logo
Texas Renaissance Festival Founder Found Dead at Home Weeks After Court-Ordered Sale of His Event

Texas Renaissance Festival Founder Found Dead at Home Weeks After Court-Ordered Sale of His Event

Yahoo22-05-2025

Authorities say George Coulam, founder of the Texas Renaissance Festival, was found dead in his Todd Mission home on Wednesday, May 21
Earlier this month, a judge ordered the festival be sold following a failed $60 million deal
Coulam founded the Texas Renaissance Festival in 1974George Coulam, founder of the Texas Renaissance Festival, has reportedly been found dead at his home.
Law enforcement officials said the Todd Mission Police Department (TMPD) responded to Coulam's home on Wednesday, May 21, where the 87-year-old Ren Fair founder was found and pronounced dead, according to The Houston Chronicle.
Coulam's body was found around 9 a.m. local time, CBS affiliate KHOU and NBC affiliate KPRC-TV reported.
The Texas Renaissance Festival confirmed Coulam's death in a post on its Facebook page.
'We are deeply saddened by the loss of George Coulam, founder of the Texas Renaissance Festival,' the post read. 'For more than 50 years, he built a community that has become a cherished tradition for generations of performers, staff, and guests.'
'At this time, we ask for respect and privacy for Mr. Coulam's family and the extended Texas Renaissance Festival family as they grieve,' it continued.
The cause of Coulam's death is under investigation. The TMPD said there is no suspected danger to the public, according to the Chronicle.
Todd Mission Mayor Steve Mensing and Police Chief Ryan Rutledge did not immediately respond to PEOPLE's request for comment.
Known to many as 'King George,' Coulam founded the Ren Fest in 1974, according to KHOU and KPRC-TV.
Earlier this month, a Grimes County judge ordered the festival be sold following a lawsuit, KHOU reported.
The judge also awarded $22 million in damages plus $1 million in legal fees to the plaintiffs, RW Lands, Texas Stargate and Royal Campground.
The judgment was made following the failure of a $60 million deal, according to KPRC-TV.
Anthony Laporte, attorney for Meril Rivard, who owns the companies involved in the lawsuit, said his client was 'reeling' from the news of Coulam's death, per the Chronicle. He called Coulam's death 'a sad loss.'
'Obviously, my client is saddened by the loss of George,' Laporte said. '(Meril Rivard) liked George, he got to know George.'
Rivard said in a statement to the Chronicle that he and his family were 'shocked' by the news.
'Our thoughts go out to his loved ones,' he stated. 'Like everyone else who loves the Texas Renaissance Festival, we remain committed to ensuring that the festival lives on, and we are working steadfastly to make that happen.'
Laporte said the process to complete the transaction for the festival is expected to 'move forward.' He added, 'We have a firm belief and commitment in Ren Fest 2025.'
Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories.
The Texas Renaissance Festival typically takes place in October, and lasts for six weeks, according to KHOU.
Some former festival employees previously sued Coulam for sexual harassment and alleged they were wrongfully terminated from their jobs, per the Chronicle. Settlements were reached in June 2019 and June 2021.
Additionally, Coulam was the first mayor of Todd Mission since it was incorporated in 1982, until Mensing was elected earlier this month, according to CBS affiliate KBTX-TV.
Read the original article on People

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The Gilded Age: Carrie Coon and Morgan Spector Talk Season 3
The Gilded Age: Carrie Coon and Morgan Spector Talk Season 3

