logo
If She Chooses You, You're in: Melanie Lynskey on the Magic of Natasha Lyonne

If She Chooses You, You're in: Melanie Lynskey on the Magic of Natasha Lyonne

Yahoo04-06-2025

On June 5, the IndieWire Honors Spring 2025 ceremony will celebrate the creators and stars responsible for some of the most impressive and engaging work of this TV season. Curated and selected by IndieWire's editorial team, IndieWire Honors is a celebration of the creators, artisans, and performers behind television well worth toasting. In the days leading up to the event, IndieWire is showcasing their work with new interviews and tributes from their peers.
Ahead, Lyonne's long-time best friend Melanie Lynskey tells IndieWire about the many qualities that set our Maverick Award apart, both as a performer and as a pal.
More from IndieWire
Natasha Lyonne: The Maverick Behind the Madness
'Stick' Review: Owen Wilson's Golf Comedy Takes Too Many Shortcuts Trying to Be 'Ted Lasso'
There's a moment when Melanie Lynskey talks about Natasha Lyonne that kind of says it all.
'If she chooses you, you're going to be her friend,' she said. 'That's just it.'
For more than 20 years, Lyonne and Lynskey have been ride-or-dies bonded by weird nights, great scripts, and deep mutual respect. They've starred in three movies together, including 'But I'm a Cheerleader' and 'The Intervention' (that one directed by their great pal and 'Cheerleader' co-star Clea DuVall).
So as Lyonne gets her flowers at IndieWire Honors, Lynskey is here to remind us why there's nobody like Natasha.
'She's always been insanely talented,' Lynskey said. 'But now, she knows exactly what she's capable of — and the world knows it too.'
That includes writing, directing, producing, and starring in not one but two groundbreaking shows ('Russian Doll' and 'Poker Face'), all while championing the people she loves. 'If she loves you, she wants you to be doing everything to the maximum of your abilities,' Lynskey said. 'She's everyone's biggest cheerleader.'
Their friendship kicked off in Toronto during filming for the 1999 film 'Detroit Rock City,' when a shy, New Zealand-based Lynskey arrived on set. 'Natasha took me out for the night and that was it. We were bonded for life,' she said. That night included a Halloween KISS concert, an attempted casino trip (denied at the door: no passport), a persistent limo driver trying to crash the afterparty, and vodka. Lots of vodka. 'If we tried that now, it would take me two weeks to recover.'
Lynskey still lights up when she talks about how Lyonne works. 'I really kind of envy the looseness she has in her body, like the drapey-ness and the kind of physicality that can be a little bit masculine at times. It's really fun,' she said. 'She's very loose, especially in 'Poker Face.' She has a real sort of looseness to her limbs. And I feel like there's always a part of my brain that's like, 'What do I do with hands?'— there's just this swagger. Meanwhile, I'm over here like, 'What do I do with my hands?''
Even before 'Poker Face,' Lyonne's spirit helped shape Lynskey's path — sometimes literally. When Lynskey was auditioning for the role of a New Jersey girl in 'Coyote Ugly' and couldn't afford a dialect coach, she leaned on her interpretation of Lyonne (never mind that she was very much born and raised on the Upper East Side). 'It morphed into something else after I got cast, but I kind of based it on Natasha, yeah,' she said with a laugh. 'I don't know how impressed she was about that: 'I did that audition, too.' I was like, 'Well, sorry about that.'
Now, even as Lyonne's busy running the show, she's still hyping her friends. 'She's everyone's biggest cheerleader. I remember one time I got a message from her, and she was looking for acting coach or a dialect coach and she said, 'You're the best actor I have in my phone.' Such a specific compliment. I loved how it wasn't hyperbolic,' Lynskey said.
They don't see each other as much as they'd like, although Lynskey has an upcoming guest-star slot on episode 8 of 'Poker Face' — but when they do, nothing's changed. 'We had this great night recently, just hanging at Natasha's house and talking for hours. That's the good stuff.'
So what's left to say?
'She's such a treasure to all of us,' Lynskey said. 'There's nobody like her, so it's really so special to see her being recognized.'
Read Natasha Lyonne's full IndieWire Honors profile.
Best of IndieWire
The Best Thrillers Streaming on Netflix in June, from 'Vertigo' and 'Rear Window' to 'Emily the Criminal'
All 12 Wes Anderson Movies, Ranked, from 'Bottle Rocket' to 'The Phoenician Scheme'
Nightmare Film Shoots: The 38 Most Grueling Films Ever Made, from 'Deliverance' to 'The Wages of Fear'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

