Stefanie Sun performs to 50,000 fans at the Bird's Nest
18 Jun - Stefanie Sun recently kicked off the Beijing leg of her "Aut Nihilo" concert tour at the National Stadium (aka the Bird's Nest), where she performed to the tune of 50,000 fans.
Performing at the venue for the first time in her 25 years of career, Stefanie is also only the fourth female singer to have ever been granted the chance to hold a solo concert at the iconic location.
The concert also saw the attendance of stars like Michelle Chen, Chen Linong, Zhou Dongyu and many more, with the former writing, "I wanted to cry as soon as you came on stage. After all, you have carried my youth for so many years. Fortunately, there were fast songs, so I only cried for half of the show."
It was understood that the concert was directed by Stefanie's music partner and music director Kenn C, and that the Singaporean singer herself participated in the whole process, from conception and arrangement to stage design.
Stefanie also expressed her thoughts about performing at the iconic venue, writing, "It is hard for me to describe the experience of singing in the Bird's Nest. The sound in the venue was very consistent and surrounded me on the stage like waves. This is the moment when the singer is overwhelmed by the audience."
"People outside the venue listened to the concert comfortably, drinking tea and eating snacks. They sang along warmly, occasionally shouting and humming. Though beyond my line of sight, we were all connected in that moment."
Stefanie said that watching the videos from the concert was like someone was cutting onions next to her.
Her next performance would be in Qingdao.
(Photo Source: Stefanie IG)
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
3 hours ago
- Yahoo
Morgan Wallen sets negative headlines ablaze during 'I'm the Problem' tour opener
Morgan Wallen marked the opening night of his "I'm The Problem" Tour with a fiery performance at NRG Stadium in Houston, Texas, including what seemed to be his reaction to recent news headlines. According to multiple videos from fans in attendance at the June 20 concert, Wallen displayed a montage of negative headlines − including one that read "Morgan Wallen breaks COVID mask protocols" − during his performance of "I'm the Problem." After the song's performance, Wallen appeared to pour gasoline on the stage and then picked up a lighter, cueing a pyrotechnic show. "You say I'll never change, I'm just a go around town with some gasoline," Wallen sings during the opening lyrics of the song. "Just tryin' to bum a flame, gonna burn the whole place down." Wallen posted an Instagram video walking out before the concert with retired NFL legend Andre Johnson of the Houston Texans. USA TODAY reached out to reps for Wallen and NRG Stadium for comment. "Morgan Wallen burns the place down while bringing the receipts," wrote one X user. Another user on TikTok wrote, "Morgan Wallen claps back at all the negative headlines and sets the stage on 'fire.'" Wallen has spent his fair share of time in the headlines. Earlier this year, he caused quite a stir by making an early exit from "Saturday Night Live" during a March episode of the NBC sketch series. In an unusual moment, he hugged Oscar-winning host Mikey Madison during the signoff before walking off stage and then taking to his Instagram stories to post a photo of a plane and wrote, "Get me to God's country." Morgan Wallen teases new album 'I'm The Problem' and announces 2025 tour The walk-off moment sparked a wave of criticism for the "Just In Case" hitmaker, who pleaded guilty last year to misdemeanor reckless endangerment after throwing a chair off the roof of a bar. In 2020, Wallen was uninvited from "SNL" after videos surfaced that showed him partying without a mask amid the COVID-19 pandemic. The next year, he shocked the music industry when he was captured on tape in a TMZ video using a derogatory racial slur commonly used to describe Black people. The "Kick Myself" singer will also perform Saturday, June 21. Wallen's tour is named after his fourth studio album, in its fourth week at No. 1 on the Billboard 200 top albums chart. His previous album, "One Thing at a Time," spent 19 weeks at No. 1 — the most weeks any country album has ever logged at No. 1. "One Thing" followed "Dangerous," which spent 10 weeks at No. 1 on its way to becoming Billboard's most successful album of the century so far. Contributing: Brendan Morrow, USA TODAY; Ed Masley, The Arizona Republic This article originally appeared on USA TODAY: Morgan Wallen sets 'I'm the Problem' tour on fire, addresses backlash
CNN
4 hours ago
- CNN
Big hype, tiny plushie: Visualizing the Labubu craze in 5 charts
