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Ayodhya Ram temple's main work to be completed by October, says temple trust
Ayodhya Ram temple's main work to be completed by October, says temple trust

Hindustan Times

time2 hours ago

  • General
  • Hindustan Times

Ayodhya Ram temple's main work to be completed by October, says temple trust

Shri Ram Janmabhoomi Teerth Kshetra Trust general secretary Champat Rai on Friday said finishing touches are currently being given to the Ram temple in Ayodhya, marking a crucial stage in its construction. Talking to reporters, Rai confirmed that once this work is complete, all heavy machinery will be taken down. He said the "main work of the temple will be completed by October". Emphasising that public 'darshan' (viewing) should not be hindered, Rai highlighted the pending works crucial for the security of the temple complex. They include the construction of the boundary wall, which has not yet begun. He noted that these tasks, along with the construction of the auditorium, restrooms and the Trust office within the complex "may take another year to be completed". The construction of the Ram temple began after a historic Supreme Court judgment in 2019 on the Ram Janmabhoomi-Babri Masjid title suit. The Hindu litigants argued that the Babri mosque was constructed at the site of a temple marking the birthplace of Lord Ram. The consecration ceremony was held on January 22 last year.

RAM Announces NASCAR Cup Series Entry Timeline
RAM Announces NASCAR Cup Series Entry Timeline

Newsweek

time2 hours ago

  • Automotive
  • Newsweek

RAM Announces NASCAR Cup Series Entry Timeline

Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Days after Stellantis' RAM Trucks announced its 2026 NASCAR Truck Series entry at Michigan International Speedway, CEO Tim Kuniskis has now confirmed the timeline for the brand's entry into the top-tier Cup Series. RAM's entry into NASCAR makes it the first OEM (Original Equipment Manufacturer) in the sport since Toyota introduced its Tundra in 2004. While RAM hasn't formed a team yet, Kuniskis confidently shared during the announcement that the brand would be ready to race at Daytona next year. He also hinted that the ultimate goal is to race in the Cup Series and that the Truck Series serves as a step to enter the sport. He said: "There will be more details on our NASCAR CRAFTSMAN Truck Series program later this year. We are undoubtedly having fun with this project, and I truly look forward to sharing information on our team and how getting back on track relates to the future of Ram performance." (L-R) Tim Kuniskis, CEO Ram Brand - Stellantis, NASCAR Executive Vice President Steve O'Donnell and John Probst, SVP of Innovation and Racing Development pose at the Ram display on the midway for the announcement that... (L-R) Tim Kuniskis, CEO Ram Brand - Stellantis, NASCAR Executive Vice President Steve O'Donnell and John Probst, SVP of Innovation and Racing Development pose at the Ram display on the midway for the announcement that the Ram brand will return to NASCAR Craftsman Truck Series competition, prior to the NASCAR Cup Series FireKeepers Casino 400 at Michigan International Speedway on June 08, 2025 in Brooklyn, Michigan. MoreHe added: "We'll be on track in Daytona in eight months, and the way we're going to do it is unlike anyone else. "We're looking for a date to the prom right now. So how am I going to get to Cup? That's going to depend on how I get to Truck. So however we get to Truck is going to obviously weigh heavily on 'do I have a path to Cup?' Our intention is not to do a one-hit wonder and go to Truck and not to Cup. That's not our plan." Now, Kuniskis has revealed further details on the RAM Trucks' plans to enter the Cup Series in 2027, a year after the brand's Truck Series entry. Speaking with Kevin Harvick on NASCAR on FOX, he said: "Coming into Truck [Series] is a lot easier than coming into Cup [Series], and that's why we were really confident with all the work that we've done on the Truck to say we'll be in Daytona. "Now, TBD who the team's gonna be but we have every confidence that we're going to be in Daytona." He added: "It's gonna take a little bit longer to get to Cup. Our goal is to get the Cup a year after that [2027]. "Now, everybody's told me we're crazy. 'There's no way you're gonna get there.' But we think there's a couple of things from our legacy that might speed that development time up. And maybe we could be in Daytona this [coming] year with Truck, and then the following year, Daytona in Cup. "A lot of very smart people, smarter than me have told me you better plan on two years to get back to Cup. But TBD, I'm always pushing for the quicker timeline, so I'm hoping that it's 2027. 2026 for Truck and 2027 for Cup."

