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Olivia Rodrigo at Marlay Park in Dublin: Stage times, set list, ticket information, how to get there and more

Olivia Rodrigo at Marlay Park in Dublin: Stage times, set list, ticket information, how to get there and more

Irish Times19 hours ago

With two albums, three
Grammys
and close to four billion streams,
Olivia Rodrigo
has been an explosive success story since launching herself into a career in music in 2021.
The path from
Disney Channel
actor to chart-topping singer is well trodden, but few have had a rise as instantaneous as Rodrigo's. The Californian's sound has been ubiquitous on radio and in playlists since the release of her power ballad Driver's License, which was somehow her very first single.
Having sold out two shows
at 3Arena in Dublin last year
, Rodrigo now returns for her biggest Irish show to date.
When and where is it?
Olivia Rodrigo plays Marlay Park in Dublin on Tuesday, June 24th.
READ MORE
What time should I arrive?
Doors open at 4pm. Stage times are not yet announced, but there will be time allowed for Marlay Park's 40,000 capacity crowd to flood in. The support act is unlikely to appear any time before 5pm, and headliners are later in the evening. Rodrigo should be onstage some time after 8pm, and the gig should be wrapped up before 11pm.
Who is playing?
Support comes from
Beabadoobee
, the singer-songwriter known for tracks such as The Perfect Pair and Death Bed (Coffee for Your Head). Rodrigo and her band will then take to the stage.
What songs will she play?
Rodrigo has released two enormously successful studio albums, both of which will be afforded plenty of airtime on Tuesday. Expect her set to be very like this one, from her recent concert in Mexico City:
Obsessed
Ballad of a Homeschooled Girl
Vampire
Driver's License
Traitor
Bad Idea Right?
Love Is Embarrassing
Pretty Isn't Pretty
Happier
Lacy
Enough for You
So American
Jealousy, Jealousy
Favorite Crime
Teenage Dream
Deja Vu
Brutal
All-American Bitch
Good 4 U
Get Him Back!
How do I get to and from the gig?
As is always the case at Marlay Park, the influx of major crowds will lead to inevitable delays. Make sure to give yourself plenty of extra travel time to and from the venue. Try to avoid driving to the site and use public transport where possible.
Travel by bus:
Dublin Bus does operate a service to Marlay Park from the city centre via the number 16, but, with the size of crowds attending, Transport for Ireland recommends using the shuttle service provided by Marathon.
You can book a return shuttle
here
from the city centre, or from Dundrum, which is a short drive from Marlay Park. Shuttles begin running at 2pm; return shuttles begin loading on demand at 10.30pm, with the final bus departing at 11.30pm.
Travel by Luas:
The Luas green line will take you to stops at Dundrum or Balally, both of which are about a 45-minute walk from Marlay Park. If you head to Dundrum, you can also avail of the Marathon shuttle service by booking
here
.
Travel by car:
Car parking is available at Marlay Park, but it is extremely limited and must be booked in advance. The car park entrance is located at College Road and is accessed via Whitechurch Road. You will not be allowed to enter if you have not booked parking, which you can do at
evntz.ie
.
For dropping off and collecting concertgoers, it is recommended that drivers use the SuperValu car park on Ballinteer Avenue, which is about a 20-minute walk from the venue.
Are there any tickets left?
The gig is sold out, but keep an eye on Ticketmaster for any resale tickets that may pop up. You can search for them
here
.
If you are fortunate enough to have a ticket, make sure to to download it to your phone in advance of the gig. Screenshots may not work on the day, as Ticketmaster uses live barcodes that update regularly.
Box offices are located at the College Road and Grange Road entrances to Marlay Park.
[
Olivia Rodrigo: Guts – One of the best and most observant pop songwriters out there
Opens in new window
]
What is security like?
Any under-16s must be accompanied by an adult aged 25 or over to be permitted entry. You are advised to bring an official form of identification to verify your age – a passport, Garda age card or, perhaps most appropriately, driver's licence.
There will be security checks on the way into the park. Bags will be searched, and bags larger than A4 size will not be allowed into the event. Among the items you will not be allowed to bring into Marlay Park are umbrellas, alcohol, flares, garden furniture, drones and gas canisters.
You can record the concert using a phone or a small camera, but professional cameras or recording equipment will not be allowed in.
How is the weather looking?
There is plenty of talk about a heatwave, though Tuesday may miss out on the peaks of sunshine set to arrive. As it stands, Met Éireann does suggest that temperatures will be higher than normal, so attendees may be in luck.

