
Which West Midlands festivals can I go to this summer?
Festival season is well under way across the West Midlands, with plenty to do over the coming months across the region.We've compiled a list of some of the dozens of events going on, catered to everyone from families to people with specific hobbies and interests.
Birmingham and Black Country
Sandwell & Birmingham Mela has been described by its organisers as the biggest South Asian music festival in Europe. Held at Victoria Park in Smethwick on 19 and 20 July, it is expected to attract more than 50,000 people.CoCoMAD is a family festival of music, art, dance, science, circus, and food. You don't need a ticket, and it is held on 5 July at Cotteridge Park.The Black Country Festival is a series of events across the area this summer, celebrating the Black Country. This includes Willenhall Transport Show on 29 June at the memorial park, and Sandwell Pride at the country park on 30 June.MADE Festival will have several events in Digbeth this summer, after organisers announced in March that they would be diversifying. Formerly a weekend event, it will now be a series of festival-style day parties showcasing music, art and local talent.The first was a dance music show on 31 May, with the organisers saying there is more to come this summer.
Coventry and Warwickshire
Coventry's Godiva Festival is back this year, with the headliners confirmed as Marc Almond, Clean Bandit and Ocean Colour Scene. It is held in Coventry's War Memorial Park and runs from 4 to 6 July. Earlier this year, the city council announced that ticket prices this year would be frozen.If you're into beer, Coventry's Summer Beer Festival is on from 30 July to 3 August in Fargo Village. There will be live music and local beer, with free entry.Warwick Folk Festival returns from 24 to 27 July at Castle Park. Its headliners are Richard Thompson, Le Vent du Nord, Kate Rusby and Martin Simpson.
Herefordshire and Worcestershire
Lakefest, at Eastnor Castle in Herefordshire, runs from 6 to 10 August. It has everything from music and entertainment, to comedy, craft activities and gaming. Its biggest acts include Faithless, Busted, Pixie Lott and a Groove Armada DJ set.Leominster Festival is a huge series of events running from 1 to 14 June, celebrating the town and community. It is run by volunteers. There are dozens of events happening, including a colour run, kids disco, live music, karaoke and a big street quiz.Ledbury Poetry Festival is a 10-day festival from 27 June to 6 July. Events are scattered around at different venues, and there are even some that you can join virtually.They include a poetry performance skills workshop for children, a reading of poetry by Alistair McGowan, and workshops.
Shropshire
Live at Ludlow Castle returns from 17 to 19 July and 25 to 27 July. Olly Murs, Supergrass, The Script, Texas, Jess Glynne and Eurovision entry Remember Monday are among confirmed acts.Cally Rhodes, from Shrewsbury, a former BBC Introducing Artist of the Year for Shropshire, was chosen to support Murs' sold-out gig.Alderfest hosts live music and events, as well as children's entertainment at Alderford Lake in Whitchurch on 4 and 5 July. Ella Henderson, Pixie Lott, Toploader and Vengaboys are all performing.Telford Balloon Fiesta takes place from 22 to 24 August at Telford Town Park. It will see activities, events and of course balloons. Its popular night glow featuring illuminated balloons is also back this year.
Staffordshire
Forest Live at Cannock Chase Forest is a huge event happening this summer. Held from 25 to 28 June, it features artists like Nile Rodgers and Chic, Snow Patrol, Sting, and James.It is set in the backdrop of the natural amphitheatre arena.Trentham Estate will host five weekends of live music as part of Trentham Summer Concerts. From 27 June to 26 July, attendees can see concerts including a tribute to Queen, the millennial soundtrack, and the modern country music show.The 18th Jazz & Blues Festival in Newcastle-under-Lyme is happening from 25 to 27 July. It boasts more than 70 gigs in 21 local venues.
Wolverhampton
WV1 Fest is a popular tribute festival running on 9 and 10 August. It has two stages of rock music tributes, with more than 30 live acts. This includes Knotslip and Link N Park.There are several events happening which are part of the Black Country Festival - it is a unified festival that brings together the boroughs of Dudley, Wolverhampton, Walsall, and Sandwell.One of which is the City of Wolverhampton Armed Forces Day is on 28 June on Park Road West. It includes a parade and armed forces band, as well as activities and a funfair.Another is Come-Unity in the Park Christian Festival, held at Hickman Park in Bilston on 12 July. Featured is gospel music, entertainment and food and drink.