Consonant-gods and vowel-goddesses of many Brahmi scripts
Consonant-gods and vowel-goddesses of many Brahmi scripts

Indian Express

time3 hours ago

  • General
  • Indian Express

Consonant-gods and vowel-goddesses of many Brahmi scripts

Hanuman wrote Ram's name on rocks while building a bridge to Lanka. The Mahabharata was written by Ganesha who used his tusk as his stylus. This gave rise to the community of scribes known as Kayastha in North India and Karanam in South India. To save themselves from Parashuram, many warriors became scribes and turned their swords into styluses. That's another legend on the origin of scribes. But what script did they write in? Brahmins preferred oral transmission of ideas. So did the Buddhists. Brahmins remembered the hymns composed by Rishis in a complex mode of repetition (patha). Knowledge of various subjects was transmitted as terse sentences (sutra) and rhythmic poetry (shloka). At Buddhist councils, monks would chant all that Buddha had spoken to ensure the transmission was standardised. But while Brahmins managed to keep the fidelity of Vedic hymns, many Buddhist schools emerged with many different ideas. Digambar Jains, who migrated south, argued that all oral transmission of Jain teachings was lost during a famine, and rejected what Shvetambara Jains of Magadha remembered. There was clearly a lot of tension between different monastic and religious schools (pasanda) on what their teachers said and what they did not. This may have prompted Ashoka, the Mauryan king, to adopt writing and prevent loss in transmission. The Ashokan script is popularly called Brahmi, though we do not know what it was referred to then. It is an abugida script – so there are consonants and vowels. The two are used in a creative way to generate syllables. So, it is also a syllabary script. The consonants are known as 'aksharas' (eternal sounds) and the vowels are known as 'matrikas' (mothers). Typically, the consonant is placed in the center and the vowel markings are made around the center. Interestingly the akshara is considered masculine while the matras are considered feminine. The feminine vowels are located in a circle around the masculine akshara almost like the milkmaids dancing around Krishna or the Yoginis dancing around Bhairava. This circular design, like beads on a string, is very distinct from the linear Greek script, where consonants and vowels follow one another like ants in a line. Both are written left-to-right, but in Brahmi scripts the vowels are merged with consonants, and not kept separate. They are distinct from the Semitic script. Not only are Semitic scripts written right-to-left, they are very linear, a series of hooked dashes, with minarets and dots in between, like a silhouette of an Arabian city. The Chinese, Japanese and Korean scripts are also like beads on a string – but the beads are square while the Brahmi beads are round. North Indian scripts and South Indian scripts have a common origin in Brahmi. But North Indian scripts have sharper lines because it was written using a paint brush on birch bark (Bhoja Patra). South Indian scripts were circular because they were written on palm leaves (Tada Patra) using an iron stylus. Since sharp angles with iron stylus could tear the palm leaves, scribes developed rounded letterforms. Black powder was sprinkled on the leaves to enter the etchings. In the south, the Vatteluttu (round) script and Grantha (knot) script evolved from Brahmi. Vatteluttu was used to write Tamil while Grantha was used to write Sanskrit. South Indian circular scripts traveled with Buddhist monks and Hindu merchants to Southeast Asia which is why there are local varieties of the Brahmi script, with vowels dancing in circles around consonants, and the design like a set of circular beads on a string. The Nagari script of the Gupta period split three ways – Siddham script in the east, Sharada in the north and Nagari in the west. Siddham was used in Sanskrit texts found in Tibet and in the Bengali language. The Gurmukhi script today is based on the Sharada script that was once popular in Kashmir and bears the name of the goddess of learning in the Valley. Sharada is also the name of the goddess venerated by Adi Shankaracharya in his institutions. Devanagari spread to the west and is seen in Gujarati, Hindi and Marathi. Devanagari, which was established by 1000 AD, became very popular in the 19th century. It was used in nearly 100 languages, the most popular among them being Hindi. Sanskrit, which has no script, began to be written using the Devanagari script. But it was written in other scripts too before the 19th century, something that is often forgotten today. The sister script of Devanagari, developed around 700 AD, is known as Nandinagari. It was used for Sanskrit manuscripts of the Vijayanagara Empire and by Madhva Brahmins for their texts on Dvaita Vedanta. Nandinagari does not have the long line (Shiro-rekha) as in Devanagari and so is related in some way to the south Indian circular scripts. Gujarati also removed the upper line (shiro-rekha) to make it easier to write. Many scribes created their own scripts, usually cursive (where consonants are connected to each other) for easy writing. Some examples include the Modi script used by scribes in western India, the Kaithi script used by Kayastha scribes in the north, and the Karani or Chatta script used by Karana scribes in Odia/Odisha. How are legends about Hanuman and Ganesha related to the origin of writing and scribes? How is Brahmi distinct from Greek and Semitic scripts? What is the origin of North Indian and South Indian scripts? Why did South Indian scripts evolve to become more rounded? Which scripts evolved from the Nagari script during the Gupta period? How did material constraints, such as palm leaves or birch bark, shape the visual form of scripts? (Devdutt Pattanaik is a renowned mythologist who writes on art, culture and heritage.) Share your thoughts and ideas on UPSC Special articles with Subscribe to our UPSC newsletter and stay updated with the news cues from the past week. Stay updated with the latest UPSC articles by joining our Telegram channel – IndianExpress UPSC Hub, and follow us on Instagram and X.