Cosmopolitan

time7 hours ago

  • Cosmopolitan

The Gilded Age: Carrie Coon and Morgan Spector Talk Season 3

The Gilded Age is back, baby!! Not only in the economic climate of our country, but on our TV screens. After two long years, we finally get to head back to New York with Bertha, George and the whole crew. While last season's main drama was the battle for top opera house, this season seems to be squarely focused on Gladys's marriage, with the premiere episode giving us a little bait-and-switch. We are reintroduced to Gladys's love interest Billy only to be reminded that Bertha still has bigger plans for her daughter, namely the Duke of Buckingham. Will Bertha pull it off and get the match she wants? Will forcing Gladys into marriage ruin Bertha's relationship with George? Does Billy Carlton stand a chance? Cosmopolitan hopped on Zoom with Carrie Coon, who plays Bertha, and Morgan Spector, who plays George, to talk through the season premiere. CC: And what's interesting is I don't think they realize how far apart they actually are. Bertha certainly doesn't realize how far apart they are. MS: I think that's right. The minute that George understands why the Duke came to the ball, he starts to feel like Bertha has nefarious intentions with regard to Gladys. When they first start to have these discussions, they assume they're going to be able to resolve it, and it quickly turns out that that's not going to be the case. CC: Our values are not really aligned in this moment, even though Bertha is very confident things will work out. CC: She believes that she is actually supplying her daughter with happiness in the long term. She doesn't believe that this puppy love is going to last, and the young man doesn't really rise to the occasion. He caves, and she doesn't feel he has the character that will sustain Gladys in a fulfilling life, in a life that gives her a sense of purpose. And what she wants is for her daughter to have power and influence in the in all facets of the world. And unfortunately, the way she does that is through marriage. It will also elevate the family status, which in her mind, is something she's doing for George to help his business interests. So Bertha's feeling very selfless in her pursuits. She's feeling like everything she's doing is for the good of her family, and she feels profoundly misunderstood. MS: Isn't it just? CC: He's lovely. Bertha really likes him. They had a charming first dinner. We remember this. It was delightful to see them together. MS: They did. It was very charming. MS: Absolutely not. And George doesn't think so either. And I think that's also part of why George's advocacy for Gladys kind of falls flat, because the only real ace that he has in up his sleeve is Billy, and Billy utterly fails. MS: George is outmatched in Bertha's sphere of influence. I don't think he truly understands the stakes for a woman at this time, what Bertha is trying to accomplish with Gladys's marriage. He's coming from the privileged position of, well, I had a love match, and that worked out for me. I want that for my daughter. And that's as far as he's thought about it. He has believed, erroneously it turns out, that he's going to be able to just put his foot down and Bertha will retreat. And when she doesn't, when she marshals all of these arguments about how much this marriage could mean for Gladys, George really doesn't have a sufficient reply. George has misjudged his adversary in this. CC: And to be fair, you're very distracted. The railroad across the country is is very high stakes gamble you're taking and gambling our entire livelihood, which he's not being entirely honest about. MS: No, it's true. George is also caught up in his own massive commercial drama. CC: She figures he'll figure it out. She says that she's comfortable going back to scrubbing her own floors, but that's not true. There's much more Parker Posey in White Lotus in her than she lets on. MS: There is an interesting contrast, because in the first season, George risks it all on another occasion, and Bertha says, bring it on. I'll gamble with you anytime. And I think it's clear in this third season, that's not the case. She has too much now. She's too high up the ladder in New York society to let it go. CC: That's the crux of the biscuit for her this year. She's not really taking them into consideration. The fact that her son starts slipping away from her is pretty startling. She's had a fairly easy time dealing with Larry, and the fact that he starts to take a stand against her in a very real way is surprising. It shouldn't be, but because she's so myopic about her goal, it is. MS: They're both turned on by power, and they're both engaged in this never-ending quest for more and that. And they also have quite separate lives. They have a lot of autonomy in terms of how they express their ambition. That charge is something that they can rely on. They're both pursuing power, they're both turned on by power, and they're getting more and more of it all the time. CC: Yes. There's a lot of vitality required for that kind of pursuit. CC: Yeah, that's it. It's respect. MS: It's camaraderie. CC: If you don't respect your partner the relationship will not last. It will fall apart, I promise you. Morgan and I both have very egalitarian and respectful marriages. And it's fun to play a healthy marriage. There's a lot of material. Oftentimes marriages are in trouble in drama land, in TV show land. And actually the healthy marriage is just as interesting and just as complicated. MS: Marriage is often presented in drama as a trap that constrains your individuality. It's a thing that stops you from expressing yourself, and it's a thing that keeps you from being free. In my life, I certainly find the opposite. I find that there's tremendous freedom in being in that kind of relationship. That's part of what's in these characters, as well as being each other's biggest supporter, they're both each other's biggest advocate. They're both trying to make sure that the other person is fulfilled. And in that kind of relationship, there can be tremendous freedom. So although George does have that great line about marriage not being the place to look for freedom, that's not necessarily reflective of their relationship.

