logo
Refugee family ‘saved' by Pope Francis unite in prayer for ailing 88-year-old's health

Refugee family ‘saved' by Pope Francis unite in prayer for ailing 88-year-old's health

Independent04-03-2025

As the sun set on Sunday evening, marking the end of the day's Ramadan fast, Hasan Zaheda and his son played basketball in the small courtyard of their basement apartment on the outskirts of Rome.
The Syrian refugee family is rebuilding their lives in the city after fleeing Damascus at the height of the civil war with only a few possessions.
Though they have no photos from their homeland, they keep a framed photo of their young son, Riad, meeting Pope Francis in pride of place in their home. The pontiff brought them and two other Muslim families to Italy from a refugee camp on the Greek island of Lesbos nearly a decade ago.
"He's a gift from paradise," Mr Zaheda said, smiling. " Pope Francis, a gift from our God, that God sent us to save us."
As the Zahedas began observing Ramadan, Pope Francis, 88, was in his third week of treatment for pneumonia in a Rome hospital. The family said they are praying for him day and night.
"We look for his health bulletin every day," said Nour Essa, Riad's mother, recalling their meeting with the pontiff in Lesbos.
"What shocked me the most is that the father of the church was a modest man, who didn't have prejudices, open toward other ethnicities and religion."
The family remembers the kindness Francis showed Riad as he patted the boy's head while walking down the aisle of the papal plane, a highly visible moment of advocacy for migrants that has defined much of Francis' papacy.
But 'miraculous' as it appeared to them, it was only the beginning of a new life in Italy to which they're still adjusting.
In 2015, biologist Ms Essa and architect Mr Zaheda made the life-altering decision to leave Syria after Ms Essa was drafted into the military. To finance their escape, they sold their house and paid a smuggler, enduring a harrowing journey through the desert, including a 10-hour truck ride.
Navigating through ISIS-controlled territory, they eventually reached Turkey. After three unsuccessful attempts to cross by boat to the Greek islands, they arrived in Lesbos in early 2016.
"I always thank God that my son was so small, and that he has no memory of all these things," Ms Essa said, while their son Riad watched a Syrian soap opera with his grandfather, who had fled Syria a year later.
The walls of their living room are adorned with Mr Zaheda's paintings, depicting white faces against black and red, reflecting the vivid memories of the parents.
After spending over a month in a Lesbos camp, the family was approached by Daniela Pompei, head of migration and integration for the Catholic charity Sant'Egidio. Pompei was seeking families with the necessary paperwork for Pope Francis to bring back to Rome. They accepted immediately.
With Vatican funds, the charity has since brought over 300 refugees from Greece and 150 from Cyprus in 2021, following another papal trip.
Sant'Egidio's goal was to spare migrants longer journeys by sea across different routes in the Mediterranean, which have killed tens of thousands of asylum-seekers willing to 'die for hope' over the years, Ms Pompei said.
But the real test has been integration, from processing their asylum cases to learning Italian to school and job placement. Initiatives like the pope's make all the difference because they signal to the refugees that their new communities are willing to welcome them, despite faith differences.
'The pope has long appealed to open parishes, to welcome at least one family in each parish, to push us Catholics too to counter what he called, with a very strong term in Lampedusa, 'the globalisation of indifference,'' Ms Pompei said.
In the characteristic Roman accent they've acquired, the Zaheda parents told of their challenges – having to reenroll in university so their degrees can be recognised, helping their families come to Europe, taking care of their son.
Working or studying 12 hours a day, they rarely have time to socialise with other Syrian families and the migrants who comprise most of their neighbors in the modest brick-faced apartment buildings as well as most of Riad's classmates.
His best friend is from Ecuador, and Riad plans to study Spanish in middle school. He's joined a local basketball team, and pictures from the court line his bedroom, where a large Syrian flag hangs by his bunkbed. He likes to read The Little Prince in English, but his Arabic is tentative, even though he spends most afternoons with his grandfather, who loves to sketch local churches.
For Sunday's iftar – the meal breaking the day's fast – the family topped a little table with yogurt-and-chickpea tisiyeh salad and take-out pizza in typical Roman flavors like zucchini flowers and anchovies.
As Riad packed his backpack for the school week, his parents said their future hinges on the little boy – for whom they will likely stay in Italy, instead of joining relatives in France or returning to a Syria they probably couldn't recognise.
'I always wish that he can build his future, that he can build a position as the son of an undocumented migrant who arrived in Italy and who wanted to leave his mark in a new country,' Mr Zaheda said.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Newport's Islamic history remembered at Eid-ul-Adha celebration
Newport's Islamic history remembered at Eid-ul-Adha celebration

