Scarlett Johansson Pops in Strapless Saint Laurent Dress, Mia Threapleton Goes Green in Elie Saab and More From ‘The Phoenician Scheme' NYC Premiere
Members of the cast and creative team of 'The Phoenician Scheme' came together on Wednesday for the film's New York City premiere. The Wes Anderson-directed film features an ensemble cast of past collaborators and burgeoning stars.
Several high-profile figures attended the event, including 'Phoenician Scheme' actors Scarlett Johansson and Kate Winslet's daughter Mia Threapleton. The film previously held its world premiere at the 2025 Cannes Film Festival. Ahead, WWD breaks down the celebrity style moments from 'The Phoenician Scheme' NYC premiere.
More from WWD
Sarah Jessica Parker Goes Boho Chic in Paris, Kristin Davis Favors Florals in Rixo Dress and More Looks at the 'And Just Like That...' Season Three Premiere
Ana de Armas Goes Strapless in Louis Vuitton for 'Ballerina' Premiere in Paris
Queen Letizia of Spain Welcomes Summer in Espadrille Wedges and Floral Dress
Scarlett Johansson opted for a pop of color and strapless design courtesy of Saint Laurent. The two-time Oscar-nominated actress wore an orange gown with a fitted bodice and draped fabric at the waist. The actress accessorized her look with jewelry courtesy of Taffin, including an ornate statement necklace.
Johansson's makeup was done by artist Hung Vanngo, with hair styling provided by David von Cannon. The actress' look was curated by stylist Kate Young, who WWD named Best Stylist at the 2025 Style Awards.
Kate Winslet's daughter Mia Threapleton also wore a strapless dress. The burgeoning star, who co-leads 'The Phoenician Scheme' alongside Benicio del Toro, wore a flowing green dress courtesy of Elie Saab's fall 2025 ready-to-wear collection. Threapleton accessorized her dress with jewelry pieces courtesy of Boucheron.
The actress' hair was styled by Ben Skervin, with makeup provided by artist Quinn Murphy. Threapleton's look was curated by stylist Farrah O'Connor, who's also collaborated with Ambika Mod and 'Bridgerton' star Hannah Dodd, among others.
'The Phoenician Scheme' star Benicio del Toro suited up in gray. The Oscar-nominated actor wore a double-breasted blazer with a muted dress shirt with a collar and a sleek black tie. Del Toro completed his attire with black patent leather shoes.
Wes Anderson opted for a black suit. The director of 'The Phoenician Scheme' wore a white shirt and black patent leather shoes to complete his ensemble.
'The Phoenician Scheme' follows Zsa-Zsa Korda (del Toro) in an effort to save his business and reconnect with his daughter (Threapleton). The film hits theaters June 6.
View Gallery
Launch Gallery: 'The Phoenician Scheme' New York City Premiere: Scarlett Johansson and More Celebrity Style, Photos
Best of WWD
Princess Charlene of Monaco's Grand Prix Style Through the Years: Louis Vuitton, Akris and More, Photos
Princess Charlene's Monaco Grand Prix Style Evolution at Full Speed: Shades of Blue in Louis Vuitton, Playful Patterning in Akris and More
Kate Middleton's Royal Rewears Through the Years
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
Seth Meyers recalls Billy Bob Thornton confronting 'SNL' lighting director: 'You got something to say?