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Meteoric rise of Olivia Rodrigo revealed from Disney star writing songs at 13 to headlining Glastonbury & 14 Grammy nods
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The Irish Sun

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  • The Irish Sun

Meteoric rise of Olivia Rodrigo revealed from Disney star writing songs at 13 to headlining Glastonbury & 14 Grammy nods

WITH buzzing music fans watching, Olivia Rodrigo will take to Glastonbury's Pyramid Stage on Sunday to bring the world's most famous festival to a close. At 22, she will be the second youngest ever to do so, after Advertisement 11 Olivia Rodrigo at a Beverly Hills party earlier this year Credit: Getty 11 Young Olivia with parents Chris and Jennifer Credit: Disney Channel/Youtube 11 Olivia playing New York last year on her world tour Credit: Getty Her meteoric rise to fame has taken her from Disney Channel starlet to 46million monthly listeners on Spotify, 14 Grammy nominations and collaborations with David Byrne and So how did a Disney child actor come to make this journey through the ranks to grab the most prized slot at Worthy Farm? Known for her heart-on-sleeve hits including Drivers License and Good 4 U, it seems Olivia was always destined to achieve her goals. 'I want to be a songwriter — I don't want to be the biggest pop star that ever lived,' she said in an interview. Advertisement Read more on Olivia Rodrigo 'I worked my whole childhood and I'm never going to get it back. 'I didn't go to football games, I didn't have this group of girlfriends that I hung out with after school. That's kind of sad.' Raised in a southern California town by her teacher mum Jennifer and therapist dad Chris, Olivia was only 12 when she made her acting debut as the lead in the American Girl doll franchise movie. Before that, the self- professed 'theatre kid' had been writing songs — before going on to learn piano and guitar — and was inspired by Taylor Swift's country tones. Advertisement Most read in Celebrity Breaking She once declared herself the 'biggest Swiftie in the world', and was also a huge fan of the in-your-face energy of Nineties and alt-rock groups such as No Doubt. 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Take her 2023 hit Vampire, in which she brands a mystery older ex a 'bloodsucker' who was only with her for fame. She dated producer Adam Faze for seven months before things came to an end in early 2022, then entered into a short relationship with music executive Zack Bia that same year. Advertisement But despite her earlier pain, she is now loved up with British actor Louis Partridge, known for playing Sid Vicious in a series about the Sex Pistols. He said in an interview last year: 'Dating probably shouldn't be done in the public eye . . . there's enough going on between two people. 'You don't need the voices of thousands of others in your head.' 11 Olivia with her guitar during her Disney days Credit: Getty Advertisement 11 Olivia will take to Glastonbury's Pyramid Stage on Sunday Credit: Getty But that has not stopped them from going, in true Gen Z style, 'Instagram official'. 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Paul Clements on Forrest Reid, a 20th century author who is coming back into vogue
Paul Clements on Forrest Reid, a 20th century author who is coming back into vogue

Irish Times

time5 hours ago

  • Irish Times

Paul Clements on Forrest Reid, a 20th century author who is coming back into vogue

