Quinta Brunson Admits Criticism of Her ‘Abbott Elementary' Character Janine Was 'Tough'
Quinta Brunson's mockumentary Abbott Elementary has amassed a great deal of success, but the sitcom hasn't received straight A's across the board.
During a Tuesday appearance on Amy Poehler's Good Hang with Amy podcast, the Emmy winner opened up about the mixed response she's received about her character, second grade teacher Janine Teagues.
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'I'll be real with you, [Janine is] a Black character,' Brunson told Poehler during their conversation. 'Black audiences have so few — still — representative characters on screen, and Black womanhood alone is so touchy.'
Brunson admitted that it 'became tough' for her when 'women were seeing Janine not present as they wanted her to,' noting she 'understand[s] it.' The Abbott star and creator added that when she first conceptualized the role of Janine, she 'wasn't really thinking about representation, but she became representation.'
'I think it's important for us to have characters who are more realistic than they are the absolute best representation of us,' Brunson said. 'I think it creates layers for us not only on TV but in the public eye.'
Brunson is a triple-threat, notably creating, writing and starring in Abbott since it debuted on ABC in 2021. The series spotlights a group of teachers working at the Philadelphia elementary school of the same name. Overall, Abbott has garnered a total of 24 Emmy nominations and four wins, including Brunson's 2023 win for outstanding actress in a comedy series and an additional win for its 2022 outstanding writing for a comedy series.
In an interview with The Hollywood Reporter, the comedian said she was 'very happy' about landing a fourth season of Abbott and that her team was in 'at a really chill place that I'm enjoying from a writing, creating and acting standpoint' following the joint actors and writers strike that shifted the show's third season.
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Tom's Guide
an hour ago
- Tom's Guide
I finally binged 'The Bear' to catch up before season 4 — and it's transformed how I watch TV
In the fast-paced world of streaming, the newest releases tend to steal the spotlight. The best streaming services like Max, Netflix, and Disney Plus constantly push their latest shows and movies to the forefront. But that makes it hard to catch up on all the must-watch TV shows if you're not much of a binge-watcher (guilty) or tend to be skeptical of anything that's universally hyped (also guilty). The latter may sound overly cynical (eh, I can be guilty of that too), but you have to understand that, out here near Chicago, people adore "The Bear." They will not shut up about it. The onslaught of "The Bear" recommendations began with literally the first episode, which includes a one-line shoutout about Rockford, where I'm based, that was the talk of the town for weeks. I wish I was exaggerating. Tired of hearing about how much I just have to watch "The Bear," I finally sat down at the start of the month to check out Hulu's Emmy-winning comedy-drama series. With "The Bear" season 4 premiering on June 25, I doubted I'd be able to catch up in time. And I was wrong. Turns out, binge-watching is for me after all — and my sleep schedule already hates me for it. I severely underestimated how bingeable "The Bear" would be. The hype was all well-deserved. Pretty much from the first episode, I was glued to my couch, devouring all three seasons in just a few short weeks. I can already feel you seasoned binge-watchers shaking your heads — that must be a snail's pace by comparison — but like I said, I don't tend to binge-watch shows. Every once in a while, one like "Yellowjackets" gets its hooks into me, but I thought it was the exception rather than the rule. After two or three episodes, my attention span tends to be on its dying legs; meanwhile, my actual legs are itching to get up and do something else after sitting for so long. I prefer savoring series, taking regular breaks to reflect on what happened, sit with the characters' choices for a bit, and appreciate the pacing or overarching themes. Even the juiciest of cliffhangers are rarely enough to convince me to hit "next episode" once I'm tired of watching TV for the day. But "The Bear" has made a binge-watcher out of me yet. While I considered pacing myself, "The Bear" felt almost tailor-made for a binge. Between the short episode lengths (a bite-sized 30 minutes) and the way each installment plays out like a self-contained stage play, I found myself only hungry for more by the time the credits rolled. Set in Chicago, "The Bear" tells the story of fine-dining chef Carmy (Jeremy Allen White) who returns home to rescue his late brother's floundering restaurant — and it's nothing short of remarkable. The dizzying highs and crushing lows as Carmy whips The Beef into the restaurant he and his brother always dreamed of having are captivating to watch unfold. Part of that secret sauce is how each episode adds new ingredients to play with. Flashbacks that illuminate each character's motivations and struggles. Explosive fights (and there are a lot of those) that reveal more than the characters mean to. Or small moments that add up to heart-wrenching realizations several episodes — or even seasons — later. With its raw, chaotic portrayal of family dynamics and mouth-watering food, I'm not surprised "The Bear's" achieved such cult status. The constant simmer of conflict threatened to burn me out at times, but then a quieter, more reflective episode would reset my palette. I particularly enjoyed season 3's debut episode, "Tomorrow," which completely upended my understanding of who Carmy is with a series of contemplative, devastating flashbacks of his career. I adore it anytime a show makes me fall in love with a character I initially despised, and Ebon Moss-Bachrach's Cousin Richie is one for the history books. He goes from a complete asshole to an asshole worth cheering for. Beneath the bravado and outbursts, he's grieving, insecure, and trying (however messily) to find his place in a world that's evolving without him. One of my favorite moments in the show so far was seeing him belt out Taylor Swift's "Love Story" in the car after coming into his own in season 2. While there's truly no universal rule for how to watch TV shows, "The Bear" has made me reconsider my stance on binge-watching. As much as I prefer giving stories space to breathe between episodes, I can't deny that "The Bear" was improved by devouring its twists and turns in an insatiable marathon. Binge-watching still isn't my default, but for the right show, it can be the ideal way to experience things.
