casting people knew he would be very good and that it would inspire Ortega to find the right guy to play Max. Tom Hanks and director Robert Zemeckis paid for two Forrest Gump scenes (one was the scene where Forrest runs across the US) to be filmed out of their own pockets. According to Hanks, Paramount refused to increase the film's $55 million budget, and just the running scene alone would be very expensive to shoot. Hanks and Zemeckis agreed to pay for the scenes in return for a larger percentage of the film's box office gross. He said that they both put in a lot of money, but it paid off! Reportedly, Hanks earned $65 million from his percentage of the box office gross. The iconic boulder-rolling scene in Raiders of the Lost Ark is an homage to a very similar thing that happened in the 1954 Scrooge McDuck comic "The Seven Cities of Cibola." In the comic, Scrooge, Huey, Dewey, and Louie travel to a lost city, where they find an emerald idol. However, noticing it is booby-trapped, they decide not to take it. What they don't realize is that they have been followed by the Beagle Boys, who decide to steal the idol, which sets off a giant boulder that chases after them. George Lucas — who came up with Indiana Jones — was a big fan of the Scrooge McDuck comics (which were created by Carl Barks) growing up and told Edward Summer, a writer who put together a book of Barks' Scrooge comics, that the boulder scene in Raiders was a "conscious homage" to "The Seven Cities of Cibola." In a sort of full-circle moment, the Raiders logo would go on to inspire the DuckTales one (which of course is a classic cartoon series about Scrooge McDuck's adventures): Whitney Houston was originally supposed to sing a cover of Jimmy Ruffin's "What Becomes of the Brokenhearted" as the main theme song for The Bodyguard. However, they decided to switch the song after they found out that Paul Young was doing a cover of the song for the soundtrack to Fried Green Tomatoes. Kevin Costner then suggested to David Foster (who was producing The Bodyguard soundtrack) that it should be "I Will Always Love You." They also almost ended up doing a slightly different cover of "I Will Always Love You," since the only version Foster could find was Linda Ronstadt's cover. But when Foster spoke with Dolly Parton (who, of course, wrote it), she told him they needed to do her version because it included the "And I wish you joy and happiness" final verse. In the original script for Back to the Future, Marty McFly was supposed to return to 1985 by driving the DeLorean into a nuclear test site in the Nevada desert, where a nuclear explosion would generate the 1.21 gigawatts of power needed. However, they were ordered by the studio to cut a million dollars from the budget. As a result, Bob Gale and Robert Zemeckis rewrote the climax to take place at the Hill Valley clock tower, using a lightning strike to power the time machine instead. This change not only saved the budget, but it became one of the most iconic scenes in movie history. And lastly, prior to its release in 1997, many critics and Hollywood insiders predicted that Titanic would be a box office bomb. And there were several reasons why it was predicted to be a failure. One of which was that, at the time, it was the most expensive movie ever made and was getting compared to the costly Waterworld, which had been released a couple of years before and had not managed to be a huge success because it, like Titanic, was the then–most expensive movie ever made. Another was that Titanic also took a long time to film. Going way over schedule delayed the release of the movie, as it was originally meant to be released during the summer (the blockbuster movie season). Moving its release date to December set off red flags and only added to the "doomed film" narrative.
