Archery World Cup Stage 3: Madhura fourth as Indian women's compound team earns quarterfinal berth
Madhura Dhamangaonkar continued her impressive run, finishing fourth in the compound women's qualification round, helping India secure the third seeding and a direct entry into the quarterfinals at the Archery World Cup Stage 3 in Antalya on Wednesday.
Madhura, who made a remarkable comeback to the international circuit last month after three years, had bagged three medals -- an individual gold, a silver in the women's team event, and a mixed team bronze with Abhishek Verma at the Shanghai Stage 2.
In Antalya, she finished just three points behind South Korea's Han Seungyeon (603). With her top-four finish, Madhura has also earned a bye in the second round of the individual compound event.
Among other Indian women in the fray, Chikitha Taniparthi was the next best at 11th, while multiple World Cup gold medallist Jyothi Surekha Vennam had a modest outing, ending 19th in the rankings.
In the men's compound category, India secured fifth place in the team event. Rishabh Yadav was the best among the Indian trio in individual qualification, finishing 13th, while veteran Abhishek and reigning world champion Ojas Deotale were placed 29th and 34th respectively.
The recurve events saw a mixed day for India.
In the men's qualification round, Dhiraj Bommadevara was placed 13th, Atanu Das was 15th, and Parth Salunkhe, who won a bronze at the previous World Cup stage, ended 26th as the team ended with a fifth ranking.
The Indian women's recurve archers, however, struggled. Former world No. 1 Deepika Kumari finished 35th, while Ankita Bhakat (33rd) was the best-placed Indian. Simranjeet Kaur ended 54th, as the women's team ended at 12th.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Hans India
20 minutes ago
- Hans India
Hindu scriptology and the civilisational impact of Brahmi
The Brahmi script, an ancient Hindu writing system, is the progenitor of numerous scripts across India, South Asia, Southeast Asia, and parts of East Asia, earning it the title "mother of Indian scripts." This article explores Hindu Scriptology—the study of Brahmi-derived scripts—focusing on their evolution through Uttara Brahmi (Northern Brahmi) and Dakshina Brahmi (Southern Brahmi), which gave rise to scripts such as Devanagari, Tamil, Thai, and Khmer. Brahmi's legacy reflects the vast reach of Hindu civilisation, which, until the 8th century CE, spanned from Afghanistan in the west to the Malay Archipelago in the east. Despite Islamic conquests and colonial influences and introduction of Arabic and Latin scripts in some regions, Brahmi-derived scripts endure, evidencing Hindu cultural unity. However, without a Hindu state, Hindu civilisation faces threats to its languages, scripts, and heritage. This article argues that Brahmi dates to the Rigvedic period or earlier, examines its descendants, their significance, and the urgent need to preserve this heritage. Origins of Brahmi: Foundation of Hindu Scriptology Brahmi's earliest evidence appears in Emperor Ashoka's edicts (circa 268–232 BCE), marking it among the world's earliest writing systems. Its origins likely trace to the Rigvedic period (1500–1200 BCE or earlier), rooted in Hindu civilisation's intellectual advancements. Brahmi's syllabic structure, with consonants carrying inherent vowels modifiable by diacritics, suited the phonological complexity of Indian languages. Western dating of Hindu civilisational events often avoids exceeding 4000 BCE, potentially due to alignment with Biblical timelines, resulting in dates that may diminish Hindu civilisation's antiquity. However, this article does not delve into these debates, as they are beyond its scope. The Rigveda's 1,028 hymns, with precise syllable counts (e.g., Gayatri with eight syllables per line, Trishtubh with 11), suggest a sophisticated linguistic system, likely supported by a script, despite oral transmission via techniques like pada-patha and ghana-patha. Non-sacred activities, such as trade or annotations, likely required writing, though perishable materials like palm leaves have left no trace. Panini's Ashtadhyayi (~5th century BCE or earlier), a grammatical treatise with ~4,000 sutras, implies a need for written codification due to its complexity. The name "Brahmi," linked to Brahma, the divine holder of the Vedas, reinforces traditional beliefs in its ancient origins, tying it to the Rigveda. The Indus Valley Script (3300–1900 BCE) indicates an early writing culture, potentially influencing a proto-Brahmi. The absence of epigraphical evidence before the third century BCE reflects archaeological limitations, not a scriptless civilisation. Ashokan inscriptions, spanning Afghanistan to Sri Lanka, show Brahmi's role in unifying a diverse empire, spreading Hindu and Buddhist principles. Its standardised form suggests prior development, likely from the Rigvedic period or earlier, establishing Hindu scriptology's foundation. The absence of pre-3rd century BCE epigraphical evidence reflects archaeological limitations, not a scriptless