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Danny Boyle says he filmed '28 Years Later' with iPhones, drones, and a goat

Danny Boyle says he filmed '28 Years Later' with iPhones, drones, and a goat

Many Hollywood directors use expensive cameras to film their blockbusters. Danny Boyle 's approach to filming his zombie sequel "28 Years Later" was a bit more… experimental.
"We did strap a camera to some animals a couple of times — yeah, a goat," Boyle told Business Insider.
The director, whose 2002 horror classic "28 Days Later" was shot on digital cameras for a deliberately lo-fi look, was keen to take a similarly unconventional approach with his follow-up film two decades later.
The movie, written by Alex Garland, follows 12-year-old Spike (Alfie Williams) as he leaves his secluded island home for the first time with his father, Jamie (Aaron Taylor-Johnson), and comes face-to-face with hordes of people infected with the Rage Virus.
To capture their terrifying encounters with zombies, Boyle told BI he relied on iPhones, drones, and yes, those goats. While Boyle said the goat shot didn't make it into the final cut, the tactic prompted him to try strapping a camera to a new variant of the infected, called the "Slow-Low," which crawls on the ground eating bugs.
"Having done it with the goats, you then think, 'Oh!'" Boyle said. That Slow-Low shot made it into the film — and into the trailer, too.
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For the film's pulse-pounding chase scenes, Boyle relied on iPhones and drones instead of heavy high-tech equipment.
"Any smartphone now can record at 4K, indeed up to 60 frames per second, which is more than enough resolution you need for cinema exhibition," he said.
Keeping the crew light on their feet also helped them more easily navigate the wild landscape of Northumberland, the UK region used as a filming location for "28 Years Later."
Plus, there's an added bonus: shooting on iPhones makes things "way, way cheaper."

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Meghan Markle's new As Ever product launch fueled by a need for ‘fame and fortune': experts
Meghan Markle's new As Ever product launch fueled by a need for ‘fame and fortune': experts

New York Post

time27 minutes ago

  • New York Post

Meghan Markle's new As Ever product launch fueled by a need for ‘fame and fortune': experts

