
Olivia Rodrigo, 22, brings rock legend, 73, on stage at Gov Ball... but 'not a single kid there knew him'
Oliva Rodrigo brought out a special guest during her performance at 2025 Governors Ball Music Festival on Saturday night, but some of her fans were scratching their heads as to who it was.
The singer, who was seen glammed up last week at an appearance for Lancôme in Manhattan, New York, invited none other than David Byrne from Talking Heads to sing with her.
The two came together for a rocking rendition of one of Talking Heads' biggest hits, 1983's Burning Down the House, during the set at Flushing Meadows - Corona Park in Queens, NY.
Byrne, 73, wore red overalls and a white T-shirt to coordinate with Rodrigo's sparkling red bra top and brief bottoms.
The pair choreographed the performance with some simple dance moves that Talking Heads fans would recognize right away.
While some were blown away by the collaboration, many of Rodrigo's fans seemed to have no idea about the Byrne's stature in the music community.
'What I imagine dancing in my underwear with my dad would be like,' was one comment.
'As millennial, this is before and after my time,' wrote a follower.
'Bet many of her fans said who's that old man she invited on stage,' joked one fan on Billboard's Instagram page.
'Much respect to her because 90% of her demographic is 100% confused by this,' one person commented on the Pop Base page on X.
Another added, 'If you don't know who David Byrne is, you don't get to have an opinion.'
'Can't hate on someone trying to open up a whole new generation's ears to some great music,' agreed another.
'Yeah unfortunately I can see how Olivia's usual crowd doesn't quite understand the moment but it's still awesome nonetheless,' said one commenter on the Fauxmoi page on Reddit, which also shared a video clip of the performance.
Another Reddit commenter praised Rodrigo for introducing her fans to other members of the music community. In the past she has collaborated with Sheryl Crow, Alanis Morissette, Jewel, Natalie Imbruglia and Avril Lavigne.
While some were blown away by the collaboration, many of Rodrigo's fans seemed to have no idea about the Byrne's stature in the music community
Music fans not familiar with the Rock and Roll Hall of Fame members can learn more about them in the 1984 concert film Stop Making Sense.
The movie was re-released in 2023,which is available of various streaming services.
On June 5, the band released the very first video for their 1977 hit Psycho Killer starring Saoirse Ronan.
'Made in celebration of 50th anniversary of the band's first show at CBGB's, the video follows a young woman unraveling while stuck in her daily routine. It's a disquieting portrait of isolation that echoes the tension at the heart of the iconic song,' the band wrote on their Instagram page to debut the short film.
Rodrigo is still traveling on her Guts World Tour. Her next stop will be Dublin, Ireland on June 24.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Independent
30 minutes ago
- The Independent
Billy Porter says Donald Trump would be in jail if he was Black
Billy Porter, star of Broadway and Pose, stated that Donald Trump would be in jail if he were a black man. Speaking on BBC Newsnight, Porter discussed the re-election of Donald Trump and the challenges faced by Democrats and activists in the United States. Porter speculated that Donald Trump 's re-election was a 'backlash' to the election of President Obama. He asserted that 'America is a racist country' in his discussion. Watch the video above.


