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Newcastle star Tino Livramento drops biggest hint on future as he breaks silence on Man City transfer interest
Newcastle star Tino Livramento drops biggest hint on future as he breaks silence on Man City transfer interest

Scottish Sun

timean hour ago

  • Sport
  • Scottish Sun

Newcastle star Tino Livramento drops biggest hint on future as he breaks silence on Man City transfer interest

Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) EDDIE HOWE is in 'constant contact' with Tino Livramento as he looks to stave off Manchester City's interest in his star. And the Newcastle ace, 22, dropped the biggest hint yet that he will still be wearing Black and White next season due to the pair's 'amazing' relationship. Sign up for Scottish Sun newsletter Sign up 4 Eddie Howe has been in 'constant contact' with Tino Livramento throughout the summer Credit: Getty 4 The England U21s star is preparing o face Spain amid speculation Man City want him Credit: Getty Pep Guardiola is a huge admirer of the versatile full-back and had been linked with an attempted £30m swoop. But the City boss looks set to be left disappointed as Livramento prepares to try and break more Spanish hearts tomorrow in Slovakia with England U21s at the Euros. Asked directly if he will still be a Newcastle player come August, he revealed: 'The manager, I'm in constant contact with him. 'He has just said to keep focusing on what you're doing now and you're doing so well. READ MORE NEWCASTLE DEAL OR NO DEAL Liverpool must make Neymar-style bid for Newcastle to contemplate Isak sale 'So having that relationship with someone that is obviously such a big figure in what I've done so far, I think is an amazing thing for me. 'I'm very much focused on what I'm doing here now. I don't know anything about that [speculation]. 'Being away with the U21s is my main priority. I like to stay in the moment and just focus on what I can do to help the team now.' One man Livramento knows will be key to Toon's success next season is their 27-goal Swedish superstar Alexander Isak - another player being continually linked with a move to Liverpool. BEST FREE BETS AND BETTING SIGN UP OFFERS The defender said: 'Alex is an unbelievable player. We definitely saw that a lot this season. 'Training against him is obviously a privilege, being at a club like Newcastle and seeing the quality that we have as a team. Being involved in that is only going to make me a better player. Tino Livramento branded young Gareth Bale by Theo Walcott after shining since £5m transfer from Chelsea 'You see the level that he brings on a Sunday or Saturday as fans, but I see that sort of every single day as a player. It's a real privilege to be in around players like him.' Livramento's displays for Newcastle earned him a first senior England cap in November. He went on to play a huge role at Wembley as the Magpies beat Liverpool to end a 70-year major drought in the Carabao Cup final before they went on to clinch Champions League qualification. Given those big moments at senior level, discussing how much a shootout with Spain for a place in the U21 Euros ranks with them, he said: 'It's massive. I've played in a lot of big games already in my career so I just see it as another challenge, another privilege to be in a situation where the stakes are high and the pressure is on. 'I just see every game as a different challenge and tomorrow's no different. I think when it's a high pressure game, you know, you just stick to what you're good at and then just let the situation take care of itself. We've got a great squad.' 4 The defender hailed the talents of Alexander Isak Credit: Getty 4 Lee Carsley insists England aren't 'underdogs' against Spain Credit: Getty Meanwhile, England manager Lee Carsley, who guided the Young Lions to victory over Spain in the 2023 final, has every confidence that his current crop can produce a repeat in Trnava - even if the bookies don't. On Spain being made the favourites, he said: 'I don't feel like an underdog. 'There's a massive expectancy, against Spain, that we can perform and that's all we need to do. 'If we can perform, play to our ability, then we've got a great chance of winning the game. 'Spain are a top team and anyone that was with us in the last Euros, you have to beat all of the top teams and they are a team that I've got a lot of respect for. 'There's definitely a lot more to come from us if we're going to progress.'