POKER FACE Recap: (S02E09) A New Lease on Death
POKER FACE Recap: (S02E09) A New Lease on Death

Geek Girl Authority

time2 days ago

  • Geek Girl Authority

POKER FACE Recap: (S02E09) A New Lease on Death

Poker Face Season 2 Episode 9, 'A New Lease on Death,' finds Charlie trying to put the kibosh on her nomadic lifestyle. However, she's still a magnet for bullsh*t, murder and mayhem. 'A New Lease on Death' is another delightful episode, bolstered by solid guest performances. It's giving Only Murders in the Building vibes (in a good way). This love letter to NYC and its melting pot of people reminds us not to judge a book by its cover. RELATED: Read our recap of the previous Poker Face episode, 'The Sleazy Georgian' Poker Face, 'A New Lease on Death' We open with Anne Saint Marie (Lauren Tom) trying to adopt her adult granddaughter, Maddy (Awkwafina). Yes, you read that correctly. Why? Because it'll ensure the penthouse Anne has resided in since 1972 stays in the family and that it continues to be rent-controlled. It's a neat little scheme. Then, we see Maddy start her day as a bike messenger. Her grandmother is a retired poetry professor. They run into Otto (David Alan Grier), the stringent landlord, who's in the process of erasing defamatory graffiti on the side of the building. Next, Anne meets Kate Forster (Alia Shawkat) while picking fruit outside a grocery store. Kate recites poetry, sweeping Anne off her feet. Shawkat here is radiating the same vibes as her Search Party character, especially in the later seasons. Grandma's Got a Girlfriend That evening, Maddy and Anne watch Jeopardy! as part of their nightly routine. Anne suggests they watch Michael Clayton for the umpteenth time. However, her head is in the clouds as she thinks about Kate. Later, Maddy walks in on Kate pleasuring Anne. Hey, grandma needs some, too. That said, I, too, would inadvertently pepper spray my eyes to remove the image of my g-ma, you know… RELATED: Poker Face Season 2: Our 6 Dream Guest Stars Anne and Kate explain that they've been dating while Maddy puts a compress to her eyes. Anne reassures Maddy that while she loved her late husband, she dated men and women during her youth. Maddy just wants her grandmother to be happy. Aw. Then, Anne reveals she asked Kate to move in with them. Maddy's loving expression morphs to one of annoyance. Later, our trio is watching Michael Clayton . Kate disparages it as a 'dumb' film. Of course, Maddy takes offense to this, considering it's Anne's favorite movie. However, Anne claims it's all gravy. After this, Maddy makes a copy of Kate's license and asks Ricardo (Angel Rosario Jr.) to dig up some dirt on Kate. Kate Is Amelia Next, Maddy confronts Kate in the laundry room with her findings from Ricardo. As it turns out, Kate's real name is Amelia Peek, and she's from Oregon. Amelia has a slew of offenses on her record, including assault in the fourth degree. She's clearly trying to scam Anne out of the latter's rent-controlled apartment. To be fair, that's akin to finding a pot of gold in New York City. RELATED: Russian Doll Season 2 Thoughtfully Explores Motherhood and Trauma Maddy orders Amelia to pack her sh*t and get out. She whips out her pepper spray to show Amelia she's not messing around. Amelia threatens Maddy, insisting she doesn't want to meet the woman in this file. Amelia could make Maddy's life hell. Suddenly, the spin cycle on the washer behind them shakes said washer enough to knock off the Coke can on top of it. It's a nice button to a perfectly tense moment. Amelia agrees to leave but asks for a few days to let Anne down gently. Maddy gives her one. After this, Amelia removes the doorknob on the laundry room door and installs a new one. She spills chemical descaler on the floor. Then, she puts an open container of bleach on top of a washer. She turns it on. Maddy in the Laundry Room With the Chlorine Gas Later, Maddy pulls Amelia aside, demanding to know why the latter is dragging her feet. It's time to go . Amelia insists she's on the way out; however, she'd like some alone time with Anne to end the relationship. She asks Maddy to take her last load of laundry out of the washer