logo
The Golden Records tell the story of Earth. Will alien worlds ever find them?

The Golden Records tell the story of Earth. Will alien worlds ever find them?

In 1977, NASA launched two 12-inch gold-plated copper disks filled with the sounds of children's laughter, heartbeats, and bird calls. Is their time in space running out? The Golden Record carried by Voyager 1 and 2. Photographs of Jupiter by Voyager 1 on March 24, 1979 and Uranus by Voyager 2 on January 24, 1986. Photo Illustration by Jesse Barber, National Geographic; Image Sources from Nat Geo Image Collection, NASA/JPL
In 1977, NASA launched Voyagers 1 and 2 from Cape Canaveral, Florida into space to embark on a grand tour of the far reaches of our solar system. Mounted on board each probe was a 12-inch gold-plated copper disk—a cosmic 'message in a bottle' engraved with sights, sounds, and depictions of life on Earth, collectively known as the Golden Records—on the slim chance some far-off alien civilization might discover them. And in Disney and Pixar's animated film Elio, in theaters June 20, that's exactly what happens when main character Elio encounters aliens who believe he is Earth's leader.
'It's meant to be a sort of a letter of introduction to any culture who might find the probe,' says Bethany Ehlmann, a planetary scientist at the California Institute of Technology and a 2013 National Geographic Emerging Explorer, of the real-life Golden Records. Though these gilded greetings were partly intended for an alien audience, they mostly served as a message to humans and our tiny blue marble planet. 'It's a love letter to Earth and all that we have come through to get to the point where we could send these probes to understand our solar system.'
But where are the Golden Records now—and how much longer are they intended to last in space? We spoke to the experts, including Ehlmann, to find out.
When tasked with figuring out what to include in the intergalactic mixtape aboard the Voyager probes, renowned astronomer Carl Sagan assembled a team of scientists, artists, and engineers. For a true depiction of life on Earth aboard humankind's most distant physical emissary, the team included a variety of sounds associated with daily life and nature, like bird calls, humpback whale songs, children's laughter, footsteps, heartbeats, brain wave scans, and a kiss. There are also 90 minutes of music contained on the disk, including Western classical compositions from Mozart, Bach, Beethoven, and Stravinsky, Senegalese percussion music, Australian Aboriginal songs, and Chuck Berry's 'Johnny B. Goode.'
(The close of cosmos, and golden voices in the stars.)
The carefully thought-out record, designed to endure space travel for billions of years, also consists of spoken greetings in 55 modern and ancient languages, as well as 115 analog-encoded photographs of Earth and its inhabitants.
Engraved on the cover of these records is a map to help find one's way to Earth relative to nearby known, flashing, dense cores of stars called pulsars. There are etched diagrams of a hydrogen atom—the most common element in the universe—and instructions for playing each record. Each disk is enclosed in a protective, gold-plated aluminum jacket, together with a cartridge and a needle to play it.
"The spacecraft will be encountered and the record played only if there are advanced space-faring civilizations in interstellar space," Sagan, leader of the Voyager Golden Record project, wrote. "But the launching of this 'bottle' into the cosmic 'ocean' says something very hopeful about life on this planet."
(Dear Voyagers: How your billion-year journey carries true love.) A far-out cosmic road trip