The Sun
an hour ago
- The Sun
Hit Fantasy game played by 40 million people warned it will close down in DAYS on some consoles
A FANTASY massively multiplayer online role-playing game is set to wind down on two consoles next week. At its peak, the title reached some 40million players. 2 2 But it's the end of the road for anyone still playing on a PS4 or Xbox One. From June 26, Black Desert Online will be exclusive to Xbox Series X/S and PlayStation 5. Other game studios are gradually doing the same, as they put all their energy into the latest devices and shift away from the old. A couple of days ago, online shooter The First Descendant went dark on PS4 and Xbox One. In Black Desert Online's case, developers apparently made the decision due to hardware limitations that make it difficult to introduce new content smoothly. "We understand that this news may be disappointing for our longtime Adventurers on these platforms," makers Pearl Abyss said. "Please know that this decision was made after careful consideration, with the goal of ensuring the future growth and evolution of Black Desert Console. "We remain fully committed to delivering you the best possible adventures in Black Desert." So, if you don't currently own a PS5 or Xbox Series X/S you'll have to dig deep and buy a brand new console if you want to keep playing the game. However, for those who do own one, the upgraded game will be available at no extra cost. Fortunately data won't be lost either, as you can transfer your account and carry on where you left off. Even your purchased items and Pearls will be switched across, so all is not lost. WHY DO GAMES NEED TO CLOSE DOWN? By Jamie Harris, Assistant Technology and Science Editor at The Sun With most games online these days, tech companies need to maintain quite hefty servers to manage everything. It's no cheap business to operate with millions of gamers across the world. Naturally, people move on, leaving older games behind in the process. There comes a point where it's no longer viable to continue offering server access so studios shut them down. For some games that are entirely online this can render it completely useless. But others may have a way for you to continue playing solo still. You should usually see a prominent notification in the game warning you with instructions on what to do - provided you're still playing the game of course.


Telegraph
an hour ago
- Telegraph
Dua Lipa: she has everything a popstar needs
Dua Lipa has everything the modern popstar needs, except personality. On the plus side, she can sing with power, dance with skill, looks fantastic in whatever she wears and has presided over some of the most thrilling dance-pop hits of recent years. Her prodigious talents and work ethic have helped make the 29-year-old English-Albanian singer Britain's biggest (indeed only) new global pop export of this decade. So there was a justifiable air of triumph about the prospect of performing two shows at Wembley Stadium, in the city where she was born. It is a very big deal, and Lipa and her team have thrown everything at it: huge high-definition screens, catwalks, second stages, elevator platforms, pyrotechnics, confetti, streamers, fireworks and banging hit after banging hit – from One Kiss to Don't Start Now – that got 70,000 fans dancing delightedly. There is even, for the briefest of moments, something that passes for emotion, as the star seems close to tears when she says the magic word 'Wembley.' 'I have a lump in my throat,' Lipa declares, perma-grin briefly wobbling. 'I feel like I've been waiting my whole life for this moment.' Lipa is very keen on manifesting dreams, and this is pretty much the only thing she talked about, with gushing between song interjections about her career highs. It is a bit of a pet peeve, but when did audiences become responsible for fulfilling an entertainer's dreams and not the other way around? The problem for Lipa becomes apparent when you wonder what all this manifestation was really for – because if there is something missing from her slickly professional performance, it is the artist herself, who seems singularly unequipped for the kind of charismatic communication that really energises such mass entertainment events. An attempt to descend from the stage to talk to fans drained all the energy from the stadium. Lipa was projected onto the big screens, pouting for selfies. 'Are you having a good time?' she politely asked wild-eyed boys and girls pressed against the barriers, like a member of the Royal Family trying to communicate with the great unwashed. An underlying artificiality interfered with the show achieving emotional lift off. I'm sure Lipa's seven musicians are all accomplished players, but they are restricted to accompanying pre-recorded tracks with no room for self-expression; everything got engulfed in the huge digital bass sound that bombarded the stadium. A trumpet soloed artfully with no trumpeter on stage. Twelve dancers swirled around the star, whose vocals continued uninterrupted whether she was singing or not, as is the modern way. There was a brief murmur of excitement when she introduced one of her musical heroes for a duet, and a mass rumble of disappointment when it turned out to be Jay Kay from Jamiroquai (or 'who?' as the young woman in front of me asked her boyfriend). The old funk popstar sounded edgeless and adrift in a mushily bland rendition of Virtual Insanity. Stadium gigs are a challenge for entertainers, even with modern bells and whistles. It is not Lipa's fault that London has just been rocked by Beyoncé, amongst the best in the business at blending soul and scale with charismatic purpose. But for a modern star whose ambition is sky-high, Lipa is turning out to be an oddly old-fashioned showgirl. Dua Lipa plays Wembley Stadium again tonight, and Anfield Stadium, Liverpool on 24 and 25 June. Tickets: