logo
Sarah Jessica Parker Revisits Critiques of Her Looks on ‘Sex and the City'

Sarah Jessica Parker Revisits Critiques of Her Looks on ‘Sex and the City'

Cosmopolitan4 days ago

Carrie Bradshaw might live the glamorous life New York City, but for Sarah Jessica Parker, playing the iconic character wasn't always as fun as it looked. During a recent appearance on Call Her Daddy, SJP opened up about the criticisms of her appearance on Sex and the City, including one time it actually had her in tears.
Recalling the early reactions to the show when it began in 1998, Sarah called the criticisms 'a real test of my coping mechanisms' because she 'wasn't prepared for public commentary, and I think that was really unpleasant at times.' Criticisms of the show, she said, were fair game, adding, 'It was the personal stuff that I was really not prepared for.'
Sarah went on to say that her confidence was 'tested' when she was 'filleted' by critics about her looks. 'We're better for those kinds of experiences, but not all of us are good at it right away.'
When asked by Alex Cooper about specific comments were that bothered her, Sarah kept things vague, saying that it was 'just discussions of my physical person.' (At the time, there was a lot of debate and discussion about her nose—SNL even did an offensive skit about Sex & the City featuring a prosthetic nose.) She continued, noting that there was a lot of criticism over 'something that I couldn't change and wouldn't change and had never considered changing.'
'Also, I didn't feel like it was actually a conversation,' she explained, noting that she didn't have the space or opportunity to ask those criticizing her appearance, 'Why do you seem angry about it, or why do you feel it's necessary to comment?'
Though she stayed away from calling out any specific detractors, she did recall one magazine article that pushed her over the edge. 'It was brought to my attention that a magazine said something really mean about who I am, how I look,' she said. 'It was like a kick in the rubber parts. I was just like, 'Why is this a problem? ... Why do you seem to delight in saying it?'' She ended up calling two friends and 'sobbing because it felt so purposeful.'
Comments about Sarah's appearance—and Carrie's for that matter—haven't exactly died down over the years, but the actor says this was the only time 'I really cried about it.' And, really, who could blame her?

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Cynthia Nixon Confirms That Each 'Sex and the City' Storyline Was Based on True Events
Cynthia Nixon Confirms That Each 'Sex and the City' Storyline Was Based on True Events

Elle

timean hour ago

  • Elle

Cynthia Nixon Confirms That Each 'Sex and the City' Storyline Was Based on True Events

Every item on this page was chosen by an ELLE editor. We may earn commission on some of the items you choose to buy. If you've ever wondered how Sex and the City has managed to stay relevant for 27 years since it first premiered, you don't have to look far. Speaking to ELLE UK, Cynthia Nixon (who plays Miranda Hobbes), attributes the show's longstanding resonance with the fact that each and every one of its storylines is drawn from real-life events. 'Our writers have always based our plot lines on things that have actually happened to them or happened to someone that they directly know, so they can quiz them about it,' Nixon says. 'So these crazy, outrageous things, particularly back in the day [during Sex and the City], that happened to these characters were always rooted in truth, and an audience can smell that a mile away.' Sex and the City, which was based on Candace Bushnell's New York Observer column of the same name, premiered in 1998 and spawned six seasons, two feature films, and a sequel series, And Just Like That..., which is currently airing weekly on Max. The show caused widespread discourse among fans of the original series, with some claiming it tarnishes SATC's lasting legacy. Miranda, in particular, was criticized for becoming out-of-touch and contradicting her original character. Nixon, however, says that she doesn't read reviews of the show. As for potential seasons of And Just Like That... (that have yet to be greenlit by HBO), Nixon is clear that as long as the series creator Michael Patrick King will keep on writing Miranda's story, she'll be there. 'I'd love a season 4 and I'd love a season 5,' she says. 'I love this world and it's so lovely to be a part of it. I mean, who gets to do this? To play a character for 30 years? It's really, really special.' Watch And Just Like That... on Max