Over the years, the Voyager probes flew by the solar system's most distant four planets at a rate of 35,000 miles per hour, sending back detailed views of Jupiter, Saturn, Uranus, Neptune, and their moons. Voyager 2 flying by Uranus and Neptune is the only time humanity has seen these worlds up close.
After completing their primary missions to collectively fly by all four outer planets in 1989, the twin probes kept chugging along through the vast outer reaches of the solar system. Voyager 1 and 2 exited the solar system and entered interstellar space in 2012 and 2018, respectively.
At more than 15 billion miles from Earth, Voyager 1 has become the most distant human-made object in space. Voyager 2, in second place, is now about 13 billion miles away. The interstellar environment they're in contains a stew of cosmic gas, dust, and rays. The twin Voyager probes are equipped with radiation-resistant parts, but the onslaught of charged particles in their current neck of the woods still pose a threat to their aging electronics.
Both Voyager spacecrafts are still collecting and sending back data, updating humans on their intergalactic adventures, albeit slowly—it takes nearly 20 hours for these signals to reach Earth, given the immense distance they need to travel.
We're now reaching the end of the Voyager missions, as the twin probes' plutonium power supplies are running out of juice. The Voyager team is attempting to extend their lifetime for as long as they can by shutting down non-essential instruments like heaters to conserve power. 'More than 47 years into the mission, there's very little power left,' says Suzanne "Suzy" Dodd, the current project manager for the Voyager missions. 'The goal of the mission is to get it to 50 years.'
Even after the probe's science mission ends, though, the Golden Records will keep quietly drifting further and further into the cosmic abyss, likely for millions and even billions of years.'Long after we've lost communications with the spacecraft, it'll still be traveling with this record—a time capsule,' Dodd says. She remarks that it's exciting 'to think about a little piece of us, a little piece of what Earth and humanity is all about, traveling around the center of our galaxy to be found by whatever being might be out there.'
But, as Dodd points out, there are enormous physical and chronological distances involved. It's going to take around 40,000 years for the probes to drift into the vicinity of any other star system, when Voyager 1 will pass within 1.6 light-years of the star Gliese 445. Around the same time, Voyager 2 will be within 1.7 light-years of the star Ross 248. The legacy of the Golden Records
The Golden Records have left a huge cosmic impact. According to Ehlmann, most spacecrafts that followed the Voyager mission included some sort of message from our Earthly abode. 'People sometimes think of science as a cold and calculating endeavor, but really it's the expression of curiosity and awe,' she says. 'It's an ability to leave your mark in the universe.'
And almost fifty years after they first took flight, our pair of plucky robot emissaries to the stars continues embarking on the deepest journey ever into space.
'Who knows? The Voyager probes, a million years from now, may end up in some alien museum,' Ehlmann says. 'It's exciting to imagine.' Disney and Pixar's "Elio" is in theaters June 20, 2025. Get tickets now.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘28 Years Later' Review: Danny Boyle Delivers Severed Heads And Broken Hearts In His Gory Zombie-Horror Threequel
‘28 Years Later' Review: Danny Boyle Delivers Severed Heads And Broken Hearts In His Gory Zombie-Horror Threequel