‘Golden Girls' Creatives Spill the Tea on Bitter Feud Between Betty White and Bea Arthur — and Making a Classic Anyway
‘Golden Girls' Creatives Spill the Tea on Bitter Feud Between Betty White and Bea Arthur — and Making a Classic Anyway

Yahoo

time2 hours ago

  • Entertainment
  • Yahoo

‘Golden Girls' Creatives Spill the Tea on Bitter Feud Between Betty White and Bea Arthur — and Making a Classic Anyway

Creatives behind The Golden Girls shared funny and, at times, very candid behind-the-scenes stories — namely, among the long-rumored feud between stars Betty White and Bea Arthur — during a 40th-anniversary celebration of the long-running hit show on Wednesday night. The sold-out event, held at NeueHouse Hollywood as part of the monthlong Pride LIVE! Hollywood festival, featured a panel of writers, producers and others who worked on the show, which ran for seven seasons on NBC, from 1985-92. The series, created by Susan Harris, starred Bea Arthur as Dorothy Zbornak, Betty White as Rose Nylund, Rue McClanahan as Blanche Devereaux and Estelle Getty as Sophia Petrillo. (The Hollywood Reporter is the presenting media sponsor of Pride LIVE! Hollywood.) More from The Hollywood Reporter K-pop Star Bain is Ready to Open a New Chapter Following Historic Coming Out: "I Can Finally Be Free" The 'Wizard of Oz' of Gay Erotica OUTtv: They're Here, They're Queer, They're Canadian! Co-producer Marsha Posner Williams brought up a topic that has been much-discussed and speculated on: whether Arthur and White got along in real life. 'When that red light was on [and the show was filming], there were no more professional people than those women, but when the red light was off, those two couldn't warm up to each other if they were cremated together,' she quipped. Arthur 'used to call me at home and say, 'I just ran into that c' — meaning White, using the c-word — 'at the grocery store. I'm gonna write her a letter,' and I said, 'Bea, just get over it for crying out loud. Just get past it.'' In fact, the panelists shared that Arthur called White the c-word more than once. 'I remember, my husband and I went over to Bea's house a couple of times for dinner. Within 30 seconds of walking in the door, the c-word came out,' Williams said, and Thurm noted that he heard Arthur call White that word as well while sitting next to her on a flight. It's a story he shared a few years ago on a podcast and then got surprised at the internet's response over his revelation. The panelists differed on their theories about why the two didn't get along. Co-producer Jim Vallely thought it was because White got a lot more applause during cast introductions ahead of tapings, but Williams shot that down, noting that Arthur hated doing publicity and came from a different background (theatrical) than White (television). 'The show would have continued after seven years,' she shared. 'Their contracts were up and … the executives went to the ladies, and Estelle said, 'Yes, let's keep going,' and Rue said, 'Yes let's keep going,' and Betty said, 'Yes, let's keep going.' And Bea said 'no fucking way,' and that's why that show didn't continue. … And Betty would break character in the middle of the show [and talk to the live audience], and Bea hated that.' Script supervisor Isabel Omero remembered it differently, noting that the two used to walk 'arm in arm' to get notes together after the first of two tapings. Williams joked that was in case they were walking across the lot and a golf cart got out of control, suggesting that one of them might push the other in front of it. Casting director Joel Thurm was there from the beginning for the casting of all four leading ladies. He shared that Brandon Tartikoff, then-head of NBC Entertainment, originally did not want Arthur in the show, but Harris was dead-set on her, having previously worked with the actress on Maude (she wrote several episodes, including the legendary abortion episode). Thurm said Tartikoff's resistance to casting Arthur had to do with her low Q scores in likability. '[This] created a big problem, but I never knew how dug in Susan was, because I just wasn't in the room where those kind of discussions happened,' he shared. 