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Pixar fans scramble to create ‘The Increggibles' and ‘Eggside Out 2' for Easter

Pixar fans scramble to create ‘The Increggibles' and ‘Eggside Out 2' for Easter

Yahoo20-04-2025

From the Incredibles to Up, there was no shortage of creativity from parents and their children when it came to making egg-tastic projects for school competitions.
Parents across the country have been taking to TikTok to post the egg-centred creations their children have made in the lead up to Easter.
In Birmingham, Megan Ensor's five-year-old son Caleb Dove recreated characters from Pixar animation The Incredibles including Edna Mode, also known as 'Eggna Mode', and Jack-Jack using hard boiled eggs.
He and his mother used paint to mimic the characters' hair and fine liner pens to draw faces on the eggs.
'I've got two sons and both of them are obsessed with The Incredibles, especially Jack-Jack, so we were fiddling around with names and I just thought of one scene in particular, which was when Jack-Jack was fighting with a racoon in Incredibles 2, and I just incorporated that with eggs,' Ms Ensor, who is 25 and works as a cleaner, told the PA news agency.
'We thought of the name the Increggibles, which made my son really excited.'
The project – which also features other elements including a car made from cardboard and houses constructed with card – took roughly a week-and-a-half to create.
'There was a lot of cutting and sticking and my son was having fun with the glue stick and putting it all together,' she said.
'When all the box was done, we decided to move on to the eggs which took hours.
'When we were boiling them, I lost about two because they completely cracked.'
Despite not winning with his entry, Caleb provided some Easter joy to social media users through a video of his creation, which was shared by his mother under the TikTok handle @meganensor and has received hundreds of views.
'I was not expecting that,' Ms Ensor said. 'We had a really good laugh with it, it was so much fun.'
In Lancashire, Janeane Kearney, 34, has been busy over the past two weeks working with her two daughters – Isla Slater, 10, and Eva Slater, eight – on their separate entries for their respective classes' egg competitions.
Isla's project, which pays homages to Pixar movie Up and features hard boiled egg versions of main characters Russell and Carl Fredricksen and the famous balloon house, won first place.
Eva, however, did not have the same luck as her sister, with her offering – a take on Inside Out 2 called 'Eggside Out 2', complete with egg versions of the emotions including sadness and anxiety – missing out on victory.
Speaking through the process for both entries, Ms Kearney, who is a counsellor, told PA: 'For the Up house, real eggs was used for the figures and polystyrene eggs used for the balloons.
'We used cardboard boxes and cut them up to make the house from scratch using a picture off Disney to make it as realistic as possible.
'We used hot glue, acrylic paints and wire too and a shoe box for the base.
'For the Inside Out 2 entry, we used hard boiled eggs for the emotions and painted them using acrylic paints, (used a) shoe box for the base, polystyrene eggs for the 'memories' and cardboard to make the shoots, the tower and also the control desk.'
Eva was not too disappointed by her defeat as a TikTok her mother posted on her egg-cellent endeavour under the handle @xjaneanex went viral after being viewed by over 130,000 people which she said 'helped soften the blow' of losing.
A video on Isla's entry similarly went viral, racking up over 170,000 views and over 3,000 likes.
'I did not expect the videos to get as many views as they have… it was also lovely to read people's comments,' Ms Kearney added.
The Kearney family are not novices in the art of egg decorating competitions, having made other prize-winning designs over the years including their unique adaptation of SpongeBob SquarePants and the other members of Bikini Bottom, as well as Taylor Swift's lesser known counterpart, 'Taegg Swift'.

