Defining symbol of protests, volatile work schedules, healing power of travel: Catch up on the day's stories
👋 Welcome to 5 Things PM! Almost two-thirds of US workers struggle with volatile and inflexible work schedules, according to a new Gallup survey. It's especially common among part-time employees and those without a college degree.
Here's what else you might have missed during your busy day:
1️⃣ Defining symbol: Mexico's green, white and red flag has been a common sight at the protests in Los Angeles as demonstrators express solidarity with immigrants and denounce the ICE raids. The brandishing of Latin American flags in the US has a long and complex history.
2️⃣ Dicey outlook: Global economic growth is on track for its weakest decade since the 1960s, according to a new analysis. The World Bank cited US President Donald Trump's trade war as a major factor weighing on economies worldwide.
3️⃣ $1,000 per baby: The so-called 'Trump accounts' would provide parents of newborns with money to invest on behalf of their child's future as part of a five-year pilot program. Here's how it would work and who would benefit the most.
4️⃣ World traveler: Cameron Mofid has struggled with obsessive compulsive disorder since childhood. The California man recently became one of the few people who has visited all 195 UN-recognized countries and territories. He called it 'a form of healing.'
5️⃣ Skygazing: Keep an eye out tonight for June's full strawberry moon as well as the Milky Way and multiple planets. This will be the lowest full moon visible from the Northern Hemisphere in decades due to a phenomenon called a major lunar standstill.
🌊 Undersea wreckage: Researchers from the Woods Hole Oceanographic Institution in Massachusetts captured close-up images of a World War I-era submarine that was lost at sea 108 years ago. Take a closer look.
• Military mobilization around LA protests will cost roughly $134 million• Gunman opens fire in Austrian school, killing 10 and throwing country into shock• Several dead after wave of explosions hit southwest Colombia, authorities say
✈️ That's how many fewer international travelers are expected to visit New York City this year than in 2024.
🌍 Call for help: Children removing plastic waste from a lake. Tree-covered mountains behind a massive pile of trash. A billboard on parched earth where the seashore used to be. Striking images like these, showing environmental destruction, aim to 'inspire action.'
🛒 Empty shelves: Whole Foods says it's working hard to restock stores with groceries after a cyberattack knocked one of its major suppliers offline.
🚢 Which activist was detained while aboard an aid ship headed for Gaza? A. Ai WeiweiB. Jane FondaC. Greta ThunbergD. Alicia Garza⬇️ Scroll down for the answer.
👨🎨 The real deal: A family displayed a marble sculpture on top of their piano alongside photos. They thought it was 'fake' — a copy of a work of art by renowned sculptor Auguste Rodin. It just sold at auction for nearly $1 million.
👋 We'll see you tomorrow. 🧠 Quiz answer: C. Swedish climate and human rights activist Greta Thunberg departed Israel on a flight to France after being detained by Israeli forces aboard an aid ship bound for Gaza.📧 Check out all of CNN's newsletters.
5 Things PM is produced by CNN's Chris Good, Meghan Pryce, Kimberly Richardson and Morgan Severson.
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Time Business News
3 days ago
- Time Business News
Why Vintage Watches Were Smaller — And Why That Still Matters
In today's world of oversized divers, hulking chronographs, and statement pieces that stretch past 45 mm, picking up a vintage men's watch from the mid-20th century can feel… surprising. A 33 mm case? For many, that might seem closer to a child's watch than a man's. And yet, from the 1930s to the 1960s, this size wasn't unusual. It was the standard . So what happened? Why were watches smaller for so long, and what does that say about design, culture, and our evolving expectations? Let's rewind. Before the 20th century, men didn't wear wristwatches. Timekeeping was handled by pocket watches — thick, hefty, and often ornately engraved. Wrists were considered a feminine domain. A man pulled his time from his vest pocket. That changed during World War I. Soldiers needed a way to check the time quickly without fumbling with a chain. The solution? Strapping pocket watch movements to leather bands and wearing them on the wrist. These field-expedient 'trench watches' became standard issue. From this wartime necessity came a new norm: the wristwatch. For the first time, men embraced timepieces worn visibly — but early designs had to remain compact, both for practicality and engineering reasons. From the 1920s through the 1960s, a typical men's watch measured between 31 and 36 mm. Today that may seem small, but back then, it was all about proportional design. Think about wrist anatomy. The average male wrist measures around 18.5 cm in circumference. The flat top of the wrist — where the watch sits — is approximately 30 mm wide. So a 34 mm watch? Perfectly centered, sleek, and unobtrusive. At the time, a wristwatch wasn't designed to dominate your outfit. It was a complement — a subtle detail, like a pocket square or cufflinks. The goal wasn't to stand out, but