
Valerie Bertinelli shares make-up free bedroom selfie as she prepares for 'terrifying' return to acting
Valerie Bertinelli shared a candid make-up free selfie as she reflected on her 'terrifying' return to acting this week.
The actress, 65, revealed she is scheduled to be on set the following day at 4:18AM for her first acting job in four years.
Valerie shared a radiant snap of herself in bed as she anticipated the upcoming early rise, but stressed she was 'grateful' for the job, a gig for Lifetime.
'It's the small things that can always make me happy and grateful. Dancing sunlight streaming through a window in the morning? Happy,' Valerie - who recently revealed her size with DailyMail.com - wrote in the caption with a smiling emoji on Sunday.
'4:18a call-time tomorrow morning? Maybe not happy per se, but I'm so grateful to be working,' she added.
'What's something small that makes you happy and/or grateful?' the actress then asked followers.
The post was tagged in Vancouver, British Columbia, hinting that's where the set is located.
She also uploaded video of her laying in bed and wishing followers a good morning.
'I love the way the sun comes in my bedroom window,' she said before erupting into a giggle. 'Good morning!'
Valerie revealed last week she is working on a new project for Lifetime - however did not reveal exactly what it was.
She said it had 'an amazing script written by an amazing writer and the cast is beyond my wildest dreams.'
The actress, who hasn't really tackled a major part in nearly a decade, said to make the most of the opportunity, 'I must break down all my barriers, shut out the outside noise and be openly vulnerable. It's the only way to let the real, authentic emotions flow.'
'I knew I was feeling a little fear. It's been a while' she said, explaining the photos attached to the post, 'But, I didn't realize how really terrified I was until I looked at these selfies that I took to send to production.'
'I thought I was doing a pretty decent job of walking and talking through the fear and anxiety but my eyes never ever lie. You can see the fear and doubt in them.'
The One Day at a Time star, who won hearts at teen Barbara Cooper in the 1970s, said the fear was 'just my process.... I've been doing this for over 50 years, (it's like riding a bike, right?) but I just love this script so much and I wanna do it justice. There's always that thought that I'm gonna be the one that f*cks up the whole project, right?'
She told her fans she would 'feel the fear and do it anyway' by transferring 'the fear and anxiety into joy and excitement. They're the same sort of feelings just on a different spectrum.'
Bertinelli's mother put her in acting classes as a child to help her overcome her shyness and become more outgoing the actress told the Wall Street Journal in 2022, admitting that she was 'super-duper shy.'
After some small parts, an appearance in the TV dramady Apple's Way put her in the path of producer Norman Lear to audition for the role of Barbara on One Day at a Time, opposite Bonnie Franklin and Mackenzie Phillips.
The beloved sitcom about a divorced mom and her two daughters debuted in 1975 and won two Emmy awards.
She and her cast members earned a People's Choice Award for their roles as over-40 single women looking for love in the sit-com Hot in Cleveland; Seen here with co-stars Jane Leeves and Wendie Malick in 2010
Bertinelli grew up with her character, going from a teen to married, working woman juggling work and family life.
She won a Golden Globe award for her work in 1981 and 1982.
She and her cast members earned a People's Choice Award and Screen Actors Guild nominations for their roles as over-40 single women looking for love in the sit-com Hot in Cleveland.