Meghan Markle is restocking her sold-out As Ever products on Friday, and several royal experts believe it's all part of her plan to be recognized as a royal entrepreneur with a reigning business empire. 'Of course, her royal title and Sussex name are boosting her brand,' British broadcaster and photographer Helena Chard told Fox News Digital. 'She will cling to this as it will help bring her [more] fame and fortune, which is imperative to her life. She will keep her fingers in many pies and her name in lights with the hope that one or more of her ideas will bring in the much-needed hard cash.' 'However, she is not likely to amass her fortune from the sales of basic As Ever treats, however delicious they may be,' Chard claimed. A post on As Ever's Instagram teased that its bringing back its products and 'some delicious surprises.' The brand is known for raspberry spreads, teas, limited-edition wildflower honey and edible flowers, or 'flower sprinkles.' Chard made her comments shortly after quotes from royal expert Valentine Low's 2023 book, 'Courtiers,' surfaced online. At the time of the book's publication, the author claimed the Duke and Duchess of Sussex left royal life because they wanted the 'freedom to make money and dip their toes into politics.' He also claimed the 'Suits' alum was eager to 'earn money for herself,' which reportedly influenced the couple's decision to make their royal exit. 6 Meghan Markle promoted her new launch early Friday morning on Instagram with a photo of her swinging captioned 'No more sleeps!' @aseverofficial/Instagram The Duke and Duchess of Sussex stepped back as senior royals in 2020 and moved to the wealthy, coastal city of Montecito in California. At the time, they cited the unbearable intrusions of the British press and a lack of support from the palace as their reasons for the move. That same year, the couple signed a five-year contract with Netflix reportedly worth $100 million. Their Spotify deal was said to be worth between $15 million to $18 million. Low claimed in his book that before the couple left for California, they suggested the idea of 'having a month [to a year] to do their own thing,' as quoted by the U.K.'s Daily Mail. According to the outlet, Low also said the pair considered 'spending most of their time privately but doing a select number of royal activities.' 'Some suspected that in the end [Meghan] wanted to make money,' Low wrote, as quoted by the outlet. 'And the only way she was going to do that was by leaving her royal life behind and going back to America.' 6 Products from Markle's As Ever brand will be restocked and available to purchase on Friday. @aseverofficial/Instagram Low noted that if the couple agreed to continue with royal duties, they wouldn't have been allowed to 'act or take decisions in order to gain financially.' People magazine previously reported that when Meghan and Harry announced their exit, the couple specified they would 'no longer receive funding through the Sovereign Grant,' making them 'members of the Royal Family with financial independence.' Their announcement said, 'Their Royal Highnesses prefer to release this financial tie.' 'They value the ability to earn a professional income, which in the current structure they are prohibited from doing,' they wrote, adding that financial freedom is 'something they look forward to.' At the time of Low's book launch, Archewell, which handles the offices for the Duke and Duchess of Sussex, and Buckingham Palace didn't immediately respond to Fox News Digital's request for comment. A spokesperson for Buckingham Palace previously told Fox News Digital it doesn't comment 'on such books.' 6 As Ever's first product launch sold out quickly. Tamara Beckwith/NY Post British royals expert Hilary Fordwich told Fox News Digital she agreed with Low's reporting. 'What I do know is that during those negotiations [with Harry and Meghan], Queen Elizabeth II was observed to be 'visibly cringing' when the topics of both politics and money were pressed by Prince Harry,' Fordwich claimed. 'It represented the antithesis of everything the queen and the monarchy stand for.' 'I don't know who raised it, but the consensus was, 'You're all about the money. We, the monarchy is about service and dedication to duty,' Fordwich claimed. 'One of the very many reasons Princess Catherine is so immensely popular and will be a tremendous future queen is that she doesn't care about the former (money) but is dedicated to the latter (duty/service)!' 6 Prince Harry and his wife stepped down as senior royals in January 2020. Archewell Foundation via Getty Images Low claimed in his book the couple's desire to be financially independent raised many eyebrows behind palace doors. 'There was no way for the two sides to reach an agreement on that point,' he wrote, as quoted by the outlet. 'Crucially, it was the queen who took the view that unless they were prepared to abide by the restrictions that applied to working members of the royal family, they could not be allowed to carry out official duties.' 'Prince Harry always felt second best to his brother Prince William,' Chard claimed. 'Meghan was the excuse Prince Harry needed to jump ship. And Meghan wants fame and fortune. Although she received the royal title, she felt her wings were clipped.' 'They both ran off into the sunset to make their fame and fortune,' Chard added. 'It is now all about them. They can … build their Sussex court and empire. However, there are consequences for their decisions. They can't have their cake and eat it too.' Whispers of Meghan eyeing a role in politics have been persistent since the couple's move. 6 As Ever's first drop was in early April. As Ever 'I've heard from some very reliable sources that she is writing to people to try and secure political positions,' True Royalty TV co-founder Nick Bullen told Fox News Digital in 2023. 'I think that is absolutely an ambition for her. 'And I think you'll see [the Duke and Duchess of Sussex] working much more separately,' he said at the time. 'I think you'll see them concentrating on their individual brands to try and reclaim some of the ground.' Bullen is an award-winning documentarian who has been producing programs about the British royal family for 20 years. He has also worked closely with King Charles III. Keep up with today's most important news Stay up on the very latest with Evening Update. Thanks for signing up! Enter your email address Please provide a valid email address. By clicking above you agree to the Terms of Use and Privacy Policy. Never miss a story. Check out more newsletters In 2019, True Royalty TV premiered 'Meghan for President?' It was a documentary that explored how the mother of two had always wanted to speak out on a global platform, long before she pursued acting in Hollywood. Anything is possible, Bullen insisted. Even a humanitarian ambassador's role looks promising. 'It's a very plausible argument,' Bullen said. 'I think it would be fascinating. Imagine a world in which she does make it to the White House. [Prince] Harry is the first husband. There's a state visit, and what happens then if Meghan is hosting [the British royal family] at the White House? You're going to want a front-row seat for that, aren't you?' A spokesperson for the duchess, 43, didn't immediately respond to Fox News Digital's request for comment at the time. 6 As Ever teased there will be 'some delicious surprises' in Friday's drop. 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Fordwich claimed Meghan still has a long way to go before the public can crown her as an authentic, relatable businesswoman. 'Either way, this relaunch means Meghan Markle will face heightened scrutiny,' Fordwich claimed. 'Her products, while marketed as accessible, remain luxury non-essentials which don't resonate with a mass market audience, especially in our current tough economic times.'

