Forever No. 1: Sly & the Family Stone's ‘Everyday People'
Forever No. 1 is a Billboard series that pays special tribute to the recently deceased artists who achieved the highest honor our charts have to offer — a Billboard Hot 100 No. 1 single — by taking an extended look back at the chart-topping songs that made them part of this exclusive club. Here, we honor Sly Stone, who died on Monday (June 9) at age 82, by looking at the first of Sly & the Family Stone's three Hot 100-toppers: the simple, yet profound 'Everyday People.'
Sly & the Family Stone, a genre-fluid, interracial, mixed-gender group (at a time when all three things were unique) was formed in San Francisco in 1966. The group was led by Sly Stone, a musical prodigy who was just 23 at the time. His main claim-to-fame at that point is that he had produced a string of hits for the pop/rock group The Beau Brummels, including 'Laugh, Laugh' and 'Just a Little.'
More from Billboard
Sly Stone Dead at 82
DJ Akademiks Denies Taking Payola From Drake During Kendrick Battle
Raekwon and Ghostface Killah Release Trailer for 'Only Built 4 Cuban Linx' Documentary
Sly & the Family Stone made the top 10 on the Billboard Hot 100 in April 1968 with its first chart hit, 'Dance to the Music.' That funky celebration of dance music wasn't topical at all, but after the stunning events of 1968 – a year of assassinations, riots and a war without end in Vietnam – acts almost had to say something, and Sly & the Family Stone did on 'Everyday People,' which was released that November.
The song is a plea for understanding and racial unity, which is so understated in its approach that it's easy to lose sight of just how progressive its sentiments seemed in 1968. The record has a gentle tone and a disarming opening line: 'Sometimes I'm right and I can be wrong/ My own beliefs are in my song.' Who ever starts out a conversation by conceding 'I can be wrong?'
The sense of urgency and passion picks up on the proclamation 'I am everyday people!' which is repeated three times during the song, and then on the call to action 'We got to live together,' which is repeated twice.
Stone, who was born Sylvester Stewart, wrote and produced 'Everyday People.' His genius move on this song was to simplify the discussion to the level of a childhood playground taunt – 'There is a yellow one that won't accept the Black one/ That won't accept the red one that won't accept the white one/ Different strokes for different folks/And so on and so on and scooby-dooby-dooby.' The unspoken, but unmistakable, message: Isn't all this division really pretty childish?
Sly makes the point even more directly in the second verse: 'I am no better and neither are you/ We are the same whatever we do.' The reasonableness of his argument instantly disarms any detractors.
The song's politics are expressed most directly in the third verse, in the song's depiction of counter-culture types vs. establishment types; progressives vs. conservatives. 'There is a long hair that doesn't like the short hair/For being such a rich one that will not help the poor one.'
The bridges of the song contain the line 'different strokes for different folks,' which was initially popularized by Muhammad Ali. It became a popular catchphrase in 1969 (and inspired the name of a 1978-86 TV sitcom, Diff'rent Strokes).
Sly wisely kept the record short – the childlike sections, which are charming in small doses, would have become grating if the record had overstayed its welcome. The record runs just 2:18, shorter than any other No. 1 hit of 1969.
Three Dog Night took a similar approach on 'Black & White,' which was a No. 1 hit in September 1972 – putting a plea for racial unity and brotherhood in simple, grade-school language. Three Dog's record isn't as timeless or memorable as 'Everyday People,' but it shows Sly's influence.
'Everyday People' entered the Hot 100 at No. 93 for the week ending Nov. 30, 1968. You might assume that a record this catchy and classic shot to the top quickly, but it took a while. In the week ending Jan. 11, 1969, it inched up from No. 27 to No. 26, looking like it might not even match 'Dance to the Music''s top 10 ranking. But then it caught fire. The following week, it leapt to No. 15, then No. 5, then No. 2 for a couple of weeks behind Tommy James & the Shondells' 'Crimson and Clover,' before finally reaching the top spot in the week ending Feb. 15.
It stayed on top for four consecutive weeks, the longest stay of Sly's career. The song was of a piece with such other socially-aware No. 1 hits as Aretha Franklin's 'Respect' (1967) and The Rascals' 'People Got to Be Free' (1968).
'Everyday People' remained on the Hot 100 for 19 weeks, a personal best for Sly, and wound up as the No. 5 song of 1969 on Billboard's year-end chart recap. The song was included on the group's fourth studio album, Stand!, which was released in May 1969. The album reached No. 13 on the Billboard 200 and remained on the chart for 102 weeks – also a personal best for the group. The album, which also featured 'Sing a Simple Song,' 'Stand!' and 'I Want to Take You Higher,' was inducted into the National Recording Registry in 2014 and the Grammy Hall of Fame in 2015.