civilisation that produced great works such as the Rigveda and Panini's Ashtadhyayi long before. Ashokan inscriptions, spanning Afghanistan to Sri Lanka, show Brahmi's role in unifying a diverse empire, spreading Hindu and Buddhist principles. Its standardised form suggests prior development, likely from the Rigvedic period, establishing Hindu scriptology's foundation. Bifurcation of Brahmi: Uttara and Dakshina Brahmi By the early centuries CE, Brahmi's regional variants, which began evolving earlier (e.g., Tamil-Brahmi in the 3rd century BCE), were classified as Uttara Brahmi (Northern Brahmi) and Dakshina Brahmi (Southern Brahmi), reflecting geographical and linguistic diversity. Uttara Brahmi: The northern branch: Uttara Brahmi, used north of the Vindhyas, wrote Sanskrit and Prakrit for Hindu, Buddhist and Jain traditions, characterised by angular forms. Its descendants include: Devanagari:Used for Sanskrit, Hindi, Marathi, and Nepali, Devanagari evolved from the Gupta script, with its shirorekha (horizontal line) symbolising northern script unity. Sharada:Used in Kashmir for Sanskrit and Kashmiri, it remains a symbol of Hindu heritage. Gujarati:A cursive Devanagari derivative, reflecting Gujarat's cultural dynamism. Gurmukhi:Developed for Punjabi by Guru Angad, tied to Sikhism's Hindu ethos. Bengali, Odiya, Assamese:Evolving from the Siddham script, these preserve Hindu literary traditions. Meetei Mayek:Revived in Manipur, symbolising Hindu heritage reclamation. Tibetan:Developed in the 7th century, it spread Buddhism, a Hindu-derived religion, to Tibet. These scripts, driven by Hindu, and Buddhist traditions, carried Hindu influence to Central Asia, embodying northern Hindu scriptology's unity. Dakshina Brahmi: The southern branch: Dakshina Brahmi, used in southern India, Sri Lanka, and Southeast Asia, adapted to Dravidian and non-Indo-Aryan languages with rounded forms. Its descendants include: Tamil:Originating from Tamil-Brahmi (3rd century BCE), an early southern Brahmi variant, it evolved through Vatteluttu and Pallava scripts (4th–7th centuries CE), with significant Grantha influence, and was standardised in the 20th century. Telugu, Kannada:From the Kadamba script (4th–6th centuries CE), emerging from a shared script by the 13th century. Malayalam:Derived from Tamil-Brahmi via Vatteluttu, shaped by Grantha, and simplified by the 20th century. Sinhala:Evolving in Sri Lanka by the 3rd century CE, it preserves Buddhist literature. Khmer, Thai, Lao:From Pallava script, spreading Hindu-Buddhist culture to Southeast Asia. Burmese:Derived from Mon script, reflecting Myanmar's Hindu-Buddhist past. Javanese, Balinese:Rooted in Pallava, these encapsulate Indonesia's Hindu-Buddhist heritage. Chakma:Adapted for a Tibeto-Burman language, supporting Buddhist texts. Malay Scripts (Kawi, Rencong, Batak, Lontara):Thriving during the Hindu-Buddhist period (4th–13th centuries CE), these were later replaced by Arabic (Jawi) and Latin (Rumi) scripts due to Islamisation and colonial influence. These southern Brahmi scripts, with their rounded forms and adaptability to diverse phonologies, highlight Hindu civilisation's linguistic diversity, spread through Pallava and Chola maritime networks across South and Southeast Asia. Cultural and Linguistic Significance Until the 8th century CE, Hindu civilisation, spanning from Afghanistan to the Malay Archipelago, was unified by shared religious practices, philosophies, and Brahmi-derived scripts. Temples, stupas, and inscriptions from Gandhara to Java reflect this interconnectedness, with Brahmi as the scriptological thread. Religious texts and cultural transmission: Brahmi-derived scripts preserved Hindu civilisation's religious heritage. Devanagari transcribed Vedic hymns, Upanishads, and epics, while Tamil recorded Sangam literature and devotional works. Khmer and Thai scripts adapted Hindu and Buddhist texts, and Tibetan and Sinhala scripts preserved Mahayana and Theravada canons, respectively, spreading Hindu ethos across Asia. Linguistic adaptation: Brahmi's adaptability suited diverse linguistic systems. Northern scripts like Devanagari handled Indo-Aryan consonant clusters, while southern scripts suited Dravidian structures. Khmer and Thai scripts accommodated tonal languages, reflecting Hindu scribes' ingenuity in preserving a shared heritage. Trade and Cultural Exchange Trade and maritime routes, led by Pallava and Chola dynasties, spread Brahmi-derived scripts to Southeast Asia, seen in Angkor Wat and Borobudur. The Silk Road carried Uttara Brahmi to Central Asia and Tibet. These exchanges highlight Hindu civilisation's role as a cultural bridge, with Brahmi scripts enduring in regions like Thailand and Bali. Losses of Hindu civilisation: Islamic conquests from the eighth century replaced Brahmi-derived scripts with Perso-Arabic in Afghanistan and Pakistan, dismantling Hindu and Buddhist institutions. Colonial rule marginalised Brahmi scripts, favouring English and Roman scripts. In Southeast Asia, Latin orthographies diminished scripts like Javanese. Without a Hindu