and put it in the dryer in the meantime. Maddy acquiesces. RELATED: Geek Girl Authority Crush of the Week: Mabel Mora In the laundry room, Maddy searches for Amelia's supposed last load. Suddenly, the spin cycle starts on the running washer, knocking off the bleach onto the floor. It mixes with the descaler, causing a release of chlorine gas. Maddy tries to escape, but the door is locked. RIP, Maddy. Flashback time! Charlie (Natasha Lyonne) chats with Good Buddy (Steve Buscemi) on the radio. She's looking to put down roots in the city. Good Buddy has an apartment in Brooklyn that he hardly lives in. It's just collecting dust. He offers it to Charlie. She parks outside the complex, which happens to be the one Anne and Maddy live in. There, she meets a resident, Noreen (Myra Lucretia Taylor), who's peeling potatoes. Moving In Inside, she runs into Otto. Otto explains that subletting is illegal. Charlie reveals she's here to water her friend's cacti. Otto adds that cacti only need watering every 10 days, so she'd better scoot on out of there afterward. Once in the apartment, Charlie collapses on the bed. She's finally in a place she can call home. RELATED: Read our Russian Doll recaps Next, at the grocery store, Charlie asks Abdul (Pej Vahdat), the proprietor, if he's hiring. This is where she encounters Amelia/Kate, who's trying to return a 'bad' melon in exchange for five mangoes. Charlie clocks her bullsh*t out of the gate. However, she respects Amelia's fruit scam. Initially, Amelia is irritated, but then she pivots, asking Charlie out for dinner. Then, Charlie returns to the apartment complex. Unfortunately, Otto spots her and tries to chase her down. She barges into the laundry room and locks the door. Maddy's in there, removing the chains from her bike for work. We see the chemical descaler perched on a shelf within the wall. Maddy informs Charlie that this place is a death trap, and Otto hasn't fixed the laundry room door yet. She removes the door off its hinges before asking Charlie if she likes Jeopardy! POKER FACE — Season 2 Episode 9, 'A New Lease on Death' Pictured: (l-r) Awkwafina, Alia Shawkat, Lauren Tom — (Photo by: Ralph Bavaro/PEACOCK) Pay It Forward Later, Charlie joins Anne and Maddy in their apartment to watch Jeopardy! and Michael Clayton . Ricardo pops on by. We learn that he works at the library. Charlie asks if they're hiring. Maddy vows to hook her up with a job. She's got connections. Ultimately, Charlie decides that remote work is the route for her. RELATED: The Best True Crime Shows on Netflix The following day, Charlie sits outside a cafe with her laptop. She meets Alex (Patti Harrison), who offers her a free coffee. The cafe messed up her order and gave her an extra coffee. Charlie accepts it. Alex only asks that Charlie pay it forward. Keep up the assembly line of kindness. After this, Charlie returns to the apartment to discover that there's been a tragic accident. One firefighter, Micky (Paul Douglas Anderson), reveals he's a resident there. Charlie learns she lives above him and compliments his tap dancing skills. Micky used to be on Broadway, but being a firefighter pays the bills. Charlie encourages him to pursue that passion again. A Pineapple of Condolence Charlie gets more info about the accident from Noreen, who used to be a journalist for Vague . What did they cover, you ask? This and that. Admittedly, this elicited a chuckle from me. It's prime dad joke material. Anyway, Noreen shares that Maddy was locked in the laundry room and died by chlorine gas inhalation. After this, Charlie stops by Anne's place with a pineapple of condolence. Amelia answers the door and refuses to let Charlie in. Charlie's seeing red flags now. RELATED: Read our Only Murders in the Building recaps She encounters Otto again and voices her concerns regarding Maddy's death. It doesn't seem accidental. They head to the laundry room, where Charlie questions him. Did he kill Maddy? Of course not. Charlie believes him. However, had he known about Anne and Maddy's rent-control scheme, he might've tried. Anyway, Charlie spots the descaler on the wall. Otto admits it wasn't there before. Additionally, he fixed