logo
In an era of infinite TV, how do you commit to watching a new show?

In an era of infinite TV, how do you commit to watching a new show?

Boston Globe26-05-2025

Costarring Tim Daly as McCord's husband Henry, a theology professor and former Marine aviator, 'Madam Secretary' is smart and suspenseful in its depiction of the complex geopolitical environment Elizabeth has to operate within. It's part pressure-cooker, part chess match, and the same can be said of the fierce office politics she has to cope with in the White House.
Advertisement
So why did I drag my feet when it came to watching 'Madam Secretary'? Was it because it aired on fusty old CBS?
Had I internalized the idea that a show on a broadcast network would inevitably be too formulaic to hold my interest, that the real action and boundary-pushing immediacy was to be found on premium cable channels like HBO and Showtime or on streaming platforms like Netflix, Prime Video, Hulu, and Apple TV+?
I don't think that's it. Snobbery has never been an element of my viewing habits. It makes no sense when it comes to television, a medium with a vast and varied menu.
Moreover, the broadcast networks have been at this a long time, and they know what they're doing, at least once in a while.
Advertisement
Consider the superb new version of '
Or '
What was more likely at play was my reluctance to commit to a multi-season series (and the broadcast networks tend to have more episodes per season than cable or streaming platforms do). As consumers in the attention economy and the demand side of the supply-and-demand equation in an era of infinite supply, that's a factor a lot of us have to consider these days — at least those of us who are compulsive completists.
The universe of shows worth watching just keeps expanding. We're so constantly bombarded with new series that FOMO has become our common condition.
I still find it hard to give up on a TV show. As with novels, I need to see how it ends, and whether it gets worse or better along the way. When I told my nephew that I had (by that point) 'hate-watched' about 60 hours of Showtime's '
I still have several more seasons of 'Madam Secretary' to watch. Will it fall off a cliff, quality-wise, as onetime faves like 'The Good Wife' and 'Suits' did after a few stellar seasons? Or will it continue to meet reward my high hopes and expectations all the way through, like 'Breaking Bad' did?
Advertisement
I guess I'll find out. In the words of the immortal Elaine May, 'The only safe thing is to take a chance.''
Also? When someone whose judgment you trust gives you advice, take it.
'Madam Secretary' is available for purchase on Prime Video and Apple TV+.
Don Aucoin is the Globe's theater critic and an arts-critic-at-large.
Don Aucoin can be reached at

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Prime Video is losing one of the best Tom Hiddleston movies you (probably) haven't watched — and it's a gripping sci-fi thriller
Prime Video is losing one of the best Tom Hiddleston movies you (probably) haven't watched — and it's a gripping sci-fi thriller

Tom's Guide

time40 minutes ago

  • Tom's Guide

Prime Video is losing one of the best Tom Hiddleston movies you (probably) haven't watched — and it's a gripping sci-fi thriller