The band included 'Everyday People' in their set at Woodstock on Aug. 17, 1969. Fun Fact: It was the only No. 1 Hot 100 hit performed by the original artist during that landmark three-day festival.
The song is widely acknowledged as a classic. Rolling Stone had it at No. 109 on its 2024 update of its 500 Greatest Songs of All Time list. Billboard included it on its 2023 list of the 500 Best Pop Songs: Staff List. (We had it way down at No. 293, clearly proving the wisdom of Sly's opening line, 'Sometimes I'm right and I can be wrong.')
While Sly was bedeviled by personal demons that shortened his run at the top, he lived to get his flowers. The band was inducted into the Rock & Roll Hall of Fame in 1993 (in its first year of eligibility). On his own, Sly received a lifetime achievement award from the Recording Academy in 2017.
Numerous artists covered 'Everyday People' in the wake of Sly's recording. Between 1969 and 1972, the song was featured on Billboard 200 albums by The Supremes, Ike & Tina Turner, The Winstons, Watts 103rd Street Rhythm Band, Supremes & Four Tops, Billy Paul and Dionne Warwick.
Spend any time on YouTube and you can also find cover versions of 'Everyday People' by everyone from Peggy Lee to Pearl Jam (who performed it in concert in 1995). Other artists who took a stab at it: Aretha Franklin, The Staple Singers, William Bell, Belle & Sebastian, Maroon 5 (on a 2005 remix and cover album Different Strokes by Different Folks) and the unlikely team of Cher and Future, who covered it for a 2017 Gap ad that has recently gone viral.
A couple artists even had Hot 100 hits with their new spins on the song. Joan Jett & the Blackhearts covered the song in 1983 and took it to No. 37. Arrested Development drew heavily from the song for their 1993 hit 'People Everyday,' which reached No. 8. (The song used the chorus and basic structure of the original, with new verses written by lead singer Speech.)
Sly & the Family Stone nearly landed a second No. 1 hit in 1969, but 'Hot Fun in the Summertime' stalled at No. 2 for two weeks in October behind The Temptations' 'I Can't Get Next to You.' 'Hot Fun' wound up at No. 7 on the aforementioned year-end Hot 100 recap, making Sly the only act with two songs in the year-end top 10.
Questlove, who directed the 2025 documentary Sly Lives (aka The Burden of Black Genius), shared a touching tribute to the icon on Instagram on Monday. 'Sly Stone, born Sylvester Stewart, left this earth today, but the changes he sparked while here will echo forever … He dared to be simple in the most complex ways — using childlike joy, wordless cries, and nursery rhyme cadences to express adult truths.'
That last part was a clear reference to 'Everyday People.' Questlove also recalled what he called that song's 'eternal cry' – 'We got to live together!' Said Quest: 'Once idealistic, now I hear it as a command. Sly's music will likely speak to us even more now than it did then. Thank you, Sly. You will forever live.'
Later this week: Two additional Sly & the Family Stone No. 1s take the group into darker and murkier territory, with similarly spellbinding results.