International Insider: '28 Years Later' Arrives; Landmark Netflix-TF1 Deal; NHK At 100
International Insider: '28 Years Later' Arrives; Landmark Netflix-TF1 Deal; NHK At 100

Yahoo

time28 minutes ago

  • Yahoo

International Insider: '28 Years Later' Arrives; Landmark Netflix-TF1 Deal; NHK At 100

Another week down, Insiders, and it was a hot one in Europe. We had journalists in France and Spain (at two separate events) to gather up the top stories from the continent, while in the UK, the zombies returned, angrier and scabbier than ever. Sign up to the newsletter here. '28 Years Later', A Threequel Arrives More from Deadline BBC Hits AI Startup Perplexity With Legal Threat Over Content Scraping Concerns BBC's BAFTA-Winning Doc Series 'Once Upon A Time In...' Turns Eye To Middle East Danny Boyle Says He Would Never Make Oscar-Winner 'Slumdog Millionaire' Now Amid "Cultural Appropriation" Concerns Worth the wait: To me, it feels like just yesterday watching Cillian Murphy wander around empty London streets in hospital scrubs in 28 Days Later. It wasn't though – it was 23 years ago and I'm just showing my age. No doubt, however, that the love for Danny Boyle's zombie horror franchise has lasted all that time, as proven by the noise around the premiere of the third instalment, and the first since 2007's 28 Weeks Later. 28 Years Later had become the second-most watched horror trailer in history well before Boyle, writer Alex Garland and producer Andrew Macdonald debuted it in this week in London at a world premiere in Leicester Square – and all the signs are that it's cutting through. Our social media guru Nada and Breaking Baz were on the red carpet to hear from the likes of Boyle, Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes, along with Chairman and CEO of Sony Pictures Entertainment's Motion Picture Group, Tom Rothman, who tipped us that the film will make a star of 14-year-old lead Alfie Williams. The story is set nearly three decades after the rage virus escaped a biological weapons laboratory and brought down society, in a film that our critic Damon Wise called a 'particularly scathing' commentary about 'Brexit Britain and its little-islander mentality.' Reviews have been pretty good, with some criticisms about the tone, pacing and ending, and its Fresh score on Rotten Tomatoes currently sits at 92%. You can go ever deeper by listening to Anthony D'Alessandro catch up with Boyle on our Crew Call podcast, where they discuss the long journey getting the film to screen and why the Slumdog Millionaire director won't be directing all three of the planned modern-day 28 trilogy. Anthony also noted Thursday in his box office round-up that 28 Years Later is tracking for a global start of around $56M. Netflix The Aggregator 'A new kind of partnership': Big platform news this week came out of Cannes Lions, where Netflix and French commercial network TF1 announced a potentially market-altering partnership. In part borne out of the friendship between TF1 CEO Rodolphe Belmer and Netflix's top brass, the companies unveiled a 'new kind of partnership' that sees five linear TF1 channels and 30,000 hours of on-demand content streaming on Netflix. To this point, Netflix has shown little interest in aggregating linear services – or any rival services, for that matter – but analysts have pointed out that the Netflix-TF1 relationship is a special case that has already seen them create Netflix's first daily soap in France. However, there's a sense this is the start of something bigger, as our analysis of the development showed. Truth is, global streamers need to attract older, linear-minded viewers and traditional players need the leverage and access to younger viewers of streaming services. 'Diagonal integration and co-operation' is what the big brains over at Ampere Analysis are calling it. You heard it here first. NHK At 100 Earthquakes and giant squid: Japan's NHK turned 100 this year and there has never been a better time to celebrate the role of public broadcasting. Good thing, then, that we landed an exclusive interview with President Nobuo Inaba, who detailed how the challenges facing pubcasters today may differ from a century ago, but the battles remain the same. In the 1920s, it was the Great Kantō earthquake that compelled the need for a public broadcaster, while today it has become the flood of disinformation driven by social media from which the public needs saving. Only public broadcasters can battle through the noise, Inaba argued, as he called for greater global collaboration and more shows for young people. Of course, public broadcasters enjoy nothing more than a celebration and a 100th birthday lends quite the excuse. In NHK's case, a series of special programmes have been