Yahoo

time22 minutes ago

  • Yahoo

‘28 Years Later' Review: Danny Boyle Delivers Severed Heads And Broken Hearts In His Gory Zombie-Horror Threequel

Now/then, now/then… The past and the present exist in perpetual tension in the gory second sequel to Danny Boyle's zombie horror franchise. 'Time didn't heal anything,' goes the tagline, and as we learned from the recent pandemic, mankind isn't always prepared for the worst. By far the most political of the three films, 28 Years Later is particularly scathing about Brexit Britain and its little-islander mentality. But it does have global relevance at a time of rising tensions across the world, bringing to mind the possibly apocryphal quote attributed to famed German physicist Albert Einstein: 'I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.' More from Deadline '28 Years Later' Walking To $56M+ WW Opening, 'Elio' Orbiting $50M+ WW As 'Dragon' Looks To Lord U.S. Box Office – Preview '28 Years Later': Sony's Danny Boyle Pic Is Biggest Advance Ticket Seller For Horror Pic YTD, Eyes $34M+ Opening '28 Years Later' $5.8M, 'Elio' $3M Previews - Friday AM Box Office It's a moot point whether the film is set precisely in the present day, since the original 28 Days Later was made in 2002, which makes this two years early. Intriguingly, it begins with a roomful of children watching Teletubbies, the BBC kids show that first broadcast in 1997, 28 years ago. The peace is shattered by an agitated woman who begs the eldest, a young boy called Jimmy, not to open the door. Nevertheless, the walking dead break in anyway and the boy runs for his life, hiding out in a church where his father is the priest. But sanctuary is short-lived; his father is an end-times Christian who welcomes in his ravenous flock and hands his horrified son a crucifix, telling him to 'have faith.' This opening scene seems more like an overture and, indeed, has very little to do with what follows for most of the film's near-two-hour running time. We then jump forward 28 years to an island community off the northeast coast. By this time, we learn, the Rage virus has been contained to Britain, while European armies patrol the coast to prevent any of its inhabitants from leaving. The island itself is cut off from the mainland via a path that only appears at low tide, and its citizens keep a constant vigil at the ramshackle but heavily fortified entrance. The island is home to 12-year-old Spike (Alfie Williams), who lives with his father Jamie (Aaron Taylor-Johnson) and mother Isla (Jodie Comer). Confined to her bed, Isla is given to violent fits and delusional behavior, slipping in and out of rational consciousness. It is during one of these rare moments of clarity that she learns of Jamie's plans to take Spike over to the mainland, which does not go down well. Indeed, the islanders also warn Jamie that Spike is a little on the young side ('14 or 15 is more in keeping'), but off they set anyway, man and boy each armed with a bow and a quiver's supply of arrows. The trip is filmed like a father-son safari, with Spike in awe at the sheer expanse of the mainland. 'It's so big,' he marvels. 'You can go for days and weeks without seeing the coast,' Jamie tells him. The zombie hordes, meanwhile, exist for Spike to make his first kill, starting with the fat, bloated ones that writhe around on the forest floor and seem to survive on worms. 'Head and heart,' his old man reminds him as he lines up the shot. Things have changed a bit since Jamie was last there, however, and the undead have mutated; a new strain has appeared — stronger, faster, more intelligent, more alpha. Back at the island, Spike is welcomed as the returning hero, with Jamie significantly, and drunkenly, embellishing his son's bravery. It also becomes clear that Jamie is cheating on Isla, a betrayal that Spike takes personally. Believing that Jamie is simply waiting for Isla to die so that he can move on with his life and be with his mistress, Spike takes his mother on a perilous journey to the mainland, where he believes a mysterious doctor (Ralph Fiennes), the last physician still alive in the area, will be able to cure her. The first film always seemed a little far-fetched, given the speed with which seemingly rational people took up cross-dressing and cannibalism in the space of less than a month. But nearly 30 years does the trick, and Alex Garland's script makes great play of how life in Britain has become stunted. Flirting with folk horror, he makes the islanders little better than the infected, inviting comparisons with The Wicker Man as they carouse in the community center while a faded portrait of Her Majesty the Queen looks down. Spike, meanwhile, has never heard of smartphones or the internet — both of which are flourishing in the real world beyond Britain's borders — and, ever playful, Boyle often drops the ancient sound of a dial-up modem into the ominous score by Young Fathers. Good horror, though, should always be about something else, and while it takes awhile to emerge, the zombies come to represent mortality, channeling the spirit of Damien Hirst's 1991 shark piece The Physical Impossibility of Death in the Mind of Someone Living. As Spike goes further upstream in search of the strikingly Colonel Kurtz-like Dr. Kelson, he learns a lot about life and death, witnessing the birth of a baby and seeing a man's head and spine ripped from his shoulders. It's a very violent film in that respect, but the emotion is more affecting than the blood, most of it generated during Fiennes' powerful 30-minute screen time. Most threequels tend to go bigger, but 28 Years Later bucks that trend by going smaller, eventually becoming a chamber piece about a boy trying to hold onto his mother. It still delivers shocks, even if the sometimes over-zealous editing distracts from Anthony Dod Mantle's painterly cinematography, but the biggest of them all is the jaw-dropping final scene, a clapback to the film's beginning and an indication of how crazy Britain has become in its lonely isolation. It's a very specific cultural reference, and seemingly comes from nowhere, but Brits in particular are likely to have a very, very visceral reaction, as it happens. Title: 28 Years LaterDistributor: SonyRelease date: June 20, 2025Director: Danny BoyleScreenwriter: Alex GarlandCast: Alfie Williams, Aaron Taylor-Johnson, Jodie Comer, Edvin Ryding, Ralph FiennesRating: RRunning time: 1 hr 55 mins Best of Deadline Broadway's 2024-2025 Season: All Of Deadline's Reviews Venice Film Festival 2024: All Of Deadline's Movie Reviews Telluride Film Festival 2024: All Of Deadline's Movie Reviews

‘28 Years Later' $5.8M, ‘Elio' $3M Previews – Friday AM Box Office
‘28 Years Later' $5.8M, ‘Elio' $3M Previews – Friday AM Box Office

