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Johnny Depp Says He Has 'No Regrets' About Amber Heard Trial & Was A 'Crash Test Dummy For #MeToo'

Johnny Depp Says He Has 'No Regrets' About Amber Heard Trial & Was A 'Crash Test Dummy For #MeToo'

Yahoo4 hours ago

In a sprawling interview with The Times U.K., Johnny Depp claimed he was a 'crash test dummy for #MeToo,' reflecting on his protracted legal battle with actress and ex-wife Amber Heard.
'My comeback? Honestly? I didn't go anywhere,' he said. 'If I had the chance to split I would never come back.'
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The Pirates of the Caribbean star, who classified his ousting from Hollywood as a 'boycott,' praised the San Sebastián International Film Festival for sticking with him through 'all the hit pieces, the bullsh–.' In 2021, the fest awarded him the prestigious Donostia, its highest accolade, and last year, his second directorial effort, Modi: Three Days on the Wing of Madness, garnered a long-standing ovation by the crowd.
'No, I have no regrets about anything — because, truly, what can we do about last week's dinner? Not a f—ing thing,' he said of the much-publicized court trial with Heard.
In 2022, Depp and Heard engaged in a contentious court battle during which a jury unanimously found he was defamed. After Heard filed an appeal of the verdict, the two announced separately that the case had been settled with the money paid by Heard going to charity. The case stemmed from a 2018 Washington Post op-ed in which Heard said she was a survivor of domestic violence without mentioning Depp's name. Throughout the media circus that ensued during the live-streamed trial, Heard — who wields considerably less power as a woman who is not as well-known nor cherished as veteran Depp — was largely raked over the coals both online and by Depp's fans who lined the doors outside the courtroom, receiving death threats. Studies conducted by a research firm also indicated the overwhelming hatred she experienced on social media was not entirely human-generated.
The Virginia battle also followed a separate libel case in the U.K. over The Sun's calling Depp a 'wife beater.' The judge sided with the publication in 2020, after which Depp was asked to resign from Warner Bros.' Fantastic Beasts franchise, with the judge finding that the 'great majority of alleged assaults of Ms. Heard by Mr. Depp have been proved.'
When asked why he pursued the public trial in the U.S., Depp answered: 'Look, it had gone far enough. I knew I'd have to semi-eviscerate myself. Everyone was saying, 'It'll go away!' But I can't trust that. What will go away? The fiction pawned around the f—ing globe? No it won't. If I don't try to represent the truth it will be like I've actually committed the acts I am accused of. And my kids will have to live with it. Their kids. Kids that I've met in hospitals. So the night before the trial in Virginia I didn't feel nervous. If I don't have to memorize lines, if you're just speaking the truth? Roll the dice.'
He continued, 'Look, none of this was going to be easy, but I didn't care. I thought, 'I'll fight until the bitter f—ing end.' And if I end up pumping gas? That's all right. I've done that before.'
Depp also claimed his experience predated #MeToo, and that's why people failed to support him. However, activist Tarana Burke's hashtag and movement were founded in 2006, later moving to the entertainment industry space circa 2017, the same year the New York Times and The New Yorker published exposés on now-disgraced mogul Harvey Weinstein.
'I'll tell you what hurts. There are people, and I'm thinking of three, who did me dirty. Those people were at my kids' parties. Throwing them in the air. And, look, I understand people who could not stand up [for me] because the most frightening thing to them was making the right choice,' he said. 'I was pre-#MeToo. I was like a crash test dummy for #MeToo. It was before Harvey Weinstein. And I sponged it, took it all in. And so I wanted from the hundreds of people I've met in that industry to see who was playing it safe. Better go woke!'
Since 2022, the actor hasn't really gone gently into that good night — hence the disagreement with the term 'comeback.' That year, he made a surprise appearance at the MTV Video Music Awards; later on, he embarked on a 2023 European tour with band Hollywood Vampires and was seen in Savage X Fenty's fashion show. More recently, he is set to reunite with Pirates of the Caribbean co-star Penelope Cruz in Lionsgate's upcoming Day Drinker, also featuring Madelyn Cline. Additionally, filming for Terry Gilliam's Carnival: At the End of Days, opposite Adam Driver, Jeff Bridges and Jason Momoa was scheduled to commence in April.
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When Hollywood ‘Went Gay All of a Sudden': TCM Highlights Films That Track Queer Evolution
When Hollywood ‘Went Gay All of a Sudden': TCM Highlights Films That Track Queer Evolution

Yahoo

time42 minutes ago

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When Hollywood ‘Went Gay All of a Sudden': TCM Highlights Films That Track Queer Evolution

