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Nintendo Switch 2 is a global hit, but how do you buy one in India?
Nintendo Switch 2 is a global hit, but how do you buy one in India?

Hindustan Times

time12-06-2025

  • Hindustan Times

Nintendo Switch 2 is a global hit, but how do you buy one in India?

The Nintendo Switch 2 is off to a record start, becoming the company's fastest-selling console with 3.5 million units sold globally within four days of its 5 June 2025 launch. For prospective buyers in India, however, the situation is more complex. As the console has not been officially released in the country, interested consumers are left without direct access. Consequently, many are turning to grey market importers through both online and off-line sellers to get their hands on the gaming console. However, before considering this route, it is crucial to understand the associated pros, cons, and other important nuances. Based on extensive research, this guide explains where you can get the console and what you need to remember before making a purchase. Also Read: Canon EOS R50 V review: Pro vibes, minus the price Now, because Nintendo has not officially launched the console in the country, people have been buying it from online and grey channels. This was the same for the original Nintendo Switch and the Switch OLED, and it is going to be the same for the Nintendo Switch 2, unless Nintendo decides to launch the console officially in India in the future. For now, we have noticed that the Nintendo Switch 2 is available on Amazon India. You will see that the standard version of the console is retailing for ₹75,999. Of course, this is a lot more than the official MRP, which is $449 (this works out to around ₹37,000). So, if you do the maths, you will be paying more than ₹40,000 to get your hands on the Nintendo Switch 2. We also noticed that games are available on Amazon India, including Hogwarts Legacy, which retails for around ₹4,000. We could also verify from buyers in India that they have bought directly from smaller retailers like Nevako, which is selling the Switch 2 for ₹49,999 for the standard variant and ₹59,999 for the Mario Kart Edition bundle. However, the same person also told us that order times can be long as the console is in high demand, and they have not received their 'pre-ordered' console yet. Note: We are not promoting buying from these websites, so do so at your own risk. If you want to buy completely worry-free, you can also have a look at off-line resellers. We got in touch with multiple off-line retailers in New Delhi's Gaffar Market, who quoted us different price points. For instance, Magic Land Games in Gaffar Market, quoted us ₹55,000-58,000 for the standard variant and said that games were available as well. The shop owner also mentioned that the Mario Kart World bundle isn't available yet. So, if you are in the market for the Switch 2 and cannot wait, you can head to off-line stores and check if they are importing the console from overseas. There are two main things you need to know. Firstly, if you are going to be buying the Switch 2 in India from these grey channels, or even directly from Amazon India, you should know that there is going to be no warranty or after-sales support with the console. Because the console has not launched officially in India, there are going to be no service centres from Nintendo directly. So, if something goes wrong during your ownership experience, you will have to get it repaired on the off-line market at third-party places. This was also the case for the original Switch. Therefore, if you want after-sales support, it is best to avoid the console for now. Secondly, the prices you are currently paying are highly inflated. They are expected to come down as and when the Switch 2's availability becomes normal and as the demand eventually subsides. Because the Switch 2 launched only a few days ago, the demand is currently very high. We have seen people lining up at official stores in places where the console has launched, including GameStop stores where people waited in lines, which goes to show how in-demand the console is. So, if you can wait, we would suggest waiting for a month or two before actually buying it. The price is expected to come down; currently, prices are inflated by almost 50 to 60 per cent. MOBILE FINDER: iPhone 16 LATEST Price, Specs And More

Canon EOS R50 V review: Pro vibes, minus the price
Canon EOS R50 V review: Pro vibes, minus the price