'So my job, according to Brandon, was to find someone that Susan would be happy with instead of Bea Arthur. I should have realized that she wouldn't have been happy with anybody besides Bea, but I was too naive, and I thought, 'Oh, I have someone. Her name is Elaine Stritch. She has the same acidic quality, you know, stare at you and give you the same thing that Bea does.'' Thurm shared that when Stritch came in for her audition, 'None of the people associated with Golden Girls wanted her. So this woman had to walk into a freezer of an office and try to make it funny. Stritch asked Susan one thing, it was something like, 'Is it OK if I change something?' And Susan said, 'Yes, only the punctuation.' There was no love in that room. I felt so sorry for poor Stritch because she wasn't her fault. She didn't do anything. And had I known that, that Susan was immovable on this, I wouldn't have done what I did and then try to find somebody else.' Williams, however, shared a different view of Stritch. 'I want to just say that I worked on a pilot, and Elaine Stritch was a guest star for one day,' she chimed in. 'Before the day was half over, we were calling her 'Elaine Bitch.'' Meanwhile, Getty, who was then an unknown actress, came in to her audition and nailed it: 'She did her homework and prepared for the part,' Thurm said, noting she was the first one of the four leads to be cast. Incidentally, Cher was supposed to guest-star in the episode focusing on the death of Sophia's son, playing his wife, but she never replied to the offer, and Brenda Vaccaro was cast instead. The event kicked off with a highlights reel of some of the show's LGBTQ moments, including Blanche's brother coming out as gay, Sophia's coming to terms with her cross-dressing son and a politician's revelation that he was transgender. But behind the scenes, things weren't so progressive, shared writer Stan Zimmerman. 'People have to remember back then, we were told by a representatives to stay in the closet, so nobody knew we were gay,' he shared. 'Our first day on the set, we noticed Estelle come running towards us, and she's like … 'I know. Your secret's safe with me. You're one of us.' I thought she meant Jewish,' he quipped. 'But she meant gay. She wasn't gay, but she was probably the first ally ever.' Zimmerman added that he was telling his co-workers how he had bought some vintage sweaters at a garage sale one day, and they told him to 'go home and burn those sweaters because it was probably somebody that died of AIDS. … That was the climate then.' I know you see all these progressive scenes and you think, 'Oh, it was one big gay party there,' but we couldn't be who we really were.' Omero, who came out as transgender in 2019, shared that she was in the closet for all seven seasons of the show. She said that one day, Arthur offered to give her an Indian sari that she had picked up on a trip. 'In my closeted, panicked, paranoid brain, all I knew is that at that moment Bea Arthur was offering me a dress to wear around the house, and I wish I had been in a place where I could have said something, to even accept the gift without ever using it, just so I could express something to someone. But fear and shame is a big thing,' Omero said. Asked why The Golden Girls tackled so many different LGBTQ issues, Vallely replied: 'I think it's because we knew … we had a gay audience. They would play [the show] in [gay] bars across the country. … It was a big deal for middle America to see these women embrace the gay culture.' The panel, which also featured story editor Rick Copp and was moderated by New York Times bestselling author Jim Colucci (Golden Girls Forever), ended with a highlights package of cut scenes from the pilot, which originally featured a live-in gay housekeeper and cook named Coco, who was played by Charles Levin. The character was cut from the show because Sophia — initially meant to be a recurring character — was so popular that they made Getty a regular; unfortunately for Levin, that meant another character had to be cut. Among those in the audience were actress Deena Freeman, who played Dorothy's daughter Kate in an episode of the show, and production designer Michael Hynes. Best of The Hollywood Reporter 'The Studio': 30 Famous Faces Who Play (a Version of) Themselves in the Hollywood-Based Series 22 of the Most Shocking Character Deaths in Television History A 'Star Wars' Timeline: All the Movies and TV Shows in the Franchise

