Latest from Vogue
Vogue
38 minutes ago
- Vogue
Forget Barcelona—Here's Why You Should Visit Valencia, Spain's Most Welcoming City, This Summer
When it comes to visitors, Barcelona has long suffered from too much of a good thing. However, with the conversation around tourism intensifying of late and a recent rise in the daily tourist tax, it's giving other Spanish cities a moment in the spotlight. Case in point, it's southerly neighbor: Valencia. In stark contrast to the Catalan capital, Spain's third city is calling out for visitors after the devastating floods of last October deterred travelers, despite the center itself being left unscathed. Simultaneously, this unhurried beachside city is one on the up, hot on the heels of being named both World Design Capital and Europe's Green Capital in recent years. A spree of recent design-led hotel openings in the city, a new landmark contemporary art center and a wave of creatives reviving the old fishing district of El Cabanyal all point to Valencia's renaissance—and now, before the crowds come, is the time to make a trip. Where to Stay A bedroom at La Novieta hotel. Photo: Leo Fox A relative hotel desert until recent years, a crop of new addresses are cementing Valencia's resurgence as a travel destination. On the edge of Ruzafa, Valencia's most bohemian neighborhood lined with vintage stores and sprawling street-side terraces, French couple Bertrand Boullay and Fabien Peronnet have transformed a typical 1924 house of the Modernisme style, the Catalan take on Art Nouveau, into La Novieta. Originally bought as a private house, the four-bed property has been painstakingly restored, rescuing the hydraulic floor tiles and beamed ceilings and then filled with a beautiful collection of antique and vintage sourced pieces.
Vogue
2 hours ago
- Entertainment
- Vogue
Beyoncé and Miley Cyrus Go for Gold (And Sequins, and Sparkles) on the Cowboy Carter Tour
Two pop icons of a generation have been oscillating through Paris for the last few days: Beyoncé, on her mammoth Cowboy Carter tour, and Miley Cyrus, as she continues to promote her latest album, Something Beautiful. (All while offering the City of Light streets a succession of vintage looks). And last night, Beyoncé and Miley Cyrus shut Paris down with a surprise joining of forces—with gold and gilded matching looks to boot. Last night (June 19), and more than a few songs deep into Bey's show at the Stade de France, the artist introduced Cyrus to the stage. 'I love y'all so much. I'm super excited because I wanted to do something very special for your guys,' Beyoncé said. 'Give it up—I'm so grateful to sing with you, Ms. Miley Cyrus.' The duo then performed 'II Most Wanted' from 2024's Cowboy Carter, which won them the Grammy for best country duo or group performance. Crowd, of course, went wild. X content This content can also be viewed on the site it originates from. Both Bey and Miley wore sparkling, sequin gold looks: Bey wore a fringed golden bodysuit with a bauble-studded scoop neck and embellished buckle belt, with matching heeled golden cowboy boots. Cyrus chose a similarly shimmering crystal and rhinestone-studded catsuit with stiletto boots. The mega artists's shared style memo? Go glitzy, glam, as gold as you can. The Cowboy Carter tour has been alight with big brands putting their spin on Bey's glamorous cowgirl aesthetic. The tour's Western couture, as styled by Shiona Turini, Ty Hunter, and Karen Langley, has seen Bey in a bright white Mugler bodysuit and fringed chaps (with an added diamond bolo die), and Burberry with a twist on their iconic plaid with sequins, also in chaps form. Turning to Roberto Cavalli, Bey went for an all denim-printed catsuit with a giant gold belt and fringed sleeves, and with custom Schiaparelli, she slipped into some leather pants adorned with rows and rows of Western buckles. Blue Ivy, a dancer for the show, has also been styled in stage-ready rodeo wear and more glam dresses: One draped golden gown with a caped top and flowing maxi skirt, and a custom green Burberry Check bodysuit and green zip trousers with Swarovski crystal-embellishments to match her mom's. In Mugler Photo: Backgrid Photo: Backgrid Photo: Backgrid While it may not be immediately apparent, Beyoncé and Miley Cyrus's sartorial formulas hit much of the same rhythms. Glamorous, Western-coded, gilded and maximal. While Bey looks to Mugler, Ferragamo, and Burberry, Cyrus often opts for Alaia, Valentino, and Versace. Both find a stylish meeting point with Schiaparelli and Roberto Cavalli. Photo: Backgrid Photo: Backgrid Beyoncé has now reached over the halfway mark of the massive world tour. After Paris, she's back in the United States for shows in her hometown of Houston, Washington D.C., Atlanta, and Las Vegas, wrapping things up on July 26. After Miley's appearance as the tour's first ever guest performer, we may have more to hop for when Bey hits stateside again—with more matching glitzy fashions incoming.
