logo
A different nationalism: Let's go back to our Constitution

A different nationalism: Let's go back to our Constitution

Indian Express5 hours ago

Written by Rahul Govind
I will have to respectfully differ with the arguments of Yogendra Yadav and Akeel Bilgrami on nationalism. Bilgrami speaks of the 'unselfconscious pluralism' characterising 'centuries of Indian society', as reflected in Gandhian nationalism ('An alternative nationalism', IE, June 16), while Yadav maintains that once the modern Indian state is taken as a successor to Indian civilisation, the task is to define its 'cultural traits' ('The rediscovery of India', IE, June 5). Nirmal Verma is offered as a starting point for imagining a 'positive nationalism' that could save Indian civilisation from its 'inner disintegration' under colonialism (and the post-colonial state). This despite Yadav acknowledging that Verma 'hints at Hindus [being] the custodians of national unity and integrity', that he 'equivocated' on the role of Islam in Indian civilisation and exhibited a 'pronounced unease, if not denial, of the question of caste inequality' ('A critic of the modern Indian mind', IE, June, 17). Is this the beginning of a rethinking, or is this, instead, a pale reflection of the majoritarianism of the times?
Indian nationalism drew on India's past, but drew equally from a global heritage involving ideas such as popular sovereignty and fundamental rights. Even after the Gandhian intervention and mass nationalism in the early 1920s, several factors led to the nationalist agenda, including critical reform on land and caste. This broadening of the terrain of struggle over social and economic rights was not sui generis to the initial Gandhian intervention. It was due to popular movements, and figures like B R Ambedkar, as well as Communists and Socialists. The crowning achievement was the Indian Constitution, which enshrined ideals regarding fundamental rights and universal franchise as well as social protections and land reform.
Seeped in our consciousness of Indian nationalism is Gandhi's humiliation at the hands of racists on that infamous train from Durban to Pretoria. Much less known is Ambedkar's experience in Chalisgaon in 1929, in the midst of the national movement. As a part of a committee, appointed by the Bombay government to investigate caste oppression, he alighted at the railway station of Chalisgaon. When he was about to start his journey towards Maharwada, 'the quarters of the untouchables', he couldn't find a single tonga. After an hour or so, when he got one and paced towards his destination, the cart crashed, the horse bolted, and he was, in his own words, 'thrown down on the stone pavement', which resulted in a fractured leg and serious injuries. The accident occurred because the driver had never driven a tonga before. He was forced to do so because no tonga driver would agree to seat a Dalit in his carriage. In the same text, Waiting for a Visa, Ambedkar writes of a doctor refusing to attend to a Dalit's wife, resulting in her death.
Just two years before the Chalisgaon incident, Ambedkar had the Manusmriti publicly burned in response to upper-caste attacks on Dalits who had drawn water from a public water tank. This kind of response against Dalits organising to access public spaces, schools, roads, and temples was not unusual. At the Mahad Satyagraha, Ambedkar invoked the ideals of the French Revolution, as he was to do in his Annihilation of Caste. Caste oppression was more fully addressed by the national movement because of popular campaigns around rights to representation, land and identity by figures like Ambedkar, who combated inherited legacies of discrimination using a global vocabulary of democratic rights. The inclusivity of the national movement, therefore, was not a civilisational inheritance. In the 1930s, Gandhi too invoked the 'secular' in the context of untouchability and temple entry, just as he came to accept the demand for a Constituent Assembly, a wholly 'modern' idea.
There is a view that caste oppression was not native to our civilisation, but was imposed by the colonial state. Even if we credit the British with unmatched capacities in collective hypnosis, this argument cannot be taken seriously. Certainly, the British had no intention of establishing equality. But it is patently false to attribute caste violence and its hierarchical social arrangements solely to the colonial state, denying any role to Indians or Indian history. That caste hierarchy was a social and political reality before colonial rule is well established. Notwithstanding the riches of India's heritage, it would be historically inaccurate to think that one could find there a grammar for universal franchise, popular sovereignty, and justiciable fundamental rights, those distinctive features of our Constitution. This grammar emerged from a global conjuncture, and cannot be traced to any one historical or civilisational heritage, whether 'Western' or 'Indian'.
The idea of a nation-state may be taken to be a political form where the nation, or the people, exercise sovereignty, expressed by institutional protocols such as elections, and regulated by norms such as equality, fundamental rights, including gender rights. The emergence of these ideas, including equality and liberty, cannot be understood without reference to revolutions such as the ones in France and Haiti. But these ideals were not intrinsic to some a priori nation called 'France', and it was not long before Napoleon reestablished the empire and slavery. Such ideals were not institutionalised in any 'Western' country, 'internally' or 'externally'. One can speak here of violent empires, not nation-states, arguably until the post-Second World War order.
The contention that the ills of the day are caused by a small 'westernised' elite, and that one has to reach back to a corralled history, civilisational past or the nationalist movement to address contemporary challenges, is to misunderstand the past as much as the present. Nationalism ought to be judged good or ill depending on the extent to which it embodies popular will and universal values such as equality. Struggles over representation, caste, gender, federalism and welfare in the post-colonial state have parallels with the national movement as well as with those the world over, simply because a particular language of rights and constitution-making emerged in modernity. It is to the Constitution and a modern global heritage of rights and values that these movements turn. The benchmark of nationalism can only be the Constitution, a revolutionary and transformative document, not the echo of an ever-existing civilisational heritage.
The writer teaches History at Delhi University