Follow BBC Birmingham on BBC Sounds, Facebook, X and Instagram.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Guardian
2 hours ago
- The Guardian
‘I find it sad and difficult to listen to the Smiths': Ana Matronic's honest playlist
The first song I fell in love with I was obsessed as a child with the Muppets and Sesame Street. My grandmother made me a puppet of the Count to help practise my counting. I loved The Pinball Number Count with the Pointer Sisters counting up 1, 2, 3, 4, 5 / 6, 7, 8, 9, 10 / 11/ 12 which is prophetic because I still consider the Pointer Sisters one of my all-time favourite bands. The first record I bought I was playing Delirious by Prince for my mother in 1982, and she said: 'He sounds like Little Richard.' I said: 'Who is Little Richard?' and she said: 'Get in the car, young lady,' and we went and bought a Little Richard greatest hits set. It was the start of a long conversation about music with my mom. The song I do at karaoke Psycho Killer by Talking Heads, Should I Stay Or Should I Go by the Clash, or – in the right mood – Pulp's Common People. The song I inexplicably know every lyric to You're speaking to someone who used to be a drag queen and is involved still in nightlife on Fire Island. I explicably know the words to lots of songs, especially if they are well known in the LGBTQ+ community. I've never owned Believe by Cher, but I can sing every word. The best song to get the party started I play so many kinds of parties: house music, disco, 80s, alternative. The one song they all agree is that Pull Up to the Bumper by Grace Jones is an absolute party starter. The song I can no longer listen to I find it sad and difficult to listen to the Smiths, but I still listen by pure virtue of Johnny Marr's guitar brilliance. How Soon Is Now was on such constant rotation when my father passed away, I'm sure my mom hates it now. The song I secretly like I don't believe in guilty pleasures. I think all pleasures should be enjoyed. I absolutely love – and can murder on karaoke – [US heavy metal band] Danzig. You'll often find me, late at night, headbanging. The song that changed my life I already loved Duran Duran and was a bit of a new romantic. But when my older sister brought home The Head on the Door by the Cure and I heard Inbetween Days, I went straight to the record store to talk to the guy behind the counter about my next purchase. The song that gets me up in the morning Straight Shooter by the Mamas and the Papas. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion The best song to have sex to Side one of Led Zeppelin IV. Preferably in a van. The song that makes me cry My friend Amber Martin does an incredible show, where she recreates Bette Midler's Bathhouse performances from the 1970s and you have to check your clothes and wear a towel, so it's just like going to the Continental Baths in 1972. When she does I Shall Be Released by Bob Dylan, it always makes me cry. The song I'd like played at my funeral Lavender Coffin by Lionel Hampton. I could get a lavender coffin, that'd be great. I could just rent it. I don't have to be inside. Maybe the Count from Sesame Street could be inside, and come out and sing. That's what I want. Ana Matronic's Good Time Sallies podcast is out now.


The Guardian
3 hours ago
- The Guardian
I'm no Ed Sheeran fan, but he's right: when it comes to musical plagiarism, guilt is in the ear of the listener
Leave Ed Sheeran alone. Four words I never expected to write, but we live in very strange times. Cards on the table: I'm no fan of his music, but that's neither here nor there when it comes to making sense of the recently concluded epic battle over alleged copyright infringement. To catch you up to speed: on 20 June 2014, Sheeran released his second studio album X, a worldwide chart-topper. On 24 September 2014, he released the third single from it, Thinking Out Loud, a standard love song about vowing eternal devotion, which was another worldwide chart-topper. In between, that July, BBC Radio 1Xtra announced its Power List of the most important figures in black and urban music, which, to much derision, placed the very white Sheeran at the top. This was nothing new: Sheeran had already received four nominations for a Mobo Award. And, at least according to the owners of Marvin Gaye's 1973 bedroom ballad Let's Get It On, Thinking Out Loud was indeed music of black origin. The family of Ed Townsend, Gaye's co-writer, launched a copyright infringement case in 2016, seeking $100m in damages. In 2023, a New York jury ruled in Sheeran's favour. However, a company called Structured Asset Sales, which owns a stake in Townsend's songwriting, launched a separate case in 2018. This week, that case, too, was rejected by the US supremecourt. This comes as a particular relief to Amy Wadge, Sheeran's co-writer. Wadge is a true Welsh success story (she grew