Ram Kapoor reacts to rumoured rift with Ekta Kapoor: She can say what she wants
Ram Kapoor reacts to rumoured rift with Ekta Kapoor: She can say what she wants

India Today

time5 hours ago

  • Entertainment
  • India Today

Ram Kapoor reacts to rumoured rift with Ekta Kapoor: She can say what she wants

Actor Ram Kapoor has finally responded to the buzz around his rumoured fallout with producer Ekta Kapoor. The speculation began after Ram's earlier comments about the intimate scenes in 'Bade Achhe Lagte Hain' seemingly didn't sit well with Ekta, who reacted strongly on social a recent interview with NDTV, Ram chose not to escalate the issue, instead expressing gratitude towards the producer. 'She can say whatever she wants to, but I will not say a word. Because at the end of the day, she gave me what no one gave me. She believed in me when nobody else did. And for that, I will always be grateful. She has the right to say whatever she wants to about me till the end of my career,' Ram the playful jab made by his wife Gautami Kapoor, seen as a response to Ekta's comment on his weight loss, Ram said, 'My wife knows where I stand. It was all in good cannot forget what someone has done for you.' The controversy initially sparked when Ram hinted that Ekta faced challenges following the airing of 'Bade Achhe Lagte Hain's romantic scenes. Ekta then posted a fiery message online - 'Unprofessional actors giving interviews about my shows should shut up. False information and skewed stories can only last till I talk. But there is dignity in silence.' She followed it up with a video making a tongue-in-cheek comment about body image, saying, 'Hum bade hi acche lagte gain (We really do look good).'Meanwhile, Ram Kapoor is gearing up for his next project, 'Mistry', a detective series set to premiere on JioHotstar on June 27. Directed by Rishab Seth and produced by Banijay Asia with Universal International Studios, the show also stars Mona Singh as ACP Sehmat Siddiqui, alongside Shikha Talsania and Kshitish Date. 'Mistry' is the Indian adaptation of the award-winning American series 'Monk'.Must Watch

Ram Charan, Upasana's daughter Klin Kaara meets her namesake, a baby tigress, on 2nd birthday. See pics
Ram Charan, Upasana's daughter Klin Kaara meets her namesake, a baby tigress, on 2nd birthday. See pics

Hindustan Times

time8 hours ago

  • Entertainment
  • Hindustan Times

Ram Charan, Upasana's daughter Klin Kaara meets her namesake, a baby tigress, on 2nd birthday. See pics

Actor Ram Charan and businesswoman Upasana Konidela's daughter Klin Kaara turned two on 20 June. On her birthday, Ram and Upasana's daughter met her namesake tigress at the Hyderabad zoo. Upasana posted a sweet picture from their visit on Instagram, sharing how Kaara's namesake grew from a cub to an adult. (Also Read: Jackson Wang says the frenemy storyline, dance battle in RRR could've been 'cringe') When a tiger cub was born at the Hyderabad zoo last year, she was heartwarmingly named after Klin Kaara. On her second birthday this Friday, Kaara met her namesake for the first time. Upasana posted pictures of when her daughter's namesake was a cub and one of her looking at the tigress in fascination. A post shared by Upasana Kamineni Konidela (@upasanakaminenikonidela) Sharing the pictures, Upasana wrote, 'A year ago, she was just a tiny cub. Today, she's a playful tigress and shares her name with our KlinKaara. Thank you to the Hyderabad Zoo for this lovely gesture. We believe wildlife belongs in the wild, but also support efforts that honour their lives with dignity and care. Here's to growing up with kindness, courage, and compassion.' Ram's Magadheera co-star Kajal Aggarwal commented under the post, 'Sweetest. Happiest birthday to your lovely little cub.' Numerous fans also left birthday wishes for the little one in the comments section. For the unversed, Ram and Upasana were friends for years before they dated and got engaged in 2011. They married in 2012 in Hyderabad in a close-knit wedding. Their first child, Kaara, was born in 2023. Ram was last seen in Shankar's Game Changer, which was released in January this year. The film failed to live up to expectations, despite Ram getting appreciation for his role as Appanna. He is now shooting for Buchi Babu Sana's Peddi, a sports drama that sees him in a rustic role. He has also said yes to a film by Sukumar, his second with him after Rangasthalam.

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