Saturday, June 7 Evening Cable News Ratings: George Clooney Lifts CNN Past Fox News in Primetime
CNN's special presentation George Clooney's Tony-nominated Good Night, and Good Luck reaped huge rewards for the network. The live broadcast won its two-hour timeslot in total viewers and the Adults 25-54 demo, with the network stating that it was the most-watched program on cable television in total viewers. Thanks to Clooney, Fox News had a rare second place primetime finish, with the 7 p.m. hour of The Big Weekend Show providing its biggest total viewer draw. The 7 p.m. hour of The Weekend was first for MSNBC.
25-54 Demographic (Live+SD x 1,000)
Total Day: FNC: 107 | CNN: 59 | MSNBC: 39Prime: FNC: 103 | CNN: 124 | MSNBC: 32
FNC:
CNN:
MSNBC:
4PM
Scott:116
CNN Newsroom/Dean:43
Melber*:38
5PM
Five*:132
CNN Newsroom/Dean:51
Sharpton:45
6PM
Big Weekend Show:119
CNN Newsroom/Good Night:66
Weekend:40
7PM
Big Weekend Show:122
Good Night:220
Weekend:42
8PM
Levin:77
Good Night:187
Weekend:46
9PM
Trump:96
Good Night:92
Maddow*:27
10PM
Failla:139
CNN Newsroom:94
Melber*:23
11PM
Gutfeld*:117
Maher*:64
Ruhle*:25
Total Viewers (Live+SD x 1,000)
Total Day: FNC: 908 | CNN: 492 | MSNBC: 377Prime: FNC: 1.134 | CNN: 1.164 | MSNBC: 405
FNC:
CNN:
MSNBC:
4PM
Scott:822
CNN Newsroom/Dean:331
Melber*:425
5PM
Five*:881
CNN Newsroom/Dean:423
Sharpton:464
6PM
Big Weekend Show:1.133
CNN Newsroom/Good Night:635
Weekend:477
7PM
Big Weekend Show:1.325
Good Night:1.947
Weekend:498
8PM
Levin:1.096
Good Night:1.866
Weekend:470
9PM
Trump:1.192
Good Night:993
Maddow*:386
10PM
Failla:1.113
CNN Newsroom:632
Melber*:357
11PM
Gutfeld*:707
Maher*: 395
Ruhle*:249
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Los Angeles Times
7 hours ago
- Los Angeles Times
Journalists get a guided tour of totalitarianism in ‘Meeting with Pol Pot'
French Cambodian director Rithy Panh has often cited the genocidal regime of the Khmer Rouge, which killed his family and from which he escaped, as the reason he's a filmmaker. His movies aren't always directly about that wretched time. But when they are — as is his most memorable achievement, the Oscar-nominated 2013 documentary 'The Missing Picture,' which re-imagined personal memories using clay-figurine dioramas — one senses a grand mosaic being assembled piece by piece linking devastation, aftermath and remembrance, never to be finished, only further detailed. His latest is the coolly observed and tense historical drama 'Meeting With Pol Pot,' which premiered last year at Cannes. It isn't autobiographical, save its fictionalization of a true story that happened concurrent to his childhood trauma: the Khmer Rouge inviting a trio of Western journalists to witness their proclaimed agrarian utopia and interview the mysterious leader referred to by his people as 'Brother No. 1.' Yet even this political junket, which took place in 1978, couldn't hide a cruel, violent truth from its guests, the unfolding of which Panh is as adept at depicting from the viewpoint of an increasingly horrified visitor as from that of a long-scarred victim. The movie stars Irène Jacob, whose intrepid French reporter Lise — a perfect role for her captivating intelligence — is modeled after the American journalist Elizabeth Becker who was on that trip, and whose later book about Cambodia and her experience, 'When the War Was Over,' inspired the screenplay credited to Panh and Pierre Erwan Guillaume. Lise is joined by an ideologically motivated Maoist professor named Alain (Grégoire Colin), quick to enthusiastically namedrop some of their hosts as former school chums in France when they were wannabe revolutionaries. (The character of Alain is based on British academic Malcolm Caldwell, an invitee alongside Becker.) Also there is eagle-eyed photojournalist Paul (Cyril Gueï), who shares Lise's healthy skepticism and a desire to learn what's really happening, especially regarding rumors of disappeared intellectuals. With sound, pacing and images, Panh readily establishes a mood of charged, contingent hospitality, a veneer that seems ready to crack: from the unsettlingly calm opening visual of this tiny French delegation waiting alone on an empty sun-hot tarmac to the strange, authoritarian formality in everything that's said and shown to them via their guide Sung (Bunhok Lim). Life is being scripted for their microphones and cameras and flanked by armed, blank-faced teenagers. The movie's square-framed cinematography, too, reminiscent of a staged newsreel, is another subtle touch — one imagines Panh rejecting widescreen as only feeding this evil regime's view of its own righteous grandiosity. Only Alain seems eager to ignore the disinformation and embrace this Potemkin village as the real deal (except when his eyes show a gathering concern). But the more Lise questions the pretense of a happily remade society, the nervier everything gets. And when Paul manages to elude his overseers and explore the surrounding area — spurring a frantic search, the menacing tenor of which raises Lise's hackles — the movie effectively becomes a prison drama, with