Hindustan Times

time11-06-2025

  • Hindustan Times

Canon EOS R50 V review: Pro vibes, minus the price

The gap between beginner and professional cameras used to be a financial chasm. Aspiring creators faced a stark choice: spend around ₹50,000-60,000 on a camera with no pro features, or splurge lakhs for features like 4K at 60 FPS and Log shooting. Thankfully, that era is over. With cameras like the Canon EOS R50 V, which happens to be the subject of this review, bridges that gap by delivering professional tools without the professional price tag. It includes key features like Canon Log 3, which is ideal for high-quality footage, while omitting extras unnecessary for creators on platforms like Instagram and YouTube. Having said that, I have been using the camera as my primary for over two weeks now to shoot a wide range of content, right from portraits to product videos, product photos, reels for my personal Instagram, and whatnot. So far, I have been thoroughly impressed by what the camera has to offer, all in a very tiny form factor that will not intimidate anyone if you take it out on a shoot. Here are my observations, what could have been better, and what I absolutely adore about this (small) camera by Canon. I have also been using the camera with the supplied RF-S14-30mm f/4-6.3 IS STM PZ kit lens, so I will have opinions on that as well. Read on. When I first unboxed the EOS R50 V, I was surprised to see that you have the ability to mount the camera vertically without attaching any cage to it whatsoever. This is made possible using the1/4-20" tripod mount on the side of the camera. For context, my Sigma FP, which happens to be a dedicated cinema-grade camera, has this feature. So, to see something like this on a camera that costs around ₹70,000 (body) is certainly refreshing and speaks volumes about the creator-first experience that Canon is trying to offer here. As for the video itself, the footage coming out of the R50 V's tiny body is excellent. The camera captures 4K 30 FPS video, which is oversampled from 6K, and can also capture 4K 60 FPS video, but it does come with a 1.56x crop, unfortunately. However, I think it can be lived with, especially if you are a beginner creator or someone who does not mind shooting tight shots. The best part happens to be that the 4K is actually 10-bit video. On top of this, the ultimate flexibility comes thanks to Canon Log 3, which can create magical looks if you know what you are working with. You can simply import your Canon Log 3 footage into a program like DaVinci Resolve 18 or 19, which is what I did. The real test of its video capabilities, embedded below, shows how manoeuvrable the footage is. A post shared by HT Tech (@hindustantimestech) Yes, I did screw up with exposing Canon Log correctly, which is why some highlights were clipped. But apart from that, if you expose it correctly, it can result in spectacular quality video, which would be further amplified if you pair a really sharp lens with it. Canon claims that the camera can record up to two hours of continuous 4K video, thanks to the magnesium alloy internal body which can dissipate heat. As per my testing, I did test the camera out in bright sunlight, in the scorching Jaipur sun in 42 degree Celsius heat, and not once did I experience the camera getting hot. Yes, I did shoot in bursts, like a 5 second clip here and a 20 second clip there. It reminded me of my Sigma FP, which barely gets hot, despite how much you push it. This shows the heat dissipation is quite good, and the camera will not overheat on you when you need it the most. At least, that is what I experienced shooting in bursts. I did try shooting continuous video and tested it for up to around 40 minutes, in studio conditions under an AC environment, and the camera did not skip a beat. It kept recording, so it does go on to show that it is reliable. Also Read: Xiaomi 15 Ultra review: A camera beast with powerful performance My first camera was a Canon EOS 70D, which was also an APS-C camera like the R50 V. The autofocus back then was incredible. I grew up watching Casey Neistat's videos and saw how flexible the autofocus was and what Casey could do with it. I think the R50 V belongs to that breed of cameras. The autofocus is reliable with its Dual Pixel CMOS AF II. It tracks eyes and barely misses. I have shot multiple unboxing videos using this camera, and not once did the camera have to hunt for focus. I tried the same with human subjects as well, with the same result: it latches on to focus super quickly, and the focus transitions are rather smooth. It is not jerky, and that is what gives it a cinematic look and feel. In photos as well, I noticed the camera is super quick to latch onto focus when you half-press the shutter. That gives me confidence that anyone looking forward to buying the Canon R50 V for content creation, especially if they are a one-man show, can simply flip the screen 180 degrees, see themselves, and then be worry-free about whether they are going to be in focus. It is that quick. So, no more worries about keeping yourself in focus or manually adjusting it. Of course, manual focus is where it is at if you are shooting movies, but for a one-man show, when you are filming yourself, manually adjusting the focus can be a chore, and this is where the R50 V makes it super easy. Another area where the R50 V makes filming super easy is being able to press record from the front of the camera itself. Yes, there is a record button situated on the bottom right of the camera. You can simply press record from there and do not have to fiddle around with the shutter button for the most part.I have been using the button on