Nobody, even SNL's lighting director, is going to tell Billy Bob Thornton where he can or can't wear a baseball cap. Seth Meyers recalls a face-off between longtime lighting director Phil Hymes and Thornton when Thornton hosted in 2001. Ultimately, Meyers said the two had a civil conversation after their initial from New York, it's a Billy Bob Thornton fight! On this week's episode of The Lonely Island and Seth Meyers podcast, Seth Meyers recalled a tense moment between the actor and longtime Saturday Night Live lighting director Phil Hymes. "Billy Bob Thornton was hosting and he was running his monologue wearing his baseball hat," Meyers recalled. "And Phil Hymes came up out on the floor and said to someone else, 'Somebody tell him to take his hat off.'" Apparently, Thornton overheard the remark and retorted, "Hey old man, if you've got something to say, say it to my face," according to Meyers. Andy Samberg, who cohosts the podcast, was well-known for his Thornton impression on the sketch show. So, he helped Meyers with his telling of the story by imitating the Oscar winner. Hymes served as lighting director on the show from Saturday Night Live's from the show's second season in 1976 until early 2018, spending nearly 42 years with the comedy hit. Meyers noted that Hymes, well-known as an irascible backstage figure, often liked to remind the cast that he'd once lit President John F. Kennedy in the White House. Meyers, who served as the show's head writer from 2006 to 2014, also took care to stress that the confrontation wasn't as public as it might sound. "Now I also want to clarify Billy Bob Thornton did not do this in front of everybody," Meyers added. "He walked off stage and he went and talked to Phil Hymes, real man to man. "I never saw Phil do this," Meyers continued. "Phil had a real 'I apologize' moment. There was a real like two decent men of honor [exchange]." Akiva Schaffer, another member of The Lonely Island, quipped, "Just two guys meeting at high noon, deciding not to fight," referencing the iconic Gary Cooper film High Noon. Whatever truce that Thornton and Hymes reached, it appears that Thornton got his way. Footage of Thornton's monologue from his time hosting the show on Nov. 17, 2001, makes it clear that Thornton did indeed wear a baseball cap during his monologue, in which he entertained questions from audience members imitating his Sling Blade appearance on season 27 of SNL remains his only outing on the show (not counting Samberg's impressions of him). Hymes was well-known for commenting on things he didn't like. He earned Lady Gaga's respect after commenting on her wardrobe and, in her words, "telling the truth," and he reportedly nearly caused Kanye West to walk off the show after a dispute about set pieces. Hymes won his first Emmy at the age of 95 in 2018. He died at the age of 96 in 2019. Read the original article on Entertainment Weekly
Los Angeles Times
4 hours ago
- Los Angeles Times
Journalists get a guided tour of totalitarianism in ‘Meeting with Pol Pot'
French Cambodian director Rithy Panh has often cited the genocidal regime of the Khmer Rouge, which killed his family and from which he escaped, as the reason he's a filmmaker. His movies aren't always directly about that wretched time. But when they are — as is his most memorable achievement, the Oscar-nominated 2013 documentary 'The Missing Picture,' which re-imagined personal memories using clay-figurine dioramas — one senses a grand mosaic being assembled piece by piece linking devastation, aftermath and remembrance, never to be finished, only further detailed. His latest is the coolly observed and tense historical drama 'Meeting With Pol Pot,' which premiered last year at Cannes. It isn't autobiographical, save its fictionalization of a true story that happened concurrent to his childhood trauma: the Khmer Rouge inviting a trio of Western journalists to witness their proclaimed agrarian utopia and interview the mysterious leader referred to by his people as 'Brother No. 1.' Yet even this political junket, which took place in 1978, couldn't hide a cruel, violent truth from its guests, the unfolding of which Panh is as adept at depicting from the viewpoint of an increasingly horrified visitor as from that of a long-scarred victim. The movie stars Irène Jacob, whose intrepid French reporter Lise — a perfect role for her captivating intelligence — is modeled after the American journalist Elizabeth Becker who was on that trip, and whose later book about Cambodia and her experience, 'When the War Was Over,' inspired the screenplay credited to Panh and Pierre Erwan Guillaume. Lise is joined by an ideologically motivated Maoist professor named Alain (Grégoire Colin), quick to enthusiastically namedrop some of their hosts as former school chums in France when they were wannabe revolutionaries. (The character of Alain is based on British