the doorknob on the laundry room door, but someone installed a new, faulty one. Charlie finds a sticker on said knob and traces it back to its origins. Meanwhile, Anne tearfully tells Amelia that she wants to sell the penthouse. She can't stay here anymore. It's too painful. Naturally, this throws a wrench in Amelia's scam. Amelia recovers her record, which Maddy got from Ricardo. She plans to pay Ricardo a visit. Artwork and Threats At the same time, Charlie asks Abdul about who purchased the doorknob. We learn that Abdul has face blindness; however, he remembers regulars based on their orders. Thankfully, he's a fan of Charlie. He pinpoints the doorknob purchase on a woman who complains incessantly about the fruit she buys. Bingo. RELATED: Top 11 Peter Bogdanovich Films Elsewhere, Amelia threatens Ricardo while brandishing a knife. He's read her record; he knows what she's capable of. Ricardo agrees to keep his lips sealed. He won't tell anyone about her. To ensure his silence, Amelia takes one of his expensive pieces of artwork. While Amelia ascends the staircase with the artwork, Charlie, not knowing the killer is a few feet away, knocks on Ricardo's door. After she heads inside the apartment, Amelia eavesdrops on their conversation. Charlie asks Ricardo questions about Amelia. He claims ignorance; he doesn't know who that is. Charlie doesn't realize that Ricardo is simply trying to protect himself. Amelia pulls the fire alarm. Tenants flood the sidewalk outside. In the lobby, Ricardo discovers his artwork vandalized. The girl in the portrait now has a slash on her throat. It's a not-so-subtle threat. Catching a Killer Charlie chats with Micky, who claims he owes her. He's got an audition coming up. Charlie tries to hail Ricardo, who's speeding away on his bike. He's getting the hell out of Dodge. Charlie attempts to confront Amelia, but the latter brushes her off. Amelia returns to the penthouse to find Otto in the middle of a viewing. A man named Ted (Kareem Rahma) wants to rent it. Uh-oh. RELATED: Read our Poker Face recaps Amelia confronts Anne. Anne told her she didn't want to live there anymore. She suggests they head to the countryside. Amelia broaches the idea of marriage. Perhaps they can wed now and then explore the country as a married couple. It'll be more fun that way! Amelia leaves to gather the appropriate paperwork. Charlie utilizes her absence to get Anne's attention. She discloses everything to Anne. Upon Amelia's return, Anne and Charlie confront her. Amelia killed Maddy and will inevitably bump Anne off, too. Amelia swears up and down that she didn't commit murder. She urges Anne to switch out her laundry in the laundry room while she chats with Charlie. Uh, that sounds like code for, 'I'm going to kill you like I did your granddaughter,' to me. With Anne out of the penthouse, Amelia shoves Charlie off the balcony. However, Charlie lands safely, thanks to Micky and the firefighters. Anne returns with Mr. Leung (Christopher Chan), who was facilitating Maddy's adoption at the beginning of the episode. He recorded Amelia's attempt to murder Charlie. POKER FACE — Photo by: PEACOCK Endings Are Beginnings Later, with Amelia behind bars, Anne resumes the moving process. She gives Charlie a book of poetry. Anne is ready to move on with her life. Meanwhile, Ted and his pals are ready to renovate the penthouse to his liking. Endings are beginnings and vice versa. Poker Face drops new episodes every Thursday on Peacock. KNIVES OUT 3 Reveals First Look of Benoit Blanc With Long Hair Contact: [email protected] What I do: I'm GGA's Managing Editor, a Senior Contributor, and Press Coordinator. I manage, contribute, and coordinate. Sometimes all at once. Joking aside, I oversee day-to-day operations for GGA, write, edit, and assess interview opportunities/press events. Who I am: Before moving to Los Angeles after studying theater in college, I was born and raised in Amish country, Ohio. No, I am not Amish, even if I sometimes sport a modest bonnet. Bylines in: Tell-Tale TV, Culturess, Sideshow Collectibles, and inkMend on Medium. Critic: Rotten Tomatoes, CherryPicks, and the Hollywood Creative Alliance.