Lesser-Known Movie Facts You Might Not Know
Lesser-Known Movie Facts You Might Not Know

Buzz Feed

time5 hours ago

  • Buzz Feed

Lesser-Known Movie Facts You Might Not Know

Before The Devil Wears Prada was even published, Fox 2000 snapped up the film rights in a preemptive deal after reading 100 pages and an outline. The manuscript by Lauren Weisberger, a former assistant to Vogue editor Anna Wintour, was generating significant industry buzz. Studio exec Carla Hacken recognized its cinematic potential and moved quickly to option it in 2003. Tasked with writing was Aline Brosh McKenna, who found it hard for anyone in the fashion world to talk to her because they feared being blackballed by Anna. According to McKenna, she did find someone (whom she will never name) who spoke to her, and then read the script. After reading the script, they told her, "The people in this movie are too nice. No one in that world is too nice. They don't have to be, and they don't have time to be." McKenna took the note and made "everyone a bit busier and meaner." The Devil Wears Prada isn't just one of the most iconic fashion films of the 2000s — it's a landmark in fashion cinema, period. But despite it being set in the fashion world, the film had a modest wardrobe budget of just $100,000, pushing legendary costume designer Patricia Field (who is best known for work on Sex and the City) to tap into her deep fashion Rolodex. Field envisioned Andy Sachs as a "Chanel girl" and personally reached out to the fashion house, leveraging her longtime relationship and sharing the script. Chanel eagerly came on board, excited to see their designs on a younger character. This partnership, of course, famously led to Andy's iconic Chanel boots moment. Field ended up pulling about a million dollars worth of clothes for the film. Her work on the movie was also recognized with an Oscar nomination for Best Costume in case you're wondering, Field imagined Miranda Priestly as someone who wore Donna Karan. She ended up pulling many archival pieces from Donna Karan for the film. After seeing a very rough cut of Star Wars: A New Hope in 1977, directors like Francis Ford Coppola and Brian De Palma were skeptical, with Coppola saying that they were concerned for George Lucas. The early version lacked finished visual effects, had scenes of WWII dogfights as place holders for space fights, and had no music. All added up, it made it hard for viewers to grasp what Lucas's full vision was. Steven Spielberg, however, was one of the few who believed in the film from the beginning and predicted it would be a massive hit. Wicked was always meant to be a movie. Before it became a Broadway phenomenon, Universal had already acquired the rights to Gregory Maguire's 1995 novel with the intention of turning it into a film. However, producer Marc Platt struggled to adapt it into a screenplay, saying, "[It] felt that it was missing something." One day, he got a call from composer Stephen Schwartz, who knew he had the rights, and Schwartz asked him if he had ever thought of making it into a musical. That's when the "lightbulb went off" in his head, and Platt decided to work with Schwartz to make it into a musical. He thought that if the musical was successful enough, it could be turned into a movie. The term "prequel" is often associated with the Star Wars prequel films. However, those weren't the first movies to use the word. The 1979 movie Butch and Sundance: The Early Years is credited as being the film that helped popularize the term. The movie was a prequel to 1969's Butch Cassidy and the Sundance Kid. In 1988, when it was announced that Michael Keaton was cast as Bruce Wayne/Batman in Tim Burton's Batman, fans were outraged and very skeptical, reportedly sending over 50,000 protest letters to Warner Bros. At the time, Keaton was best known for comedic roles like Mr. Mom, and many felt he lacked the physicality and gravitas required to play the Dark Knight. Critics and fans also feared that, because of his casting, the film would be too campy or repeat the tone of the 1960s TV series. Similar to Michael Keaton, fans were not happy that Heath Ledger had been cast as The Joker in The Dark Knight. Today, it's hard to even imagine anyone else in the Oscar-winning role. However, when it was first announced that he would be playing the role in 2006, people online lost their collective shit, thinking he was too much of a "pretty boy" for the role, wouldn't have the chops to do it, and overall just a really bad choice. Some even campaigned for him to be removed from the part. After Chris Farley's death (who was originally cast as the voice of Shrek), Nicolas Cage was offered the role by his friend and the head of