academic Malcolm Caldwell, an invitee alongside Becker.) Also there is eagle-eyed photojournalist Paul (Cyril Gueï), who shares Lise's healthy skepticism and a desire to learn what's really happening, especially regarding rumors of disappeared intellectuals. With sound, pacing and images, Panh readily establishes a mood of charged, contingent hospitality, a veneer that seems ready to crack: from the unsettlingly calm opening visual of this tiny French delegation waiting alone on an empty sun-hot tarmac to the strange, authoritarian formality in everything that's said and shown to them via their guide Sung (Bunhok Lim). Life is being scripted for their microphones and cameras and flanked by armed, blank-faced teenagers. The movie's square-framed cinematography, too, reminiscent of a staged newsreel, is another subtle touch — one imagines Panh rejecting widescreen as only feeding this evil regime's view of its own righteous grandiosity. Only Alain seems eager to ignore the disinformation and embrace this Potemkin village as the real deal (except when his eyes show a gathering concern). But the more Lise questions the pretense of a happily remade society, the nervier everything gets. And when Paul manages to elude his overseers and explore the surrounding area — spurring a frantic search, the menacing tenor of which raises Lise's hackles — the movie effectively becomes a prison drama, with the trio's eventual interviewee depicted as a shadowy warden who can decide their fate. Journalism has never been more under threat than right now and 'Meeting with Pol Pot' is a potent reminder of the profession's value — and inherent dangers — when it confronts and exposes facades. But this eerily elegiac film also reflects its director's soulful sensibility regarding the mass tragedy that drives his aesthetic temperament, never more so than when he re-deploys his beloved hand-crafted clay figurines for key moments of witnessed atrocity, or threads in archival footage, as if to maintain necessary intimacy between rendering and reality. Power shields its misdeeds with propaganda, but Panh sees such murderous lies clearly, giving them an honest staging, thick with echoes.
Yahoo
4 hours ago
- Yahoo
Will '28 Years Later' take a bite out of ‘Elio'? Will ‘Dragon' continue to soar? Here's our box-office prediction
Despite two high-profile film releases this weekend, How to Train Your Dragon won't be slayed at the box office. Universal's live-action adventure will remain on top of the June 20-22 box office, adding over $40 million to its $113 million domestic gross so far. How to Train Your Dragon has earned $227 million worldwide since it debuted last week. More from GoldDerby 'Jaws' turns 50: Steven Spielberg's caught-on-camera Oscar snub still smarts - and shows need for Best Director reform All the 'Abbott Elementary' Season 4 Emmy predictions, including those 'Sunny' guest stars Ryan Murphy and the JFK Jr.-Carolyn Bessette controversy, explained: Why 'American Love Story' Instagram post got so much hate Sony's highly anticipated 28 Years Later, directed by Oscar winner Danny Boyle (Slumdog Millionaire), and Disney/Pixar's Elio will face off in a close battle for second place — both are projected to earn around $30 million. 28 Years Later will easily become the franchise's biggest debut, surpassing 2002's 28 Days Later ($10 million) and 2007's 28 Weeks Later ($9.8 million). Beyond its promising start, it won't take much for 28 Years Later to become the highest-grossing installment in the trilogy, a title currently held by 28 Days Later, which earned $75 million worldwide. With strong anticipation and a legacy behind it, the film is set to breathe new life into the acclaimed zombie franchise. Set nearly three decades after the contagious rage virus devastated the world, 28 Years Later follows a group of isolated survivors who journey to the mainland, only to discover that a dangerous mutation threatens to decimate the remaining population. This latest installment will launch a new trilogy from director Danny Boyle and writer Alex Garland. The film was shot back-to-back with its sequel, 28 Years Later: The Bone Temple, slated for release in 2026. Meanwhile, a third entry — and the fifth installment in the franchise — is already in development, ensuring that the iconic series continues to expand its terrifying legacy. Directed by Adrian Molina, Madeline Sharafian, and Domee Shi, Elio tells the story of an 11-year-old who unexpectedly forms a unique bond with eccentric aliens after being mistakenly identified as Earth's official intergalactic ambassador. With a production budget of $150 million, the stakes are high for Pixar, which has faced challenges in recent years. Three of its recent original movies — Turning Red, Luca, and the Oscar-winning Soul — were released directly to Disney+ instead of full theatrical runs, raising questions