How ‘Materialists' Finds True Love in New York City
How ‘Materialists' Finds True Love in New York City

Yahoo

time3 days ago

  • Yahoo

How ‘Materialists' Finds True Love in New York City

Location work is not usually considered one of the 'creative' departments on a film. Of course, they work with the director and the production designer to find spaces that will work for specific scenes that can't or shouldn't be shot on a set, but theirs is the unsexy work of negotiating contracts with owners, securing all the needed permits, and handling the crew's impact on locations. Yet director Celine Song credits a great deal of the push-pull yearning of her second feature, 'Materialists,' to that location work. New York City is not the easiest place to shoot, but it was important to Song for the film to reflect the realities of what it's like to live in New York. The apartments and streets in which the characters fight and make up and make out are characters in and of themselves. 'Location management in this film is a creative position. We were talking pretty creatively — my DP, my line producer, my production designer, and my location manager — we're all trying to solve problems together,' Song told IndieWire on an episode of the Filmmaker Toolkit podcast. More from IndieWire 'Saw' Franchise Rights Acquired by Blumhouse, Reuniting James Wan with Horror Series A New Blu-ray Collection Opens the Warner Bros. Animation Vault - and Finds 50 Treasures Inside Location manager Joe Mullaney and his team even helped Song realize something about the characters that was embedded in the script, but no one had quite articulated. 'Joe was the first to notice — because he has to permit every time a character smokes — that Lucy [Dakota Johnson] never smokes with Harry [Pedro Pascal]. She only smokes with John [Chris Evans]. And of course eventually the actors figured that out, too, but Joe was the first,' Song said. 'It's a very specific perspective.' The perspective was an extremely important one for 'Materialists,' which is so specific to New York and yet contains a much wider historical scope. It begins with and then later checks in on a very early, prehistoric marriage, after all, and Song and Mullaney were delighted to find a corner of Central Park where a bridge could echo the sense of a cave, and visually merge the two storylines at the end. ' It requires Joe's lifetime, his whole career, of building trust in New York City. He needs to have a good reputation for being somebody who can be trusted to give you their space. So I'm relying so much on his work even before my movies, you know?' Song said. But something that pervades both of Song's movies, 'Materialists' and 'Past Lives' is how living in New York forces the characters to move through the echoes of millions of other people's lives. Visually, that sense was something no amount of B-Roll or establishing drone footage could create. The characters had to be in and of the city. It's part of the romance Song wanted to create. 'Public spaces in New York are the most romantic places, because you know that you're not the first couple to have an argument there. Like, [on] every corner of New York City, someone has peed there, someone has slept there, someone has had a huge argument there, and someone has kissed there,' Song said. 'We're shooting in New York City, which is expensive and difficult — just like living in New York City. But [it's] romantic and rewarding — just like New York City. We were sort of acknowledging, well, if you're doing it, you might as well do it.' That meant going all out on streets and stoops, especially in relation to John. His apartment isn't exactly conducive to heartfelt conversations, but Lucy's isn't that much better, either. And the fact that they can't be fully comfortable or private in the spaces they live changes how the characters move through the world and desire each other. ''Materialists' is about the way that the cynic and the romantic are in conversation, and in a bit of a tussle,' Song said. 'New York City is exactly that. To live in New York City, you have to be a romantic because the quality of living is not high enough for it to be possible for anybody who is not romantic in some way… but on the other hand, part of surviving in New York City is that you have to have a healthy dose of cynicism, too. [The city] just encapsulates that amazing balance. [So] it was always fundamentally a thing that we wanted to shoot in New York City.' 'Materialists' is now playing in theaters. To hear Celine Song's full interview, subscribe to the on , , or your favorite podcast platform. Best of IndieWire The Best Thrillers Streaming on Netflix in June, from 'Vertigo' and 'Rear Window' to 'Emily the Criminal' All 12 Wes Anderson Movies, Ranked, from 'Bottle Rocket' to 'The Phoenician Scheme' Nightmare Film Shoots: The 38 Most Grueling Films Ever Made, from 'Deliverance' to 'The Wages of Fear'