5 hours ago
Key moments from the sixth week of Sean 'Diddy' Combs' sex trafficking trial
NEW YORK -- The sixth week of the Sean 'Diddy' Combs' sex trafficking trial was shortened by a holiday and a juror's illness as prosecutors nearly concluded their case, setting the stage for a one- or two-day defense presentation next week. In the trial's first five weeks, jurors repeatedly heard testimony about drug-fueled marathon sex events described as 'freak-offs' by one of Combs' ex-girlfriends and as 'hotel nights' by another. In the sixth week, they were shown about 20 minutes of video recordings from the dayslong events. Combs, the founder of Bad Boy Entertainment, has pleaded not guilty to sex trafficking and racketeering conspiracy charges in the trial, which continues Monday. Here are key moments from the past week: Jurors largely kept their reactions muted when they were shown about 20 minutes of recordings made by Combs of his then-girlfriends having sex with male sex workers at the elaborately staged 'freak-offs' or 'hotel nights.' Prosecutors say the events were proof of sex trafficking and racketeering conspiracy charges because Combs coerced his employees, associates and even his girlfriends to recruit and arrange flights for sex workers while his workers obtained drugs, stocked hotel rooms with baby oil, lubricant, condoms, candles and liquor and delivered cash. In her opening statement, defense lawyer Teny Geragos had called the videos 'powerful evidence that the sexual conduct in this case was consensual and not based on coercion.' Prosecutors played about 2 minutes of the recordings before the defense team aired about 18 minutes of the videos. The public and the press were unable to observe whether the prosecutors or defense lawyers had the better arguments after the judge ruled that neither the recordings nor the sound could be seen or heard by anyone except lawyers, the judge and the jury. Several jurors seemed to cast their eyes and sometimes turn their bodies away from the screens directly in front of them while the recordings played. The jurors listened through earphones supplied by the court, as did Combs and lawyers. Judge Arun Subramanian started the week by dismissing a juror whose conflicting answers about whether he lived in New Jersey or New York convinced the judge he was a threat to the integrity of the trial. Subramanian said the juror's answers during jury selection and in the week before he was excused 'raised serious concerns as to the juror's candor and whether he shaded answers to get on and stay on the jury.' 'The inconsistencies — where the juror has lived and with whom — go to straightforward issues as to which there should not have been any doubts, and the answers also go to something vital: the basic qualifications of a juror to serve,' the judge said. Residents of New Jersey would not be permitted to sit on a New York federal jury. A day before Subramanian ruled, defense lawyers argued fiercely against dismissal, saying that replacing the Black juror with a white alternate juror so late in the trial would change the diverse demographics of the jury and require a mistrial. The jurors are anonymous for the Combs trial. It wasn't the only issue regarding jurors for the week. The judge, angered by a media report about the questioning of another juror the week before that occurred in a sealed proceeding, warned lawyers that they could face civil and criminal sanctions if such a leak happened again. That juror was not dismissed. And Wednesday's court session had to be canceled after a juror reported "vertigo symptoms" on the way to the courthouse. Defense attorney Marc Agnifilo seemed to close the door on any chance Combs would testify when he said Friday that the defense presentation would be finished Tuesday or Wednesday the following week, even if prosecutors don't rest until late Monday. It is not uncommon for defendants to choose not to testify at criminal trials. Besides being exposed to cross-examination by prosecutors, the testimony can be used by the government against the defendant should there be a need for a retrial. Also, if there is a conviction, the judge can conclude that the jury believed the defendant lied on the stand. Brendan Paul, fresh off the college basketball courts where he once played in a cameo role for Syracuse University, joined Combs' companies as a personal assistant in late 2022 and was warned by a friend who had worked for Combs about what was ahead. 'He told me to get in and get out,' Paul recalled for the jury, citing the endless days and always-on-edge existence. 'If you have a girlfriend, break up with her. And you're never going to see your family.' The friend also instructed him to 'build a rolodex of clientele and get out,' he said. Paul said he worked 80 to 100 hours a week for a music power broker who received 'thousands and thousands' of text messages and emails a day. He was paid $75,000 salary initially, but it was raised in January 2024 to $100,000. He said Combs told him he 'doesn't take no for an answer' and wanted his staff to 'move like Seal Team Six.' Several times, Paul said, he picked up drugs for Combs and knew to keep his boss out of the drug trade because 'it was very important to keep his profile low. He's a celebrity.' The job came to an abrupt end in March 2024 when Paul was arrested at a Miami airport on drug charges after a small amount of cocaine that he said he picked up in Combs' room that morning was mistakenly put in his travel bag as he prepared to join Combs on a trip to the Bahamas. The charges were later dropped in a pretrial diversion program.