Vogue
5 hours ago
- Entertainment
- Vogue
MM6 Maison Margiela Resort 2026 Collection
At MM6, taking familiar shapes and turning them inside out, upside down, and sideways is the gift that just keeps on giving. With its spring 2026 Avant Première collection, the studio keeps its focus squarely on the product while also chasing up new adventures in abstraction. Clothing labels and linings rise to the surface on coats and shirts; a humble washed-out denim gets the haute peacoat treatment, knits appear lifted straight from the loom, ribbing still trailing; and elevated materials—notably leather—get crumpled like a brown paper bag from a convenience store. Setting aside a few noisily branded pieces here and there—a blousy ice blue dress with tonal lettering comes to mind—this collection offers up a lot of clever, commercial, seriously covetable clothes. First among them: a trench cut to sit on the body two ways—one dramatic, the other faux-classic—with a glove belt in jersey that can actually be worn as gloves or cinched to create a sexy or structured look depending on the occasion. Margiela obsessives will clock the new spin on an iconic runway outing for spring 2000: in a burst of inspiration, the founding designer grabbed a bunch of stockings and used them as belts. In a witty twist, the glove idea cropped up again on the house's Numeric bag. That sense of improv runs throughout a collection rife with easy essentials. Men's wardrobe classics are revisited with subtle tweaks to texture, cut, and drape. Sleeves, for example, are subtly gathered and scrunched on a trench, perfecto, and one of the sharpest peacoats we've seen lately. A spray-painted dot injects a white button-down or an overcoat with a DIY attitude. Archetypes are sourced from central casting—think Hollywood hunk as gas station attendant—teased with a light hand, in a sexy rumple, a roll of a sleeve, or low-slung jeans with a suiting waistband (or vice versa). For women, the strongest pieces let the wearer make it her own, for example in slip dresses cut to be worn full-length, with bodice folded down into a tiered skirt or hem hiked up into a top. While those extra-sleeve numbers may look weird, on the body they had attitude and a real allure that will connect with MM6 diehards. Back for another round, too, was a disco ball of a silver dress that brought the party all on its own, like an in-joke transformed into clothing. That is exactly the appeal of MM6: what starts in one place ends up somewhere else entirely. As with any journey worth taking, the story happens in between, and on that note the Tabi-esque soft ballerina flats, or those square-toed oxfords for men, look like just the kind of shoe that will get you there.
Vogue
6 hours ago
- Entertainment
- Vogue
Our Legacy Spring 2026 Menswear Collection
How to mark a milestone? At Our Legacy Cristopher Nying and team decided to take an introspective rather than retrospective approach to the season. The spring 2026 collection—called B-Sides—marks the Swedish brand's second decade. And it truly feels 20 years young, having retained a scruffy 'just kids' attitude while simultaneously becoming more refined. To build on the music metaphor introduced by the collection's title, OL bridges the analog/digital divide, retaining elements of the cassette tape and the audio file. It's refreshing, and completely in character, that Nying would shy away from a big anniversary blow-out in favor of pouring his energy and love into his passion: developing textiles and making clothes. The tactility of the pieces even seeps into the way they're described: Materials are washed, waxed, dipped, speckled, coarse, soft, worn, oily, glazed, and deep. Just as various are the collection's shades of black, including void, soot, whisker, deep abyss, jet, and more. There is also a wide range of khakis, as well as touches of bordeaux and purple. On a call, the designer described this season an 'internal process,' very much focused on in-jokes (see the Angry Fan Mail print made from actual correspondence received over the years). The starting point, as ever, is tailoring—sharp and technical or soft and deconstructed—along with biker and military influences. A couple of the looks reference the first vintage garment Nying bought: 'a pair of Swedish military overalls that we cut off and said 'This should be the Our Legacy jacket,' but we never really did it until now, which is very funny.' The men's and women's looks are more in harmony than they've ever been here. A man's uniform jacket is made feminine by shaping, while a small back slit, more commonly used in women's garb, is added to the men's version. Lace appears throughout the collection, including on military-inspired looks, and a large-scale camouflage intarsia reads more punk than hawkish. Also included are new, not nostalgic, takes on some OL hits, such as the tuxedo bomber or the 'angel of death' print introduced in the first collection in 2005. Enjoying their debuts are some materials that didn't make the edit the first time around, like an iridescent knit. 'It's something,' Nying said, 'that we've always talked about internally, how something is shifting.'
Vogue
6 hours ago
- Entertainment
- Vogue
Our Legacy Spring 2026 Ready-to-Wear Collection
How to mark a milestone? At Our Legacy, Cristopher Nying and team decided to take an introspective rather than retrospective approach to the season. The spring 2026 collection—called B-Sides—marks the Swedish brand's second decade. And it truly feels 20 years young, having retained a scruffy 'just kids' attitude while simultaneously becoming more refined. To build on the music metaphor introduced by the collection's title, OL bridges the analog-digital divide, retaining elements of the cassette tape and the audio file. It's refreshing, and completely in character, that Nying would shy away from a big anniversary blowout in favor of pouring his energy and love into his passion: developing textiles and making clothes. The tactility of the pieces even seeps into the way they're described: Materials are washed, waxed, dipped, speckled, coarse, soft, worn, oily, glazed, and deep. Just as various are the collection's shades of black, including void, soot, whisker, deep abyss, jet, and more. There is also a wide range of khakis, as well as touches of bordeaux and purple. On a call, the designer described this season an 'internal process,' very much focused on in-jokes (see the 'Angry Fan Mail' print made from actual correspondence received over the years). The starting point, as ever, is tailoring—sharp and technical, or soft and deconstructed—along with biker and military influences. A couple of the looks reference the first vintage garment Nying bought: 'a pair of Swedish military overalls that we cut off and said, 'This should be the Our Legacy jacket,' but we never really did it until now, which is very funny.' The men's and women's looks are more in harmony than they've ever been here. A man's uniform jacket is made feminine by shaping, while a small back slit, more commonly used in women's garb, is added to the men's version. Lace appears throughout the collection, including on military-inspired looks, and a large-scale camouflage intarsia reads more punk than hawkish. Also included are new, not nostalgic, takes on some OL hits, such as the tuxedo bomber or the 'Angel of Death' print introduced in the first collection in 2005. Enjoying their debuts are some materials that didn't make the edit the first time around, like an iridescent knit. 'It's something,' Nying said, 'that we've always talked about internally, how something is shifting.'