Kathy Bates Salutes Her ‘Matlock' Team — ‘First, Last, and Always, I Am a Soldier of the Cinema'
Kathy Bates Salutes Her ‘Matlock' Team — ‘First, Last, and Always, I Am a Soldier of the Cinema'

Yahoo

time3 days ago

  • Yahoo

Kathy Bates Salutes Her ‘Matlock' Team — ‘First, Last, and Always, I Am a Soldier of the Cinema'

Kathy Bates is still relatively new to leading a major network juggernaut, but at IndieWire Honors, the 'Matlock' star declared herself part of Hollywood's 'old guard.' Surrounded by friends and collaborators from the CBS legal drama, IndieWire's Vanguard award winner began her acceptance speech on June 5 by reflecting on the definition of the accolade. 'I looked up the word 'vanguard' and it means 'a group of people leading the way in new developments or ideas,'' said Bates. 'If you use that in a sentence, it would be the experimental spirit of the modernist Vanguard. So you folks at IndieWire have provided me the perfect opportunity to thank the army of folks who continue to champion our incredible show.' More from IndieWire 2025 Emmy Predictions: Outstanding Lead Actor in a Drama Series 2025 Emmys Predictions: Outstanding Drama Series The acting legend began her litany of thanks for CBS with executives George Cheeks, Amy Reisenbach, and David Stapf. She also tipped her hat to Eric Kim, Yelena Chak, Phil Gonzales, Kristen Hall, Claudia Lyon, Brian Seabury, and Yani Chang at the network, quipping, 'Thank you all for being such delightful people to work with and not weird at all.' Honoring her personal team, Bates thanked her agent Brian Mann at CAA and press agent Rachel Karten. Explicitly and proudly showing off the show's ratings success ('16 million!'), Bates also credited her co-stars. She spoke directly to three of her fellow actors, who were seated with 'Matlock' creator Jennie Snyder Urman in front of the podium. 'Jason Ritter and David Del Rio, you bring joy to my heart every day,' said Bates. 'As Jung put it, you are 'the youthful regenerative males' and essential for older women to keep their glow.' She continued, 'Skye P. Marshall, your eyes assure me that we will catch each other in our highwire act without fail. I never expected to find you, girl. How lucky we are to play delicious roles that we can sink our teeth, claws and souls into.' Marshall wrote the heartfelt dedication for Bates' Vanguard award. 'Finally, Jennie Urman, your vision is why we are all here to celebrate Matlock tonight,' Bates said. 'I am so glad you took that long walk to find your way into the soul of an old woman who is fighting her last battle as a sniper — which is kind of sexy! I identify with her and you. I adore you.' Looking back on her career as a gladiator in the craft of acting, the 'Misery' and 'Matlock' star concluded, 'First, last, and always, I am a soldier of the cinema. I will gladly bring up the rear, as the ready reserves, the old guard.' The IndieWire Honors event took place at NeueHouse in Hollywood on Thursday, June 5. Other honorees for the evening included Ben Stiller, Colin Farrell, Owen Cooper, Julianne Nicholson, and more. Best of IndieWire 2023 Emmy Predictions: Who Will Win at the Primetime Emmy Awards? 2023 Emmy Predictions: Outstanding Documentary or Nonfiction Special 2023 Emmy Predictions: Outstanding Documentary or Nonfiction Series

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store