Bea Arthur called Betty White a ‘c–t' often, ‘Golden Girls' producer claims — why'd they clash?
Bea Arthur called Betty White a ‘c–t' often, ‘Golden Girls' producer claims — why'd they clash?

New York Post

time2 hours ago

  • Entertainment
  • New York Post

Bea Arthur called Betty White a ‘c–t' often, ‘Golden Girls' producer claims — why'd they clash?

Not so golden. 'Golden Girls' co-producer Marsha Posner Williams opened up about Betty White and Bea Arthur's rumored feud during an event celebrating the hit sitcom's 40th anniversary in Los Angeles on Wednesday. 'When that red light was on [and the show was filming], there were no more professional people than those women, but when the red light was off, those two couldn't warm up to each other if they were cremated together,' she said, per The Hollywood Reporter. Williams recalled that Arthur 'used to call me at home and say, 'I just ran into that [C-word] at the grocery store. I'm gonna write her a letter,' and I said, 'Bea, just get over it for crying out loud. Just get past it.'' 11 Bea Arthur, left, and Betty White, right, in 'The Golden Girls.' Disney General Entertainment Content via Getty Images The producer continued, 'I remember, my husband and I went over to Bea's house a couple of times for dinner. Within 30 seconds of walking in the door, the c-word came out [to describe White].' 'The Golden Girls' aired aired on NBC from 1985 to 1992, following four older single women sharing a home in Florida while navigating their 'golden' years. There was Southern Belle widow Blanche (Rue McClanahan), Minnesota born widow, Rose (White), Brooklyn born divorcee Dorothy (Arthur), and Dorothy's Sicilian mother, Sophia (Estelle Getty). 11 Rue McClanahan, Bea Arthur, Betty White, and Estelle Getty in 'The Golden Girls.' Disney General Entertainment Content via Getty Images 11 Beatrice Arthur, Rue McClanahan and Betty White arrive at the 6th annual 'TV Land Awards' held at Barker Hangar on June 8, 2008 in Santa Monica, California. Todd Williamson Getty died in 2008 at age 84, McClanahan died in 2010 at age 76, White died in 2021 at age 99, and Arthur died in 2009 at age 86. Producers speculated about the source of White and Arthur's animosity. Co-producer Jim Vallely said he thought it was because White got more applause during cast introductions. But, Williams, disagreed, and thought they clashed over their different backgrounds, since Arthur had a theater background while White came from TV. 11 Rye McClanahan, Betty White, and Bea Arthur in 'The Golden Girls.' Disney General Entertainment Content via Getty Images 11 Betty White and Bea Arthur in 'The Golden Girls.' Disney General Entertainment Content via Getty Images It's also previously been speculated that the feud came from jealousy, as White was the show's first cast member to be nominated for a Best Actress Emmy in 1986. In the 2016-published 'Golden Girls Forever' biography, author Jim Colucci noted that Arthur remained in character during taping, while White relaxed between shots and joked around with the live studio audience. 'I think my mom didn't dig that,' Arthur's adopted son, Matthew Saks, told the Hollywood Reporter in 2016, seven years after she died of cancer at 86. 'It's more about being focused or conserving your energy. It's just not the right time to talk to fans between takes. Betty was able to do it and it didn't seem to affect her. But it rubbed my mom the wrong way.' 11 Betty White and Bea Arthur sign copies of 'The Golden Gilrs Season 3' DVD at Barnes & Noble on November 22, 2005 in New York City. Getty Images 11 Betty White, Bea Arthur, Rue McClanahan and Estelle Getty in 1992. Ron Galella Collection via Getty Images White revealed her side of the story in 2011, saying in an interview, 'Bea had a reserve. She was not that fond of me. She found me a pain in the neck sometimes. It was my positive attitude — and that made Bea mad sometimes. Sometimes if I was happy, she'd be furious!' This isn't the first time this allegation of Arthur using the c-word has surfaced. During a 2022 episode of The Originals podcast, the show's casting director, Joel Thurm, said, 'Literally Bea Arthur, who I cast in something else later on, just said, 'Oh, she's a f–king c–t,' using that word [about White].' 'Bea Arthur called Betty White a C-word?' podcast host Andrew Goldman asked in the interview. 11 Bea Arthur, Betty White and Estelle Getty during 48th Golden Apple Awards at Beverly Wilshire Hotel in Beverly Hills, California in 1988. Ron Galella Collection via Getty Images 11 Rue McClanahan, Bea Arthur, and Betty White in 'The Golden Girls.' Disney General Entertainment Content via Getty Images 'Yeah, she called her the C-word. I mean, I heard that with my own ears,' Thurm said. 'And by the way, so did Rue McClanahan. Rue McClanahan said it to me in Joe Allen's [restaurant]; Bea Arthur [when she was] on the set of 'Beggars and Choosers.' ' Thrum recalled how Getty — who died in 2008 at 84 from Lewy body dementia — began having issues memorizing her lines on-set. 'And she would write the lines on her hand, and … Betty White would make fun of her in front of the live audience,' he said. 'That may seem like a minor transgression, but it really does get to you … I have no idea how Estelle Getty felt, but I know the other two did not like [White] at all.' 11 Estelle Getty as Sophia Petrillo; Bea Arthur as Dorothy Petrillo Zbornak; Betty White as Rose Nylund; Rue McClanahan as Blanche Devereaux in 'The Golden Girls.' NBCUniversal via Getty Images 11 Estelle Getty, Betty White, and Beatrice Arthur of the Golden Girls pictured in New York City in 1986. Corbis via Getty Images During Wednesday night's event, Williams recalled that tensions between White and Arthur were also present on set. 'Betty would break character in the middle of the show [and talk to the live audience], and Bea hated that,' she said. Williams also said that the rest of the cast was game to continue past seven seasons, but Arthur was the one who wanted to end it. 'The show would have continued after seven years. Their contracts were up and … the executives went to the ladies, and Estelle said, 'Yes, let's keep going,' and Rue said, 'Yes let's keep going,' and Betty said, 'Yes, let's keep going,'' she recalled. But, she added, 'And Bea said, 'No f—ing way,' and that's why that show didn't continue.'