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Canada, a move away from the Rockies
Canada, a move away from the Rockies

Economic Times

time15 minutes ago

  • Economic Times

Canada, a move away from the Rockies

Recognising a problem is the first step towards a solution. By that metric, Canadian Security Intelligence Service (CSIS) has taken an important step towards repairing a troubled India-Canada relationship. A recent CSIS report acknowledges the existence of Canada-based Khalistani extremists who continue to promote, fund and/or plan acts of violence targeting India. Not only do they mean harm to India, CSIS says these groups also threaten Canadian national security. That is lucid observation. The report's findings dovetail efforts by PM Mark Carney to repair and restore the bilateral relationship left hanging precariously by his predecessor Justin Trudeau. Recognition of continued operations of Canada-based Khalistani extremists is an important departure from the recent past when focus was turned on alleged involvement of Indian officials in the 2023 killing of Canadian citizen Hardeep Singh Nijjar. While perceptions of the threat may differ, acknowledgement that it's an issue of concern for both countries will allow addressing it, and avoid the kind of strange food fight that had broken out before. Like any long-standing relationship, especially between two democracies, there have been ups and downs. But, on balance, it has been a good one. The current fractured geopolitical and geo-economic landscape, exacerbated by unpredictability of the Trump regime - his continued suggestion of annexing Canada and newfound friendship with Pakistan and its generals - adds urgency to restoring and augmenting New Delhi-Ottawa ties. Working together and tackling problems with mutual respect, for mutual benefit, should become a SOP, allowing both nations to leverage the past - beyond the too-recent past, that is - and take on multiple challenges.

Third eye: Scion's romance sparks storm, Congress eyes caste reboot, BJP carries Tulsi in protest
Third eye: Scion's romance sparks storm, Congress eyes caste reboot, BJP carries Tulsi in protest

Time of India

time18 minutes ago

  • Time of India

Third eye: Scion's romance sparks storm, Congress eyes caste reboot, BJP carries Tulsi in protest

Scion's Love Life Sparks Caste-Political Storm: The latest fraternal feud to spill into the public domain centres on the love life of a high-profile scion and caste dynamics deeply embedded in the state's politics. The scion, often spotted at sports matches, is believed to be in a relationship with a superstar music composer from a prominent family belonging to a caste antithetical to native politics. The composer's family is also perceived to be aligned with a party attempting to make inroads into the Tamil political stronghold . There are concerns that if the alliance materialises, the business house's considerable assets could drift into the rival camp's sphere of influence. Social Justice Pitch to Reflect in PCC Shuffle: Congress plans to walk the talk on social justice with a rejig in Pradesh Congress Committees. Himachal may get a Dalit Pradesh Congress Committee chief, Haryana could see an other backward class ( OBC) face, while Uttarakhand's pick is still being weighed due to existing Dalit leadership in the Congress Legislature Party. 'Tulsi Protest' Over Violence in Bengal: Bengal BJP leaders, including state president Sukanta Majumdar and leader of opposition Suvendu Adhikari, have taken to symbolic protests carrying the sacred Tulsi plant to the assembly and party gatherings. The gesture follows the alleged vandalism of a Tulsi Manch during communal clashes at Maheshtala in South 24 Parganas district.