the front, and this makes it super easy to start rolling. While I am not a fan of specifications for a camera, they are needed. The R50 V has a 24.2-megapixel APS-C CMOS sensor. Canon has paired it with a DIGIC X image processor, which also happens to be the same processor that the company uses in one of its flagship cameras, the Canon EOS R5 Mark II, which costs four or five times what this camera does. So, the camera is certainly capable in this regard. You can capture raw images alongside JPEGs. It has an ISO range of 100 to 32,000, expandable to 51,200 for stills. From what I could tell, the photo capability is decent. Yes, it is not the best, and not as good as the video, but it is decent, and it will get the job done if you know what you are shooting. It can capture fast movement at up to 15 FPS with the electronic shutter or 12 FPS with the electronic first-curtain shutter. If you are out shooting wildlife, there is a silent shutter feature as well, which can disable sounds and lights so that you do not disturb any birds. As for the images themselves, they do turn out sharp. The highlight roll-off is particularly impressive for a camera of this size and something that costs this little. So, for the most part, I think you will have a fun time capturing images using this camera. It is also quite light and super portable. So, if you are looking for something to document your everyday life, I do not think you can get a better camera than this. Perhaps slap a small 24mm pancake lens on this and use it like people use the Fujifilms of the world to document everyday life or use it as a street camera. This is where it can really excel. There was zero stress while holding the camera during my photo-taking expeditions in the old city of Jaipur, and I can confidently say this is going to be a fun experience for most photographers. I have the RF-S14-30mm f/4-6.3 IS STM PZ kit lens with me. It has an f-stop range of F4 to F6.3 and it, too, offers a video-first experience. It has power zoom, which means the lens does not change in size when you zoom. This can be especially useful when you mount the camera on a gimbal because the balance of the gimbal does not change, so you can rest assured you will have a balanced gimbal despite zooming with the lens. This camera paired with a tiny gimbal can be a quick run-and-gun setup for most people, or perhaps even serve as a B-camera for someone who is already shooting on Canon cameras and using Canon Log 3. The lens is also quite stable for the most part because it does have image stabilisation. So, if you are shooting video handheld, you should expect stable footage for the most part. But of course, because the camera does not have in-body stabilisation, you will have to have stable hands or perhaps make the camera a little heavier by attaching a cage. Canon has included a 3-inch screen with the R50 V that can articulate both front and back. This is particularly useful for content creators who will not necessarily be attaching external monitors to the camera. This screen ensures that they are in focus and framed right, which is just incredibly useful. The screen itself seems high quality; it is ample bright, even in outdoor conditions. As for the ports, it offers a 10Gbps USB-C port, a headphone jack so you can monitor audio correctly, and a port to attach a mic, because of course, sound is as equally important as your footage. However, it does come with a Micro HDMI port, which is not to anyone's liking, so you will have to use a converter if you want to stream footage to an external monitor or recorder. Coming to the battery life, the battery is the LP-E17 that Canon has been using in some older cameras as well. Canon claims 390 shots, and we got somewhere around that figure. The camera has great battery life; at least that is what I have felt. I could go through an entire day of documenting my footage and clips without actually charging the battery, and that too in 4K 24 FPS Log 3. So you will be okay with the battery life. Of course, you can just buy additional batteries if you need them. Also Read: OnePlus 13s review: The minimalist powerhouse The R50 V has a bit of a rolling shutter problem, especially if you are into shooting fast objects. The moment you pan your camera quickly, you will notice that the footage can feel rather janky. You will feel like the screen is sort of liquefying, which of course reflects in the footage as well. There is a rolling shutter. You can read about what rolling shutter is, but this should not affect most people because they will keep their cameras stationary to record videos of talking heads, film objects like smartphones, or create beauty and cooking videos. For most of that stuff, rolling shutter really is not a factor that should worry you. Sure, if you are going to be out shooting F1 cars or fast bikes, which only some of you will be, you do not have to really worry about it. Another thing that certainly could have been better is the 4K 60 FPS crop. It is around 1.56x, and it can certainly make for tight-looking shots. This could have been prevented. Overall, for ₹79,999, the Canon EOS R50 with the kit lens is certainly great value. I feel it offers some of the best image and video-taking ability at this price point. It has reliable autofocus that latches onto subjects super quickly. Canon has thought of practicality and has bundled features like the front-facing record button and the tripod mount on the side for vertical mounting. This eliminates the need for any cage, and the camera is portable, so the possibilities to rig it out are endless. I give it 9 out of 10 stars. MOBILE FINDER: iPhone 16 LATEST Price, Specs And More