Best of Billboard
Chart Rewind: In 1989, New Kids on the Block Were 'Hangin' Tough' at No. 1
Four Decades of 'Madonna': A Look Back at the Queen of Pop's Debut Album on the Charts
Chart Rewind: In 1990, Madonna Was in 'Vogue' Atop the Hot 100
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Forbes
42 minutes ago
- Forbes
Billie Eilish Reaches A Major Chart Milestone For Only The Second Time
Hit Me Hard and Soft, Billie Eilish's latest full-length, debuted at No. 2 on the Billboard 200 in mid-2024. As it arrived, it became her first project to miss reaching the summit on the competitive albums tally. In the year-plus since its release, the collection has remained one of the most popular in the United States, and it has now produced Eilish's two longest-running successes on the Hot 100 — both of which are still charting to this day. "Wildflower," the latest – and likely last – single from Hit Me Hard and Soft, has now spent 52 weeks on the Hot 100. As of this frame, it becomes Eilish's second track to spend a full year on the ranking of the most consumed songs in the U.S. At the moment, "Wildflower" sits at No. 44 on the Hot 100, up four spots from last week. The tune is likely to disappear from the ranking in just a few days when Billboard refreshes its charts. Once a title hits its one-year anniversary on the list, it must place above No. 25 to remain, otherwise it is typically removed for good. Unless "Wildflower" manages a massive boom, it will vanish from the Hot 100. However, it will likely continue to appear on various genre-specific rankings for weeks or even months to come. "Wildflower" joins "Birds of a Feather" as Eilish's only year-long charters on the Hot 100. Amazingly, "Birds of a Feather" is still present inside the top 20 on the tally as it reaches its fifty-sixth week on the list. Like Hit Me Hard and Soft, "Birds of a Feather" missed out on reaching No. 1 by just one spot, peaking in the runner-up position on the Hot 100. "Wildflower," on the other hand, never even managed to crack the top 10. The tune debuted at No. 17 in June 2024 and never climbed higher during the year it spent on the roster. For half a decade, "Bad Guy" ranked as Eilish's most successful track on the Hot 100. It remains her only No. 1 hit, but it no longer claims the title of her longest-charting success. That honor shifted to 'Birds of a Feather' almost two months ago. "Bad Guy" stayed on the tally for 49 weeks beginning in 2019. While "Wildflower" is likely about to depart the Hot 100, it remains in the top 10 on five of Billboard's genre-specific rankings. It continues to be a major smash in the rock and alternative arenas, particularly via streaming platforms.
Black America Web
an hour ago
- Black America Web
In Case You Forgot: Revisiting Kendrick Lamar & ‘The Pop Out' Concert One Year Later
Source: Timothy Norris / Getty One year ago today, (June 19th) the world watched as Kendrick Lamar performed for the first time since his public feud with Drake. Continue reading to refresh your memory and see how everyone reacted to the epic night! Unless you live under a rock, you know that last year the hip hop community was enthralled with the beef between rap giants Kendrick Lamar and Drake. The two Grammy Award-winners traded scathing shots back and forth for almost a month and left fans on both sides defending their goats. After much debate, public opinion crowned Kendrick the winner, especially after the release of the track 'Not Like Us.' The DJ Mustard produced song hit number one on the Billboard Hot 100 upon its release and spent the better part of the last year occupying the chart. Once the beef died down a bit, fans began to wonder what would be next. A video? A remix? Both? Instead, Kendrick, who just had celebrated his 37th birthday two days prior, blessed his fans with something much better, a one-off concert entitled The Pop Out – Ken and Friends in Los Angeles on Juneteenth. Unsurprisingly, almost as soon as tickets for The Pop Out released, they sold out. Naturally, the demand for tickets was so high that everyone wasn't able to purchase them. For all of those who weren't lucky enough to snatch up tickets to attend in person, the concert also live-streamed on Prime Video and the Amazon Music channel on Twitch. Even before fans stepped into The Forum, the atmosphere at The Pop Out , which was presented by pgLang and Free Lunch, was electric. It was a party outside as fans waited for doors to open. While people waited around, there were several merchandise stands, food and beverage stations and photo ops for them to hit up. On top of that, courtesy of HeadCount, there was a voter registration station, encouraging attendees to vote in November. As entertained as fans might've been outside, it was nothing compared to the show they were blessed with once they stepped inside The Forum. The highly anticipated concert began with a set from Real 92.3 FM's DJ Hed. He brought out a multitude of established and up and coming West Coast artists including Remble, Westside Boogie, BlueBucksClan, CUZZOS, Bino Rideaux and many more. Legendary Compton, California dancer Tommy the Clown even stepped out to take fans down memory lane with a special performance alongside his TSquad dancers. Hed's set was a great introduction to some of the rising talent in California and a perfect warmup for what went on to be an absolute epic night. The concert was titled The Pop Out, which was a play on one of the lyrics in 'Not Like Us.' What better way to continue the night than by having the producer of the smash hit grace the stage? That's right. DJ Mustard was next to electrify the crowd with an impeccable set. In addition to playing some of his own biggest hits, the Los Angeles native used his star power to bring out some of the superstar artists he's worked with throughout his illustrious