Latest news with #Kasab
India Today
06-06-2025
- Politics
- India Today
Thousands of Kasabs will rise: Bomb threat to Bengaluru passport office
A bomb threat was issued to the Regional Passport Office in Bengaluru's Koramangala on Friday morning, prompting an emergency response from the alarming email, sent around 11 am, warned of suicide bombers with IEDs (Improvised Explosive Devices) targeting both the Passport Office and the Chief Minister's residence. The message claimed the attack was planned for 3:15 pm email, addressed to passport officials and even copied to the Islamabad police in Pakistan, claimed to represent a group calling itself 'Viduthalai Puli.' It referenced religious motivations and cited the arrest of people like Savukku Shankar and Kasab 'bhai', saying 'Our brother should have been tried as a minor and let off, but the Indian establishment wanted to gain sympathy of the world Human Rights groups and made him reach Janna. Now, 1000 Kasab's and Savukku Shankar's will come into picture.'advertisement The email also demanded the dropping of legal cases against individuals including Kiruthiga Udhayanidhi and others allegedly linked to a Tamil Nadu meth email also made mention of alleged RFID-based explosives and a 'twinning IED mechanism' involving human suicide police rushed to the passport office soon after the threat was received and are currently on the details are awaited. Security has been tightened around the area. IN THIS STORY#Bengaluru#Karnataka
New Indian Express
23-05-2025
- Politics
- New Indian Express
Pahalgam and 26/11: Differences in India's response
Pahalgam reminded me of another even more terrifying incident that engulfed Mumbai on 26/11/ 2008. I was directly involved in the operations following this horrific episode, as I was then the Cabinet Secretary. On a languid Wednesday evening in 2008, I had returned early from the office. Around six in the evening, I received my first call from M L Kumawat, then Special Secretary in the Ministry of Home Affairs. By a strange coincidence, Home Secretary Madhukar Gupta was away in Pakistan for a meeting. Kumawat told me trouble had started in Mumbai. I rang up the Chief Secretary, Johny Joseph. His initial thought was that a terrorist incident, similar to the string of terror attacks that rocked many Indian cities in the nineties and the first decade of this century, had struck Mumbai once again. That this was a terrorist attack became clear when the ten terrorists in Mumbai continued to play their dance of death across multiple locations. The Chief Secretary sought the help of marine commandos, and the naval chief, Adm Suresh Mehta, was happy to oblige. Close to midnight, the Chief Secretary telephoned me and formally sought the help of the National Security Guard. In law and order matters, the Centre can act only at the request of the State Government. I spoke to J K Dutt, the Director General, immediately. He was ready to move, but as his force was located in Manesar, it took time to bring them to the airport, commandeer an aircraft and fly them to Mumbai. It took the NSG a little more than two days to flush out and exterminate all the terrorist vermin, except Kasab, who had been captured after he killed scores of innocent people in the Chhatrapati Shivaji railway terminus. Kasab lived for nearly four years thereafter in Mumbai prisons as judicial processes wore on. The task of the NSG was rendered far more difficult by an irresponsible media that filmed and described all their operations over the national networks, providing information from minute to minute to the handlers of the terrorists in Pakistan. While no judicial or official inquiry into the events of 26/11 was ordered at the Central level, a great deal was done to strengthen our defences and intelligence systems along the coast. In this task, executed by a Committee headed by the Cabinet Secretary, the State governments were fully involved, and the Navy, the Coast Guard and the State marine police set up a coordinated network. Commodore Srikant Kesnur wrote in a daily in October 2019, 'We can confidently say that our Maritime Domain Awareness is of a very high order; higher than it has ever been. Structures have been created to enhance 'jointness' among military, law and order, and intelligence agencies.'
