
When the Past Is Lost
This personal reflection is part of a series called The Big Ideas, in which writers respond to a single question: What is history? You can read more by visiting The Big Ideas series page.
Steel beams hanging in the air,twisted by the intense heat.Shattered glass scattered across the floor,melted by the flames.Iron intertwined in all directions,exposed by collapses.Walls blackened by soot,resulting from the burning of a country's memory …
I wrote these lines shortly after Sept. 2, 2018. It is a day I will never forget.
That day, the National Museum of Brazil in Rio de Janeiro was devastated by an intense fire. For those of us who work in Brazil's cultural sector, the fire was the realization of our worst nightmare. The tragedy did not come without warning. The risks the museum faced were well-known. The lack of proper maintenance was obvious throughout the building. Along with my fellow museum officials, I frequently pushed government officials for more resources, but these efforts were not successful.
If I had to choose one building in Brazil that should be protected and preserved, it would be the museum, and not just because of its collections. The site is connected to many notable moments in Brazil's history. Since 1892, the museum has been housed in the former royal palace. The building was home to the Portuguese royal family after they fled to Rio de Janeiro to escape Napoleon. After Brazil's independence, it was the residence of Brazil's emperor.
The museum, which was founded on June 6, 1818, by King John VI of Portugal, is Brazil's first scientific institution. Before the fire, the museum contained over 20 million items, including unpublished documents from Empress Maria Leopoldina, ethnographic objects from Indigenous Brazilians, significant specimens of the country's biodiversity, fossils and rare minerals. The blaze destroyed about 85 percent of the museum's collection.
In the aftermath, one of the hardest moments for me was paradoxically also one of the most inspiring. The day after the fire, while smoke was still everywhere, a large group of people, including some high school students, approached the remains of the museum. For security reasons, the police did not let them get close to the building. After some tense negotiations, the group was allowed to do what they came for: The members formed a human chain and embraced the remains of an institution that — in reality — belongs to them, the public. When I remember this scene, it is hard to hold back my tears. We, the guardians of their cultural heritage and history, failed them.
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New York Times
19 hours ago
- New York Times
When the Past Is Lost
This personal reflection is part of a series called The Big Ideas, in which writers respond to a single question: What is history? You can read more by visiting The Big Ideas series page. Steel beams hanging in the air,twisted by the intense glass scattered across the floor,melted by the intertwined in all directions,exposed by blackened by soot,resulting from the burning of a country's memory … I wrote these lines shortly after Sept. 2, 2018. It is a day I will never forget. That day, the National Museum of Brazil in Rio de Janeiro was devastated by an intense fire. For those of us who work in Brazil's cultural sector, the fire was the realization of our worst nightmare. The tragedy did not come without warning. The risks the museum faced were well-known. The lack of proper maintenance was obvious throughout the building. Along with my fellow museum officials, I frequently pushed government officials for more resources, but these efforts were not successful. If I had to choose one building in Brazil that should be protected and preserved, it would be the museum, and not just because of its collections. The site is connected to many notable moments in Brazil's history. Since 1892, the museum has been housed in the former royal palace. The building was home to the Portuguese royal family after they fled to Rio de Janeiro to escape Napoleon. After Brazil's independence, it was the residence of Brazil's emperor. The museum, which was founded on June 6, 1818, by King John VI of Portugal, is Brazil's first scientific institution. Before the fire, the museum contained over 20 million items, including unpublished documents from Empress Maria Leopoldina, ethnographic objects from Indigenous Brazilians, significant specimens of the country's biodiversity, fossils and rare minerals. The blaze destroyed about 85 percent of the museum's collection. In the aftermath, one of the hardest moments for me was paradoxically also one of the most inspiring. The day after the fire, while smoke was still everywhere, a large group of people, including some high school students, approached the remains of the museum. For security reasons, the police did not let them get close to the building. After some tense negotiations, the group was allowed to do what they came for: The members formed a human chain and embraced the remains of an institution that — in reality — belongs to them, the public. When I remember this scene, it is hard to hold back my tears. We, the guardians of their cultural heritage and history, failed them. Want all of The Times? Subscribe.