Roman shoppers swoon over 'stunning' maxi dress that 'looks lovely with a tan'
Roman shoppers swoon over 'stunning' maxi dress that 'looks lovely with a tan'

Daily Record

time3 hours ago

  • Entertainment
  • Daily Record

Roman shoppers swoon over 'stunning' maxi dress that 'looks lovely with a tan'

This midi-length frock will not look out of place in a holiday suitcase. There are many reasons to love the summer season. Aside from getting to enjoy some sunshine, it marks the start of holiday season for a lot of us. For those jetting off to a warmer climate, it means getting that enviable sun-kissed, glowing tan. To really highlight that hard-worked-for suntan, many fashion fans will know that it comes down to choosing the right outfits. That's exactly why many are rushing out to buy Roman's White Lace Bodice Shirred Midi Dress. With its ability to compliment that golden hue and lightweight, airy design, we can see why it's a must buy of the season. Costing £38, it boasts a strap-style design, with a chic crochet overlay bodice and a flowing midi-length skirt. Paired with some cute sandals or wedges, it is perfect for beach vacations and tropical holidays. It's finished with a simple round neckline that can be easily layered with statement necklaces for those days it is being worn to fancier events, or for going out to dinner. White Lace Bodice Shirred Midi Dress £38 Roman Buy here Product Description While the white colourway is ideal for highlighting a summer tan, it is worth noting that shoppers can also purchase the midi frock in both pink and black, with sizes all of them being available in sizes 10 to 20. An alternative that we think will also be perfect for wearing to any beach holidays is this Navy Crochet Mix Midi Dress, £45 at Next, that boasts a very similar style and is still available in sizes eight to 20, with some tall sizes sprinkled in there. Fashion fans who'd prefer a bit more of a nautical-inspired look, there is this White Striped Crochet Top Strappy Maxi Dress from George at Asda for £20, with a large selection of sizes from a six to 28 still in stock. Meanwhile, Roman's strappy maxi dress has been such a hit with holidaymakers that it has earned a perfect five star rating, with reviews praising it as "very flattering" and "stunning." One delighted shopper said: "It's very flattering and looks lovely with a suntan." A second impressed Roman shopper wrote: "I've been looking for a dress like this for quite some time. Great length, I'm 5'8". Can't wait to wear it on holiday." Someone else gushed: "Stunning white dress that is lined and so flattering. Perfect for a beach wedding!" Fashion deal of the week Fashion fans looking for a dress that will standout at all their summer events will need to hear about this one from Roman. The high street chain's Royal Blue Rose Print Button Detail Maxi Dress, hailed as "perfect for the warmer seasons", is now on sale for £35 after being dropped from £48 - saving 27 percent overall. With its "stunning" all-over rose print and modest midaxi length hemline, this particular frock will look perfect at any fancy occasions this season. Since it offers a bold design, we'd advise pairing it with nude-coloured heels and neutral accessories. The flowy, comfortable woven fabric and short sleeves make it an ideal airy choice for when the temperatures rise again. It also features a chic V-neckline, alongside a shirred waistline that will 'cinch' in the figure for a flattering effect. Complete with buttons down the front, the high street firm also advises pairing its £35 sale dress with a denim jacket on those summer days when the weather is a little bit chillier. Beloved for its vibrant and bold style, one five-star review read: "One of the five-star reviews read: "This dress is amazing. I've had so many compliments. "Lovely Silky material, floor length and such vibrant colours and so easy to just wash and wear. Suitable for weddings and occasions or just perfect for holidays and summer days. A real head turner... Love it." Someone else added: "Another pleased purchaser wrote: "Just love this dress, lovely colours, beautiful material, perfect for my upcoming holiday." While shoppers unanimously agreed the dress was perfect, one shopper did highlight the length of lining as an issue, writing: "Lovely dress for my holidays. Material of the skirt is very fine but there is a cotton lining to the knee. "I would have preferred it to be the same length as the skirt itself but I will still wear it. Straps are adjustable too which is good. I'm only 5'4" and it's ankle length on me so if you are tall it will be midi." However, someone else praising the fit of the dress enthused: "I've been looking for a dress like this for quite some time. Great length, I'm 5'8". Can't wait to wear it on holiday." Get holiday ready by purchasing Roman's White Lace Bodice Shirred Midi Dress for £38 now.

