Latest news with #Radiohead


UPI
5 hours ago
- Entertainment
- UPI
Items left on British buses include bales of hay, a frozen turkey
June 20 (UPI) -- British transport company Megabus is sharing some of the most unusual pieces of lost property left behind on its buses, including hay bales, a frozen turkey, a cooking wok and false teeth. The bus operator said items found left behind on buses in May included a Winnie the Pooh stuffed toy, a jar of honey, a guitar, a Radiohead vinyl record, insulin, an electric razor, a Neil Diamond CD, a single shoe and a collection of historic coins and stamps. The company said some of the more unusual items left on buses in years past included three bales of hay, family tree documents, a frozen turkey, false teeth, a cooking wok and multiple lone shoes and socks. Megabus said about 95% of lost and found items are eventually returned to their owners, and those that go unclaimed after 28 days are usually donated to charity. Anyone who loses an item on a Megabus vehicle is encouraged to report their lost property on the company's website.


STV News
a day ago
- Entertainment
- STV News
Hay bales, frozen turkey and false teeth among 'surprising' items lost on coaches
Hay bales, a frozen turkey and false teeth are among the 'surprising' lost property items found on Megabus coaches. The coach operator revealed some of the items left on its vehicles over the years after the lost property office in Glasgow was contacted about 469 lost items. The items found in May included a guitar, Lego sets, a Winnie the Pooh, a jar of honey, insulin, an electric shaver, a historic coins and stamps collection, a Radiohead vinyl, a Neil Diamond CD and a lone trainer. However, the bus operator said those aren't the most 'surprising' items left on their coaches over the years. The lost property team have dealt with many 'weird and wonderful' items with one of the strangest being three bales of hay. Other highlights have included a cooking wok, false teeth, family tree documents, lone shoes and socks, and even a whole frozen turkey. Megabus said 95% of the items reported were reunited with their owners, and those not claimed are kept for 28 days and often donated to charity. Megabus receptionist Angela said: 'Over many years of dealing with an eclectic mix of lost property items, our lost property team have almost become immune to weird and wonderful finds, but we still get something handed in that surprises us every now and again. She added: 'The most important thing, of course, is to try and make sure we can reunite as many of the items as possible with their owners, and we work hard to do that as we know how frustrating and upsetting it can be to lose something while travelling.' Get all the latest news from around the country Follow STV News Scan the QR code on your mobile device for all the latest news from around the country


New Statesman
2 days ago
- Entertainment
- New Statesman
Thom Yorke's Hamlet is brilliantly rendered sacrilege
Photo by Manuel Harlan Many would proclaim a Radiohead-Shakespeare fusion a coming together of the two greatest miracles of consciousness. Others would roll their eyes. On Thursday 12 June, Stratford-upon-Avon's Royal Shakespeare Theatre was packed with members of the first camp, including the Radiohead band members themselves. The frontman Thom Yorke had reconceptualised Hamlet, adapting the music from the band's sixth album, Hail to the Thief. Throughout the show the music did the talking. Swathes of the script were reimagined as song and dance, sometimes interpretatively yet recognisably, always impressively. The staging was bleak, with stark lights and a cold mist drifting through the cavernous theatre. Fans had wondered if Yorke drew on Hamlet for the album before the show was announced. The lyrics of its opening song, '2 + 2 = 5', for instance, perfectly articulate the prince's torment: 'Are you such a dreamer/To put the world to rights?' Discussing this show, Yorke confirmed that Shakespeare was 'totemic' for him. In fact, imposing music on it seemed 'a kind of sacrilege'. We are lucky, then, that Yorke is also 'always up for a bit of sacrilege'. But however fruitful the harmonies, such a marriage is also extremely demanding. The show brilliantly rendered perhaps the most acrobatic and sensitive music, and perhaps the most magnetic and intelligent character, ever. So huge credit should go to all involved, especially to the all-singing, dancing and acting Hamlet (Samuel Blenkin), Ophelia (Ami Tredrea) and dark-cloaked Horatio (Alby Baldwin). The ovation was tremendous but preceded by a hesitant silence. The audience had lost all its mirth and knew why; we had been transported from the hottest day of the year to the coldest night in literature. It is only a truly great artist who can bring out 'that within which passeth show'. We were lucky to have enjoyed the work of not just one such artist, but two. Hamlet Hail to the Thief Royal Shakespeare Theatre, Stratford-upon-Avon [See also: Laughing at the populist right is not a political strategy] Subscribe to The New Statesman today from only £8.99 per month Subscribe Related