South Wales Argus

time19 hours ago

  • South Wales Argus

Newport's Islamic history remembered at Eid-ul-Adha celebration

The celebration was organised by the Islamic Society of Wales and its Secretary, Mubarak Ali. The Muslim festival celebrates sacrifice and duty and commemorates Prophet Ibrahim's willingness to sacrifice his son when God ordered him to. The gathering heard speeches about community cohesion, diversity and tolerance in a multi-faith world and the importance of togetherness in difficult and uncertain times. Mr Ali also spoke warmly about the history and contribution of the first prominent generation of post war Muslims who settled in Newport, including his father Ghulam Qadir, who came to Gwent in the early 1960s. The men from many Commonwealth countries, especially Pakistan, came to Wales for opportunities and a new life, said Mr Ali. He said many men would live in a shared house, which at the earliest stage was 20 Hill Street, Baneswell. That community now has its descendants in Newport and they are familiar faces in and around the city. That initial community opened its first Mosque in 1973, by digging out a cellar in Potter Street, Pill, before moving to Llanwern Street the following year. They then moved on to Stow Hill in 1977, before arriving at Victoria Road, in 2008, where the Islamic Society for Wales remains to this day. Mentioned in speeches were founders and early movers such as trustees of the Mosque and Islamic Society for Wales: Sabair Hussain, Ghulam Mohammad, Molazam Hussein and original President of the Mosque and Islamic Society for Wales, Yusuf Ali, now retired. Speaking after the event Mubarak Ali expressed his hopes: 'It was a well-received event and that listening is so important during these difficult times. 'We are so happy to come here and talk of community cohesion, peace and bringing different communities together. I would like to thank our hosts for their generosity and warmth. "Let's all hope for peace in our shared world,' he concluded. Guests in attendance included: Kate Thomas, Lord Mayor of Newport, Jane Mudd, Police and Crime Commissioner for Gwent and Chief Superintendent Carl Williams also of Gwent Police.

Archaeological ‘jigsaw' reveals 2,000-year-old Roman wall paintings
Archaeological ‘jigsaw' reveals 2,000-year-old Roman wall paintings

North Wales Chronicle

time2 days ago

  • North Wales Chronicle

Archaeological ‘jigsaw' reveals 2,000-year-old Roman wall paintings

Archaeologists have spent four years working on thousands of fragments of shattered plaster discovered at a site in Southwark, near London Bridge station and Borough Market, in 2021 to painstakingly piece together the artwork of a high-status Roman building. It is believed the frescoes once decorated at least 20 internal walls between AD 40 and 150, before the building was demolished and the wall plaster dumped into a pit before the start of the third century. But now the reconstruction of the wall art has shed further light on high society in Roman Britain. The paintings – which display bright yellow panel designs with black intervals, decorated with beautiful images of birds, fruit, flowers, and lyres – demonstrate both the wealth and taste of the building's owners, according to the excavation team at the Museum of London Archaeology (Mola). Yellow panel designs were scarce in the Roman period, and repeating yellow panels found at the site in Southwark were even scarcer, making the discovery extremely rare. Among the fragments is rare evidence of a painter's signature – the first known example of this practice in Britain. Framed by a 'tabula ansata', a carving of a decorative tablet used to sign artwork in the Roman world, it contains the Latin word 'fecit' which translates to 'has made this'. But the fragment is broken where the painter's name would have appeared, meaning their identity will likely never be known. Unusual graffiti of the ancient Greek alphabet has also been reconstructed – the only example of this inscription found to date in Roman Britain. The precision of the scored letters suggests that it was done by a proficient writer and not someone undertaking writing practice. Some fragments imitate high-status wall tiles, such as red Egyptian porphyry – a crystal-speckled volcanic stone – framing the elaborate veins of African giallo antico – a yellow marble. Inspiration for the wall decorations was taken from other parts of the Roman world – such as Xanten and Cologne in Germany, and Lyon in France. It took three months for Mola senior building material specialist Han Li to lay out all the fragments and reconstruct the designs to their original place. He said: 'This has been a 'once-in-a-lifetime' moment, so I felt a mix of excitement and nervousness when I started to lay the plaster out. 'Many of the fragments were very delicate and pieces from different walls had been jumbled together when the building was demolished, so it was like assembling the world's most difficult jigsaw puzzle. 'I was lucky to have been helped by my colleagues in other specialist teams for helping me arrange this titanic puzzle as well as interpret ornaments and inscriptions – including Ian Betts and the British School at Rome – who gave me their invaluable opinions and resources. 'The result was seeing wall paintings that even individuals of the late Roman period in London would not have seen.' Speaking to the Today programme on BBC Radio 4, Mr Li said: 'When you are looking at thousands of fragments of wall paintings every day, you start to commit everything to memory. 'You are sometimes working when you are sleeping as well. 'There was one time that I thought that this fragment goes here, and I woke up and it actually happened – so you could say I was working a double shift. 'But it's a beautiful end result.' One fragment features the face of a crying woman with a Flavian period (AD 69-96) hairstyle, hinting at the time period it may have been created. Work to further explore each piece of plaster continues.