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RIO DE JANEIRO (AP) — Brazilian Catholic worshippers laid down an eco-friendly carpet in front of the world-famous Christ the Redeemer statue in Rio de Janeiro on Thursday and called for the protection of the environment ahead of UN climate talks in the Amazon. Tapestries are a fixture of the Corpus Christi religious feast when Catholics celebrate what they believe is the presence of Christ in the Eucharist. This year, the colorful carpet was made from approximately 460 kilos (1,014 pounds) of recycled plastic caps. Over the past few years the Christ the Redeemer sanctuary has increasingly used the attention the iconic statue generates to spotlight environmental concerns. 'These caps could be polluting the environment. Today they're here as a carpet,' said Marcos Martins, environmental manager and educator at the sanctuary. 'It's the circular economy: we take the material, we're reusing it here and then we're going to reuse it again with an exhibition.' Just after day break and before the first flock of tourists arrived Thursday, Cardinal Orani João Tempesta led celebrations at the site overlooking Guanabara Bay and Rio's famed Sugarloaf mountain. The caps are 'a good reminder of our co-responsibility with ecology, of our concern for the environment, which are very characteristic of Christ the Redeemer,' Rio's archbishop told journalists. Thursday's celebration also paid homage to the late Pope Francis and his Laudato Si', a landmark environmental encyclical in which he cast care for the environment in stark moral terms. In the papal letter Francis called for a bold cultural revolution to correct what he said was a 'structurally perverse' economic system in which the rich exploited the poor, turning Earth into a pile of 'filth' in the process. 'The COP30 is coming up and we've just had the U.N. Ocean Conference. Nothing makes more sense than Christ being a great spokesperson for this issue,' said Carlos Lins, the sanctuary's marketing director. Earlier this month, the sanctuary held workshops, discussion groups and actions focusing on environmental preservation. The statue — perched on the Corcovado mountain -- is itself located in the Tijuca National Park. Brazil has been hit by a series of environmental disasters in recent years, including severe droughts in the Amazon, wildfires in the Pantanal and flooding in the south. This week heavy rains killed at least two people in the southern region Rio Grande do Sul, just over a year after it was hit by the worst flooding on record. Scientists say extreme weather is happening more frequently due to human-caused climate change. ____ Follow AP's coverage of Latin America and the Caribbean at Eléonore Hughes, The Associated Press


Washington Post
2 days ago
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Catholics call for environmental action at Rio de Janeiro's iconic Christ the Redeemer statue
RIO DE JANEIRO — Brazilian Catholic worshippers laid down an eco-friendly carpet in front of the world-famous Christ the Redeemer statue in Rio de Janeiro on Thursday and called for the protection of the environment ahead of UN climate talks in the Amazon . Tapestries are a fixture of the Corpus Christi religious feast when Catholics celebrate what they believe is the presence of Christ in the Eucharist. This year, the colorful carpet was made from approximately 460 kilos (1,014 pounds) of recycled plastic caps. Over the past few years the Christ the Redeemer sanctuary has increasingly used the attention the iconic statue generates to spotlight environmental concerns. 'These caps could be polluting the environment. Today they're here as a carpet,' said Marcos Martins, environmental manager and educator at the sanctuary. 'It's the circular economy: we take the material, we're reusing it here and then we're going to reuse it again with an exhibition.' Just after day break and before the first flock of tourists arrived Thursday, Cardinal Orani João Tempesta led celebrations at the site overlooking Guanabara Bay and Rio's famed Sugarloaf mountain. The caps are 'a good reminder of our co-responsibility with ecology, of our concern for the environment, which are very characteristic of Christ the Redeemer,' Rio's archbishop told journalists. Thursday's celebration also paid homage to the late Pope Francis and his Laudato Si', a landmark environmental encyclical in which he cast care for the environment in stark moral terms. In the papal letter Francis called for a bold cultural revolution to correct what he said was a 'structurally perverse' economic system in which the rich exploited the poor, turning Earth into a pile of 'filth' in the process. 'The COP30 is coming up and we've just had the U.N. Ocean Conference . Nothing makes more sense than Christ being a great spokesperson for this issue,' said Carlos Lins, the sanctuary's marketing director. Earlier this month, the sanctuary held workshops, discussion groups and actions focusing on environmental preservation. The statue — perched on the Corcovado mountain -- is itself located in the Tijuca National Park. Brazil has been hit by a series of environmental disasters in recent years, including severe droughts in the Amazon, wildfires in the Pantanal and flooding in the south. This week heavy rains killed at least two people in the southern region Rio Grande do Sul, just over a year after it was hit by the worst flooding on record . Scientists say extreme weather is happening more frequently due to human-caused climate change . ____ Follow AP's coverage of Latin America and the Caribbean at