
'We need to focus more on the art': Arjun Rampal calls out Bollywood's OTT franchise obsession
Arjun Rampal
has never been one to chase the herd. From his National Award-winning performance in
Rock On!!
(2008) to acclaimed roles in
Om Shanti Om
(2007),
Ra.One
(2011), and
Daddy
(2017), he has consistently gravitated towards complex, often morally grey characters. But despite the recognition and reinvention, the actor now finds himself questioning the industry's creative compass.
In a recent interview
The Indian Express Screen
, Rampal expressed concern over the
OTT boom
's shift from experimentation to exploitation.
'There's a lack of purity in our work nowadays. It's all about creating one franchise after another,'
he said, calling out the assembly-line approach that seems to be stifling originality.
Rampal, who was among the first mainstream actors to embrace OTT content, says the initial excitement has dulled.
'About 7–8 years ago, there was great writing. But maintaining that consistency is tough now. We need to focus more on the art, not just the product.'
by Taboola
by Taboola
Sponsored Links
Sponsored Links
Promoted Links
Promoted Links
You May Like
잇몸이 내려앉고 이빨까지 흔들렸던 ''악성 치주염''을 개선한 단 1가지 유일한 관리법..
메디컬사이언스
더 알아보기
Undo
The Franchise Trap and 'Rana Naidu'
While promoting Season 2 of
Rana Naidu
, Rampal acknowledged that sequels aren't inherently problematic—provided they don't compromise narrative integrity.
'I appreciated how the team stayed true to Season 1 but created a new story altogether. That's the kind of continuation that works.'
He warned, however, against overextending concepts for the sake of marketability.
'If you force something that shouldn't be a franchise, you're bound to land in trouble,'
he said, advocating for artistic intention over algorithmic demands.
View this post on Instagram
A post shared by Netflix India (@netflix_in)
A Career Built on Bold Choices
Rampal's filmography is rich with genre-bending choices—from the world tour stages of
Temptation
and
Heartthrob
, to his villainous turns in
Don
and
Ra.One
. His portrayal of Arun Gawli in
Daddy
, which he also produced, remains one of his most intense and well-received performances.
Over the years, the actor has worked with top filmmakers, from Prakash Jha in
Raajneeti
to J.P. Dutta in
Paltan
, and continues to push his boundaries in projects like the much-delayed
Panjab 95
. Based on a real-life story, the film has been stuck with the censor board.
'It's a beautiful story,'
Rampal said.
'We've put our heart and soul into it. I just hope it finds its way to the audience.'
A Glimpse Into What's Next
Rampal also teased his upcoming ensemble thriller
Dhurandhar
, alongside Ranveer Singh, Sanjay Dutt, R. Madhavan, and Akshaye Khanna. He called director Aditya Datt a visionary and said the film promises to be
'a ride worth waiting for.'
In an industry often driven by trends, Arjun Rampal's steady voice offers a rare reflection. For an actor who once ruled the ramp and now navigates the streaming space, his message is clear: it's time to return to storytelling with soul.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time of India
an hour ago
- Time of India
Chariot of tradition: Lord Jagannath's Rath Yatra on June 27 in Prayagraj; deities to be dressed in Rajasthani attire
PRAYAGRAJ: With barely four days left for Lord Jagannath Rath Yatra, the members of Shri Jagannath Ji Mahotsav Samiti Trust, are busy finalising all the arrangements for this festival. The Rath Yatra will be taken out in the city on June 27. The organisers and devotees are busy giving final touches to the chariot on which idols of Lord Balabhadra, Lord Jagannath, and Devi Subhadra will be placed for the yatra. Convenor of the yatra Rajesh Kesarwani told TOI that, "Lord Jagannath will be dressed in an attractive Rajasthani attire and Vrindavan's Rajat crown and the yatra will be taken out from Zero Road at Arya Bhawan. Lord Jagannath will appear in Shyam Varna Brahamand Swaroop among devotees." The main chariot is 18 ft high, 16 ft long, and 12 ft wide. Kesarwani further added, "Tableux displaying forms of deities including Lord Ganesh, Garun Maharaj, Lord Hanuman, Sapta Rishi, Paanch Pandav, Devraj Indra, Lord Vishnu on Sheshnaag and showing Ujjain Mahakal Bhasm Arti, Vrindavan Maharas, Krishna-Sudama, Radha Krishna, Sitaram Ayodhya, and Kashi Mradang, along with bands of Prayagraj and Saharanpur, will be taken out with the yatra and all the deities will be dressed in traditional Rajasthani dresses. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Memperdagangkan CFD Emas dengan salah satu spread terendah? IC Markets Mendaftar Undo " The rath, popularly known as Nandi Ghosh Rath, will have 16 wheels, a Trailokyamohini flag, and four horses: Shankha, Balahaka, Suweta, and Haridashwa. Devotees will pull the rath by Basuki nose rope. The maha arti of Lord Jagannath will be performed with flowers, anna, water, fruit, conch, damru, and deepak.