Canon brings R50 V to India, pitches it as the perfect camera for content creators
Canon brings R50 V to India, pitches it as the perfect camera for content creators

India Today

time24-04-2025

  • Business
  • India Today

Canon brings R50 V to India, pitches it as the perfect camera for content creators

Who needs a professional camera? There was a time when professional cameras were sought only by photographers and videographers. But in recent years — particularly after the pandemic — a new group of people has emerged who want professional-grade cameras for their content: social media content creators and influencers. Canon is aiming at this segment with its EOS R50 V, a new mirrorless camera designed specifically to meet the needs of content company has positioned the EOS R50 V as a video-centric upgrade to its popular R50 series. It is also Canon's first product in the newly introduced 'V' line of cameras. According to Canon, the EOS R50 V can do high-quality videos, supports live streaming, and social-first shooting other such cameras the EOS R50 V is also easier-to-use and lighter camera. The cost of that is, of course, the regular viewfinder that this camera is missing. Alongside the camera, Canon has also introduced its first RF lens with a built-in power zoom: the RF-S 14-30mm F4-6.3 IS STM PZ. This lens offers precise, servo-like zoom control, which is extremely helpful for video EOS R50 V: India price and availabilityThe Canon EOS R50 V will be available in India starting 28 April, through Canon's official e-store and authorised retailers nationwide. The camera will be sold as a kit bundled with the RF-S 14-30mm F4-6.3 IS STM PZ lens at an MRP of Rs 79,995. The lens will also be available separately for Rs 33, EOS R50 V: Specifications and featuresadvertisementAt its core, the EOS R50 V features Canon's 24.2-megapixel APS-C — crop sensor, in other words — CMOS sensor, paired with the DIGIC X processor. It uses Canon's Dual Pixel CMOS AF II autofocus system. The camera supports un-cropped oversampled 4K video at 30fps, cropped 4K at 60fps, and Full HD at up to 120fps. Canon has also added C-Log 3, catering to users and content creators who want greater control in post-production through colour the EOS R50 V is aimed at content creators, Canon has included a simplified button layout, a new video-centric mode dial, and an ergonomic grip optimised for vertical shooting — kind of handy for Reels and Shorts. A dedicated live-streaming button offers one-touch access to streaming platforms via Wi-Fi, USB-C, HDMI, or Canon's Live Switcher Mobile app. Users can also combine live feeds from the R50 V and other smart devices — such as iPhones, iPads, or additional Canon cameras — for a multi-angle live broadcast. Cropped 4K 60p live-streaming is supported via USB-C for high-resolution camera also includes tools such as false colours and zebra patterns for accurate exposure monitoring. A 3-mic noise reduction system and support for 24-bit 4-channel audio input ensure high-quality sound capture.

Canon Unveils New Lenses for High-Level Social Creators Seeking Visual Excellence and Greater Expression Across Stills and Cinematic Video
Canon Unveils New Lenses for High-Level Social Creators Seeking Visual Excellence and Greater Expression Across Stills and Cinematic Video

Yahoo

time26-03-2025

  • Yahoo

Canon Unveils New Lenses for High-Level Social Creators Seeking Visual Excellence and Greater Expression Across Stills and Cinematic Video