to complete the look. And in this, vintage watches excelled. Consider the Patek Philippe Calatrava Ref. 96, released in 1932 at just 31 mm. Or the Rolex Datejust, which launched in 1945 at what was then a bold 36 mm. These were not small watches — they were proportionate watches. Even utilitarian pieces stuck to the formula. The U.S. Army A-11 was just 32 mm. The original Blancpain Fifty Fathoms, considered one of the first true dive watches, came in at 37 mm. And when Yuri Gagarin made history as the first man in space in 1961, he was wearing a 33 mm Sturmanskie. There was a practical reason behind all this modesty. Watchmaking in the early 20th century was still perfecting miniaturization. Taking a pocket watch movement and adapting it for the wrist meant downsizing components without compromising performance. A smaller case forced movement makers to be efficient — and that efficiency became a badge of honor. Self-winding mechanisms and complications like chronographs did push cases slightly larger — into the 36 to 38 mm range — but anything over 40 mm was almost unheard of. One notable exception, the IWC Portuguese from 1939, measured 43 mm. But that was only because it used a full pocket-watch movement. It was the outlier, not the trend. Flash forward to the late 1990s and early 2000s. Suddenly, the fashion world embraced big . Watches exploded in size: 42 mm, 45 mm, even 48 mm cases became not just acceptable, but desirable. A combination of things. Fashion became more maximalist. Marketing campaigns celebrated bold, statement-making pieces. And celebrity culture took over: Stallone wore Panerai, Schwarzenegger partnered with Audemars Piguet, Jay-Z championed Hublot. Bigger was bolder. And bolder sold. Watch brands responded. Panerai's 44 mm Luminor became an icon. The Royal Oak Offshore hit 42 mm and kept growing. Rolex released the Deepsea Sea-Dweller — 44 mm wide and nearly 18 mm thick. For a while, bigger meant better. And yes, some technical watches needed more space — for helium escape valves, multi-day power reserves, or flyback chronographs. But often, the extra size was mostly empty. Tiny quartz movements floated inside oversized steel. Still, the appeal was obvious: oversized watches demanded attention. They didn't whisper sophistication. They shouted wealth, power, and presence. But over time, the novelty wore off. Oversized watches began to feel impractical. Heavy. Top-heavy. Impossible to wear under a shirt cuff. And more importantly, they didn't fit. Collectors started to rediscover vintage watches. Not just for their history or patina — but for how they wore . A 34 mm Seamaster sat perfectly on the wrist. A 36 mm Datejust slid under a cuff effortlessly. People realized: small watches weren't outdated. They were refined . In 2017, Paul Newman's personal Rolex Daytona sold for $17.8 million. It was just 37 mm. In a world obsessed with massive chronographs, that was a reminder: size isn't everything. Fashion followed. Men's style leaned retro — looser tailoring, vintage influence, elegant silhouettes. Suddenly, a massive diver didn't quite match your tweed sport coat. The industry responded. Tudor launched the Black Bay Fifty-Eight at 39 mm. Omega reissued its 1957 trilogy — Speedmaster, Seamaster, Railmaster — in vintage proportions. Even Cartier, Longines, and Breitling embraced smaller cases. And on the red carpet, actors like Paul Mescal, Jacob Elordi, and Timothée Chalamet began wearing vintage watches under 36 mm. In 2025, Chalamet famously wore two 33 mm Cartier Tanks on the same wrist — and made it look fresh. Today, the stigma around small watches is gone. You can wear a 36 mm Explorer I, a 33 mm Omega De Ville, or a 34 mm Poljot and still be the most stylish person in the room. Size no longer defines masculinity or fashion sense. Vintage watches are proof: elegance doesn't have to be loud. Sometimes the most powerful presence is the quietest one. At Dumarko, we've always believed in balance. Proportion. Wearability. Our collection celebrates the 31–36 mm range because we know that a truly great watch isn't about dominating the wrist. It's about belonging on it. And once you wear one, you might just realize — small isn't a compromise. It's the legacy of timeless design. TIME BUSINESS NEWS
Yahoo
3 days ago
- Yahoo
Archaeologists Found a Slab in the Middle of Nowhere—With the Lord's Prayer Carved in It
Here's what you'll learn when you read this story: A rock carving discovered in the Ontario backcountry started a search for the meaning and history of the site in 2019. The carving features what experts now believe to be an 1800s runic interpretation of the Christian Lord's Prayer. The find may be traceable to an employee of the Hudson's Bay Company. In 2018, the toppling of a tree near the township of Wawa, Ontario, revealed a rectangular piece of bedrock (about four feet by nearly five feet) etched with 225 symbols alongside a depiction of a Viking longboat. Eventually, a local historian came across the odd finding—now known as the Wawa Runestone—and reported the find to the Ontario Centre for Archaeological Education (OCARE). You can see the stone here. The team at OCARE, led by archaeologist Ryan Primrose, decided to keep the stone concealed from the public until they could gather more details about its origin. And now, they're finally talking about the object for the first time. 