state, Hindu civilisation's culture, languages, and scripts face challenges in preservation. A call to reclaim Hindu civilisation: Brahmi-derived scripts reflect Hindu civilisation's historical grandeur, yet conquest, colonisation, and secularism threaten its survival. Nations like India and Nepal must promote these scripts, fund scriptological research, and integrate Hindu cultural education to preserve this heritage. These scripts, from Devanagari's shirorekha to Telugu's curves, embody a civilisation that once illuminated Asia, urging a renewed identity to ensure its global resonance. Conclusion Brahmi and its descendants represent a pinnacle of human ingenuity and Hindu civilisation's cornerstone. From its Rigvedic origins to its spread across Asia, Brahmi unified diverse regions through a shared scriptological heritage. Its bifurcation into Uttara and Dakshina Brahmi reflects Hindu civilisation's diversity and resilience. Despite losses from conquest, colonisation, and secularism, these scripts endure, testifying to Hindu civilisation's legacy. Without state patronage, this heritage risks extinction, demanding urgent action to preserve and revitalise it. By celebrating Hindu scriptology, we honour an ancient civilisation that shaped Asia and, possibly, beyond, inspiring a renaissance to secure its future. (The writer is a retired IPS officer, and a former Director of CBI. Views are personal)
India.com
25 minutes ago
- India.com
Empire Midi Dresses Now on Sale at Myntra Big Brands Bash (18 to 22 June 2025)
Empire midi dresses are available during the Myntra Big Brands Bash (18 to 22 June 2025) at discounted prices. These dresses are known for their fitted bodice and flared lower half, offering both comfort and style. They are suitable for daytime outings, events, or casual dinners. This is a good opportunity to shop flattering and elegant dresses at better prices. Mast & Harbour Empire Midi Dress Image Source: Order Now This Mast & Harbour dress blends feminine charm with playful detailing, perfect for brunches or weekend getaways. The smocked bodice ensures a flattering fit while the puff sleeves and floral print add to its romantic aesthetic. Finished with a tasteful side slit, this midi makes a confident statement while staying comfortable. Key Features: Soft breathable fabric with all-over floral print Smocked upper bodice with puffed short sleeves for a fitted shape Empire waist design with flowing midi silhouette Side slit enhances movement and adds visual appeal Fabric may require light ironing to maintain crispness StyleCast Empire Midi Dress Image Source: Order Now Effortlessly stylish, this empire midi dress by StyleCast is ideal for casual lunches or easy errands. The structured yet relaxed silhouette flatters various body types, with short sleeves that provide just the right coverage. Its understated appeal lies in its simplicity, making it an ideal everyday essential. Key Features: Tailored empire waist gives a soft feminine structure Short sleeves offer relaxed coverage without feeling too warm Midi length hits below the knee for a versatile look Lightweight construction suitable for all-day wear Fabric may feel slightly sheer under direct sunlight Azira Ethnic Empire Midi Dress Image Source: Order Now Azira offers a refreshing take on Indian prints with this ethnic-inspired empire dress. Crafted from breathable cotton, the dress features traditional motifs with a flattering empire waistline. It's perfect for cultural outings, casual Fridays, or simply elevating your ethnic wardrobe in a subtle modern way. Key Features: Ethnic block prints create a standout visual aesthetic Empire waist enhances the bustline while keeping the look graceful Made of pure cotton for day-long comfort Pairs beautifully with ethnic flats or oxidised jewellery Requires mild care as cotton may shrink slightly after first wash House Of Mira Women Empire Midi Dress Image Source: Order Now This cotton midi from House of Mira brings breezy elegance to your summer wardrobe. Its floral prints combined with an empire cut create a softly feminine look that suits both lounging and day outings. The A-line fall flows easily with movement, lending charm with every step. Key Features: Floral design printed on breathable cotton fabric Empire waistline sits just below the bust for comfort and shape A-line silhouette creates graceful flow and movement Perfect for warm weather and casual occasions Light colours may require a slip for fuller coverage The Myntra Big Brands Bash (18 to 22 June 2025) includes a variety of empire midi dresses in different colours and patterns. These dresses suit many body types and occasions. With soft fabrics and smart designs, they are a good addition to your wardrobe. Take advantage of the sale and add something graceful to your collection. Disclaimer: At IDPL, we help you stay up-to-date with the latest trends and products. It should not be construed as an endorsement to buy. IDPL may make a very small commission from its sale if one chooses to buy the product from any of the links in this article.