In classic film circles, 'Bringing Up Baby' is just one of those movies that everybody knows about. It's Cary Grant. It's Katharine Hepburn. It's Howard Hawks. All 'Old Hollywood For Dummies' buzz words. But the movie — a notorious flop upon release — is a historical curiosity not because it is a cute, zany screwball comedy of a bygone era — though it is. 'Bringing Up Baby' just happens to have what is likely first usage in film of the word 'gay' to mean something other than happy. At least we think it does. 'My understanding is that by the time 'Bringing Up Baby' came out, the word 'gay' was known in some circles to mean homosexual,' TCM host Dave Karger said during a recent interview with IndieWire. 'And the story goes that Cary Grant ad libbed that line. So, I would like to think that he that Cary Grant knew what he was saying when he allegedly came up with that line.' More from IndieWire Apple TV+ Signs First-Look Film Deal with North Road's Chernin Entertainment 'You Kind of Have to Fight for More Room': Melissa Barrera Says Diverse Casting Has Net Effect on Productions Author Alonso Duralde, author of the book 'Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film' agrees. 'I know that when I wrote about 'Bringing Up Baby,' I quoted William Mann in his film 'Behind the Screen,' who said back in 2001 that the word 'gay' to mean 'homosexual' had been floating around for at least the better part of a century at that point,' Duralde said. 'And he, in turn, quotes Gary Schmidgall, who was a biographer of Walt Whitman, who said that there were cases of people using it that way in the first years of the 20th century.' Duralde explained that its use would have been 'very intramural' in the '30s. That perhaps Cary Grant knew about it, 'but it was not something that the wide world knew about just yet,' adding, 'You have to wonder… was that a wink?' Truly, it is difficult to interpret the word as meaning anything another than a wink in this instance, although it clearly flew over the heads of the censors — and likely anywhere except specific circles in the coastal cities — way back in 1938. Grant is wearing Hepburn's frilly robe. He's frustrated at his own flamboyant appearance, badgered by May Robson, and then exclaims, 'I just went gay all of a sudden!' Take a quick watch (the exchange begins at 1:43). This is about as openly 'gay' as the movies would get for the next 30 years. Not that there weren't plenty of films that walked a tight rope around the suggestion of homosexuality. Alfred Hitchcock's 'Rebecca' has the sinister Mrs. Danvers, whose obsession with the title character appears to be romantic in nature. There's a seemingly blatant hitman gay couple in 'The Big Combo.' A rather disturbing Wendell Corey acts possessively of his mobster roommate in 'Desert Fury.' Sal Mineo — a real-life bisexual — appears to be in love with James Dean in 'Rebel Without a Cause.' One commonality between all of these characters is that they (spoiler) die — perhaps the only reason why the strict production code of the time allowed them to make it to the screen. A note on the production code — known commonly as the Hays Code after its longtime leader Will H. Hays — for those new to Old Hollywood. In 1934, as fears of government censorship were looming, American film studios began enforcing a strict production code (drafted in 1930) that essentially outlawed the depiction of a host of perceived moral wrongs and ambiguities — any crime had to have a consequence, overt sex was out of the question, dialogue had to be squeaky clean, and, of course, queers weren't supposed to exist. Regardless, some coded characters (as listed above) and certain gay stereotypes made it into the movies, even under censorship. Of course, the characters were not out, open, or doing anything about it, but it was clear to knowing eyes what exactly was going on. One specific stereotype was the 'pansy' — also known as the 'sissy' — which Turner Classic Movies will be highlighting in on Monday, June 23, with a series of films that showcase variations on this kind of character. 'The pansy craze really exploded in the 1930s,' Karger explained. 'It started in live entertainment, where there were bars in Hollywood that stars and studio executives would frequent, and there were well known drag performers who were very popular amongst the Hollywood set. What you also saw in varying degrees before and after the production code was enforced, were queer coded, open, outwardly gay characters in some films.' Actors like Edward Everett Horton (see: 'The Gay Divorcee') and Franklin Pangborn (see: 'Professional Sweetheart') made careers off of playing the pansy. 'What I love about these movies is that it gives wonderful platforms for some of these fascinating and hilarious character actors of the era,' Karger said. 'The thing about the sissy is that you're not saying this guy wants to have sex with dudes,' Durlade said. 'You're just saying, 'Oh, look at this frilly little whatever.' That character goes all the way back to the earliest cinema. That character goes back probably to vaudeville. The sissy was a way to get around the censor, precisely because they were asexual, and so they didn't have to wade into the murky things of perversion, because there was nothing sexual about the character. He was just there to be the butt of the joke.' TCM will also showcase interesting rarities like the pre-code 'Call Her Savage' with Clara Bow, which present the pansy in a far more overt fashion. This one wouldn't have had to slip in under the censors' noses, since it was released in 1932 before the code was in rigid enforcement. '['Call Her Savage'] features one scene in what is clearly a gay bar, and there's these two boys wearing French maids outfits, flitting around, and singing about how they wish they were on a navy ship surrounded by hunky sailors, essentially,' Karger said. 'And it's just so fascinating to see these two kids, almost 100 years ago, able to be their true selves and talk about their true wants and desires.' The lineup also includes Claudette Colbert and Don Ameche-led 'Midnight,' a delightful '30s 'Cinderella' tale that finds John Barrymore playing the fairy godmother. None of those leads are the 'gay' character. That instead belongs to veteran character actor Rex O'Malley — who in real life, uh… never married — who plays a gossipy friend, aka the pansy. 'There's just all these great scenes of him, sitting around a breakfast table, pumping all the other characters for the latest gossip. And it's just so fun,' Karger said. 'He steals every scene he's in. And yeah, of course, nothing overtly gay is mentioned. We're not told he's gay. They can't use that word in that context, of course, at that point. So he's essentially — like a lot of these men are — an asexual guy who's much more interested in the lives and going ons of everyone else than he is about pursuing a romantic life of his own.' Next week, on June 30, TCM will once again visit queer cinema, contrasting with a series of later films — ones that examine depictions of homosexuality, drag culture, and trans people in more recent decades. 'I love the fact that we have these two nights of pride programming, one of which is from the 1930s and then the other of which is from the last 40 years. So we get to see how LGBTQ+ cinema has has evolved,' Karger shared. 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Civil Rights, hippies, the second wave of feminism, and then, of course, 1969 Stonewall Riots setting off the gay liberation movement, shifted culture. By 1970, 'The Boys in the Band' was throwing 'gay' around in clear reference to homosexuality. Ironically, Wood herself helped launch the play that became that film adaptation. But, I digress. What's most interesting looking at TCM's June 23 and 30 lineups is that, while coded, the stereotypes remained the same for many decades, even after the production code had fallen — and in the more modern films, the through-line is evident. The movies did not go 'gay all of a sudden' when Cary Grant made his exclamation in 'Bringing Up Baby,' but perhaps instead this little moment set a standard of gayness that would largely hold for the rest of the century and beyond. 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A24 Greenlights Kane Parsons' ‘The Backrooms,' with Chiwetel Ejiofor to Star
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A24 Greenlights Kane Parsons' ‘The Backrooms,' with Chiwetel Ejiofor to Star