'Well, it's certainly among the least expected finds that I think I've encountered during my career,' Primrose told the CBC. 'It's absolutely fascinating.' Initial research, according to an OCARE statement, showed that the carving was likely written in Futhark characters—a runic script once used in northern Europe and Scandinavia. This led some experts to think that the carving must have been completed as far back as the Viking era, especially considering the second carving of a boat (which resembles a Viking longboat, contains about 16 occupants, and is flanked by several crosses or stars) found adjacent to the script. Primrose, it turns out, was wise to hold off on publicly announcing it as a Viking-era find. In 2019, he brought in Sweden-based expert Henrik Williams, professor emeritus at Uppsala University, to consult on the site. Williams confirmed that the inscription was runic, but disagreed that it was Viking in nature. Williams said that the runic writing was a version of the Christian Lord's Prayer, which had been carved in Futhark. 'The text conforms to the Swedish version of the Lord's Prayer used from the 16th century and is written using a variation of the runic translation developed by Johannes Bureus in the early 17th century.' OCARE stated. 'It must have taken days and days of work,' Williams told the CBC. 'They are really deeply carved into the rock. Someone must have spent a couple of weeks carving this thing.' While tough to pinpoint, OCARE researchers believe the inscription itself dates to the 1800s. Williams believes the creator of the carving had to come from Sweden, and as Primrose researched the history of the area, he found that the Hudson's Bay Company hired Swedes in the 1800s to work at remote Canadian wilderness trading posts—including the Michipicoten post, located not far from the Wawa carving, the CBC reported. Whether this was a popular religious site—the inscription was found under soil after the tree fell, and no other artifacts have been found nearby—or the work of a single person toiling alone is still a question. But with this announcement, many other questions have been answered. 'Canada now has a total of 11 objects claimed to bear runes but only five in fact do so, and three of those constitute modern commemorative inscriptions,' Williams wrote in an OCARE report. 'The Wawa stone is Ontario's first with actual runes, the longest runic inscription of any on the North American continent […] and the only one in the world reproducing the Lord's Prayer.' You Might Also Like The Do's and Don'ts of Using Painter's Tape The Best Portable BBQ Grills for Cooking Anywhere Can a Smart Watch Prolong Your Life?
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Catholics call for environmental action at Rio de Janeiro's iconic Christ the Redeemer statue
RIO DE JANEIRO -- Brazilian Catholic worshippers laid down an eco-friendly carpet in front of the world-famous Christ the Redeemer statue in Rio de Janeiro on Thursday and called for the protection of the environment ahead of UN climate talks in the Amazon. Tapestries are a fixture of the Corpus Christi religious feast when Catholics celebrate what they believe is the presence of Christ in the Eucharist. This year, the colorful carpet was made from approximately 460 kilos (1,014 pounds) of recycled plastic caps. Over the past few years the Christ the Redeemer sanctuary has increasingly used the attention the iconic statue generates to spotlight environmental concerns. 'These caps could be polluting the environment. Today they're here as a carpet,' said Marcos Martins, environmental manager and educator at the sanctuary. 'It's the circular economy: we take the material, we're reusing it here and then we're going to reuse it again with an exhibition.' Just after day break and before the first flock of tourists arrived Thursday, Cardinal Orani João Tempesta led celebrations at the site overlooking Guanabara Bay and Rio's famed Sugarloaf mountain. The caps are 'a good reminder of our co-responsibility with ecology, of our concern for the environment, which are very characteristic of Christ the Redeemer,' Rio's archbishop told journalists. Thursday's celebration also paid homage to the late Pope Francis and his Laudato Si', a landmark environmental encyclical in which he cast care for the environment in stark moral terms. In the papal letter Francis called for a bold cultural revolution to correct what he said was a 'structurally perverse' economic system in which the rich exploited the poor, turning Earth into a pile of 'filth' in the process. 'The COP30 is coming up and we've just had the U.N. Ocean Conference. Nothing makes more sense than Christ being a great spokesperson for this issue,' said Carlos Lins, the sanctuary's marketing director. Earlier this month, the sanctuary held workshops, discussion groups and actions focusing on environmental preservation. The statue — perched on the Corcovado mountain -- is itself located in the Tijuca National Park. Brazil has been hit by a series of environmental disasters in recent years, including severe droughts in the Amazon, wildfires in the Pantanal and flooding in the south.