the trio's eventual interviewee depicted as a shadowy warden who can decide their fate. Journalism has never been more under threat than right now and 'Meeting with Pol Pot' is a potent reminder of the profession's value — and inherent dangers — when it confronts and exposes facades. But this eerily elegiac film also reflects its director's soulful sensibility regarding the mass tragedy that drives his aesthetic temperament, never more so than when he re-deploys his beloved hand-crafted clay figurines for key moments of witnessed atrocity, or threads in archival footage, as if to maintain necessary intimacy between rendering and reality. Power shields its misdeeds with propaganda, but Panh sees such murderous lies clearly, giving them an honest staging, thick with echoes.
Yahoo
9 hours ago
- Yahoo
'The Gilded Age' Season 3 premiere: Release date, trailer, new cast members and how to watch. Plus, what fans can expect.
Marriage proposals, robber baron business deals and new characters — oh my! You're cordially invited to the unfolding of juicy melodrama among high society in 1800s New York with the Season 3 premiere of HBO's Emmy-nominated show, The Gilded Age. So pull up an opulent velvet chair and grab your opera glasses as we take a closer look at what's to come in this period drama from Downton Abbey creator Julian Fellowes. Season 3 of The Gilded Age drops this Sunday, June 22, at 9 p.m. ET on HBO and will also be available to stream on HBO Max. There will be a total of eight episodes this season, with a new episode airing every Sunday through Aug. 10. The battle between old and new money families continued… Bertha Russell (Carrie Coon), whose family is considered 'new money' because of her railroad tycoon husband's fortune, was still shut out by old money elites like Mrs. Astor (Donna Murphy), an influential patron at the well-established Academy of Music. Bertha was fed up with Mrs. Astor denying her family an opera box, which was seen as a symbol of status and power. Hell-bent on climbing the social ladder, Bertha started an opera war and used her family's wealth to support the newly built Metropolitan Opera. The new venue threatened audience attendance on opening night at the Academy of Music. Bertha won the opera war when the Duke of Buckingham (Ben Lamb) ultimately decided to attend the Met opening, which was met with high societal fanfare. But Bertha's victory came at a cost, it seems, which is implied at the end of the season that she promised her daughter Gladys's (Taissa Farmiga) hand to the Duke. The Russell family patriarch, George Russell (Morgan Spector), faced backlash from the steelworkers who manufactured his railroads and demanded fair pay and better working conditions. Tensions reached a boiling point when armed militia were ready to shoot the protesting laborers. George called off his men before things turned violent and granted some of the laborers' demands. Meanwhile, Agnes van Rhijn (Christine Baranski) found out that her son Oscar (Blake Ritson) had lost the family fortune. Ada Forte (Cynthia Nixon), Agnes's sister, learns that her late husband left her a substantial fortune, and the power dynamic Agnes had with Ada has started to shift. The period melodrama included juicy romances in the love lives of Marian Brook (Louisa Jacobson) and Peggy Scott (Denée Benton). Marian realized she's in love with Larry Russell (Harry Richardson), while Peggy shut down her affair with T. Thomas Fortune (Sullivan Jones), a married man. According to a media release from HBO, the Russell family is poised to take their place at the head of high society, following Bertha's victory in the opera wars. 'Bertha sets her sights on a prize that would elevate the family to unimaginable heights, while George risks everything on a gambit that could revolutionize the railroad industry — if it doesn't ruin him first,' HBO says. Bertha has high hopes for a marriage between her daughter Gladys and the Duke, despite her daughter's interest in another young man, Billy Carlton (Matt Walker). In Season 2, George had also promised Gladys she could marry for love, even if it went against Bertha's wishes. This leads to greater conflict between George and Bertha in the new season. Across 61st Street from the Russell household on the Upper East Side, Agnes struggles to accept Ada's new position as lady of the house with her newfound wealth. Peggy meets a new love interest from Newport, R.I., whose family isn't keen on her career as a writer and journalist. The Gilded Age features a big cast of show regulars, including: Carrie Coon as Bertha Russell, Christine Baranski as Agnes Van Rhijn, Cynthia Nixon as Ada Forte, Morgan Spector as George Russell, Louisa Jacobson as Marian Brook, Denée Benton as Peggy Scott, Taissa Farmiga as Gladys Russell, Harry Richardson as Larry Russell, Blake Ritson as Oscar Van Rhijn and Ben Ahlers as Jack Trotter. New additions to the cast in Season 3 include: Jordan Donica, Andrea Martin, Brian Stokes Mitchell, Hattie Morahan, Leslie Uggams, Merritt Wever, Bill Camp and Phylicia Rashad.