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Jim Jarmusch's ‘Father Mother Sister Brother' Will Premiere at Venice, MUBI Chief Says
Jim Jarmusch's ‘Father Mother Sister Brother' Will Premiere at Venice, MUBI Chief Says

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Jim Jarmusch's ‘Father Mother Sister Brother' Will Premiere at Venice, MUBI Chief Says

We were disappointed when the Cannes lineup came out and Jim Jarmusch's next film was not on it. But it seems like we just had to wait a little longer. Efe Cakarel, the CEO of MUBI, which is distributing Jarmusch's next movie, told a crowd at SXSW London that Jarmusch's 'Father Mother Sister Brother' will premiere at the Venice Film Festival in the main competition. More from IndieWire 'It's Dorothy!' Review: The 'Wizard of Oz' Heroine's Cultural Impact Is Closely Considered in This Energetic Doc Academy Museum Brings 'Wonders of Technicolor' Series to New York with 'Willy Wonka,' 'The Red Shoes,' 'Cabaret,' and More 'That's already confirmed,' he said during a keynote speech at the festival on Friday (via Variety). He also added one other movie joining the lineup that MUBI will be releasing, Paolo Sorrentino's next movie 'La Grazia' starring Toni Servillo. Venice won't announce its lineup for some time, but it's an exciting get for the festival and could be the first of several high profile contenders on the Biennale. Benny Safdie's 'The Smashing Machine' from A24 has been rumored, as has Chloé Zhao's 'Hamnet.' You could also keep a lookout for 'After the Hunt' from Luca Guadagnino, 'Bugonia' from Yorgos Lanthimos, 'Sacrifice' from Romain Gavras, or 'Anemone' from Ronan Day-Lewis, just to name a few possible options. 'Father Mother Sister Brother' is a triptych film from the indie auteur, with each part of the story being set in a different country and following adult children and their estranged parents reconnecting. It stars Cate Blanchett, Adam Driver, Vicky Krieps, Mayim Bialik, Charlotte Rampling, Indya Moore, and Tom Waits. Part one, 'Father,' is set in the Northeastern U.S., 'Mother' is in Dublin, and 'Sister Brother' is in Paris. Just about all of Jarmusch's recent movies have premiered at Cannes, so it was quite the surprise when he didn't make the cut. The last time he took a film to Venice was in 2003 for 'Coffee & Cigarettes.' His last feature was 2019's 'The Dead Don't Die,' so a new Jarmusch movie and a chance to see one of the coolest men alive on the red carpet is always a special occasion. Spike Lee recently praised Jarmusch as a key influence on his early career when Lee was in grad school, and Bill Murray said back in March that he believed his performance in Jarmusch's 'Broken Flowers' was the best of his career. Best of IndieWire Guillermo del Toro's Favorite Movies: 56 Films the Director Wants You to See 'Song of the South': 14 Things to Know About Disney's Most Controversial Movie Nicolas Winding Refn's Favorite Films: 37 Movies the Director Wants You to See

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