airing through the year, including a documentary titled Neo-Japonism and anime adaptation Cocoon. Pressed on his favorite NHK show of the century, Inaba went a bit curveball by opting not for critically-acclaimed drama or doc, but for a natural history series made with Discovery, which captured the world's first video images of a giant squid. Dive deeper. Big Week For BBC Phillips gets Moore responsibilities: The race to succeed Charlotte Moore at the BBC has ended – and the biggest job in British TV commissioning is staying in-house. A month after Deadline had revealed acting Chief Creative Officer Kate Phillips was the frontrunner, the BBC rubber-stamped the appointment, and into a new era we go. She called the job 'one of the best roles in the business at an incredible organisation,' and it's clear she's got a vision of where she wants to take the UK's biggest public broadcaster. With a background in unscripted, those in drama and comedy are understandably watching closely, but it's worth noting they did the same when the Left Bank Pictures-bound Moore became Director of Content in 2016, thanks to her past in documentary. Fair to say her tenure went more than okay. That's one big headache for BBC Director General Tim Davie fixed, but there's migraine of a problem over at BBC News, where a PwC consultant has been drafted in to steer an internal review into bullying and misconduct allegations on flagship show Breakfast, which Jake first revealed in this shocking report in April. Out of the frying pan, into the fire. From CineEurope To Cuenca's Conecta Slate of play: The U.S. studios had their game faces on and film slates at the ready at CineEurope in Barcelona, Spain, this week. The annual event drew its regular industry crowd, and Nancy Tartaglione was on the ground gathering up the biggest and best of the news. Lionsgate returned after sitting 2024 out, sprinkling some magic dust in the form of Now You See Me: Now You Don't and confirming Nancy and Matt Grobar's scoop that Glenn Close and Billy Porter have joined the cast of The Hunger Games: Sunrise on the Reaping. The studio was followed by Sony showing the first 28 minutes of 28 Years Later, Universal touting new Spielberg and Nolan projects, Warner Bros playing 30 minutes of July tentpole Superman, Paramount confirming Meet the Parents 4 and Disney teasing Toy Story 5 during a presentation that culminated in a James Cameron tribute to Jon Landau. Following the fun, Nancy and Anthony revealed the global box office is red hot, with Gower Street predicting a $12.4B summer. Over 300 miles away from Barcelona in the quiet city of Cuenca, I touched down for Conecta Fiction & Entertainment, the annual Spanish TV industry get-together. Nothing quite as splashy there, but reps from Max and Lupin maker Gaumont Television France gave their views on some live issues, as boiling hot temperatures gave way to biblical floods in the mountainous locale. Read the news from Cuenca here. The Essentials 🌶️ Hot One: The BBC has greenlit Twenty Twenty Six, a successor to comedy series W1A and Twenty Twelve, with Hugh Bonneville reprising his role and Chelsey Crisp, Paulo Costanzo and Stephen Kunken among a blended UK-U.S. cast. 🌶️ Another One: Martin Compston and Aimée-Ffion Edwards are leading the cast of The Revenge Club (w/t), which has Paramount+ UK and Ireland, Gaumont UK and Fremantle attached. ☘️ One for luck: Webtoon manwah Teenage Mercenary is being adapted as a TV anime series by Japan's Line Digital Frontier. ⛑️ Saved: Ireland's Playhouse Studios has acquired the assets of UK post house Lipsync, which went into administration last month. Most staff have been retained. 🔭 In focus: Filming Italy Sardegna, the annual Sardinian TV fest that kicked off yesterday. Diana also spoke to festivals specialist Tiziana Rocca in this interview. 👨🏻‍⚕️ Doctor, doctor: Russell T Davies has poured more fuel on the fire over the future of his BBC and Disney+ sci-fi series Doctor Who, saying, 'We don't know what's happening yet.' 5️⃣0️⃣ Fiddy: Curtis '50 Cent' Jackson has taken his 50 Cent Action Channel overseas for the first time. 🦁 Heart of a Lions: Reese Witherspoon's Hello Sunshine launched a Gen Z label, Sunnie, at Cannes Lions. 🤝 New roles: Lookout Point co-CEOs Laura Lankester and Will Johnston hopped over to A24's UK team. 🏆 Winners: Swedish drama Vanguard, Germany's One Day in September and CW series Good Cop/Bad Cop took home Golden Nymphs from the Monte-Carlo TV Festival. Jesse Whittock wrote this week's Insider. It was edited by Jake Kanter. Best of Deadline 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More 'Stick' Soundtrack: All The Songs You'll Hear In The Apple TV+ Golf Series 'Stick' Release Guide: When Do New Episodes Come Out?

