Shows Netflix Canceled in 2 Seasons or Less: 'Dead Boy Detectives'
Remember a decade ago when Netflix was the streaming app to watch everything on (and even at one point the only one to get Friends?!) Well, times have certainly changed, because instead of being one of the favorite streaming services, it's gotten a bit of a reputation over the years. For what, you may ask? Chances are you already know what we mean; Netflix is now known for canceling their original series in two seasons or less.
First, it was Sense8, then it was the Baby-Sitters Club, and now the two newest victims are Dangerous and That 90s Show.
When Netflix cancels a show, fans are often left disgruntled and without closure (99.9 percent of the time, there's an insane cliffhanger we'll never get the answers to!) We're in 2025 now, and it's still looking bleak for Netflix shows.
According to What's on Netflix, Netflix bases its decisions on renewals and cancellations on how many people watch the show, if/how quickly they finish whatever is released, and budget constraints. However, fans have been recently calling that methodology out, since many beloved shows get axed for virtually no reason.
A version of this article was originally published on Jan 2023.
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Territory was about a Lawson cattle station needing an heir, and a huge rivalry hits the breaking point for control over it. It was cancelled after one season due to production timing issues and scheduling conflicts.
Starring Noah Centineo, The Recruit was about a CIA lawyer becoming involved in a massive international conflict. It was allegedly cancelled after two seasons due to a decline in viewership and high production costs.
Starring the original Scott Pilgrim cast of Michael Cera and Mary Elizabeth Winstead, Scott Pilgrim Takes Off is an even more elaborate cartoon of the movie. Creator Bryan Lee O'Malley confirmed the show would be canceled after one season, per TVLine.
KAOS was so cool because it was a modern retelling of Greek mythology, and it starred Jeff Goldblum. Sadly, it was canceled after one season due to low viewership.
My Dad the Bounty Hunter was a sweet animated show that followed two children discovering their dad is the biggest bounty hunter in the world, after they enter space. It's a wild ride, and fun for the whole family. However, it was canceled after two seasons, despite being highly-rated and a hit.
Starring Sara Bareilles, Renee Elise Goldsberry, Busy Philipps, and Paula Pell, Girls5eva was quite beloved. It was a comedy that followed a one-hit-wonder band from the '90s getting a second shot at fame.
Okay, so the show was on Amazon for two seasons before going to Netflix, and then it was canceled after one season on Netflix. While it has three seasons in total, we're still counting it after Netflix suddenly axed it.
In Unstable, Rob Lowe partnered with his son John Owen Lowe for the first time onscreen. But, despite their onscreen chemistry, Netflix axed any hopes of season three after the season two release. Per Deadline, the decision came after Unstable failed to break into the Netflix Top 10 for season two.
That '90s Show was canceled after only two seasons by Netflix. The show, starring Debra Jo Rupp and Kurtwood Smith, is a sequel to the hit show, That '70s Show, and follows many of the OG cast's kids in the mid-90s.
Smith confirmed there would be no season three, despite rave reviews from critics and viewers alike.
Dead Boy Detectives is a great show that follows two boys who decide not to enter the afterlife when they die and instead investigate supernatural crimes on Earth. This show, based on characters made by Neil Gaiman and Matt Wagner, had everything: comedy, drama, supernatural stuff, mystery; and amazing reviews at that. However, Netflix did it again and canceled the show after one season.
Black Summer was a horror drama about a group of strangers banding together to fight the zombie apocalypse. It was canceled after two seasons.
The beloved show Barbarians is a German historical war drama about the Battle of the Teutoburg Forest in 9 A.D. Despite being a hit and critically acclaimed, it only lasted two seasons and was canceled.
ODDBALLS is the comedy adventure animated show developed by animator and YouTuber James Rallison of the Odd1sOut. It was canceled after two seasons for an unspecified reason.
After one season, The Brothers Sun was sadly canceled. It was an action dramedy following Taipei's most renowned gangster family and their misadventures. Per Deadline, it was canceled due to a low audience.
The series Ratched followed the life of Mildred Ratched before the events of One Flew Over the Cuckoo's Nest. Starring Sarah Paulson, Cynthia Nixon, and Sharon Stone, this thriller show captivated fans instantly when it was released in 2020. However, after four years of no news, it was confirmed in Feb 2024 that it was canceled after one season.
Obliterated is an action comedy series that followed a group of special forces trying to track down a terrorist organization in Las Vegas. It was canceled in 2024 after one season.
Based on the beloved animated series, the show Fate: The Winx Saga captured a darker spin. The show follows the lead Bloom (Abigail Cowen), who's working to navigate her dangerous powers with the help of her friends. Sadly, it was canceled after two seasons, with many speculating that the budget was too large.
Per the News, there's actually going to be a comic that answers a lot of cliffhangers. Fate: The Winx Saga Vol. 1: Dark Destiny was announced and will answer a lot of fans' questions.
Invisible City, also known as Cidade Invisivel, is a beloved fantasy show following an environmental police officer who finds a hidden world of mythological creatures with ties to Brazilian folklore. Despite having two successful seasons, Netflix axed the show, and the actors confirmed it, per DailyMail.
Captain Fall only lasted one season, but fans adored it because it followed the topsy-turvy adventures of a bright-eyed sea captain who accidentally ends up entangled in a cartel ring. Despite being originally ordered for two seasons, viewership numbers were reportedly low.
Farzar followed a group of misfits leaving their home to protect the human race from aliens, but not all was what it seemed! It was allegedly canceled due to the rippling effects of the SAG-AFTRA strike, per Deadline.