Labubus — the fluffy, sharp-toothed figurines adorning belt loops and bags across the globe — aren't just toys. They've become a cultural and commercial phenomenon. The creepy-cute collectibles, typically sold in 'blind boxes' that conceal the design inside, have gone from niche toy to global craze, propelling a revenue explosion at Pop Mart, the Chinese company behind the product. And for collectors chasing the rarest versions — like the elusive 'secret' Labubu — the price of obsession can add up fast. In 2024, the company reported revenue of more than $1.8 billion, including $420 million outside China, in part because of Labubu sales. CNN unpacks how this tiny plushie helped fuel a billion-dollar business. The furious interest in the brand has fueled many new offerings from Pop Mart for US customers in recent years, according to an analysis of the company's products, which lists release dates in their descriptions online. The cumulative number of dolls, figurines and related 'The Monsters' products, which includes Labubu, has more than doubled in recent years, according to a CNN analysis. Part of the demand is perhaps driven by a clever sales tactic. Popular Labubu blind boxes offer six possible designs — and a chance at a 'secret' variant. Pop Mart advertises that buyers have a 1-in-72 chance of unboxing these coveted versions. For collectors chasing those dolls, the price of obsession can theoretically add up fast. A CNN simulation found that scoring one could cost the average buyer around $2,000. To help illustrate how rare and potentially expensive these items can be, CNN used a computer script to simulate 10,000 buyers and how much they would need to spend before unboxing one. Some people in this mock sale got lucky early. Others had to keep buying — dozens, sometimes hundreds of times — to succeed. Despite the boom in demand and new products, availability at Pop Mart's online and retail stores hasn't kept pace. The company lists nearly 100 products in its 'The Monsters' series on its website for US customers. Yet only a handful of the toys were in stock this week, when a flash sale of two of the company's most popular Labubus sold out rapidly. Though the scarcity of furry figurines is a central part of the Labubu ecoystem, reseller communities online and in local collector shops keep buyers hooked. The online seller eBay, for example, has more than 19,000 Labubu products — many of them listed at higher prices than on Pop Mart. And online search interest in Labubu has also skyrocketed in the last year, especially in California, Nevada, Texas and Hawaii, according to Google Trends. CNN's Olivia Kemp contributed reporting to this story.
CNN
4 hours ago
- CNN
Big hype, tiny plushie: Visualizing the Labubu craze in 5 charts
Labubus — the fluffy, sharp-toothed figurines adorning belt loops and bags across the globe — aren't just toys. They've become a cultural and commercial phenomenon. The creepy-cute collectibles, typically sold in 'blind boxes' that conceal the design inside, have gone from niche toy to global craze, propelling a revenue explosion at Pop Mart, the Chinese company behind the product. And for collectors chasing the rarest versions — like the elusive 'secret' Labubu — the price of obsession can add up fast. In 2024, the company reported revenue of more than $1.8 billion, including $420 million outside China, in part because of Labubu sales. CNN unpacks how this tiny plushie helped fuel a billion-dollar business. The furious interest in the brand has fueled many new offerings from Pop Mart for US customers in recent years, according to an analysis of the company's products, which lists release dates in their descriptions online. The cumulative number of dolls, figurines and related 'The Monsters' products, which includes Labubu, has more than doubled in recent years, according to a CNN analysis. Part of the demand is perhaps driven by a clever sales tactic. Popular Labubu blind boxes offer six possible designs — and a chance at a 'secret' variant. Pop Mart advertises that buyers have a 1-in-72 chance of unboxing these coveted versions. For collectors chasing those dolls, the price of obsession can theoretically add up fast. A CNN simulation found that scoring one could cost the average buyer around $2,000. To help illustrate how rare and potentially expensive these items can be, CNN used a computer script to simulate 10,000 buyers and how much they would need to spend before unboxing one. Some people in this mock sale got lucky early. Others had to keep buying — dozens, sometimes hundreds of times — to succeed. Despite the boom in demand and new products, availability at Pop Mart's online and retail stores hasn't kept pace. The company lists nearly 100 products in its 'The Monsters' series on its website for US customers. Yet only a handful of the toys were in stock this week, when a flash sale of two of the company's most popular Labubus sold out rapidly. Though the scarcity of furry figurines is a central part of the Labubu ecoystem, reseller communities online and in local collector shops keep buyers hooked. The online seller eBay, for example, has more than 19,000 Labubu products — many of them listed at higher prices than on Pop Mart. And online search interest in Labubu has also skyrocketed in the last year, especially in California, Nevada, Texas and Hawaii, according to Google Trends. CNN's Olivia Kemp contributed reporting to this story.