There are some movies you watch once and forget. And then there are movies like 'High-Rise' that cling to your brain like static, even if you're not entirely sure what you just watched. I stumbled across it on Prime Video a few months back, not expecting much beyond 'Tom Hiddleston flexing his impressive acting skills in a suit.' But what I got instead was something far stranger, darker, and weirder than I'd anticipated. The kind of movie where you sit there afterward, slightly disturbed, but also in awe. Directed by Ben Wheatley and based on the novel by J.G. Ballard, 'High-Rise' is one of those movies that's basically begging to be discovered, or rewatched with a better understanding of what the hell is going on. It didn't make a huge splash when it first came out in 2016, and honestly, I don't hear people bring it up often when talking about Hiddleston's work. But they should. Unfortunately, Prime Video is removing 'High-Rise' from its streaming library on June 28, which means you only have a short window left to watch this gripping sci-fi thriller before it disappears. If you're into stylishly unhinged movies with striking visuals, big performances, and just the right amount of chaos, 'High-Rise' is one you don't want to miss. 'High-Rise' follows Dr. Robert Laing (Tom Hiddleston), a reserved and well-mannered man who moves into a luxurious high-rise tower on the outskirts of London. The building is a marvel of modern architecture, offering its residents everything they could possibly need: a supermarket, gym, swimming pool, and even a school, eliminating the need to ever leave. Laing quickly settles into his sleek new apartment and begins to meet his neighbors, including the charismatic documentarian Richard Wilder (Luke Evans) and the building's mysterious architect, Anthony Royal (Jeremy Irons), who lives in the penthouse. At first, the building feels like a self-contained paradise, but tensions soon begin to surface between floors. Small inconveniences like power outages, elevator malfunctions, and disputes over amenities start to expose fractures in the social dynamic. As time passes, these irritations escalate into open conflict, with residents dividing themselves by floor and growing increasingly tribal. The building begins to descend into chaos: parties turn violent, hallways become battlegrounds, and order completely unravels. To be honest, the first twenty minutes of 'High-Rise' left me a bit confused, and I wasn't sure if I'd enjoy it. But once the story started to come together, it turned into a mind-bending thrill ride that both fascinated me and had me scanning for the building's emergency exits, since it felt surprisingly claustrophobic (which is kind of the whole point). Starting off with a bizarre barbecue scene and moving into an unsettling medical lesson, this movie is definitely not for those easily shaken (or dog lovers). It's a beautifully crafted descent into chaos. Inside the cold, concrete walls of a towering high-rise, the movie unfolds like a social experiment brought to life, showing what happens when people are cut off from the outside world. It explores how the mind unravels when trapped and how quickly ethics fall apart when social classes are pushed to their breaking point. The building is home to a mix of upper-middle-class residents like filmmakers and orthodontists, along with wealthier elites such as celebrities and socialites. They're separated by which floor they live on and even their parking spots. These two groups don't really want to mingle, but at first, they're not exactly enemies either. After all, no matter how high or low their apartment is, everyone's supposed to have access to the same amenities. During a casual visit, Royal tells Laing that the building is 'settling,' so occasional power cuts and water outages are to be expected. That sounds reasonable at first, until it becomes clear that these problems mostly hit the lower floors, not the higher ones. This is, of course, where things start to fall apart. The whole concept of 'High-Rise' is genuinely interesting, and once things start to spiral, it's hard to look away. When the madness does take over, the movie becomes even more of a visual treat, while the Kubrick-like camera movement and carefully framed shots make everything feel deliberately unsettling. Filmed mostly in Bangor, Northern Ireland, you can't help but admire the overall look of this movie. Hiddleston is the perfect anchor for 'High-Rise,' given his calm energy that somehow makes his character feel completely at home in all the chaos. And it's a shame that this movie is probably one of his most overlooked roles. In fact, this movie is overlooked in the thriller genre, period. If you're into unusual stories and great visuals, 'High-Rise' might pull you in. It's a strange one, for sure, but its unique style and odd details could really grow on you, and I certainly found myself more intrigued the deeper I got into the story (even if it's a little confusing with no real narrative drive). Over on Rotten Tomatoes, it has a critics rating of 60%, with audiences giving it a very low score of 38% (a little harsh, in my opinion). The site's critics consensus reads: 'High-Rise may not quite live up to its classic source material, but it still offers an energetic, well-acted, and thought-provoking take on its timely socioeconomic themes.' This is a statement I can agree with. 'High-Rise' is in no means an excellent movie, given its narrative flaws, but it's still a good one. And it's worth streaming on Prime Video before it leaves on June 28. If you're not convinced, you can see what got added to the streamer this month.

Jon Hamm Prefers to Play the Bad Guy: ‘Superman Can Be Kind of Boring'
Jon Hamm Prefers to Play the Bad Guy: ‘Superman Can Be Kind of Boring'

Yahoo

time3 hours ago

  • Yahoo

Jon Hamm Prefers to Play the Bad Guy: ‘Superman Can Be Kind of Boring'

Jon Hamm does not have as much fun playing the good guy. In an interview with W, the 'Mad Men' alum explained that even though he has the look of a Clark Kent/Superman type he does not feel as compelled by boy scout or the hero. He prefers more of the 'sinner' role. 'I think people can relate to characters making bad decisions, because we've all made them,' Hamm said. 'My history of characters isn't exactly the saints; it's more on the sinner side of the equation. But Superman can be kind of boring. No offense to the new Superman [David Corenswet], who I hope is a delightful person.' Hamm has kept to his word when it comes to playing characters with a darker side. He has been a recurring villain in Apple TV+'s 'The Morning Show' where he plays tech billionaire Paul Marks. The most recent season ended with the exposure of his illegal business practices being threatened by Jennifer Aniston's character Alex. The actor double-dipped at Apple TV+ and starred in 2025's 'Your Friends and Neighbors' – which he also serves as executive producer on. TheWrap reviewer Diedre Johnson called the show 'delightfully watchable.' 'Although good in most of his roles, if there's one type Hamm has nailed, it's the uber successful businessman,' Johnson wrote. She added: ''Your Friends & Neighbors' is not only a dark comedy but also a cynical look at wealthy and aspiring one-percenters at mid-life. A strong cast of talented actors bring magic into the dynamic nine-episode drama.' The post Jon Hamm Prefers to Play the Bad Guy: 'Superman Can Be Kind of Boring' appeared first on TheWrap.