Metallica at Levi's Stadium: What to know before the Bay Area concerts
Metallica at Levi's Stadium: What to know before the Bay Area concerts

San Francisco Chronicle​

time21 hours ago

  • San Francisco Chronicle​

Metallica at Levi's Stadium: What to know before the Bay Area concerts

Fresh off record-breaking shows and even a registered seismic event, Metallica is bringing its globe-spanning M72 World Tour back home to the Bay Area. Expect massive crowds, a signature in-the-round stage and a setlist spanning four decades when Metallica takes over Levi's Stadium in Santa Clara on Friday, June 20 and Sunday, June 22. Everything you need to know — set times, parking, what to bring and what to leave at home — is covered in the Chronicle's FAQ. How to get to Levi's Stadium? Public transportation is highly recommended. VTA light rail and buses connect much of Santa Clara County. Caltrain riders can transfer to VTA at Mountain View, and BART riders can connect at Milpitas. Capitol Corridor and Altamont Corridor Express trains also serve fans from farther out. Rideshare drop-offs are available near the stadium. Bike valet is also available. Is there parking at the venue or nearby? Parking is available on-site, shared with California's Great America amusement park, as well as in nearby private lots along Great America Parkway. Advance parking passes via Ticketmaster are strongly advised to guarantee entry. What to expect Metallica will perform two entirely different setlists across the two nights. The opening acts for Friday are Limp Bizkit and Ice Nine Kills, while Pantera and Suicidal Tendencies kick the night off on Sunday. Levi's Stadium has an 11 p.m. curfew on Fridays and Saturdays for up to five non-NFL events per year. Weeknight and Sunday curfew is 10 p.m., but the venue secured a waiver from the city to extend this Sunday's show until 11 p.m. Expect Metallica's performance to run until curfew — and be prepared in case the band runs over that time. Where to eat before, during or after the show Dining options near the stadium are limited, but nearby Mercado Shopping Center offers good alternatives. Among the eateries are Tomatina, Pho Hoa Noodle Soup & Janzen Tea, In-N-Out Burger, Panda Express and Subway. Other options in the vicinity include Pedro's Restaurant & Cantina (3935 Freedom Circle), El Torito (2950 Lakeside Drive) and Birk's (3955 Freedom Circle), Puesto (2752 Augustine Drive #110) and Il Fornaio (2752 Augustine Drive #120). Inside Levi's, there are about two dozen cashless concession stands featuring local favorites like Super Duper Burgers, Slice House Pizza and Starbird. Reverse ATMs are available to convert cash to a card. After the concert, late-night fast food is your best bet, but expect lines — and maybe even a spontaneous 'Enter Sandman' singalong while you wait. What is the capacity at Levi's Stadium? Levi's Stadium holds 68,500 people, with room for