up in Somerset but cut her teeth on the grassroots Cardiff scene), and deserved better than a decade-long shadow over her first major hit. There is the very vaguest similarity in the way Thinking Out Loud's syncopation drags its heels, the trick that gives Let's Get It On its sexiness. If anything, at the risk of precipitating another legal case, Thinking Out Loud reminds me more of Tracy Chapman's Baby Can I Hold You, and I'm not alone. (A YouTuber has created a mashup called Baby Can I Think Out Loud Tonight, and the two songs are also paired together on the SoundsJustLike website.) This was not the first time a Marvin Gaye song has sparked a copyright case. In 2015, the Gaye estate successfully won a case against Robin Thicke and Pharrell Williams regarding their hit, Blurred Lines, not on the basis of melody or lyrics but, controversially, a similarity to the vibe and feel of Gaye's 1977 single Got To Give It Up. Nor is it the only time Sheeran has been the target of such a claim. His 2017 mega-hit Shape of You was targeted, unsuccessfully, by grime artist Sami Switch in 2022. Anyone immersed in pop history can rattle off dozens of previous cases, fruitful or failed. Most famously of all, George Harrison paid out £587,000 due to his 1971 hit My Sweet Lord's strong resemblance to the Chiffons' He's So Fine. Sugar Hill Gang's epochal Rapper's Delight eventually gave a co-credit to Nile Rodgers and Bernard Edwards of Chic, whose Good Times bassline it interpolates. Radiohead ceded a small percentage of the royalties for Creep to the composers of the Hollies' Air That I Breathe. When Jonathan King launched a media campaign accusing Pet Shop Boys of plagiarising Cat Stevens' Wild World, even recording a cover of Stevens' song in a PSB style, Neil Tennant and Chris Lowe turned the tables by successfully suing King, donating the proceeds to charity. (And that's before we even touch upon the countless samples-based cases.) Whether or not a case has merit is a question for musicologists and lawyers to consider (and, in the case of Sheeran's Thinking Out Loud, they've answered it conclusively). But in the court of public opinion, guilt or innocence is in the ear of the listener. We all enjoy spotting examples. Searching through my own social media, there are countless times I've observed: 'You never see (Song A) and (Song B) in the same room.' But we don't always enjoy having them pointed out to us. I remember being annoyed when my dad told me the Jam's Start! made generous use of the bassline from the Beatles' Taxman. And it isn't as if the Beatles were innocent of such things (look up Bobby Parker). Ultimately, we are all hypocrites. How we react to alleged rip-offs depends on how fond we are of the alleged ripper-offer. If the Manics do it to Goldfrapp (Europa Geht Durch Mich), or Pulp to Laura Branigan (Disco 2000), or Suede to Judy Garland via Bowie (The Drowners), I might hail it as evidence of their taste, their cleverness and their adeptness at intertexual referentiality, or 'dialogic composition'. If Oasis do it to T Rex (Cigarettes and Alcohol), I cite it as proof of their oafish derivativeness. Sometimes, the originator takes a magnanimous view. In 2013, it was alleged that One Direction's Best Song Ever bore a close resemblance to the Who's Baba O'Riley. Pete Townshend quickly distanced himself from the furore. 'The chords I used and the chords they used,' he wrote in a statement, 'are the same three chords we've all been using in basic pop music since Buddy Holly, Eddie Cochran and Chuck Berry.' In 2021, Olivia Rodrigo was accused of lifting the riff of her single Brutal from Elvis Costello & the Attractions' 1978 classic Pump It Up. Costello was fine with the steal. 'It's how rock & roll works,' he tweeted. 'You take the broken pieces of another thrill and make a brand new toy. That's what I did.' In 2014, Sam Smith scored a major hit with Stay With Me, whose chorus was melodically similar to I Won't Back Down by Tom Petty. The latter and co-writer Jeff Lynne reached a 12.5% settlement with Smith and their team, and Petty bore no grudge. 'All my years of songwriting have shown me these things can happen,' he said. 'Most times, you catch it before it gets out the studio door, but in this case, it got by.' This feels like the most enlightened approach. That's how the chain of influence functions, from generation to generation. The caveat being that there's sometimes a power dynamic at play, and it's often black artists who get shafted (it still leaves a sour taste that Led Zeppelin only gave co-writing credits to bluesmen such as Willie Dixon decades too late). As the saying goes, where there's a hit there's a writ. 'I feel like claims like this are way too common now,' said Ed Sheeran after the Sami Switch case, adding: 'Coincidence is bound to happen if 60,000 songs are being released every day on Spotify. That's 22m songs a year, and there's only 12 notes that are available.' Referring to the Gaye case, he said: 'I am not and will never allow myself to be a piggy bank for anyone to shake.' Sheeran has a point. Claims of plagiarism too often stifle pop, and only result in lawyers getting richer. The message to plaintiffs, especially if they're faceless corporations, is simple: be less petty, and be more Petty. Simon Price is a music journalist and author


