logo
China's Riddara RD6 to become 1st double-cab EV bakkie in SA

China's Riddara RD6 to become 1st double-cab EV bakkie in SA

The Citizen12-05-2025

In almost complete silence, Geely's Riddara sub-brand will become the first to offer an all-electric (EV) double-cab bakkie in the South African market, with the introduction of the RD6.
Looking for a new or used Jetour? Find it here with CARmag!
Enviro Automotive has announced that it will be bringing the Riddara RD6 4×4 Double Cab into South Africa, which will become the first fully electric 4×4 bakkie in the country. Built by the Geely Auto Group on a Volvo-derived platform, the Riddara RD6 will make history in South Africa, becoming the first zero-emissions powertrain employed in a commercially sold double-cab bakkie.
The model is capable of dispatching the 0–100km/h sprint in just 4.5 seconds, while the automaker claims it still retains the brawn and functionality of a traditional bakkie, although it is worth noting that this isn't founded on a ladder frame construction. Nonetheless, it is backed by a five-year/150 000km vehicle warranty and eight-year/200 000km battery warranty, with Enviro Automotive claiming real-world battery life is expected to stretch even further than that.
Power in the 4×4 is generated courtesy of a 315kW dual-motor powertrain, which also delivers 595N.m and can hit a top speed of 190km/h. All of this is superficial for prospective bakkie buyers, the bed is capable of swallowing 1 200l or carrying a one-tonne payload while the bakkie can tow a maximum three tonnes.
Enviro Automotive adds that the Riddara RD6 itself, in both 4×4 and 4×2 guises, promises to blur the line between performance vehicle and utility bakkie and break away from ladder-frame traditions for added driving smoothness and agility.
'The Riddara 4×4 electric bakkie is not just a new model – it's a statement,' says Francois Malan, head of sales at Enviro Automotive. 'Our partnership with Turner Morris ensures these vehicles aren't just technological showcases, but practical tools ready for the realities of African roads and businesses.'
The bakkie will be displayed for the first time at the Nampo Harvest Day this week, alongside the business-oriented SRM T3 EV bakkie.
Related: Enviro Automotive's All-Electric SRM T3 Bakkie Lands in SA
Enviro Automotive adds that its EV lineup will see pricing reductions, courtesy of maturing battery tech and favourable trade conditions. This means that business-oriented panel vans like the DFSK EC35 panel van will be even more compelling for prospective buyers, according to the automaker. Enviro Automotive says that the model will see a R105 000 reduction during a current promotion, which also makes it the most affordable commercial EV in the country for now.
Related: Road Test: Jetour X70 Plus 1.5T Deluxe
In addition to this, Enviro Automotive has announced its strategic partnership with Turner Morris and hopes this collaboration will increase their footprint, with a combined 30+ outlets and workshops throughout South Africa.
Click here and browse thousands of new and used vehicles here with CARmag!
The post China's Riddara RD6 Will Become First Double Cab EV Bakkie in SA appeared first on CAR Magazine.
Breaking news at your fingertips… Follow Caxton Network News on Facebook and join our WhatsApp channel.
Nuus wat saakmaak. Volg Caxton Netwerk-nuus op Facebook en sluit aan by ons WhatsApp-kanaal.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

South Africans say YES to DStv sports packages
South Africans say YES to DStv sports packages

The South African

time6 hours ago

  • The South African

South Africans say YES to DStv sports packages

South Africans are fully supporting Multichoice's contemplation of offering a sports-only package for DStv subscribers. The satellite television company is also toying with the idea of unbundling SuperSport from its pay-TV platform. In recent months, the company has taken a massive knock in revenue loss after losing hundreds of thousands in subscriptions. According to social media users, this follows the company's tone-deaf approach to affordability, diversity, and demands. Earlier this month, Multichoice Group CEO Calvo Mawela stated that the company would investigate whether unbundling SuperSport from DStv and launching a sports-only package would be a feasible option for its business model. He said at the time: 'We've accelerated that project in terms of getting us to finalise which direction we're going to take in this financial year. But yes, we are considering all options as part of a broader product offering going forward'. The investigation will conclude at the end of the current financial year-end in March 2026. Broadcaster Gareth Cliff polled his followers to see if they would support the move to a sports-only tailored DStv package or simply a SuperSport option. An overwhelming 94% of voters responded positively. Here's what a few had to say… @renierferreira: 'PAY PER CHANNEL ONLY! People don't want DStv 'bundles'. I'll pay R99 pm just for SuperSport 1 on ONE device.' @WTFSA13: 'R350 for all sports channels, and I am in' @SwartNatalie: 'Yes, then we can actually afford to watch sport again!' Currently, the SuperSport group of channels is offered on DStv's Premium package – it's most expensive – which currently costs R949. For many sports enthusiasts, 'off season' means pausing their subscriptions or cancelling them altogether. In multiple financial reports, Multichoice has acknowledged that the rising cost of living meant that 'households are struggling to make ends meet and many had no choice but to give up their DStv subscription for the time being.' Let us know by leaving a comment below, or send a WhatsApp to 060 011 021 1 . Subscribe to The South African website's newsletters and follow us on WhatsApp , Facebook , X, and Bluesky for the latest news.