Yahoo
10 hours ago
- Yahoo
We spent 8 hours at Ebony Beach Club's 'Juneteenth on the Pier'
The Ebony Beach Club's priority is to create a space for Black beachside communities in Los Angeles. So, every year on Juneteenth, they transform a local beach into a full-blown festival, consisting of nonstop DJs, a vivacious dance floor and neighborly vendors. This year, the beach club partnered with Black Lives Matter and took over the Santa Monica Pier. Here's everything that went down. 12:39 p.m. I arrive early. Ebony Beach Club founder, Brick, runs from vendor to vendor, ensuring everyone is ready for the day ahead. He boasts that there's 'not a cloud in sight' — and that everything is aligning for today's 'historic moment.' 1:58 p.m. I never thought I would be able to say I've found a sense of inner peace in the middle of the Santa Monica Pier. The typically chaotic environment is transformed by rhythmic breathing exercises and sound bath frequencies. For a moment, it does feel like I am cooking under the hot summer sun, but still, I couldn't be more at ease. 3:09 p.m. So far, the music selection transcends generations. Anything from Aaliyah to YG and Frankie Beverly fills the beachy air. But after hearing more than one early 2000s Ne-Yo classic, I can't help but wonder what he's up to. Why the lack of 2025 Ne-Yo bangers? 3:40 p.m. The crowd is slowly growing. Most partygoers sport a mix of brightly colored swimwear with denim shorts or matching mini skirts. Others wear graphic tees that commemorate the holiday and show L.A. pride. The most standout looks so far have included bejeweled thongs, color-coordinated snapbacks and sneakers and pleated, baggy jorts. 3:58 p.m. In the flash of a moment, a familiar face glides through the crowded pier. Her grill catches the light and a pair of Labubus hangs from a designer bag. It's none other than R&B royalty Kehlani. A growing swarm of fans start to catch on. I get my chance to say something as she passes. I compliment her latest single and let her continue on her mission to the bar. Cool, casual and of course, no mention of the fact that I was listening to the Kehlani Spotify radio on the whole drive over. 4:45 p.m. Brick halts the music and offers a quick history lesson from the DJ decks. He speaks of the first Ebony Beach Club, started by a man named Silas White in 1957. That year, 2,000 Black people, including Brick's own grandfather, signed up to be members. But the City of Santa Monica had barred it from ever opening. Today's Ebony Beach Club celebration roughly creates space for around 2,000 people to be at the exact same beach and enjoy the party. 'This is the most Black people the Santa Monica pier has seen in a while,' said Brick, who was met with an echoing applause. 'Today, we are Black people who are occupying this space for the first time in a long time.' 5:30 p.m. The emcee says, 'If you're outside the barricade, I'm sorry. If you couldn't get a ticket, I'm sorry.' He addresses the consistent crowd of onlookers who have lingered by the barricades. Some appear to be tourists, but most spectators seem like they were too late to grab a ticket. Nonetheless, they are able to indulge in the sights and sounds, even if it's for only a few minutes. 6:17 p.m. What's an L.A. party without Los Tucanes de Tijuana's 'La Chona?' The norteño anthem gets mixed into T.I. 's 'What You Know.' Unexpected, but somehow serendipitous. 7:25 p.m. I'm starting to seriously question the weight limit on the truck. Though its height is that of a monster truck, it has the feel of a clown car. The truck bed, filled with DJ equipment, is overflowing with people singing along and jumping to the beat. People are perched atop the car, as well as those hanging off its side, in an impressive, partially aerial twerk. I can't even imagine the kind of core strength that it takes. 7:51 p.m. As the party wraps up, Sexyy Red's distinctive vocals overtake the crowd. It feels like one final hurrah. If there's been one consistent feeling that's marked the entire party, it's been an infectious sense of joy. 8:05 p.m. On the way back to the car, people yell 'Happy Juneteenth' out their car windows. My feet are a bit achy and the tops of my shoulders a little sore to the touch, but spirits are still high. Now for the biggest test of patience — braving the traffic of leaving a Santa Monica parking structure. This story originally appeared in Los Angeles Times.