more than 75,000 during special events. The lower bowl alone seats about 45,000, and there are more than 8,500 club seats and 165 suites. What is the bag policy? There are no lockers or designated areas to check your bag at Levi's Stadium, so carry only what you need. Visitors are permitted to bring in approved clear bags not exceeding a size of 12 inches by 6 inches by 12 inches. Approved bags include backpacks, fanny packs, purses or 1-gallon clear plastic Ziploc-type bags. Small clutch bags, approximately the size of an adult hand (4½ inches by 6½ inches), are also allowed. What items are prohibited inside the venue? Leave confetti, glow sticks, signs, banners, light-up costumes and selfie sticks at home. Phone charging cases and small power banks are allowed, though charging stations are available at guest services. Is tailgating allowed? Tailgating is not permitted, and non-ticket holders are not allowed to gather in parking lots or surrounding areas. There are no external viewing areas provided. What to expect from the weather Expect mild, sunny conditions for the shows, with highs in the low-to-mid 70s and overnight lows around 50 degrees, according to the National Weather Service. Sunday may be slightly warmer, near 78 degrees. With little to no rain and only light marine cloud activity expected, fans should enjoy ideal conditions for an outdoor concert. Just don't forget the sunblock. Metallica Takeover events The Metallica experience goes beyond the stage, with a week of fan-focused activities around the Bay Area: M72 Pop-Up Shop (June 19-22) 55 Holger Way, San Jose Shop exclusive merch, including a limited vinyl edition of 72 Seasons, screen-printed posters, skateboards and new collaborations. Open 10 a.m.–7 p.m. (Sunday until 6 p.m.). One item per customer, per day. Special Events on June 21, unless noted: 'Metallica Saved My Life' film sneak peek: 7 p.m. AMC Mercado 20, 3111 Mission College Blvd., Santa Clara. Metallica Film Fest: 11:30 a.m. Great Star Theater, 636 Jackson St., S.F. The Art of Squindo: 2:30 p.m. Manny's, 3092 16th St., S.F. Trivia Night with Steffan Chirazi: 6 p.m. Lion's Den Lounge and Bar, 57 Wentworth Place, S.F. …And Tributes for All (Damage Inc. & Motorbreath): 8 p.m. Bimbo's 365 Club, 1025 Columbus Ave., S.F. Community and Charity Events: Loaves & Fishes Volunteering: June 20. Various shifts across three Bay Area locations. American Red Cross Blood Drives: June 16-20 in San Francisco; June 18 at Levi's Stadium. 21+ Tasting Event: Blackened x Drew Estate with Rob Dietrich: 4-8 p.m. June 21. Morgan Hill Cigar Company, 16375 Monterey Road, Morgan Hill. Metallica M72 setlist 'Creeping Death' 'For Whom the Bell Tolls' 'Hit the Lights' 'King Nothing' 'Lux Æterna' 'Screaming Suicide' 'Broken, Beat & Scarred' 'The Day That Never Comes' 'Fuel' 'Orion' 'Nothing Else Matters' 'Sad But True' 'One' 'Seek & Destroy' 'Master of Puppets' 'Enter Sandman'