'Étoile' has been cancelled, but no one blends dance and humour as brilliantly as Marguerite Derricks
'Étoile' has been cancelled, but no one blends dance and humour as brilliantly as Marguerite Derricks

Yahoo

time11 hours ago

  • Yahoo

'Étoile' has been cancelled, but no one blends dance and humour as brilliantly as Marguerite Derricks

One of the most devastating entertainment losses of the year is certainly the cancellation of the show Étoile after just one season, from Gilmore Girls, Bunheads and The Marvelous Mrs. Maisel creator, Amy Sherman-Palladino, and her husband Dan Palladino. But with that puzzling move from Prime Video, there's no better time to celebrate all the talent in the short lived series. That includes Marguerite Derricks, an incredibly beloved and impressive choreographer who's worked on Palladino's previous projects. Additionally, she's contributed her talents to the series Behind The Candelabra and movies including Showgirls, 13 Going On 30 and the Austin Powers franchise. But in terms of what makes the Palladinos such effective collaborators, Derricks stressed that they way they shoot dance in their shows is done in a way where there's a real "marriage of the camera with movement." "For a choreographer, there's nothing greater than that," Derricks told Yahoo. "On Bunheads I started to play with them that way, and it's carried on through four different TV series." "It's just made me such a better choreographer. ... I wish every choreographer would find collaborators like Amy and Dan, because there's nothing like it." One example of how Étoile really makes the dance in the show an integrated part of the story is the Swan Lake moment with Tiler Peck in Episode. It's a dance moment, but written in a way that's injected with humour. "That was written by Dan Palladino and ... when they sent me the outline for the script I literally was laughing out loud," Derricks shared. "I couldn't wait to attack that and to have Tiler Peck be the one that got run over by the swans, it was just such a gas." "Their comedy genius is always on the page and then I just put it into motion. I've worked with comedians my whole life, so it's something that I really, really enjoy, but it's always there on the page. There's never, a question mark for me with Amy and Dan, they're so clear." Another highlight is a piece choreographed by Gideon Glick's character Tobias Bell in Étoile. A character that's hysterical with his quirkiness, brought out in the character's choreography as well. "That was my big voice in the show," Derricks said. "I love Gideon Glick. He is the coolest, craziest human being. He would come and watch me and he thought I was funny because I kind of stalked the dancers like a lion. And so he wanted to pick up on that." "And I studied him and I like his quirks, and I wanted to make sure that that's what was driving me a lot with the choreography. So I the two of us, we kind of became one, we became Tobias together." While Étoile certainly isn't a show that requires the audience to have a dance background to enjoy, there was still such a commitment on the show to make its dance spaces and dancers feel real. What the dancers are doing before classes, what they're doing in the hallways, every detail was thought of to make these moments look authentic. "That was the first thing [Amy] talked about with every department head, we all knew that was our marching orders," Derricks explained. "I kind of had a little bit of a sense of that from working on Bunheads with her, but now we were going from a young kids school to the professional world, and so ... we did our research to make sure that everything was really up to par." "Tiler Peck was a student of mine. I would call Tiler and ask her questions, and it was very important to us that, when this show came out, that the ballet world would give us a thumbs up on it. ... There's been so many shows out there that have been done in a way where it's not authentic. So for me right now, the feedback I'm getting from the ballet world is the greatest thing that I could have ever hoped for." Much of what happens in the "Hollywoodization" of dance, specifically ballet in film and TV, largely sees talented dancers be nameless and on the periphery of the project. But in Étoile, Sherman-Palladino made wanted to use there dancers to their full potential, and crediting them for their work. "That was the most exciting thing for me," Derricks said. "Every single dancer that came into our show, [Amy] read them for parts. She wanted to cast the dancers. She wanted to hear their voices. I want to scream from the rafters, because that's happening more and more, but it really happened on [this] show. ... Dancers are so great at telling stories without speaking, so just get comfortable with talking as well. I'm very proud of that. ... The dancers were getting lines, they were so excited." A core element of Étoile is that dancer was very much used to tell the story, it's an integral part of the narrative. But it also immerses the audience in a dance world many haven't had any exposure to, portraying ballet dancers in a different light and as more fully formed characters, held up by brilliant and unique choreography from Derricks. "Ballet is sexy, ballet is strong. Ballet dancers are like football players, the athleticism that they have," Derricks stressed. "I want people to see ballet in a whole different way." "There's a lot of wonderful choreographers out there now doing out the about box, beautiful work, but for somebody that doesn't know ballet, I hope that we can reach a greater audience and turn them on to all sides of ballet."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store