about the studio's box office strategy and its ability to deliver theatrical hits in a competitive marketplace. Last year, Inside Out 2 delivered a record-breaking $1.69 billion worldwide for Pixar, reaffirming the studio's success with sequels, which have consistently proven to be more profitable than original concepts. Early projections suggest Elio could earn the unfortunate distinction of being the studio's worst theatrical debut ever — a title currently held by 2023's Elemental, which opened to a modest $29.6 million in North America. All eyes will be on the weekend numbers to see if Pixar can defy predictions and turn things around. Also debuting this weekend is Magenta Light Studios' Bride Wars, a universally panned action-comedy starring Rebel Wilson as a secret agent who will stop at nothing to save her best friend's wedding. Gold Derby readers predict that How to Train Your Dragon will win the June 20-22 weekend with between $25 million and $50 million domestically. 28 Years Later is the runner-up selection of our oddsmakers. NEW RELEASES Director: Danny Boyle Distributor: Sony Pictures A group of survivors of the rage virus live on a small island. When one of the group leaves the island on a mission into the mainland, he discovers secrets, wonders, and horrors that have mutated not only the infected but other survivors. The horror sequel, starring Alfie Williams, Jodie Comer, Aaron Taylor-Johnson, and Ralph Fiennes, has a running time of one hour, 55 minutes, and is rated R. 28 Years Later is certified "fresh" with a 92 percent score per the aggregated critic reviews at Rotten Tomatoes; "generally favorbale" reviews compiled by Metacritic resulted in an overall score of 76 percent. Director: Adrian Molina, Madeline Sharafian, and Domee Shi Distributor: Walt Disney Studios Elio, a space fanatic with an active imagination, finds himself on a cosmic misadventure where he must form new bonds with alien lifeforms, navigate a crisis of intergalactic proportions and somehow discover who he is truly meant to be. The animated adventure, featuring the voices of Zoe Saldaña, Yonas Kibreab, Remy Edgerly, and Brad Garrett, has a running time of one hour, 39 minutes, and is rated PG. Elio is certified "fresh" with a 86 percent score per the aggregated critic reviews at Rotten Tomatoes; "generally favorable" reviews compiled by Metacritic resulted in an overall score of 66 percent. Director: Simon West Distributor: Magenta Light Studios When a mercenary group takes a lavish wedding hostage, they have no idea what they are in for as the maid of honor is actually a secret agent ready to rain hellfire upon anyone who would ruin her best friend's wedding. The action-comedy, starring Rebel Wilson, Anna Camp, Anna Chlumsky, and Da'Vine Joy Randolph, has a running time of one hour, 45 minutes, and is rated R. Bride Hard is certified "rotten" with a 27 percent score per the aggregated critic reviews at Rotten Tomatoes; "overwhelmingly negative" reviews compiled by Metacritic resulted in an overall score of 15 percent. BOX-OFFICE PREDICTIONS How to Train Your Dragon shows no signs of slowing down, expected to stoke the box-office flames with $40 million in its second weekend. In the highly competitive battle for second place, projections suggest 28 Years Later will narrowly edge out Elio, with the latter facing stiff competition for the younger audience still captivated by Dragon. Each are expected to earn around $30 million. Speaking of younger audiences, Disney's Lilo & Stitch remake is likely to secure fourth place this weekend, bringing in another $8 million domestically. The film has already proven to be a massive success, grossing $864 million worldwide to date. Rounding out the top five will likely be A24's Materialists, a rom-com from Celine Song starring Dakota Johnson, Chris Evans, and Pedro Pascal. However, it faces fierce competition from Tom Cruise's action-packed Mission: Impossible — The Final Reckoning. Paramount's blockbuster continues to draw audiences, amassing $509 million globally so far. It wouldn't be surprising if Cruise manages to overtake Materialists in the final rankings. Here are Gold Derby's predictions box-office rankings for the top five: 1. How to Train Your Dragon 2. 28 Years Later 3. Elio 4. Lilo & Stitch 5. Materialists Do you agree or disagree with those rankings? Make your predictions right now — it's fun and easy! Join the box-office discussion in our forums. Best of GoldDerby Tom Cruise movies: 17 greatest films ranked worst to best 'It was wonderful to be on that ride': Christian Slater talks his beloved roles, from cult classics ('Heathers,' 'True Romance') to TV hits ('Mr. Robot,' 'Dexter: Original Sin') 'It almost killed me': Horror maestro Mike Flanagan looks back at career-making hits from 'Gerald's Game' to 'Hill House' to 'Life of Chuck' Click here to read the full article.