DreamWorks, Jeffrey Katzenberg. However, Cage turned down the role because he didn't want to play an ugly green ogre. In a 2013 interview with Today, he clarified what he meant by that when he turned down voicing the character, saying, "Truth is, I'm not afraid to be ugly in a movie.... When you're drawn, in a way it says more about how children are going to see you than anything else, and I so care about that." In All About Eve, Bette Davis as Margo Channing wears an off-the-shoulder silk cocktail dress in the party scene that is not only one of the most iconic dresses in film history, but has also become synonymous with Davis herself. Legendary costume designer Edith Head designed the dress; however, it was not meant to be off the shoulder — it was supposed to be a square neckline. The dress was made late and delivered to the set right before filming the scene. According to Head, she came to the studio to find Davis wearing a dress that "didn't fit at all... Someone had miscalculated, and the entire bodice and neckline were too big." Horrified, Head prepared to go tell the film's director that the dress was not ready, but Davis shrugged it off, pulled it down around her shoulders, and quipped, "Don't you like it better like this anyway?" As part of her contract, Glenn Close got to keep all her Cruella de Vil costumes from 101 Dalmatians and 102 Dalmatians. However, according to Close, when Disney "found out how expensive they were, they were unhappy that it was in my contract." Disney then offered to create replica outfits for her to take instead of the originals, but she said no. It's hard to imagine anyone other than Emma Thompson as the deliciously wicked Baroness in Cruella — her performance was pitch-perfect and effortlessly commanding. But surprisingly, she wasn't Disney's first pick for the role. The studio initially eyed Nicole Kidman to play the icy fashion designer. Also, the original live-action Cruella de Vil, Glenn Close, is an executive producer on Cruella. Elton John's journey with Disney began when lyricist Tim Rice was tapped to help complete Aladdin following the death of Howard Ashman, who passed away from complications related to AIDS in 1991, just months before Beauty and the Beast was released. Rice had been brought in to collaborate with composer Alan Menken (who had had a musical partnership with Ashman), but when Disney began work on The Lion King, Menken was unavailable. Looking for a new musical partner, Rice suggested none other than Elton John. The pairing proved legendary, resulting in one of the most iconic and beloved soundtracks in Disney history. The two had worked together in 1982 on John's song "Legal Boys." The Wizard of Oz may be a beloved classic today, but it wasn't a box office hit when it premiered in 1939. With a massive budget for its time, the film struggled to earn back its production costs. Despite critical acclaim, its initial theatrical run fell short financially. It wasn't until years later — thanks to frequent re-releases and television broadcasts — that the film finally turned a profit. Also, the reason the film has become such an iconic piece of pop culture is that starting in 1956, it began having yearly TV showings that helped introduce it to new generations of kids over the decades. The first gay kiss in a film was in 1927's Wings. The movie is about two World War I combat pilots and close friends fighting for the same woman's affection. But many have pointed out over the decades that the film has a subtle gay subtext about the two being more than just friends. Wings is also noted as the first film to win the Oscar for Best Picture. Truman Capote, who wrote the novella Breakfast at Tiffany's, disliked Audrey Hepburn's performance as Holly Golightly in the film adaptation. He had really wanted Marilyn Monroe (who turned down the role after being advised against it) to play the character. In fact, Hepburn wasn't even a second, third, or fourth choice to play Holly. After Monroe turned down the role, the producers considered casting Debbie Reynolds, Doris Day, and Elizabeth Taylor in the part before finally settling on Audrey. And for the record, Capote didn't just hate Hepburn's performance; he hated the entire movie in general because it steered away from the darker themes in his book. In the original script for The Addams Family, it was supposed to be revealed at the end that Uncle Fester truly was an imposter. However, Christina Ricci voiced her concern about that ending to the film's director, Barry Sonnenfeld, who decided to change the scene after talking to her. According to Sonnenfeld, the entire cast was unhappy with that ending during the first table read, except for Christopher Lloyd. In an interview