Miami Herald
9 hours ago
- Miami Herald
Rachael Ray says she's ‘truly shaken' after learning of Anne Burrell's unexpected death
Rachael Ray is paying tribute to her former co-host, Anne Burrell. The 56-year-old culinary star, best known for her Emmy-winning syndicated talk show 'Rachael Ray,' spent four seasons as Burrell's co-host on Food Network's hit show 'Worst Cooks In America.' Burrell, who hosted the show from 2010 to 2024, died on June 17, according to CNN. She was 55. 'The news about Anne has truly shaken us. John and I are heartbroken,' Ray wrote on behalf of her and her husband, John Cusimano, in a June 18 Instagram post. 'I can't quite believe it — such a strong, vibrant, fearless woman, so full of life and love, could be gone so soon,' she continued alongside several photos of the former co-hosts. Ray made her debut on 'Worst Cooks In America' in 2015 for the first celebrity edition of the show. Burrell's team won that season, but Ray returned to the show for three straight seasons in 2016 and 2017 — and her team was crowned the winner in two of those seasons (9 and 10). The two friends split a 2-2 tie in the four seasons they competed against each other. 'Anne was a rockstar!' Ray said of Burrell. 'I came to know her well through multiple seasons of Worst Cooks on Food Network, and she became so much more than a colleague.' 'Despite being surrounded by incredible chefs, she never once made me feel self-conscious about not being one — she always treated me as one of the gang,' she added. Ray went on to remember all the 'incredible laughs' they shared and Burrell's 'great taste in music.' 'I'll never forget walking into our dressing rooms at Food Network studios early in the morning and hearing her blasting the song of the moment down the hall,' she wrote. 'She was a force in the kitchen, in any room, in every life she touched,' Ray continued. Elsewhere in her social media tribute, Ray reflected on one of her fondest memories with Burrell. 'Anne honored me by asking me to be her bridesmaid, something I'd only done once before for my sister,' Ray wrote of Burrell and her husband, Stuart Claxton, whom she married in 2021. 'She even cooked for me and my guests at my wedding anniversary in Italy,' Ray added of Burrell. Burrell's family confirmed the culinary star's death in a June 17 statement shared by People. 'Anne's light radiated far beyond those she knew, touching millions across the world,' her family wrote. 'Though she is no longer with us, her warmth, spirit, and boundless love remain eternal.' According to TMZ, Claxton 'found her unresponsive and lying on the floor of their shower' before calling 911. She was pronounced dead at the scene shortly after. 'Anne was a beloved wife, sister, daughter, stepmother, and friend — her smile lit up every room she entered,' her family added in the statement. Many of her Food Network colleagues and fellow culinary superstars took to social media to honor her legacy. One Food Network spokesperson praised Burrell for 'teaching, competing and always sharing the importance of food in her life and the joy that a delicious meal can bring,' according to Today. Fellow culinary star Robert Irvine took to X to describe her as 'generous and supportive.' 'Anne wasn't just a fiery chef. She was a radiant spirit who lit up every room she entered,' he wrote. 'From the very beginning on Worst Cooks in America, our friendly rivalry was fueled by mutual respect.' Another one of her 'Worst Cooks' rivals, Tyler Florence, reflected on his time spent with Burrell. 'No one was funnier. She was Mensa smart with razor wit and sincere kindness,' he said of Burrell in a June 17 Instagram post. 'She was recognized everywhere. The city loved her.' Burrell is survived by her husband, his son Javier, her mother (Marlene), sister (Jane) and brother (Ben).