Archaeological ‘jigsaw' reveals 2,000-year-old Roman wall paintings
Archaeological ‘jigsaw' reveals 2,000-year-old Roman wall paintings

Rhyl Journal

time2 days ago

  • Rhyl Journal

Archaeological ‘jigsaw' reveals 2,000-year-old Roman wall paintings

Archaeologists have spent four years working on thousands of fragments of shattered plaster discovered at a site in Southwark, near London Bridge station and Borough Market, in 2021 to painstakingly piece together the artwork of a high-status Roman building. It is believed the frescoes once decorated at least 20 internal walls between AD 40 and 150, before the building was demolished and the wall plaster dumped into a pit before the start of the third century. But now the reconstruction of the wall art has shed further light on high society in Roman Britain. The paintings – which display bright yellow panel designs with black intervals, decorated with beautiful images of birds, fruit, flowers, and lyres – demonstrate both the wealth and taste of the building's owners, according to the excavation team at the Museum of London Archaeology (Mola). Yellow panel designs were scarce in the Roman period, and repeating yellow panels found at the site in Southwark were even scarcer, making the discovery extremely rare. Among the fragments is rare evidence of a painter's signature – the first known example of this practice in Britain. Framed by a 'tabula ansata', a carving of a decorative tablet used to sign artwork in the Roman world, it contains the Latin word 'fecit' which translates to 'has made this'. But the fragment is broken where the painter's name would have appeared, meaning their identity will likely never be known. Unusual graffiti of the ancient Greek alphabet has also been reconstructed – the only example of this inscription found to date in Roman Britain. The precision of the scored letters suggests that it was done by a proficient writer and not someone undertaking writing practice. Some fragments imitate high-status wall tiles, such as red Egyptian porphyry – a crystal-speckled volcanic stone – framing the elaborate veins of African giallo antico – a yellow marble. Inspiration for the wall decorations was taken from other parts of the Roman world – such as Xanten and Cologne in Germany, and Lyon in France. It took three months for Mola senior building material specialist Han Li to lay out all the fragments and reconstruct the designs to their original place. He said: 'This has been a 'once-in-a-lifetime' moment, so I felt a mix of excitement and nervousness when I started to lay the plaster out. 'Many of the fragments were very delicate and pieces from different walls had been jumbled together when the building was demolished, so it was like assembling the world's most difficult jigsaw puzzle. 'I was lucky to have been helped by my colleagues in other specialist teams for helping me arrange this titanic puzzle as well as interpret ornaments and inscriptions – including Ian Betts and the British School at Rome – who gave me their invaluable opinions and resources. 'The result was seeing wall paintings that even individuals of the late Roman period in London would not have seen.' Speaking to the Today programme on BBC Radio 4, Mr Li said: 'When you are looking at thousands of fragments of wall paintings every day, you start to commit everything to memory. 'You are sometimes working when you are sleeping as well. 'There was one time that I thought that this fragment goes here, and I woke up and it actually happened – so you could say I was working a double shift. 'But it's a beautiful end result.' One fragment features the face of a crying woman with a Flavian period (AD 69-96) hairstyle, hinting at the time period it may have been created. Work to further explore each piece of plaster continues.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store