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‘People Are Going To See Something They've Never Seen Before': How Pixar's Next Hit Film Was Made
‘People Are Going To See Something They've Never Seen Before': How Pixar's Next Hit Film Was Made

Yahoo

time20 minutes ago

  • Yahoo

‘People Are Going To See Something They've Never Seen Before': How Pixar's Next Hit Film Was Made

Fans of laughing out loud one moment and crying into your popcorn bucket the next are in for a treat with Pixar's latest release. Elio is the newest offering from the award-winning animation studio, centring around a lonely boy who becomes obsessed with the idea of being abducted by aliens – and gets more than he bargained for when his dream comes true. As has come to be expected from the studio that gave us the likes of Inside Out, Coco and Toy Story 3, Elio dives into some pretty hefty themes, exploring everything from loneliness and grief to toxic masculinity, all with Pixar's signature sense of humour and adventure to keep younger viewers as gripped as everyone else in the cinema. 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Domee Shi: Yeah, I always loved that song, I always felt like David Byrne kind of gave off alien boy vibes as well. And the way that the song starts always sounded kind of synthy and celestial and spacey in some way. I felt like there was a connection between Byrne and Elio, and it felt like a cool needle drop choice to put in this montage where we're introduced to Elio's obsession with getting abducted, but being unable to, every single day that went by. MS: It helped a lot that Pete Docter and Jim Morris, our company leadership, really like that song. So I do think that kind of helped us hang onto it and get it for the final, and we're very grateful that we got to keep it. It adds so much to the scene. DS: There was one moment where we did try another song… MS: Oh god, yeah… DS: I was like, 'what about Beastie Boys' Intergalactic?'. And then we tried that for a minute and we were like, 'no, I think we miss Talking Heads', and we went back to that. And also I feel like I haven't really seen [Once In A Lifetime] used a lot in media, in like TV or movies, whereas Intergalactic is used quite a lot. I love that song, though! But yeah… Something else people are going to pick up on is Elio's eyepatch. It really works as a plot device later in the film, but was that always going to be there, or were other ideas explored? MS: It was always an eyepatch, I'm pretty sure. I mean, the eyepatch was there in Adrian Molina's original version [Coco writer and director Adrian Molina originally conceived the idea of Elio to helm the film himself, but left the project halfway through to focus on Coco 2, at which point Madeline and Domee took over as lead directors]. When we took the story, we loved [the eyepatch], just as a way that it supports Elio's feeling of otherness, when he's on Earth, he feels even more out of place. 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MS: Pixar has done two sci-fi movies already [2008's Wall-E and 2022's Lightyear] and Harley Jessup, our production designer, really wanted to shoot for a version that we've never seen. So, he knew that the Communiverse needed to be this sort of beautiful almost Utopia, that there would be aliens from all over the universe gathering there, and almost designed it, one of his very first pieces of production art that I saw that I fell in love with, it was kind of glittering in the sky, almost like a disco ball – the way the lights shimmer on it were like a disco ball. We ended up taking that and putting it in the [finished film], we were like, 'we need to hang onto that'. So, it's bright, it's colourful, it's also softer and round, which I do think is very different from other sci-fi movies. And everything – even the technology – feels very organic, and kind of squishy and alive, which I think gives it a very unique identity. DS: Yeah, all of it points to Elio just truly feeling like he belongs there, and that he doesn't want to leave when he first arrives. And I also love that Harley challenged our character designer to design non-humanoid-looking aliens, and kind of look at deep-sea, underwater creatures for reference. We went with designs that you couldn't possibly do with humans in a costume, right? MS: Yeah, because live-action, especially some of the classics are a little bit limited by that. Like, the alien in Alien is a guy. Really awesome, though, but we were like, 'we're in an animation, we can do whatever we want, so let's make sure that our aliens are taking advantage of what we can do'. Some parts of the film are quite intense and surprisingly quite scary – especially for a Disney film. Was there much pushback because of that? DS: I mean, we were excited to explore other aspects of the sci-fi genre that maybe you don't usually see in a Disney and Pixar movie. We're both sci-fi horror fans, and I think there's a good balance between scary and fun – like a fun scary. There's a sweet spot that you can hit, and we tried to do that with all the scenes with Elio's clone, really pushing the clone's friendliness, but also upping the weirdness and the horror surrounding him, from Olga's point of view where she's slowly realising, 'am I living with a clone?'... MS: …which is a pretty crazy realisation for her! Especially since she starts off the movie as a sceptic of aliens, she doesn't really believe that they're out there, so to take her to becoming a believer… we almost talked about her B-story as in, 'she's in a totally different kind of movie', she is in a pod person movie, and I thought it was fun that we treated her sections almost like a different genre, a little bit. DS: And you know… we'll fine-tune the execution of it, just to make sure that the music isn't too crazy and the sound effects don't give you too much of a heart attack and we release the tension immediately with a joke or a gag or something. But I don't know – I remember being a kid and loving movies like A Nightmare Before Christmas and Coraline, where there is like a fun scare. I feel like the original Monsters Inc. taps into that a little bit, too. Elio is coming out at an interesting time for Walt Disney Studios, where there area lot of films coming up that are either sequels, live-action remakes and other ideas based on existing IP, so it's great to see an original story coming from the studio, too. Is that something that's important to you both as filmmakers? MS: Yeah! DS: Definitely. MS: And it's important to Pixar, too, I think. Even though we release our own sequels [Inside Out 2 was the biggest film of 2024, with follow-ups to Toy Story, Coco and The Incredibles currently in the works at the studio], we do talk a lot about how important originality is to us, just as a filmmaking culture, we have a lot of originals coming [Pixar's next release, Hoppers, is slated for 2026, followed by Gatto in 2027] and I would say, whether they're sequels or originals, we hold ourselves to the same standard for both. And our main goal is just to make incredible movies, and amazing stories. I love originals – but Toy Story 3 is one of my favourite movies that Pixar has ever made! So, as long as we're holding that standard of storytelling, hopefully we can make any kind of movie great. But it is exciting to have an original coming out. I think we're the only original [Disney film] coming out this summer, which is so wild [the studio also has sequels to Freaky Friday and Tron coming later in 2025, with live-action remakes of Snow White and Lilo & Stitch having also been released earlier in the year, while Marvel projects have included Captain America: Brave New World, Thunderbolts* (which featured a main cast of existing characters) and the new reboot of The Fantastic Four]. I hope people enjoy [Elio] and they're going to see something they've never seen before – and that's really exciting, and worth seeing in a theatre. Elio is in cinemas now. Watch the trailer for yourself below: Lilo & Stitch Remake Director Addresses Backlash Over The New Film's Changed Ending 'Sobbing, Screaming, Traumatised': Frozen's Josh Gad Opens Up About Olaf's Axed Death Scene Snow White Remake Faces Yet More Criticism Over CGI Characters

‘All I Get Is Old Men:' Man Buys Classic Chevrolet to Get Attention From Women. It Backfires
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  • Motor 1

‘All I Get Is Old Men:' Man Buys Classic Chevrolet to Get Attention From Women. It Backfires

A man's scheme to attract the female gaze by purchasing a vintage car ultimately backfired. Johnny (@canadajuice) shared his woes in a viral TikTok that's accrued more than 1.2 million views on the popular social media platform. In the video, he airs his grievances over the consequences of his buy. 'I bought this car for attention from women.' he says, speaking directly into the camera and ambling through an indoor parking garage. Following this, he directs his camera toward an early model Chevy Impala as he holds a guitar in hand. However, Johnny says that only older dudes seem to care that he's currently riding around in a classic. 'And all I get is old men saying put down your window son. You weren't even alive when that car was being made…' his video cuts out before he completes his sentence. Commenters React Despite his frustrations, several folks had differing opinions about Johnny's vehicle and the interest it would garner. 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Classic Impala The Chevrolet Impala model Johnny shows off in his video appears to have been manufactured in the 1970s. Newer Impala models, from 1994 and up, are known to have several recurring problems. This includes oil dripping and exhaust manifold woes, along with engine cooling issues. The brand's automatic transmission hasn't seemed to really win over driving enthusiasts, either. More on the Impala Big Chevy Barn Find Sees Camaro, Impala, Square Body Pickup Collecting Dust Chevy Impala Dies Today, 62 Years Since The Original's Launch Additionally, there are braking system faults to keep an eye out for. Older Impalas have their own set of issues, but there are many car enthusiasts who have a fondness for these cars. Like this YouTuber who called the 1967 Chevrolet Impala the best ride the brand has ever made . Should I Buy a Classic Car? Anytime one purchases a car that's decades old, there are a slew of issues that need to be addressed. Locating parts can oftentimes be a drag, as classic components may need to be special-ordered. Moreover, many of these rides have probably been sitting dormant for years on end. Which means that a lack of use could necessitate deep cleaning and restoration on key components. Furthermore, drivers can expect to forego a lot of modern standard amenities and luxuries. There are some benefits to riding around in a vintage vehicle, however. Despite oftentimes requiring meticulous upkeep, unlike many newer cars, vintage cars can be an asset. It's not uncommon for highly sought-after older cars to increase in value. Furthermore, because they were manufactured in a different era, they can bypass specific inspection and emissions guidelines . Then there's the added benefit of the coolness factor: It's hard to argue against the aesthetic of a classic Impala. Conversely, later model offerings pale in comparison with its more utilitarian, boring-everyday-sedan design language. Classic: Simple and Reliable? On one hand, getting a vintage, cobwebbed-garage car up and running is a tall order. Troubleshooting parts, getting all of the components firing reliably, and abstaining from modern commuter comforts is certainly a learning curve. Although there is something to be said about the simplicity of said vehicles. And handling a classic Impala may feel like piloting a yacht on asphalt. But these cars do have fans. This YouTube user calls the 1976 Chevrolet Impala 'America's ultimate classic car.' Invariably, more feature-packed vehicles are going to be prone to more issues. For instance, the Alfa Romeo Stelvio , which is hardly a ubiquitous SUV when compared to, let's say, the Jeep Grand Cherokee. Between 2017 and 2024, there were 9 separate recalls for this particular model. Incorrectly labeled tire sizes. Brake pedal detachments. Front airbag deployment problems. Brake rotor fractures. Rotor and shaft separations. Side curtain airbag engagement issues. All of these problems occurred after just seven years. Conversely, the 1976 Chevrolet Impala, despite being around for nearly 50 years, has just one safety recall issued . And that's for its hydraulic braking system, where a differential proportional valve needs to be swapped out. Its engine has been praised as stalwart and reliable, and could most likely stand the test of time with routine maintenance. Vintage Chevrolet Impala: Worth it? If you're considering getting a classic car, ensure that you have adequate time and resources dedicated to giving it the TLC it'll probably need. Perhaps you, too, could find yourself getting head nods from older men. And maybe bedroom eyes from Supernatural viewers. Motor1 has reached out to Johnny via TikTok comment for further information. Now Trending Dealership Worker Is Oh-So-Close To Closing Car Sale. Then a Receptionist Ruins It In 1 Minute 'I Have Done That:' Woman Spends 25 Minutes in Walmart Looking for Her New Truck. There's Just One Problem Get the best news, reviews, columns, and more delivered straight to your inbox, daily. back Sign up For more information, read our Privacy Policy and Terms of Use . Share this Story Facebook X LinkedIn Flipboard Reddit WhatsApp E-Mail Got a tip for us? Email: tips@ Join the conversation ( )

Saint Lamaar Reflects and Thrives at Hot 107.9 Birthday Bash 2025
Saint Lamaar Reflects and Thrives at Hot 107.9 Birthday Bash 2025

Black America Web

time3 hours ago

  • Black America Web

Saint Lamaar Reflects and Thrives at Hot 107.9 Birthday Bash 2025

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