career. Before Mustard exited the stage, West Coast staples Ty Dolla $ign, Dom Kennedy, YG and Roddy Ricch and more performed some of their massive slaps in front of a packed house. The roof of the building almost blew off when Tyler, The Creator surprised everyone and blazed the stage. In one of the most heartwarming moments of the night, Mustard paid tribute to the late legendary rapper Nipsey Hussle. He had fans in attendance raise their phones and turn their camera lights on while he played three of Nip's songs. Even if the show ended after Mustard's set, it would've been considered classic. Luckily, the main event was still on deck. After a brief intermission, the man of the hour popped out from the bottom of the stage and started his show in a way that only he could. The first song in Kendrick's set was his six minute 24 second Drake diss track, 'Euphoria.' The crowd rapped the whole song word for word as Kendrick set the tone for what the rest of his performance would be like. After the exhilarating introduction, Cornrow Kenny performed a plethora of his classics including, 'DNA,' 'Element,' 'Alright,' 'Swimming Pools' and more. Nostalgia hit an all-time high when Kendrick brought out Jay Rock, Ab-Soul and Schoolboy Q to perform some of their biggest tracks together. The reunion was truly a special moment as it marked the first time Black Hippy had been seen together since Kendrick left TDE (Top Dawg Entertainment) in 2022. After Kendrick dipped into his catalog to perform some more of his timeless bangers and his controversial 'Like That' verse, he brought out one of his mentors and one of the West's most legendary musicians, Dr. Dre. To the delight of the crowd, Dre performed the undeniable classic tracks 'Still D.R.E' and 'California Love' with assistance from Kendrick. As Dre was about to exit the stage, Kendrick questioned if he was going to say anything else before they continued the party. This prompted Dre to walk back, quiet the crowd and whisper 'I see dead people' into the mic. Every single person in the crowd and watching at home knew exactly what that meant. For the first time ever, Kendrick began performing the song of the summer. The crowd completely exploded as they screamed the lyrics to the song at the top of their lungs. The song's impact become more and more apparent as Kendrick performed it four more times. Each time the track restarted, it seemed as if the crowd got louder and louder. The most impactful thing that took place during the whole night happened before the fifth performance of the chart-topping diss track. Kendrick brought up all of the artists who had performed throughout the night (regardless of their gang affiliations) and got them to take a picture together on stage. 'Let them see this. We put this together with peace.' Kendrick said to the crowd. After the picture, it seemed as if the whole West Coast music scene was on the stage performing 'Not Like Us' in one of the most beautiful and important moments in recent hip hop history. The Pop Out – Ken and Friends was a deserved victory lap for Kendrick and a much needed uniter for the West Coast and the city of Los Angeles in specific. Throughout the show and after, fans couldn't help but to chime in and give their opinions of the night, Kendrick, Drake and everything in between. One year later, check out some of the reactions to the biggest concert of last year! In Case You Forgot: Revisiting Kendrick Lamar & 'The Pop Out' Concert One Year Later was originally published on
Forbes
an hour ago
- Forbes
Lady Gaga Blocks Disturbed Blocked From Returning To No. 1
Disturbed's cover of Simon & Garfunkel's 'The Sound of Silence' may have felt like a surprising choice when it was first released years ago, but it has since gone on to become a career-defining smash for the group. Multiple versions of the tune continue to chart to this day, and the hard rock outfit almost returns to the summit on a list few could have predicted it would ever reach — let alone lead. The rockers are currently held back from ruling the show once more by one of the biggest pop stars of all time. Years after Disturbed's version of 'The Sound of Silence' became a hit, the group released a remix by producer Cyril. That version has also become a smash in its own right, albeit one that reaches different Billboard lists than the hard rock original. The remixed track can still be found on the Dance Digital Song Sales chart, where this frame it steps up from No. 4 to No. 2. Disturbed only misses ruling again by one spot, as 'Abracadabra' by Lady Gaga refuses to budge. That tune has spent 16 of its 19 weeks on the list of the bestselling dance tracks in America in first place. 'Abracadabra' is proving to be a true bestseller in the dance world this year. Last week, the track blocked Tate McRae's 'Just Keep Watching' from debuting at No. 1, and this frame it dips from the runner-up spot to No. 3. Recently, Gaga's Mayhem single also blocked 'Blessings' by Calvin Harris and Clementine Douglas and a remix of Creed's 'One Last Breath' by ATLiens from ruling, as all of those cuts missed the mark by just one space. While Disturbed's 'The Sound of Silence' might be forced to settle for second place at the moment, it has already spent time running the show. The hard rock group has only ever landed one win on the Dance Digital Song Sales chart, and 'The Sound of Silence' has commanded the list for half a dozen frames out of the 71 stints it has spent somewhere on the tally. The Disturbed song currently lives inside the top 10 on two similarly-composed but different-sounding rosters. As it settles into second place on the Dance Digital Song Sales chart, the original cover dips slightly to No. 4 on the Hard Rock Digital Song Sales ranking. In just a few weeks, the tune will reach 500 frames as a bestseller on that roster.