India.com
25 minutes ago
- India.com
Waistcoats for Women Available at Myntra Big Brands Bash (18 to 22 June 2025)
Waistcoats for women are part of the Myntra Big Brands Bash sale (18 to 22 June 2025). These are smart layers that can be worn over dresses, shirts, or kurtas. They add structure and style to your outfit. You will find both traditional and western designs in this collection. This sale offers a good chance to buy these pieces at better prices. Tandul Single-Breasted Slim-Fit Waistcoat Image Source: Order Now A timeless piece to elevate your formal and festive looks, this single-breasted slim-fit waistcoat from Tandul is tailored to perfection. The structured silhouette hugs the torso just right, offering a clean and confident profile. Pair it with a kurta or shirt for traditional functions, weddings, or elegant evenings. The polished buttons and attention to fit add to its refined aesthetic, making it a must-have in your occasionwear wardrobe. Key Features: Crisp single-breasted closure enhances structure and style Slim-fit tailoring provides a clean, body-defining look Neutral design pairs well with both Indian and Western wear Ideal for celebrations, formal dinners, or layering with blazers May feel snug for those who prefer a relaxed fit All About You V-Neck Sleeveless Crop Waistcoat Image Source: Order Now Redefine feminine tailoring with this contemporary crop waistcoat from All About You. Featuring a sharp V-neck and minimal detailing, this sleeveless number is the perfect mix of modern and chic. Whether layered over a fitted top or styled solo with high-rise pants, it flatters effortlessly. The cropped length gives it a fashionable twist, perfect for casual brunches, city walks, or day events where comfort meets flair. Key Features: V-neck design adds a clean, feminine edge to the silhouette Cropped length brings trend-forward appeal to casual outfits Sleeveless design ideal for warmer days or layering fun Great for pairing with wide-leg trousers, skirts, or shorts Fabric may require light ironing for a crisp finish Popwings Sleeveless Corduroy Weave Waistcoat Image Source: Order Now For those who prefer a touch of texture, this corduroy weave waistcoat by Popwings adds dimension to your layering game. The notched lapel collar and self-design pattern exude vintage charm, making it ideal for autumnal looks or curated semi-formal outfits. It can be thrown over a turtleneck, blouse, or even a long dress to complete a smart, artsy ensemble. Key Features: Textured corduroy fabric adds a nostalgic, luxe appeal Notched lapel design gives a tailored and structured neckline Sleeveless cut allows for versatile layering and styling Self-design pattern offers depth without being too loud Corduroy may feel warm for summer or tropical climates DressBerry Pure Cotton V-Neck Waistcoat Image Source: Order Now Keep it breathable and chic with this pure cotton V-neck waistcoat by DressBerry. Light and soft, it's made for relaxed dressing with subtle sophistication. The silhouette flatters a variety of body shapes while the natural fabric ensures all-day ease. This is the ideal piece for spring and summer styling—add it to your casual Fridays or dress it up for work-friendly layering. Key Features: Made from breathable pure cotton for summer-ready comfort V-neckline keeps the look modern and easy to accessorize Can be worn with jeans, trousers, or over printed dresses Ideal for casual officewear or relaxed outings Cotton fabric may wrinkle and need frequent pressing The Myntra Big Brands Bash (18 to 22 June 2025) is offering discounts on waistcoats for women. These are versatile clothing items that can help complete many looks. Whether you wear them for work or events, they are a useful addition to your wardrobe. Shop now to get good designs at better value. Disclaimer: At IDPL, we help you stay up-to-date with the latest trends and products. It should not be construed as an endorsement to buy. IDPL may make a very small commission from its sale if one chooses to buy the product from any of the links in this article.