Selena Gomez & Hailey Bieber's Instagram Unfollow Drama Explained
Selena Gomez & Hailey Bieber's Instagram Unfollow Drama Explained

Yahoo

time41 minutes ago

  • Yahoo

Selena Gomez & Hailey Bieber's Instagram Unfollow Drama Explained

Selena Gomez and Hailey Bieber are back in the spotlight after reportedly quietly unfollowing each other on Instagram, sparking fresh speculation about their relationship. The move has surprised fans, especially after years of insisting there was no feud between them. Many are curious to know what happened. Selena Gomez and Hailey Bieber appear to have distanced themselves once again by cutting social media ties. On June 19, fans noticed that both women had unfollowed each other on Instagram, resurfacing speculation about ongoing tension associated with their connection to Justin Bieber. Gomez and Justin Bieber were in a widely publicized relationship from 2011 to 2018, marked by several breakups and reconciliations. Just months after their final split, Justin Bieber married Hailey Bieber (then Baldwin), sparking years of rumors about conflict between his past and present relationships. Though the speculation was persistent, Gomez and Hailey Bieber repeatedly denied being at odds. In October 2022, they surprised many when they posed for pictures together at the Academy Museum Gala. That gesture was followed by Instagram follow from both sides in 2023. They even showed mutual support by liking each other's posts on Instagram. But the latest move seems to reverse all that. On June 19, the popular X (formerly Twitter) account @BuzzingPop reported that Gomez and Bieber had unfollowed each other. Fans quickly noticed, and it became a trending topic. One user wrote on X, 'Thank God Selena is getting away from that manipulative stalker.' Meanwhile, another commented, 'Selena saw hailey became richer than her and got jealous asf.' While neither Gomez nor Bieber has addressed the unfollowing incident publicly, the subtle gesture has sparked widespread conversation. Many now believe that the previous public shows of unity may have been more for show rather than an actual resolution, or tension might have brewed between the two recently. The post Selena Gomez & Hailey Bieber's Instagram Unfollow Drama Explained appeared first on - Movie Trailers, TV & Streaming News, and More.

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