Time of India
an hour ago
- Time of India
Aamir Khan to Tom Cruise: Celebs on a Mission to Save Cinema One Film at a Time
It's no longer just about lights, camera, and action—it's about finding ways to resurrect the box office from the 'digital doom'. In a world where theatres are dimming their lights and streaming giants roaring louder than ever, a new mission was quietly set into motion by some of cinema's top superstars. Interestingly, this grand mission didn't play out on screen, but behind the scenes, on telephones, in boardrooms, in production offices and in some bold high-stakes refusals. Today, an elite club of filmmakers and stars—from Aamir Khan in India to Tom Cruise in Hollywood—is taking a definitive stand, to revive and put theatres first. Aamir Khan braving Bollywood's OTT Storm When Aamir Khan rejected a Rs 120 crore offer from streaming giants for Sitaare Zameen Par, it wasn't just a business move, it was a bold statement. At a time when films and production houses announced streaming deals before their theatrical releases, Khan's old-school refusal to jump aboard the OTT bandwagon made waves in the industry, and of course, he had all the right reasons. 'I am what I am today because people have seen my films in theatres,' Aamir told The New Indian Express. 'I want to revive the theatre business which is facing a lot of difficulty.' Sticking to the book, the actor shared his vision for a minimum eight-week delay before any digital premiere. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 40세 넘고 PC만 있으면? 이 게임 완전 내 거임! Hero Wars 플레이하기 Undo Citing sources, News18 reported that Khan wants to impose an eight-week window between the theatrical release and the OTT premiere of Sitaare Zameen Par. That's double the industry's recent standard, where films often land on streaming platforms within three to four weeks of hitting cinemas. 'The idea is to make people choose the big screen experience again by not giving them the home-viewing option so soon,' a source told the outlet. In essence, it's not just about box office numbers, it's also about restoring the ritual of a shared viewing experience. Tried and Tested Method Before Aamir Khan took a firm stand on delaying the OTT release of Sitaare Zameen Par, Pushpa 2 had already set a compelling precedent. The makers of the Allu Arjun-starrer strategically opted for a longer theatrical window before heading to streaming platforms—allowing the film to enjoy an uninterrupted box office run. This decision paid off handsomely. Film analyst Girish Wankhede notes, "Pushpa 2's journey to the 1000 crore club is a testament to the power of strategic planning, innovative marketing, and the ability to deliver a captivating cinematic experience." The film was intentionally positioned for a solo release, free from the clutter of competing titles. This gave it an undisturbed theatrical run of three to four weeks, ample breathing room to dominate the screens and maximise returns. 'Strategic release planning was at the forefront of Pushpa 2's success,' he adds. 'When the content resonates with audiences, as it did with Pushpa, the film gains momentum, generates repeat value, and brings viewers back to cinemas again and again. ' Even John Abraham, was also upbeat about films releasing in theatres. In a previous interview with ETimes, he shared his thoughts about his films releasing in theatres. He said, "I think the best news is that people are coming back to cinemas. That is probably the best news and I am happy for that." Man on a Mission On the other side of globe, another on-screen hero is rewriting industry rules. Since the post-pandemic dawn of digital streaming platforms, Tom Cruise has relentlessly insisted that films would premiere only in theatres. The result of this pursuit was watching Top Gun: Maverick soaring to $1.5 billion worldwide in 2022. The film that jolted the box office back to life, even prompted Steven Spielberg to hail the action star's efforts, saying, 'You saved Hollywood's ass, and you might've saved theatrical distribution.' A Maverick Move At a time when studios panicked and sold off content to streaming platforms, Cruise became a one-man production army. He pushed Paramount Pictures to delay Top Gun: Maverick until theatres reopened. 