Turning her love of cooking into a new career, Bertinelli won two Emmy awards for her Food Network show Valerie's Home Cooking in 2019.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Independent
41 minutes ago
- The Independent
Marlee Matlin tells her story in an intimate and groundbreaking documentary
When American Masters approached Marlee Matlin about doing a documentary, Matlin had one name in mind to direct: Shoshanna Stern. Like Matlin, Stern is deaf. She also hadn't directed before. But Matlin, who herself became the first deaf person in the Directors Guild of America just a few years ago, was certain she was up to the task. The resulting film, 'Marlee Matlin: Not Alone Anymore' is an intimate look at her life: Growing up in a hearing family; winning the best actress Oscar at 21 for her first movie role in 'Children of a Lesser God,' which film critic Rex Reed at the time called a 'pity vote'; what she's described as an abusive romantic relationship with her co-star, the late William Hurt, which he denied; getting sober; and her experiences in an industry not equipped to accommodate deaf actors. It's also an evocative portal into the world of the deaf community that uses groundbreaking techniques and sound design to put American Sign Language (ASL) and visual communication first. The film opens in select theaters Friday. While Matlin told much of her story in the memoir 'I'll Scream Later,' on some level it wasn't a completely satisfactory experience. Before the #MeToo movement, its revelations were not treated entirely seriously in the media. But a documentary also provided an opportunity. 'We communicate visually,' she said. Matlin and Stern spoke though translators to The Associated Press about the 'CODA' effect, making the doc on their terms, and why they hope Reed sees this film. Remarks have been edited for clarity and brevity. AP: Shoshanna, what was your approach? STERN: I had never seen a deaf person direct an episode of TV or film. Never. I thought, what does that even look like? I didn't realize until I took the job that really the whole form of documentary as we know it is really rooted in sound, in the assumption that people will be speaking and they can speak. I thought, what are we going to do when we're using American Sign Language? I have to reframe a whole form of documentary. We have to be able to see what a visually-based documentary is going to look like. We wouldn't do justice to Marlee's life if I had forced this form that really wasn't rooted in the way that she experienced this life. And that was exciting to do. Scary for some people out there, but I never felt scared in making this documentary because she believed in me. MATLIN: If I had had a hearing director approach me to do this project, we could have done a very good job, but that person would not have seen me in the same way. They would not have the same lens as a deaf person. AP: What were some techniques you used to spotlight the deaf experience? STERN: I did want to film with captions in mind, so I made sure that we did have a wider frame. We figured out visual voiceover with a split screen that we added. We did this little surgery with words and syllables in one of the scenes where we mixed them all around to be able to bring people into how Marlee experiences conversations and the world. We wanted to make this documentary an immersive experience for the audience members, a sensory experience to help them understand. AP: 'CODA' felt like a big moment, but in the years since it won the Oscar, have you seen things change? MATLIN: 'CODA' certainly was a milestone and respected by so many people in the industry. It tackled a lot of things that both deaf and hearing people or audiences can identify with. I love the fact that they burnt in the captions. That you can't just turn it off. And I hoped that all the love we received and the three Academy Awards that we got would make a difference. It was honored on so many other levels too as well, whether we're talking about (director) Sian (Heder) or you're talking about Troy (Kotsur) or the SAG award which was just a dream come true, specifically of mine. I took that opportunity to specifically address that that we 'exist,' that we want to be actors just like you, we want to be directors, we want be producers, we want to be hair and wardrobe stylists. We want to work in all levels of production. So 'CODA' really elevated that conversation about how much we wanted to be part of the industry. But for some reason it didn't really break open the door as wide as I would have thought. Yet we just don't give up. We are persistent. Because it is what it is. We are working on our own levels to make changes. STERN: Marlee said something really brave when we were at Sundance. She said, 'It won't last.' The moment, yes, in the moment. But I don't know if we have movement. MATLIN: There's so many stories that we can tell, so many stories that you can put up on screen, so many stories that we can put on stage. I'd like to see action because I've been hearing that, 'Yes, we have to do this' or 'I will do this,' but it's been 40 years. I don't want to sound like I'm complaining. I just want to make sure that we put our money where our mouth is. I go back to that comment about Rex Reed. I wonder if he would ever see this film. I'd love to see if he has the balls to make a comment and say, "Oh look, I realize I might have said something wrong." That's just one example of the things I'd like to see happen. And maybe the people who interviewed me over the years. I don't want you to misunderstand me, I have a great deal of respect for them. But specifically, I am calling out Rex Reed. So, you know, sorry but not sorry.


Daily Mail
an hour ago
- Daily Mail
He hails from an acting dynasty and his father is an iconic comedic star... can YOU guess the nepo baby?