Shanghai Launches Merged Film and TV Market With Industry-Public Hybrid Model
Shanghai Launches Merged Film and TV Market With Industry-Public Hybrid Model

Yahoo

time2 days ago

  • Yahoo

Shanghai Launches Merged Film and TV Market With Industry-Public Hybrid Model

Shanghai's newly merged International Film & TV Market kicked off Saturday at the Shanghai Exhibition Center, launching a five-day event that combines professional industry networking with public cultural experiences. The market, running through June 25, represents the consolidation of the Shanghai International Film Festival Market (SIFF Market) and Shanghai TV Festival Market (STVF Market) into a single comprehensive platform. More from Variety Giuseppe Tornatore Reflects on Chinese Audience Love, Shelved Sci-Fi Project at Shanghai Film Festival Paolo Genovese Brings 'Madly' to China via Italian Screens Initiative at Shanghai Film Festival Marco Mueller's WIP Lab Relocates to Shanghai Film Academy for December Showcase The event is housed at the Shanghai Exhibition Center, originally built in 1955 as the Sino-Soviet Friendship Building. The major landmark draws heavily on Russian and Empire style neoclassical architecture and spans 93,000 square metres, making it one of the largest integrated building complexes in central Shanghai. Chen Guo, managing director of Shanghai International Film & TV Events Center, says the consolidation reflects broader industry trends. 'The industry's evolving trend where content creation, technological applications, and talent mobility increasingly blur the lines between film and television,' Chen explains. 'Many outstanding companies and creators develop across both sectors. This integration aims to break down invisible resource barriers and build a comprehensive, efficient platform that congregates film, series, technology, capital, and talent.' The market's most distinctive feature is its dual-track approach. Professional activities take place inside the Shanghai Exhibition Center, with dedicated meeting zones, display areas, and industry salons designed for efficient business interactions. Meanwhile, outdoor markets serve as platforms for public engagement, featuring immersive IP experiences and cultural products. 'We turn industry achievements into tangible cultural offerings for the audience,' Chen notes. 'This stimulates public enthusiasm for film and TV culture, provides valuable feedback, and fosters innovation in content and business models.' The approach aims to bridge professional efficiency with popular appeal, allowing audiences to immerse themselves in storytelling while providing industry professionals with direct consumer insights. The outdoor market emphasizes openness and interaction, with themed exhibitions such as the 'I Am What I Am' film, where audiences immerse themselves in the story, or TVB's exclusive products that recall childhood memories. The market builds on deal-making success from its predecessor events. Last year's markets recorded over 200 exhibitors and 40,000 visits, with notable achievements including a Korean delegation that generated 107 business negotiations between Chinese and Korean companies, resulting in deals valued at approximately $56.3 million. The Korea Creative Content Agency (KOCCA) organized a delegation including major broadcasters KBS, MBC, SBS, CJ ENM, and SLL, bringing 13 leading Korean companies to showcase content at the Korea Pavilion. This year's market has expanded international participation with a dedicated International Zone featuring an International Negotiation Area designed for global buyer-seller interactions, with 50 overseas exhibitors already participating. Organizers are targeting even greater international involvement in future editions, aiming to attract more top-tier international producers and streaming platforms. The market is showcasing emerging technologies reshaping content creation and distribution through its UHD HUB, which features experience zones dedicated to AI and XR technologies. A standout attraction is an XR large-space project about Qin Shi Huang's Tomb, allowing audiences to experience historical content within a virtual environment. AI applications are particularly prominent, with demonstrations of multi-language AI voice-over and video translation technologies designed to help Chinese content reach global markets more efficiently. The Shanghai International Film Festival's SIFF ING-AIGC program highlights work from young creators utilizing AI in their projects. The merger eliminates what Chen describes as 'invisible barriers that once separated film and TV markets,' bringing together film producers, TV production companies, streaming platforms, tech suppliers, creators, and investors in a unified space. Activities are designed to be medium-agnostic, with forums, expert sessions, and buyer salons applying to both film and TV sectors. 'The IP project promotion event doesn't emphasize the medium but focuses on compelling stories and IPs to attract suitable development partners,' Chen explains. This borderless approach enhances opportunities for cross-field collaboration, talent mobility, and technology sharing. Programming is curated around real industry demands, with IP promotion activities driven by booming interest in adaptations and franchise development. Aligned with national strategies for ultrahigh-definition video, the UHD HUB presents cutting-edge technology, reflecting industry hotspots and addressing pain points. 'All activities are designed around real demands, ensuring relevance—focusing on the latest industry frontiers, technological up-gradings, and creative innovations,' Chen says. While acknowledging the importance of transaction volume, attendance, and press visibility, organizers are taking a broader view of success. 'We place greater emphasis on soft power and long-term effects,' Chen says, focusing on the market's role in fostering cross-sector collaborations, providing cutting-edge industry knowledge, and offering platforms for innovative projects and emerging talent. The ultimate goal is for the market to become 'a renowned hub for global thought exchange and industry innovation, regarded as a continuous creator of projects' that advances both Chinese and global entertainment ecosystems. Looking beyond this inaugural merged edition, organizers plan continued refinement focused on internationalization, industry leadership, and enhanced interactivity. Plans include establishing forward-looking technology innovation zones and expanding the successful Cinemart initiative that creates channels between industry professionals and the public. 'We aim to establish this as a new cultural landmark that embodies Shanghai's distinctive charm,' Chen concludes. Best of Variety New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store