Indian Express
23-05-2025
- Entertainment
- Indian Express
From Mughal courtyards to the French Riviera: How Kasab embroidery is keeping Indian grandeur alive
Seventeen-year-old Nitanshi Goel's Cannes red carpet debut not only turned heads, but her custom ensemble paid homage to her traditional roots. Her black gown by JADE by Monica and Karishma fused heritage with couture, featuring signature Kasab embroidery and delicate gold macrame detailing. 'It brought together heritage and whimsy in perfect harmony,' said designer Monica Shah. Goel wasn't the only one bringing Kasab embroidery to global spotlight. Content creator Masoom Minawala's Cannes 2025 look, a bespoke Arpita Mehta creation, showcased mirror work, gold Kasab, and fine cutdana in soft beige and gold tones — an ode to timeless, intricate, and globally-relevant Indian artistry. With Kasab embroidery enjoying a moment in the limelight, we trace its origins, evolution, and how modern Indian fashion is helping this age-old craft survive and thrive. 'Kasab embroidery, a distinguished form of metallic threadwork, has been a part of India's rich textile heritage,' said Mansee Khera, assistant professor at Alliance School of Design, Bengaluru, speaking to She explained that it originated in regions like Gujarat and Rajasthan, where gold or silver threads – called Kasab – were woven into luxurious fabrics like silk, velvet, and brocade. 'Traditionally associated with royalty and ceremonial wear, the embroidery is characterised by techniques such as couching, where threads are laid on the fabric surface and stitched down with fine thread. The resulting patterns, often floral or geometric, reflect both cultural influences and artistic expression,' said Khera. Apurva Shah, creative director and founder of Label Apurva, said, 'Its roots trace back to the Mughal era, where it was extensively used in zari work on royal garments, temple textiles, and ceremonial attire. Over time, Kasab found its way into regional embroidery styles like zardozi, gota patti, and aari work.' Shah explained that traditionally, Kasab was reserved for grandeur. 'It wasn't just decorative, it was symbolic. The gleam of Kasab on fabric often signified status, celebration, and sanctity. Brides wore it as blessings woven into their trousseau, dancers draped it to catch the light with every twirl, and royals commissioned it to express power and splendor,' she said. Describing the process as 'poetry in motion,' Shah said that Kasab threads are created by flattening metals like gold or silver (now often substituted with metallic polyester) and wrapping them around a silk or cotton core. 'These threads are then embroidered onto fabrics like silk, organza, velvet, or georgette using techniques such as zardozi, dabka, aari, or gota patti, depending on the region and design. The process is entirely done by hand, and every motif can take hours, sometimes days, of focused craftsmanship,' she said, adding that artisans generally inherit this skill from generations before them, and each piece carries their fingerprint. Kasab embroidery is far from uniform. According to Shah, it comes in various types, each with its own distinct personality: Gold Kasab (Sunehri Kasab) – Traditional and regal, used in bridal and festive wear. Silver Kasab (Chandi Kasab) – Cooler in tone, often paired with pastels and whites. Antique Kasab – A more muted gold or bronze tone, perfect for vintage-inspired pieces. Coloured Kasab – Modern variants using dyed metallic threads to add playful accents. Flat vs. Twisted Kasab – Flat threads for a sleeker look, twisted for texture and dimension. Mixing antique and matte Kasab in embroideries helps give it a contemporary yet timeless touch. 'The truth is, the art of Kasab is delicate, not just in execution but in existence,' said Shah. According to her, the craft faces numerous challenges: a drop in mass market demand due to cheaper machine embroidery, a lack of new artisans entering the field due to low economic returns, rising material costs, and dwindling patronage. 'The displacement of local artisan clusters post-pandemic has further compounded the issue,' she said. However, in an attempt to stay afloat against the rising tide, contemporary fashion designers are reinterpreting Kasab embroidery, and integrating it into modern silhouettes and ensembles. According to Khera, this fusion of traditional craftsmanship with current design sensibilities not only preserves the art form but also introduces it to new audiences, ensuring its relevance in today's fashion landscape.
NDTV
15-05-2025
- Entertainment
- NDTV
Cannes 2025: Nitanshi Goel Of Laapataa Ladies Slays In A Black And Gold Gown At The Global Event
Nitanishi Goel, aka Phool Kumari of Laapataa Ladies, just walked the red carpet on day 3 of the prestigious Cannes Film Festival 2025 - and we can't keep calm! Drenched in regal opulence, the 17-year-old made history on the international red carpet in a custom creation by Jade by Monica and Karishma. Bringing Indian craftsmanship to the global stage, she wore a custom black and gold embroidered gown that redefined red carpet drama. Crafted with Kasab embroidery and delicate macrame on a sheer black fabric, the look exuded elegance and heritage. We love how the black tulle base, heavily embellished with gold floral embroidery, added a dramatic flair to the outfit. The exaggerated hip structure reminds us of the 18th-century sculptural art pieces, but with a hint of modern opulence. The long, flowing train added some regality and movement to the outfit - a visual treat in motion. While the voluminous middle section contributes to the gown's architectural silhouette, it may have added a slightly heavy appearance around the hips. The fitted bodice brought structure to the look, drawing attention to the strapless neckline - a smart contrast to the otherwise dramatic fit. Adding a touch of sensuality and classic glamour, this look created an avant-garde movement at Cannes 2025. She kept the styling minimal, which was a wise choice to make sure that the outfit stands out. Her hair was pulled back into a sleek bun, and makeup was refined with a natural dewy base and a subtle pop of colour on the lips. For accessories, Nitanshi opted for understated but elegant jewels from CaratLane, which helped keep the ensemble balanced. Though a little frost on the wirst could have elevated the look even more! Choosing a bold outfit despite Cannes' new dress code was a daring move, but one that paid off. After all, what's the red carpet without a little drama, especially when a young Indian actor is making history on a global stage! Nitanshi Goel's look may have turned heads at the Cannes 2025 Film Festival, but did it work for you?
Time of India
07-05-2025
- Politics
- Time of India
India DEMOLISHES Pakistan's Propaganda Machine, Exposes Propaganda Footage Post Op Sindoor
25 minutes, 9 Targets: How Operation Sindoor Destroyed Terror Camps Inside Pakistan, PoK Indian military has revealed the details of the Operation Sindoor, India's first tri-services operation since 1971, that struck terror camps in Pakistan and PoK. The Indian Army and Indian Air Force showed satellite imagery of the precision strikes carried out as a "proportionate response" to the Pahalgam Attack. The Army said terror camps where Kasab and Headley trained, have been taken out besides other LeT, Jaish and Hizbul camps. 859.8K views | 13 hours ago