Lighting the spark in U.K.-India cultural relations
Lighting the spark in U.K.-India cultural relations

The Hindu

time25 minutes ago

  • The Hindu

Lighting the spark in U.K.-India cultural relations

May was a month of magical bonanza for United Kingdom-India relations. The long-anticipated Free Trade Agreement was ratified by both Prime Ministers, and it was another milestone that illuminated a different but equally significant dimension of their partnership: culture. On May 2, U.K. Secretary of State for Culture, Rt Hon Lisa Nandy, and India's Minister for Culture, Gajendra Singh Shekhawat, signed the Programme of Cultural Cooperation (POCC). This landmark agreement promises to light up the cultural corridor between the two nations, reaffirming their shared creative spirit. The POCC outlines five programme areas: digital technologies for culture, exhibitions and collections, performances and events, cultural property, and sustainability. These themes directly support the creative economy, a core sector driving the U.K. government's industrial strategy. This agreement signals a shared commitment to cross-cultural collaboration and economic growth. Before arriving in Delhi to sign the POCC, Ms. Nandy, the first Labour Cabinet Minister of Indian heritage, was the highest-ranking international delegate at the World Audio Visual & Entertainment Summit (WAVES) Summit, held in Mumbai. In her keynote, she powerfully highlighted the collaborative potential of the India-U.K. cultural and creative industries, sustainable by nature and an employment multiplier. The growth of the creative arts sector Globally, the creative arts sector is rapidly growing, projected to reach 10% of global GDP by 2030. At the G-20 New Delhi Leaders' Summit in 2023, global leaders unanimously called for greater investment in the sector. India hosting WAVES for the first time underscored its commitment, resulting in significant business deals and international agreements. The POCC between India and the U.K. builds on this momentum. It brings together the Indian Ministry of Culture, the U.K. government's Department for Digital, Culture, Media & Sport and the British Council in India, alongside major U.K. cultural institutions — including Arts Council England, the British Library, the British Museum, the Natural History Museum, and the Science Museum Group. With over 1,700 accredited museums in the U.K., the scope for partnerships with their Indian counterparts is tremendous, especially around leveraging digital technology for sharing cultural experiences and heritage. At its core, the POCC signals hope: the creative economy can foster a more inclusive future, encompassing tech-driven sectors such as gaming, digital content, film, OTT, television and more — creating opportunities for skilled workers and innovators. That is great news for India. With its deep cultural heritage, cutting-edge technology, skilled artisan base, and the world's largest youth population, India is uniquely positioned to lead. India's creative economy, valued at $35 billion, employs nearly 8% of its workforce, second only to agriculture. According to the Asian Development Bank's report (2022), 'Creative India: Tapping the Full Potential', six of India's top 10 creative hubs — from Badgam in Jammu and Kashmir to Tiruppur in Tamil Nadu — are in non-metro regions. This shows India's diverse cultural heritage. India, with over 300 universities and 3,000 colleges offering courses in design, arts, and architecture, is nurturing a global creative workforce. A role for the U.K. In 2023, during India's G-20 presidency, the U.K. played a pivotal role in supporting the cultural agenda. Artistic partnerships, creative project grants, and year-long cultural exchanges, such as Wales in India, which culminated at the 2024 Hornbill Festival in Nagaland, furthered that agenda bilaterally, redefining India-U.K. cultural ties and building lasting bonds. Why do these global partnerships matter so much? First, the creative economy is evolving rapidly. It faces challenges including skilled labour shortage. To meet this, we need sustained investment in education, vocational training and apprenticeships. International collaborations can help empower creative professionals with global competencies and best practices. Second, emerging technologies such as Artificial Intelligence and augmented reality and virtual reality (AR/VR) are transforming the sector. As the British Council's recent report, Arts and Technologies in India: Reimagining the Future argues, it is time to integrate it into India's creative education framework. Cultural exchange and cross-border partnerships can support professionals in navigating this digital shift. India's creative canvas is expanding, driven by cultural wealth, youth potential, and a bold vision. Prime Minister Narendra Modi envisions India as a global creative hub — and with a three-pronged approach focused on education, skills, and international collaboration, we are well on our way. But it will require sustained cooperation between government, industry and academia to make that vision a reality. Businesses and projects Indian companies, too, are doing their bit. Take Royal Enfield, the iconic U.K.-India motorcycle brand, which is working in the Himalayas through its Social Mission. In partnership with UNESCO, it is helping to safeguard intangible cultural heritage and working with over 580 artisans through its textile conservation project, The Himalayan Knot. This initiative not only preserves sustainable textile traditions but also creates new market linkages for craft communities. Ms. Nandy heard this story first hand at the reception hosted in her honour by British High Commissioner Lindy Cameron and this writer in Delhi, where the Serendipity Arts Festival's Birmingham chapter was also launched — a moving reminder of how businesses can be storytellers too. What truly binds the U.K. and India together are their people and their stories. In a world grappling with conflict and uncertainty, culture and creativity remain among the most time-tested healers of relations between people and nations. And in that, we have every reason to celebrate — and invest in — the creative spark that unites us. Alison Barrett, MBE, is the Country Director India at the British Council

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store