City Power offers free electricity to these Johannesburg residents
City Power offers free electricity to these Johannesburg residents

The South African

time12 hours ago

  • The South African

City Power offers free electricity to these Johannesburg residents

City Power has urged low-income Johannesburg residents to sign up for its Free Basic Electricity (FBE) programme, which provides 50 kilowatts of electricity per month at no cost. The initiative forms part of efforts to reduce infrastructure damage and recover lost revenue caused by illegal electricity use. Spokesperson Isaac Mangena revealed that the free electricity programme aims to reconnect over 140 000 households who are not paying for electricity. 'Many of these customers are consuming electricity without paying, resulting in massive revenue losses for the utility and the increasing destruction of our infrastructure,' he said. Additionally, by targeting vulnerable groups and formalising their electricity use, the city hopes to clean up its billing system and improve compliance. City Power has also committed to replacing damaged or tampered meters without penalising qualifying residents. The free electricity programme is open to unemployed residents or those earning R7500 or less monthly. Applicants must also be South African citizens or permanent residents, legally occupy the property, and provide the necessary supporting documentation. 'The criteria also include being a South African citizen or permanent resident and being the legal occupants of the property in question,' Mangena explained. 'Supporting documentation such as a valid ID, proof of residence, COJ rates and taxes account, and income verification, such as a SASSA card or affidavit, will be required at registration.' The free electricity initiative is designed to support senior citizens, women and children, persons with disabilities, the unemployed, and child-headed households. City Power said that the programme reinforces the principle of electricity as a fundamental human right. 'The FBE programme is designed to cushion the most vulnerable and ensure access to electricity as a basic human right, while also helping to clean up the billing and compliance environment,' Mangena stated. Let us know by leaving a comment below, or send a WhatsApp to 060 011 021 1. Subscribe to The South African website's newsletters and follow us on WhatsApp, Facebook, X and Bluesky for the latest news.

Tapestries weave aspects of SA life and a bank's history with wool into today's artistic landscape
Tapestries weave aspects of SA life and a bank's history with wool into today's artistic landscape

Daily Maverick

time14 hours ago

  • Daily Maverick

Tapestries weave aspects of SA life and a bank's history with wool into today's artistic landscape

The Standard Bank Art Lab is showing that when it comes to art, the bank is not a sheep but a shepherd. The merino sheep is possibly the most consequential animal to the South African banking sector. The Spanish breed was first donated by the Dutch in the late 1700s, and its value to the growing South African economy was felt by the 1860s. The Cape Colony used the sheep's high-quality wool to distinguish and expand its economy. The booming industry would facilitate the establishment of one of the leading financial institutions in South Africa – the Standard Bank Group. This is a peculiar fabric of the blue bank's history, but nevertheless a pivotal strand that it continues to weave into its identity. The latest iteration is the establishment of the Standard Bank Art Lab. Situated at Nelson Mandela Square in Sandton City, the Art Lab reimagines how audiences engage with art through encouraging interaction that is up close, in motion and in dialogue with the present. The premise of the inaugural exhibition, Following the Blue Thread: It's Woven Into Who We Are, stitches those days of trade to today's artistic landscape. 'At Standard Bank, we believe that contemporary art is not peripheral to progress,' says Margaret Nienaber, Standard Bank's Group COO. 'Instead, it is central to how we see, shape and share our future. [Art provides] a space where legacy fuels innovation and where creativity is treated not only as a luxury, but also as a vital form of engagement.' Standard Bank has never been sheepish in its affinity for the arts. From its decades-long collaboration with the National Arts Festival to the renowned Standard Bank Young Artist of the Year Awards, South African arts across many disciplines have become stitched to the brand of the bank. The inaugural exhibition includes the work of past award winners in fine arts William Kentridge (1987) and Sam Nhlengethwa (1994), as well as household names such as Penny Siopis, Judish Mason and Mirriam Ndebele. A meticulous process of selection was undertaken by curator Dr Same Mdluli. 'At the core of its curatorial premise the exhibition threads together the tapestries as centring collections as a source for artistic appreciation and inspiration, but more importantly, a rich resource for both academic and curatorial research,' said Mdluli. Stitching together an exhibition Allina Ndebele's tapestry titled Ancestors was the first acquisition for the bank's corporate art collection in 1976. A colourful and vibrant tapestry depicting what can be interpreted as episodic anecdotal visual representations of African spirituality, folklore or history, it's the woven equivalent of a captivating nganekwane (Zulu fantasy story). Office Love (2001), Kentridge's contribution in collaboration with the Stephens Tapestry Studio, has a more modern and industrial outlook. With muted tones and dark silhouette imagery, the hand-woven mohair tapestry is an image of an everyman with a typewriter for a head, who is striding towards a workstation superimposed over what seems to be a map of Johannesburg. 'There is a worldview each of the tapestries present that resonates with a South African context in particular ways,' Mdluli said. 'This can be seen in how the work also presents symbolism employed by the artist in condensing a convoluted cultural myth and telling this through simplistic visual language.' Siopis's Shame (2003) and Nhlengethwa's Late Night Jazz (1994) best exemplify Mdluli's assembly of artworks that speak to varying yet deeply interconnected sociopolitical themes with enduring South African contexts. Late Night Jazz has eccentric visual undertones in its depiction of culture, fashion and perspective, evoking a sense of nostalgia that harks to the black diasporic influence on the youth of South Africa at the height of Sophiatown. It is both a warming and haunting reminder of how black people found joy amid the cruelty of apartheid. Shame, on the other hand, is striking in its use of red to depict a feminine figure gushing what seems like blood. Siopis is interested in what she calls the poetics of vulnerability. Considering the never-ending aggression South African women endure, the piece is chilling. When it comes to art, Standard Bank is not a sheep but a shepherd. The exhibition seamlessly connects different aspects of South African life. Its Art Lab is perfectly designed to be a space that values curiosity over convention, and community over exclusivity – a space where legacy meets possibility. DM

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store