Rachel Zegler Performs 'Don't Cry for Me, Argentina' to London Crowd
Rachel Zegler performs "Don't Cry For Me, Argentina" as part of her new role in "Evita" in London's West End.
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Wall Street Journal
38 minutes ago
- Wall Street Journal
Mysteries: ‘Don't Let Him In' and ‘Murder Takes a Vacation'
Midway through Lisa Jewell's 'Don't Let Him In,' two friends, Martha and Grace, meet for lunch. When Martha describes how attentive her previously errant boyfriend has become, Grace is relieved but still skeptical. 'I thought it was going to end up that he was one of those blokes you read about,' she admits. 'The ones who marry loads of women and lie to everyone and steal all their money.' That fairly sums up the deceptions at the core of this subtly layered British thriller, but it's not the whole story. For the crimes perpetrated here, including murder, are part of a larger mosaic, one that depicts the intersecting lives of three female characters so vividly that we feel, at times, more like voyeurs than readers. Their intimate thoughts become as familiar to us as their occasionally messy households. The dishes piled in the sink, the morning scramble, the sudden silence of an emptied house: Ms. Jewell captures these moments, as she does the doubts and fears of the residents. One such is Ash (short for Aisling), a young woman who 'feels the thud and canter of time running by as her early twenties bleed into her late twenties and thirty appears heavy on the horizon.' She's still reeling from the death of her father—who was pushed under a train by an apparently deranged stranger—when her mother, Nina, welcomes handsome Nick Radcliffe into their seaside home. Nick claims to have known Ash's father, but she is wary of the charmer with 'neat cuticles and defined muscles and a brand-new haircut.' Ash wonders: 'Why has this man never been married?' The reader knows that he is married (a fact revealed at the outset), and much more, because alternating chapters of the novel are narrated by this consummate liar. We see the world both as it is, therefore, and through his eyes. We see the world both as it is and through his eyes. 'They are my puppets now in so many ways,' Nick gloats—with a touch of melodrama—when he begins spying on Nina's family, 'and I am their master.' As Nick's deceptions multiply, we fear for his victims—chief among them Tara, a successful businesswoman who almost outwits him, and Martha, the sweet-natured florist who might have been his salvation—and brace ourselves for the unmasking of a con artist who remains defiant to the last. 'You all wanted me,' he silently protests when finally cornered. 'You all had gaping voids in your lives. . . . I did not force one of you to choose me.' By then, Ash has uncovered the truth, if not the bodies, though Ms. Jewell shocks us with one final twist. Over the course of more than 20 novels, she has perfected such denouements. The enduring appeal of her fiction, however, resides not in its cleverness, but in the atmosphere of intimate unease that Ms. Jewell—like her forebear Ruth Rendell—so expertly creates.
CNN
an hour ago
- CNN
US singer Chris Brown pleads not guilty to assault charge in UK court
US singer Chris Brown pleaded not guilty on Friday to a charge of attempting to cause grievous bodily harm following an alleged bottle attack at a London nightclub in 2023. Appearing at Southwark Crown Court, the Grammy-winning artist denied accusations that he attempted to unlawfully and maliciously cause grievous bodily harm with intent to Abraham Diaw at Tape nightclub in Mayfair, London, on February 19, 2023. Brown confirmed his name and date of birth before entering his plea, saying: 'Not guilty ma'am' during the hearing at Southwark Crown Court, according to PA Media news agency. His co-defendant, Omololu Akinlolu, a US national who turned 39 on the day of the hearing, denied the same charge. The pair are further charged with assaulting Diaw occasioning him actual bodily harm. Brown also faces one count of having an offensive weapon – a bottle – in a public place. They were not asked to enter pleas on those counts, with a further court hearing set for July 11. Approximately 20 spectators – many reportedly fans of the R&B singer – sat in the public gallery behind the dock for Friday's hearing, according to PA Media. The 36-year-old has continued performing on his international tour while on conditional bail. He took to the stage in Cardiff on Thursday evening, just hours before the court appearance. During a hearing last month, Manchester Magistrates' Court was told that Diaw had been standing at the bar inside Tape nightclub when he was struck several times with a bottle. The alleged attack continued in another part of the venue, where he was reportedly punched and kicked repeatedly. Brown, often called by his nickname Breezy, was arrested at Manchester's Lowry Hotel at 2 a.m. on May 15 this year by detectives from the Metropolitan Police. He was then released from HMP Forest Bank in Salford, Greater Manchester, on May 21. Under the terms of his bail, Brown was required to pay £4 million ($5.4 million) with a further £1 million due in seven days. The sum served as a financial guarantee to secure his return to court and may be forfeited if he breaches any of the conditions of his release. A date for a five- to seven-day trial has been set for October next year.
Forbes
an hour ago
- Forbes
Beyoncé's First Country Smash Returns As Her Tour Travels The Globe
Beyoncé's 'Texas Hold 'Em' returns to the U.K. charts after her Cowboy Carter Tour wraps in that ... More country, and the album it supports continues to climb. LOS ANGELES, CALIFORNIA - FEBRUARY 02: Beyoncé accepts the Best Country Album award for "COWBOY CARTER" onstage during the 67th Annual GRAMMY Awards at Arena on February 02, 2025 in Los Angeles, California. (Photo byfor The Recording Academy) Beyoncé recently wrapped the U.K. leg of her Cowboy Carter Tour, which included six nights at Tottenham Hotspur Stadium in London. Fans of the global superstar in England showed their continued enthusiasm for her latest musical chapter by not just showing up in person, but returning to the music she's currently on the road promoting. Following the anticipation for her concerts, her first country smash 'Texas Hold 'Em' resurfaces on the charts. This week, the track returns to a pair of rankings in the United Kingdom — though just barely. 'Texas Hold 'Em' reappears on the Official Singles Downloads chart at No. 97 this week, and lands at No. 100 on the Official Singles Sales list. Beyoncé previewed her first country album Cowboy Carter with 'Texas Hold 'Em,' which became the breakout hit from the set. The tune reached No. 1 on rankings all around the world, despite a drastic sonic departure from her previous work. It even earned her another chart-topper on several U.K. lists. 'Texas Hold 'Em' spent five weeks at No. 1 on the Official Singles Sales chart and seven total on the Official Singles Downloads tally. The track needs only a few more appearances on both lists to mark its first full year as a bestselling single in the country. As 'Texas Hold 'Em' returns, the album it's featured on continues to soar. Cowboy Carter is present on five U.K.-based rankings this week, and it climbs on four of them. The only list it doesn't rise on is the Official Americana Albums chart — and that's only because it remains steady at No. 1. While holding firm on that tally, Cowboy Carter also jumps to No. 4 on the Official Country Artists Albums list. It returns to the top 40 on both the Official Album Streaming chart and the ranking of the most consumed projects in the nation. Cowboy Carter isn't the only Beyoncé project gaining ground this frame. Lemonade, one of her most celebrated collections, reappears on the Official Hip-Hop and R&B Albums chart for the first time in years, landing at No. 38. 'Crazy in Love,' her breakout solo smash, nearly reenters the top 10 on the Official Hip-Hop and R&B Singles roster, pushing to No. 11 – it's new all-time peak.