with Yahoo Entertainment, Sonnenfeld explained how, with some nudging from Anjelica Huston, Ricci made a really thoughtful case: "Christina explained to me how the audience would be left emotionally adrift if it wasn't the real Fester. Does that mean the real Fester is still out there? And how could Gomez just give up his search for his brother after all these years just because this impostor came into their family?" Contrary to popular belief (internet lore?) Leonardo DiCaprio never turned down the role of Max in Hocus Pocus because he couldn't have accepted even if he wanted it. It's a bit convoluted, but he was asked to come in to read for it, but with director Kenny Ortega being fully aware that he was unavailable to do the movie because he was already committed to filming What's Eating Gilbert Grape and This Boy's Life. According to Ortega, DiCaprio was brought in to read for the role because the casting people knew he would be very good and that it would inspire Ortega to find the right guy to play Max. Tom Hanks and director Robert Zemeckis paid for two Forrest Gump scenes (one was the scene where Forrest runs across the US) to be filmed out of their own pockets. According to Hanks, Paramount refused to increase the film's $55 million budget, and just the running scene alone would be very expensive to shoot. Hanks and Zemeckis agreed to pay for the scenes in return for a larger percentage of the film's box office gross. He said that they both put in a lot of money, but it paid off! Reportedly, Hanks earned $65 million from his percentage of the box office gross. The iconic boulder-rolling scene in Raiders of the Lost Ark is an homage to a very similar thing that happened in the 1954 Scrooge McDuck comic "The Seven Cities of Cibola." In the comic, Scrooge, Huey, Dewey, and Louie travel to a lost city, where they find an emerald idol. However, noticing it is booby-trapped, they decide not to take it. What they don't realize is that they have been followed by the Beagle Boys, who decide to steal the idol, which sets off a giant boulder that chases after them. George Lucas — who came up with Indiana Jones — was a big fan of the Scrooge McDuck comics (which were created by Carl Barks) growing up and told Edward Summer, a writer who put together a book of Barks' Scrooge comics, that the boulder scene in Raiders was a "conscious homage" to "The Seven Cities of Cibola." In a sort of full-circle moment, the Raiders logo would go on to inspire the DuckTales one (which of course is a classic cartoon series about Scrooge McDuck's adventures): Whitney Houston was originally supposed to sing a cover of Jimmy Ruffin's "What Becomes of the Brokenhearted" as the main theme song for The Bodyguard. However, they decided to switch the song after they found out that Paul Young was doing a cover of the song for the soundtrack to Fried Green Tomatoes. Kevin Costner then suggested to David Foster (who was producing The Bodyguard soundtrack) that it should be "I Will Always Love You." They also almost ended up doing a slightly different cover of "I Will Always Love You," since the only version Foster could find was Linda Ronstadt's cover. But when Foster spoke with Dolly Parton (who, of course, wrote it), she told him they needed to do her version because it included the "And I wish you joy and happiness" final verse. In the original script for Back to the Future, Marty McFly was supposed to return to 1985 by driving the DeLorean into a nuclear test site in the Nevada desert, where a nuclear explosion would generate the 1.21 gigawatts of power needed. However, they were ordered by the studio to cut a million dollars from the budget. As a result, Bob Gale and Robert Zemeckis rewrote the climax to take place at the Hill Valley clock tower, using a lightning strike to power the time machine instead. This change not only saved the budget, but it became one of the most iconic scenes in movie history. And lastly, prior to its release in 1997, many critics and Hollywood insiders predicted that Titanic would be a box office bomb. And there were several reasons why it was predicted to be a failure. One of which was that, at the time, it was the most expensive movie ever made and was getting compared to the costly Waterworld, which had been released a couple of years before and had not managed to be a huge success because it, like Titanic, was the then–most expensive movie ever made. Another was that Titanic also took a long time to film. Going way over schedule delayed the release of the movie, as it was originally meant to be released during the summer (the blockbuster movie season). Moving its release date to December set off red flags and only added to the "doomed film" narrative.