The Herald
2 days ago
- Automotive
- The Herald
Volvo adds Abbey Road Studios sound mode to EX90
Volvo is rolling out a new Abbey Road Studios Mode to its EX90 electric SUV, offering drivers the ability to recreate the acoustics of the famous London recording studio where acts such as The Beatles, Pink Floyd, Radiohead, Oasis and Massive Attack laid down some of their finest work. Available to owners with the optional Bowers & Wilkins High Fidelity audio system fitted to their vehicles, the feature will be delivered free of charge via an over-the-air software update in the coming weeks. Developed in collaboration with Bowers & Wilkins and Abbey Road Studios, the mode uses sound profiles inspired by the studio's acoustics and mixing equipment. These include a "Producer Mode" that allows users to adjust the stereo sound stage, tonal quality and overall ambience, much like an audio engineer would behind a mixing desk.


Forbes
3 days ago
- Entertainment
- Forbes
Radiohead Scores Its First New Hit Song In Almost A Decade
Radiohead's 'Let Down' debuts at No. 85 on the Official Singles chart, marking the band's first U.K. ... More hit in nearly a decade. NEW YORK, NY - MARCH, 1993: (L-R) Bassist Colin Greenwood, lead singer/pianist Thom Yorke, drummer Phil Selway, guitarist Jonny Greenwood and singer/guitarist Ed O'Brien of the British rock group Radiohead, play cards during a portrait session circa March, 1993 in New York, New York. (Photo by) Radiohead hasn't released a new album in almost 10 years, and fans have been waiting patiently since the May 2016 arrival of A Moon Shaped Pool. The musicians who comprise the alternative act have largely been focused on side projects and solo efforts in the years since. While the group may be dormant when it comes to releasing new music, there's still plenty of hidden gems in Radiohead's discography for the public to discover. The rock band collects a new hit in its home country this week with a decades-old tune, one which has recently risen to the surface and finally earned a moment to shine. Radiohead's song "Let Down" debuts on the Official Singles chart this week. The cut opens at No. 85 on the list of the most consumed tracks in the U.K. As it launches, the cut becomes the group's twenty-fourth placement on the competitive tally. "Let Down" is Radiohead's first new win on the Official Singles chart in nearly a decade. The last time the group earned a placement on the roster was in May 2016, when both "Burn the Witch" and "Daydreaming" opened at Nos. 64 and 74, respectively just one week apart from one another. "Let Down" debuted on the Official Streaming chart in the U.K. last week, becoming one of the 100 most streamed tracks in the country for the very first time. In just its second frame on that tally, it bolts more than 20 spaces — from No. 77 to No. 56 — reaching a new all-time peak. "Let Down" is Radiohead's second career hit on the Official Streaming chart. It currently sits just four spaces behind the group's all-time best showing on that list — No. 52, which "Creep" has reached in the past. Speaking of "Creep," all the excitement surrounding "Let Down's" surge helps that smash, which may be regarded as Radiohead's most popular track, return to the Official Singles chart at No. 94. At the same time, it pushes north on the Official Streaming list to No. 58, coming in just a few spots behind its No. 52 peak. "Let Down" was originally released as a promotional single from Radiohead's album OK Computer in September 1997, but at the time, it wasn't a major chart success. Recently, "Let Down" has been going viral online, which has turned it into a proper chart win in the U.K. — a little less than 30 years after Radiohead first shared it with the world.