He hails from an acting dynasty and is the son of a beloved Hollywood couple. This 19-year-old has dabbled in acting as well, with roles in four different projects (all of which involve his father). His parents, whose marriage survived a three-year breakup, even played love interests in the massive hit comedy Zoolander. The acting bug clearly runs in his family, as his late grandparents are also famous stars. On Wednesday night, this teen attended the premiere of his sister's off-Broadway show Dilaria alongside their parents. Can you guess who this nepo baby is? He's the son of a beloved Hollywood couple who has followed his parents' footsteps into the acting world It's Quinlin Dempsey Stiller, the 19-year-old son of Ben Stiller and his wife Christine Taylor! The famous actors attended the premiere of their daughter Ella Stiller's off-Broadway play Dilaria on Wednesday and brought along Quinlin. The trio proudly supported Ella on her big night as they posed up a storm together on the red carpet. She costars with Emily Carey (HBO's House of the Dragon) and Kaci Walfall (CW's Naomi) in the show. The director is Alex Keegan. The play follows Ella in the title role of Dilaria, 'a rich, young girl who finds there's nothing more powerful on social media than your classmate dying tragically young,' according to a synopsis on Playbill. Both Ella and Quinlin come from showbiz legends. Not only are their parents Ben and Christine well-known, but their grandparents are also famous: grandpa is the late Jerry Stiller and his wife is the late Anne Meara. Jerry and Anne were a comedy team in the 1960s called Stiller and Meara. Quinlin's acting resume contains just a few acting credits, and his father is in the cast for every project he's taken on. His first-ever role was in the 2008 animated film Madagascar: Escape 2 Africa, a movie which also starred his father. Quinlin was just three at the time of the movie's release and lent his voice to the role of Baby Alex. Next was another voice acting role in the 2010 film Megamind, followed by an uncredited role as Child on London Bus in the 2014 flick Night at the Museum: Secret of the Tomb. His most recent role was in the 2021 comedy caper starring Anne Hathaway and Chiwetel Ejiofor, Locked Down, in which he played the son of his father's character. Like her brother, Ella has also pursued acting - and many of her projects somehow incorporate her father as well. Ella has already acted in the 2018 limited series Escape at Dannemora (directed by her dad), as well as three other projects which include her father in the cast - Adam Sandler's 2020 hit Hubie Halloween, an uncredited appearance in 2014's Night at the Museum: Secret of the Tomb, and as a voice actor in 2010's Megamind. She's also appeared in two short films - and has another project coming up - however her father was not involved in those projects. Ben and Christine have been married since 2000 but they split up in 2017 before reconciling in 2020. Earlier this year, Ben revealed his parent's relationship motivated him to rekindle with Christine during the COVID-19 pandemic in 2020. Despite recalling how his mother and father, Jerry Stiller and Anne Meara, butted heads during their 60-year marriage, the actor explained he was inspired by their commitment to one another to never lose hope on the possibility of reconciliation. 'My dad was committed to turning their relationship into something that they could make a living doing a comedy act about,' Stiller told The Hollywood Reporter. 'And my mom didn't really love that as much, but she was really good at it, and that affected their relationship.' Ultimately, Ben acknowledged he began to repeat some of his parents' dynamics when it came to allowing his career impact his marriage. 'You start making movies, and if they don't go well, that would affect me,' he said. After he and Taylor called it quits following 17 years of marriage in 2017, Stiller said he didn't expect them 'to get back together.' 'When we broke up, there was a part of me that wasn't ready to just give up on it. Probably a certain amount of that is having watched my parents,' he admitted. 'And I love Christine, I love my family, and I was not ready to just go, "OK, enough of this."' During their time apart, Ben and Taylor never never formally filed for divorce. Ben's parented stayed married from 1954 until her death in 2015. His dad passed five years later in 2020. Although, at times, he still has to be 'pulled from' work, Ben insists he is more balanced now. 'I also really love hanging out with my family and Christine and having fun together,' he said. 'So I'm happy that I didn't totally miss the boat on that.'


Daily Mail
2 hours ago
- Daily Mail
BREAKING NEWS Netflix star Sara Burack killed in Hamptons hit-and-run crash
Million Dollar Beach House star Sara Burack has been killed in a hit-and-run crash in the Hamptons. Burack, 40, was hit on Thursday afternoon on a Hampton Bays road, Dan's Papers reports. Officers found the Netflix actress unconscious just before 3pm. A manhunt is underway for the driver. This is a breaking news story. Check back for updates.