Yahoo

time22 minutes ago

  • Yahoo

‘28 Years Later' $5.8M, ‘Elio' $3M Previews – Friday AM Box Office

UPDATED FRIDAY AM AFTER EXCLUSIVE: Sony's 28 Years Later gobbled up $5.8M in previews Thursday night. That's an excellent preview number for a horror movie, especially in these times, besting the Thursday nights of Final Destination Bloodlines ($5.5M), Sinners ($4.7M), pre-Covid's A Quiet Place ($4.3M) and even post-Covid's Scream VI ($5.7M). The question is whether moviegoers, like the undead themselves, will continue to run to 28 Years Later. More from Deadline '28 Years Later' Review: Danny Boyle Delivers Severed Heads And Broken Hearts In His Gory Zombie-Horror Threequel What Are The Critics Saying About '28 Years Later'? Deadline On The Red Carpet: Aaron Taylor-Johnson On '28 Years Later's Brexit Nod, Danny Boyle Talks "The Growth" Of Horror, Jodie Comer On "Manifesting" A Movie Musical & Tom Rothman With An Actor Tip As we saw with the Rotten Tomatoes audience score of 68% last night, PostTrak audiences were also a hard crowd for this Danny Boyle movie giving it 3 stars and a 54% definite recommend. Men over 25 showed up at 52% and gave the zombie third chapter its best grades at 75%. Women over 25 were next at 27% (72% grade), followed by women under 25 at 13% (65%) and men under 25 at 9% (74%). Meanwhile, Disney/Pixar's Elio in total Wednesday and Thursday previews did $3M. The animated feature is booked in 3,750 theatres including 725 premium large format screens, 2,500+ 3D Screens and 175 D-Box/Motion screens. Elio, 28 Years Later and How to Train Your Dragon are sharing the PLFs, while Imax auditoriums will be held by the latter title. Those who watched Elio, are loving it with a 60% definite recommend from the general audience and 4 1/2 stars. Kids under 12, a near even split between boys and girls at 51%/49%, also think it's 4 1/2 stars. Parents, mostly Dads yesterday at 56%, gave it 4 stars. With yesterday being Juneteenth, a young federal holiday, distribution sources are always mixed on whether it's a big moviegoing day or not. Kids are already off from school. Yeah, but adults are off from work. While not massive, the day did have a pulse, check it out: Eight of the movies in the top 10 saw spikes in their daily grosses over Wednesday including How to Train Your Dragon (+15%), Materialists (+7%), Lilo & Stitch (+16%), Mission: Impossible – Final Reckoning (+22%), Ballerina (+10%), Phoenician Scheme (+6%), and The Life of Chuck (+3%). Top 5 from yesterday: 1.) How to Train Your Dragon (Uni) 4,356 theaters, Thu $9.7M, Wk $123.4M/Wk 1 2.) Lilo & Stitch (Dis) 3,675 (-510) theaters, Thu $2.7M Wk $26M (-45%), Total $376.8M/Wk 4 3.) Materialists (A24) 2,844 theaters, Thu $1.6M, Wk $17.5M/Wk 1 4.) Mission: Impossible – Final Reckoning (Par) 2,942 theaters, Thu $1.5M, Wk $15.8M (-27%), Total $171.8M/Wk 4 5.) Ballerina (LG) 3,409 theaters, Thu $1.1M, $14.1M (-56%), Total $46.5M/Wk 2 EXCLUSIVE: Sony's 28 Years Later is coming in with a preview gross tonight that's well north of $5M, we are hearing from sources. But don't start comping it yet to New Line's box office surprise sequel, Final Destination: Bloodlines which did $5.5M in previews for a franchise best opening of $51.6M. Horror films are frontloaded, duh. Rotten Tomatoes audiences are being pretty hard on this Danny Boyle zombie movie at 67% despite critics giving the installment the best reviews the 23-year old franchise has ever seen at 92%. Final Destination: Bloodlines earned both great reviews and audience exits on Rotten Tomatoes respectively with 92% and 87%. Previews began at noon for 28 Years Later. Tracking spotted this viral infected undead post-apocalyptic movie at an opening between $28M-$30M. The movie reps a return for Boyle as director and Alex Garland as screenwriter after 2002's 28 Days Later. That movie opened to $10M back in the day at 1,261 theaters, while 28 Weeks Later, which was directed by Juan Carlos Fresnadillo, opened to $9.8M back in 2007 at 2,303 theaters. Meanwhile, Disney/Pixar's Elio after two nights of previews is looking to be around $2.5M-$3M. That's the amount of preview cash that Pixar's summer 2023 movie, Elemental, banked before an $11.7M Friday and $29.6M opening. Elio is hoping to clear a 3-day between $20M-$25M. No RT audience scores yet, but critics enjoyed it at 86% certified fresh. Those reviews are stronger than Elemental at 73% fresh which wind up with an audience score of 93% and a solid A CinemaScore. As we mentioned, the best advertisement for Elio is the movie itself. In a marketplace where it's hard to launch original animation, the hope is that the Adrian Molina-Madeline Sharafian-Domee Shi directed movie pulls an Elemental and posts some wild multiple of 5x or more (that pic ended its stateside run at $154.4M). As we reported previously, Universal/DreamWorks Animation's How to Train Your Dragon is expected to hold the fort at No. 1 with a second weekend of $40M-plus. Through Wednesday, the Dean DeBlois directed live action take of his animated movie is up to $113.7M. Best of Deadline 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More 'Stick' Soundtrack: All The Songs You'll Hear In The Apple TV+ Golf Series 'Stick' Release Guide: When Do New Episodes Come Out?