BBC News
4 hours ago
- BBC News
Where's best to pitch a tent at Glastonbury Festival 2025
Where to pitch a tent at Glastonbury Festival is a frequently asked question, particularly for first-time punters. When the gates to Worthy Farm open on 25 June, there will be crowds of people rushing to grab what they consider to be the best there is no right or wrong place to camp - it all depends on what you want to get out of the experience. Frequent visitors are known to return to the same spot year after the plan is to party all night, get a good view of the Pyramid Stage or to get a good night's sleep, there is a spot that caters for everybody - just make sure to park and enter through the correct areas. Big Ground - for the Pyramid Access via Gate B or CPark in purple or blue car parks The Big Ground site is located right in front of the Pyramid hoping to camp there should arrive early as the coveted spots fill up quickly, with many punters eager to hear the music from the comfort of their it can be noisy, it quietens down significantly once the Pyramid stage performers finish for the you plan on venturing to other stages and areas of the site, it may not be the best place to stay as it can be a long trek back to the tents. Cockmill Meadow & Ash Tree - Family camping Access via Gate B or CPark in purple or blue car parks The Cockmill Meadow and Ash Tree Family Camping sites are ideal for those attending with their families, although groups without children can still pitch a tent is located across from the Big Ground, meaning it is close to the Pyramid Stage and the Kidzfield is also are a variety of food stalls and bars close to the site, offering plenty of choice for are electric pylons close by that hum, which may bother some people, but other than that, the area is not too Cockmill Meadow and Ash Tree Family sites are far from The Park Area, Shangri La, Unfairground and Block 9, so be prepared for a decent walk if you plan on venturing to those areas. Pennard Hill Ground - Party time Access via Gate DPark in orange car park Pennard Hill Ground is known as the party camping Stone Circle, Arcadia and South East Corner are all nearby, meaning the area is far from peaceful and Pyramid Stage is a bit of a walk, so punters should consider how often they plan on watching acts perform site is popular and often fills up by Wednesday afternoon. Those hoping to pitch their tent there should aim to arrive early and potentially queue overnight to secure a good spot, especially as the capacity has been reduced this year. Spring Ground - Accessible Access via the yellow gatePark in the accessible car park The Spring Ground is the accessible camping hoping to pitch a tent there must register in advance to secure their spot. They can attend with a PA or carer and an additional two site offers wheelchair accessible toilets, showers and a changing places unit with an electric raised bed and hoist. Hoist slings are not is also a fridge available to store medication and hot water facilities for cooking and are there 24/7 offering assistance where badge holders do not need to buy a festival parking ticket, but they must register for accessible parking with an Access Application Form. Darble - Cycling or taking to the bus to site? Access via Gate APark in pink car park Darble is located near the bus and coach station, making it the ideal site for those travelling to the festival via public is also home to the Cyclist's Camping area, which is reserved for those cycling to Worthy Farm. Secure lockups for bikes are available luggage delivery services are also offered for a small fee, sending possessions to a range of drop-off sites around Somerset and Darble offers many perks, it is located on the outskirts of the site, meaning campers will be far from the central entertainment areas. Although some camp sites might seem more desirable than others, with so much happening across the whole festival site, wherever you pick, you're likely to be doing a lot of walking. This year British band The 1975, rock legend Neil Young and US pop star Olivia Rodrigo are headlining, while Rod Stewart will also perform on Sunday afternoon in the 'legend slot'.It will also be last festival before the 2026 fallow year to let the fields you were unable to get yourself a ticket for the world's biggest music festival - don't worry - the BBC will have extensive coverage throughout Glastonbury 2025.