'I ensured Top Gun: Maverick did not go to streaming, that it was held for distribution,' he revealed. And his gamble paid off. Sharing his master plan with ESPN's Pat McAfee, he said, 'I just kept everyone working…' He also shared that he consistently pushed back against the industry's hesitation, saying, "'Look, this movie is coming out. Period. It's coming out in theatres.'" He went on to reveal he not only insisted that the film would be released only in theatres but also personally reached out to global theatre owners and studio executives to rally support for a traditional theatrical rollout. With this, he didn't just save a film—he saved an entire film industry ecosystem. His follow-up with Mission: Impossible – The Final Reckoning carried the same theatre-first ethos, proving his crusade wasn't a one-time fluke. Theatres vs OTT: A Global Debate While Khan and Cruise are taking a theatrical oath, the rest of the world remains in a tug-of-war. For some, OTT opens doors to global audiences unreachable through traditional theatrical releases, and for others, it strips cinema of its soul. Director Patricia Riggen of G20 is pragmatic of embracing the changing viewing formats. She explains, 'You don't have the theatre, but you get the world. 2000 countries are going to see this movie at the same time.' Her perspective represents the inclusivity and convenience that platforms like Netflix, Amazon, Disney, Apple TV+ and others offer—especially for mid-budget or globally sensitive films that may not get premium screen space. But 'The Strangers' director Renny Harlin is a purist. He shares, 'I love going to the movies… that great feeling of sharing that in a movie theatre is very special.' James Hawes , on the other hand, is keen on finding a middle ground. 'The platform doesn't matter as much as making something people want to watch and feel.' It's not always an either-or scenario. Sometimes, the film itself dictates its platform. The New Box Office Playbook In a rapidly evolving entertainment landscape, industry experts are rewriting the rules of movie marketing and release strategy. No longer is content sent straight-to-digital, filmmakers and superstars are drawing up a bold, back-to-cinema strategy that blends old-school rules with sharp, strategic thinking designed to reignite the big-screen magic. Some tried and tested methods include Delay OTT Release to 8 weeks after a theatrical release Solo Release Windows with no competing releases. Global Theatre Giants working in Unison worldwide to ensure a film's success. Use Social Media and Interviews to reinforce Cinematic Campaigning. What does the future look like? The pandemic exposed the vulnerability of cinemas, but also spotlighted their irreplaceable magic. The big screen, once written off as a relic, is being passionately defended by the very people who helped define it. With global titans like Cruise, Khan, Speilberg and others leading the charge, the answer isn't about choosing between OTT and theatres, but about balance and giving cinema a fighting chance at forging its greatest comeback story. And as audiences return, popcorn in hand, perhaps they've proved that all it takes is a few heroes to keep the reels rolling.


Time of India
an hour ago
- Time of India
Pacers vs Thunder: Kristin Chenoweth opens NBA Finals Game 7 with national anthem
Tony and Emmy Award-winning performer Kristin Chenoweth delivered a stirring rendition of the US national anthem ahead of Game 7 of the NBA Finals on Sunday night. Standing at center court, the Broadway and television star captivated the packed arena with her powerful vocals, setting a patriotic tone by singing ' The Star-Spangled Banner ' before the high-stakes showdown between the Indiana Pacers and the Oklahoma City Thunder . — NBA (@NBA) The Oklahoma native has graced some of the world's biggest stages, but singing the national anthem at a Thunder game still gives her butterflies. 'Let me just say, if they had anxiety medication for Thunder fans, I'd be taking it," Chenoweth, dressed in a Thunder sweatshirt, told news agency AP before her performance on Sunday. Live Events Chenoweth has been a proud Thunder fan since the franchise's early days, though she's also expressed admiration for teams like the Los Angeles Lakers and New York Knicks over the years. Her Thunder loyalty runs deep - so much so that she named her 8-year-old dog 'Thunder'. The Broadway star even once dressed her pup in a full Thunder outfit, showcasing her team spirit in adorable fashion.