Forrest Reid's name may not be widely known to readers today but in his time he was a culturally important author of 17 novels, two autobiographies, essays, literary criticism and translation work. Born in Belfast 150 years ago, on June 24th, 1875, Reid was the youngest of 12 children – six of whom survived – and came from a middle-class Protestant family. His father was the manager of a felt works, later becoming involved in a failed shipping venture. On his mother's side he could claim descent from Catherine Parr – the last of the six wives of Henry VIII – and a source of pride to the young boy. Reid was educated at the Royal Belfast Academical Institution (known as 'Inst') founded in 1810. However, he was unable to continue with his education owing to his family's difficult financial circumstances, and in the early 1890s became apprenticed to the tea trade but found the work boring. His father died when he was young, and following the death of his mother in 1901, he inherited a small legacy which enabled him to enter Christ's College Cambridge graduating with a degree in medieval and modern languages. The Kingdom of Twilight, Reid's first novel came out in 1904, while his coming-of-age novel Following Darkness – known under the literary genre Bildungsroman – was published eight years later in 1912. A leitmotif in his writing is childhood and the loss of innocence. READ MORE Reid developed lifelong friendships with illustrious figures in the literary world, and by extension the Bloomsbury Group, made up of artists, writers and intellectuals who it is said ''ived in squares and loved in triangles.' He became a close friend of the poet and novelist Walter de la Mare, writing a critical study of him. In 1912, E. M. Forster, whom he met at Cambridge and whose novels include The Longest Journey, A Room with a View, and A Passage to India, wrote to Reid praising his third novel, The Bracknels, stating, 'the book has moved me a good deal'. For 35 years the two corresponded through several hundred letters and cards showing mutual affection in discussing literature and culture, as well as political crises such as the debate over the Third Home Rule Bill (1912-14). Letters from the American-British author Henry James offered Reid writing tips along with suggested book recommendations. But their friendship turned hostile after Reid dedicated to him his homoerotic novella The Garden God: A Tale of Two Boys. In a review of a biography of Reid published in 1980, the novelist V. S. Pritchett, noted that James 'was embarrassed and angered by the platonic eroticism of the book and broke off the relationship in a panic.' Aside from his novels, Reid published translations in the form of Poems from the Greek Anthology (1943) while his analysis of the work of W. B. Yeats (1915) is regarded as one of the best critical studies of the poet. A founder member of the Irish Academy of Letters, Reid was made honorary Doctor of Literature by Queen's University Belfast in 1933. For many decades his books disappeared from the literary canon, but this century has seen a renaissance of interest in his writing with at least 10 of his novels reissued in fresh editions since 2007. Several of his novels have been republished in the Faber Finds series which has also reprinted Sean O'Casey's Autobiographies. In Reid's autobiography, Apostate (1926), which he described as his 'chronicle of a prolonged personal adventure', he evokes locations around Belfast in the early 1880s. He recalls the subdued notes of a band playing in Ormeau Park, the sensory experience of a hot summer's day on the banks of the River Lagan, and a walk with his nurse through the Palm House Conservatory in Botanic Gardens which he called 'a tropical landscape'; all of this fed into his memories, expressing the dream visions of his rhythmic prose. A second autobiography, Private Road, was published in 1940 with an account of his Cambridge years, and of his meetings with the author, poet, and critic AE, the pseudonym of Geroge Russell. In that book he also scorned Henry James's 'strange moral timidity' in rejecting his earlier dedication. Reid penned essays on other writers including the playwright and novelist Seamus O'Kelly. Although he never attained huge commercial success, his work was well received. Irish authors, such as John McGahern, recognised the quality of his writing, admiring the way his prose captured specific scenes in his book Brian Westby (1934). In 1944 Reid's novel, Young Tom, was awarded the prestigious James Tait Black Memorial Prize for the best work of fiction in that year. Three years later, on January 4th, 1947, he died of peritonitis at Warrenpoint in Co Down. Today a plaque marks his last Belfast home while his memory survives in his old school where a Forrest Reid Memorial Prize for Creative Writing is awarded each year.

Leo Varadkar says politicians should not censor artists following Keir Starmer Kneecap remark
Leo Varadkar says politicians should not censor artists following Keir Starmer Kneecap remark

Irish Times

time5 hours ago

  • Irish Times

Leo Varadkar says politicians should not censor artists following Keir Starmer Kneecap remark

Former taoiseach Leo Varadkar has said politicians should not try to censor artists after British prime minister Keir Starmer described Kneecap's forthcoming performance at the Glastonbury festival as inappropriate. Kneecap member Liam Óg Ó hAnnaidh, whose stage name is Mo Chara, appeared in court on Wednesday charged, under UK anti-terrorism legislation, with showing support for a proscribed organisation. It was alleged he draped himself in a Hizbullah flag at a London gig last November and shouted 'up Hamas, up Hizbullah', referring to the Palestinian and Lebanese militant groups respectively. In an interview with The Sun, Mr Starmer said he did not think the Belfast rap trio should perform at Glastonbury. READ MORE 'I think we need to come down really clearly on this. This is about the threats that shouldn't be made, I won't say too much because there's a court case on, but I don't think that's appropriate,' he said. It comes after Conservative Party leader Kemi Badenoch said on X that she thought the BBC 'should not be showing' Kneecap's performance at the festival next week. Kneecap's official Instagram page shared a screenshot of the article containing Mr Starmer's comments, stating that 'arming a fu*king genocide' was what's 'not appropriate'. In a comment underneath the post, Mr Varadkar said he had thought the comment from Mr Starmer was a 'gag'. '[I] no longer hold office nor have any mandate so my views don't count for so much anymore. I get that. But I really thought this was some sort of gag. It's the role of artists to be avant guarde, inappropriate, challenging, disruptive - from James Joyce to Sex Pistols and Playboy,' he said. [ Fans rally behind Kneecap after London court appearance: 'If you're supporting Ireland, you're supporting Kneecap' Opens in new window ] 'Politicians really should not try to censor this. If an offence was committed, let the courts decide. In the meantime, the rule of law says the accused is innocent until proven guilty.' Mr Ó hAnnaidh was released on unconditional bail until his next hearing on August 20th. He and his bandmates – Naoise Ó Cairealláin, and JJ Ó Dochartaigh - arrived at the central London court to a scrum of hundreds of supporters who cheered as their vehicle pulled up outside it. The band were wearing 'Free Mo Chara' T-shirts as they arrived. Following the hearing, the rapper said: 'For anybody going to Glastonbury, you can see us there at 4pm on the Saturday. 'If you can't be there we'll be on the BBC, if anybody watches the BBC. We'll be at Wembley in September.' - Additional reporting Agencies

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