Tim Bagley claims he couldn't audition for 'SNL 'because 'they wouldn't hire openly gay people'
Tim Bagley claims he couldn't audition for 'SNL 'because 'they wouldn't hire openly gay people'

Yahoo

time16 hours ago

  • Yahoo

Tim Bagley claims he couldn't audition for 'SNL 'because 'they wouldn't hire openly gay people'

Tim Bagley says any dream of his to join the Saturday Night Live cast was crushed early on. During a recent appearance on SiriusXM's The Julia Cunningham Show, the 67-year-old comedic actor claimed that despite having a promising start as part of the Groundlings — an improvisational and sketch comedy troupe that launched the careers of many SNL stars — in 1989, he couldn't audition for the sketch comedy series because he was out as a gay man. "I was out as a gay man and people knew that they would not hire openly gay people," Bagley alleged about SNL boss Lorne Michaels and late manager Bernie Brillstein. "[They] had kind of a thing where they did not hire gay people, so I never got to audition," the Somebody Somewhere star continued. "All my friends did, and I was always kind of a standout at the Groundlings, but I was out. That [was] the problem with being out back then was there were no guardrails. I mean, if somebody didn't want to have you on their show, they just [didn't have to]. They weren't trying to seek out LGBTQ people back then." As it happens, Bagley is not the first person to accuse SNL and Michaels of having issues with hiring openly queer people during the peak of the show's popularity. Comedian James Adomian told the Daily Beast in 2018 that he thinks being openly gay kept him from getting a spot on the cast, though he did get to audition several times in the early 2000s. "It certainly didn't help that I was openly gay," Adomian said. "I think that Lorne Michaels is afraid of America's dads." Still, Bagley — who has proven his comedic chops with guest appearances on shows like Will & Grace, Seinfeld, and Curb Your Enthusiasm — noted that SNL has boasted its LGBTQ+ representation over the years, especially with cast members such as Kate McKinnon and Bowen Yang becoming prominent figures on the show. "It's taken quite a long time... he was the actual first conscious, you know, gay person hired," Bagley claimed. "It's taken a long time, but the SNL machine has kind of changed or shifted, and I know that there are people that have come out since." SNL's first openly gay cast member was actually Terry Sweeney, who Michaels brought onto the season 11 cast when he returned as executive producer to the show after a five-year hiatus in who had joined the cast after starring on the Logo sketch comedy series The Big Gay Sketch Show, became the first openly lesbian cast member in the history of the show when she joined in 2012. John Milhiser joined the cast as an openly gay man in 2013, followed by more LGBTQ+ cast members such as Yang, Punkie Johnson, and the show's first nonbinary performer Molly Kearney. Other LGBTQ+ cast members who were not out professionally during their time on SNL include Denny Dillon, Danitra Vance, and Sasheer Zamata. Yang started at SNL as a writer in 2018 before being promoted to cast member the next year for season 45, becoming the show's first Chinese American cast member and one of only a few out gay stars in the show's history. He's made a name for himself at the legendary sketch show with impressions of JD Vance and Fran Lebowitz, and out-of-the-box "Weekend Update" characters like the Iceberg That Sank the Titanic and viral baby pygmy hippopotamus Moo Deng. Not to mention, Yang has also scored four Emmy nominations during his time on SNL, including making history in 2021 as the first featured player to be nominated. He's also the lead of a fan-favorite sketch from last year in which the actor "reveals" himself to be a toxic straight man that the night's host fall in love with. The OG sketch featured Sydney Sweeney and the sequel, titled "Bowen's Still Straight," included Scarlett Johansson. Yang can next be seen in Wicked: For Good, coming to theaters later this year. Read the original article on Entertainment Weekly

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store