Handré Pollard's return: Can the Bulls finally claim URC glory?
Handré Pollard's return: Can the Bulls finally claim URC glory?

The Star

time3 hours ago

  • Sport
  • The Star

Handré Pollard's return: Can the Bulls finally claim URC glory?

Leighton Koopman | Published 8 hours ago Comment by Leighton Koopman The Bulls' 32-7 defeat in the final of the United Rugby Championship against Leinster was a bitter pill to swallow for supporters, but making it to a third final in four seasons shows that they are not that far off from a title-winning campaign. With a core of experienced Springboks in their midst, the return of Handré Pollard in the flyhalf position, Jan Serfontein coming back as a vastly experienced centre and some exciting young players, the Pretoria outfit will be able to call on more experienced stars than ever before next year. While there is no shame in losing to a better team, and Leinster were streets ahead of the Loftus side, there will be questions around the Bulls if they can't claim silverware next season, especially with director of rugby Jake White looking to make some key adjustments in the off-season. Firstly, squad depth remains a concern for White, and he stated it again in his post-match press conference following the final last Saturday at Croke Park in Dublin. But he was the most successful South African coach when it came to rotating his team. He ensured he had players fit to take up positions when needed. But injuries to key players had a big influence towards the end of their tournament. Cameron Hanekom and Elrigh Louw were out for the final and the latter stages of the competition respectively, and the dynamic duo were vital cogs in a physical, yet mobile loose trio of the Bulls. Hanekom's loss in the final was massive, as was the absence of Kurt-Lee Arendse as well. They need to have like-for-like replacements for their important players. Secondly, the Bulls must tighten up their discipline and defensive structures. Leinster found it too easy at times to circumvent their tacklers, and the space they left at the back allowed their opponents' attack to thrive. Three tries in just 23 minutes effectively sealed the game for the home side, and there was no coming back from that 19-0 deficit. Too many penalties due to ill-discipline and missed tackles cost them, and if they can eliminate some of those unforced errors, it will help them keep their footing in crunch games. With the addition of Pollard and Serfontein, their backline will also see some calmer heads. The Bulls' game management in pressure situations, especially in that final, was poor and cost them. Pollard's ability to control the tempo and territory under pressure will be critical. He kicks consistently well and brings additional leadership on the field. He will be that calming influence they dearly need. With strategic acquisitions to the squad, improved discipline on defence and better game management, the Bulls will be able to finally shed their dreaded URC bridesmaid tag in 2026. The missing puzzle pieces are almost in place for White's side. It's now only for them to seize the opportunity to make it their year when the new season starts in September.

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