Canon RF-S14-30mm F4-6.3 IS STM PZ Canon RF20mm F1.4 L VCM Melville, NY, March 26, 2025 (GLOBE NEWSWIRE) -- Canon U.S.A., Inc., a leader in digital imaging solutions, has announced two new lenses designed for social media creators: the RF-S14-30mm F4-6.3 IS STM PZ, Canon's first RF Lens with Power Zoom optimized for cinematic video, and the RF20mm F1.4 L VCM, a f/1.4 hybrid prime lens that enables high levels of expression across photo and video shooting. The RF-S14-30mm F4-6.3 IS STM PZ lens is designed with a variety of shooting scenarios and needs in mind, from cinematic video to livestreaming and selfie POV. The RF-S14-30mm F4-6.3 IS STM PZ lens is packed with convenient functions for both still and video formats, including a wide angle of view, smooth cinema-style Auto Focus, optical Image Stabilization that suppresses blur in challenging situations, and more. Its uniform design and simple operability make it a worthy standard lens for the new Canon EOS R50 V camera, also announced today. When paired, the camera and lens make a beautiful, minimalist package, although the lens can also be seamlessly matched with Canon's larger EOS R series of cameras. The outstanding feature of the RF-S14-30mm F4-6.3 IS STM PZ lens is its power zoom design. Its fixed-length zoom with customizable control rings allows each individual creator to achieve their desired style and expressive intentions, while its ease of use allows them to prioritize their creative flow above all else. The use of a ring-style control for power zoom operations instead of a button or lever makes it possible to zoom from any direction regardless of shooting style. This gives more flexibility in angle of view adjustments, allowing users to enjoy great creative possibilities with smooth zooming while securely holding the camera, or zooming to change the angle of view from the front when taking selfies. And in vertical orientation, it provides outstanding operability that does not interfere with camera controls. The RF20mm F1.4 L VCM is a 20mm ultra wide-angle lens and is the fourth addition to Canon's RF Hybrid Prime series specifically designed for creators who switch between photo and video shooting. This lens pushes the boundaries of creative expression, offering extensive width, and depth, and beautiful dramatic effects for those who seek a high level of output across still and video shooting. Perfect for creators, video journalists, corporate video professionals, and independent filmmakers, the new RF20mm F1.4 L VCM lens is an impressive addition to Canon's products that cater to the new era of hybrid shooting needs. The lens features quiet, fast, and precise AF for both still and video shooting due to Canon's actuator and focusing systems. It features dramatically reduced focus breathing compared to non-VCM lens, an iris ring for convenient movie shooting, and more. The unbeatable expressive power of an f/1.4 large aperture combined with shallow depth of field lends outstanding optical performance and enables rich, dynamic bokeh. The RF20mm F1.4 L VCM can also be used for shooting rich and clear videos and stills in dark places without increasing the sensitivity. Additionally, the UD and Super UD lenses and the Blue Refractive (BR) optics dramatically reduce the color bleeding that tends to occur with large aperture lenses. The design of Canon's RF Hybrid Prime series, now with the addition of the RF20mm F1.4 L VCM lens, was conceptualized to take full advantage of the RF Mount with its minimalist features and compact nature, to create an elegant, sleek camera package that any creator would be proud to take out of their camera bag. Pricing and AvailabilityThe RF-S14-30mm F4-6.3 IS STM PZ Lens is currently scheduled to be available in July 2025 for an estimated retail price of $329.99.* The RF20mm F1.4 L VCM is currently scheduled to be available in April 2025 for an estimated retail price of $1,699.00.* For additional information, please visit About Canon U.S.A. U.S.A., Inc. is a leading provider of consumer, business-to-business, and industrial digital imaging solutions to the United States, Latin America, and the Caribbean markets. With approximately $28.5 billion in global revenue, its parent company, Canon Inc., as of 2024 has ranked in the top-10 for U.S. patents granted for 41 consecutive years. † Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To learn more about Canon, visit and connect with us on LinkedIn at # # # * Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary. † Based on patent counts issued by the United States Patent and Trademark Office and compiled by IFI CLAIMS Patent Services. Attachments Canon RF-S14-30mm F4-6.3 IS STM PZ Canon RF20mm F1.4 L VCM CONTACT: Eloise Pisano Canon U.S.A., Inc. episano@

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