What Are The Critics Saying About ‘28 Years Later'?
What Are The Critics Saying About ‘28 Years Later'?

Yahoo

time22 minutes ago

  • Yahoo

What Are The Critics Saying About ‘28 Years Later'?

Danny Boyle, Alex Garland, and producer Andrew Macdonald launched 28 Years Later, the latest addition to their seminal zombie franchise, last night in London. In the pic, written by Garland, it's been almost three decades since the rage virus escaped a biological weapons laboratory. And now, still in a ruthlessly enforced quarantine, some have found ways to exist amidst the infected. One such group of survivors lives on a small island connected to the mainland by a single, heavily defended causeway. When one of the group leaves the island on a mission into the dark heart of the mainland, he discovers secrets, wonders, and horrors that have mutated not only the infected but other survivors as well. More from Deadline International Insider: '28 Years Later' Arrives; Landmark Netflix-TF1 Deal; NHK At 100 Danny Boyle Says He Would Never Make Oscar-Winner 'Slumdog Millionaire' Now Amid "Cultural Appropriation" Concerns '28 Years Later' $5M+, 'Elio' $2.5M-$3M Previews - Thursday Night Box Office The film stars Jodie Comer, Aaron Taylor-Johnson, Ralph Fiennes, and Jack O'Connell. The buzz has been big on the threequel. Late last year, Sony reported that an early trailer for the flick, in its first week of release, became the most watched horror trailer in 2024 at 60.2M global views and the second biggest trailer of all-time behind It Chapter Two (96M views). But what are the critics saying about the film? Deadline's Damon Wise said the film is 'by far the most political of the three films' and offers a 'particularly scathing' commentary about 'Brexit Britain and its little-islander mentality.' 'Alex Garland's script makes great play of how life in Britain has become stunted,' Wise wrote. 'Flirting with folk horror, he makes the islanders little better than the infected, inviting comparisons with The Wicker Man as they carouse in the community center while a faded portrait of Her Majesty the Queen looks down.' Aussie film magazine Filmink said 28 Years Later boasts 'uniformly excellent' performances with 'Taylor-Johnson and Comer both doing fine work, and Ralph Fiennes absolutely wonderful as poetic, death-obsessed Doctor Ian Kelson.' 'However, it's young Alfie Williams who steals the show, giving us a likable and nuanced young tacker to root for and hope that he manages to survive,' the magazine concluded. Empire Magazine described the film as a 'pure horror experience' full of 'ferocious, fizzing with adrenaline.' 'The film's opening half, in particular, is phenomenal — an electrifying exercise in terror, amplified by Young Fathers' astonishing score,' the magazine wrote. In a review titled '28 Years Later Is Totally Nuts,' Vulture said the film 'carries on the tradition of using genre as a Trojan horse to explore the sensation of life today.' But the outlet notes that some 'horror fiends will find themselves disappointed with a movie that's too weird, too somber, too unresolved to deliver on the promised thrills.' Vanity Fair's Richard Lawson wrote that he found himself 'confused by the film's unexpected tone, but also captivated by it.' 'Knowing that another film in the series has already been shot goes a long way toward softening the blunt impact of the film's sudden, ambiguous ending,' Lawson wrote. Time Magazine also zeroed in on the film's ending. 'There's much that's terrifying and wonderful about 28 Years Later, but the ending is jarring and dumb, in a kick-ass heavy-metal way, and it breaks the mood,' Stephanie Zacharek wrote for the magazine. 'It's as if Boyle had gotten cold feet about ending the movie on too solemn a note. But this ending, no matter how you feel about it, is really just a beginning. Boyle and Garland have two follow-up movies in the works. The next, already filmed, is directed by Nia DaCosta, of Candyman and The Marvels; Boyle will return for the third.' Genre site Fangoria, however, said the threequel was 'the best film in the franchise.' '28 Years Later, by comparison, incorporates the world-building of its predecessor but retains the intimacy of the original film,' the magazine wrote. 'Garland's script rightfully observes that a few expository intertitles do more than enough to establish the world into which the audience and the film's characters are plunged into, and then dials into the lives of a family that's doing its best to navigate an unimaginable situation both environmentally and interpersonally.' The film is certified fresh on Rotten Tomatoes with 95%. Sony will release the film is in theaters on June 20. Best of Deadline 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More 'Stick' Soundtrack: All The Songs You'll Hear In The Apple TV+ Golf Series 'Stick' Release Guide: When Do New Episodes Come Out?

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store