Wellmania is the show that follows a woman who tries many different well-being living habits to try to reclaim her health. Per TV Line, the star and executive producer Celeste Barber confirmed the show would be ending after only one season, claiming Netflix said it had to do with poor numbers.
The fan-favorite fantasy show, Shadow and Bone, which followed orphan mapmaker Alina Starkov and how her superpowers can shape the world after ruin, was canceled after two seasons. While it's unclear why the show was axed, it was canceled with two others potentially due to the strike halting productions.
Starring Kim Cattrall, Glamorous followed a makeup enthusiast who was hired as one of the industry's biggest moguls. It was canceled after one season, along the same time it was announced Shadow and Bone and Agent Elvis were canceled.
Starring Matthew McConaughey and Kaitlin Olson, Agent Elvis was about the legendary Elvis, but if he became a secret government spy. It was canceled after one season.
Based on the comic book character, Warrior Nun was a fantastical fantasy show starring Alba Baptista, who plays an orphaned teen who realizes she has superpowers. Now, she and a group of fights have to band together to hunt demons. It lasted two seasons, but was cancelled before a third was announced.
Based on the series by the same name, Lockwood & Co. instantly became a fan-favorite on Netflix when people could follow the psychic detection agency. Sadly, after one season and only four months since it premiered, Netflix has yet again pulled the plug on a potentially iconic show.
Netflix has pulled the plug on the steamy romantic drama SEX/LIFE shortly after the second season's release. The short-lived show follows a suburban mother and housewife who finds herself hypnotized by her sexy, wild past when a former flame comes back into her life.
In a podcast interview per Variety, the lead actress Sarah Shahi talked about how difficult things were in the second season, saying, 'I'm not going to put it down, but I definitely did not have the support that I did the first season from the people involved in the show. It became a much different thing for me, and I'm not afraid to say that. I struggled with the material. I just felt the thing that it had the first season — I mean, I'm never gonna work for Netflix again now after saying all this, but I can't lie. And it was definitely a challenge.'
Another animated series to get the axe by Netflix is the beloved tongue-in-cheek animated comedy Inside Job, which follows a group of wacky coworkers who work tirelessly to keep secrets hidden and conspiracy theories alive. Despite having a die-hard fan base and trending consistently, Netflix nixed the idea of a second season.
Cooking with Paris was hot, but Netflix decided it would only last one season, much to the chagrin of loyal viewers who adored seeing Paris Hilton try to navigate the kitchen in style.
Based on the ever-so-popular children's book series, Baby-Sitters Club follows a group of young girls who start their own babysitting service. Sadly, it only lasted two seasons before Netflix decided to pull the plug.
Starring Kathy Bates as cannabis legend Ruth Whitefeather Feldman, Disjointed follows her wacky journey of hiring her son and his friends to help run her Los Angeles marijuana dispensary. Despite critics hating it, it grew a loyal fanbase, but it didn't save it from lasting one season.
Starring Sydney Sweeney and Jahi Di'Allo Winston, Everything Sucks was a coming-of-age series based on high-schoolers in 1990s Oregon, where the A/V club and drama club collide. Along with that, many are dealing with their identity, sexuality, and feeling out of place in high school. Sadly, viewership was low, and Netflix canned it, leaving those loyal viewers on a bunch of cliffhangers.
Starring Naomi Watts, Gypsy was an intense thriller following a therapist who gets way too involved in the lives of her patients. Netflix canceled it almost immediately after the first season was released, with many still so confused as to why it got axed so early.
One of the biggest cult followings from a Netflix show came from the Emmy-nominated show Sense8. The show followed a group of random people who were suddenly linked mentally and have to protect each other from being hunted by those who fear them. Apparently, Netflix canceled the show due to budget constraints, but fans are still wildly upset to this day.
Chambers was the horror show for people back in 2019, which was as sinister as it gets. It followed a teenager who survived a heart transplant, but is plagued by 'sinister impulses.' Despite a dynamite cast and storyline, Netflix canceled it after one season.
Along with canceling animated and hit series, Netflix isn't above canceling talk shows as well, including Chelsea Handler's show Chelsea. It was another amazing show of hers where she interviewed celebrities, academics, and professionals. But after two seasons, Netflix pulled the plug.
This was one of those shows where Netflix just didn't give it a chance in the first place. Based on the insanely good anime, Cowboy Bebop was in hot water from the beginning, but many became fans of the show after watching it. It followed a group of bounty hunters who continually chase down the galaxy's most dangerous criminals. After three weeks after the series debut, they canned it.
Iron Fist was a shocking cancelation announcement, especially since it was a long-awaited Marvel release. It followed a man who gained mystical martial arts skills called the Iron Fist. Two seasons in, and with a lot of cliff-hangers, fans had to say goodbye to another Netflix show.
Chances are, your BFF isn't over Dash & Lily getting canceled after one season. The feel-good, romantic holiday series was based on the book of the same name, and despite them working on the second season, Netflix changed its mind.
The Irregulars was a must for Sherlock Holmes fans, following a group of street teens who are manipulated into solving crimes for Doctor Watson and Sherlock Holmes. It was a wild ride from the start, but Netflix pulled the plug after one season.
Another Netflix Marvel casualty was the show Luke Cage, which followed a man who was unexpectedly given super strength and unbreakable skin. Not only does he have to save his city of Harlem and those in it, but he has to save himself. After two seasons, Netflix canned it.
The OA is a fantasy mystery following a blind girl who went missing for years, only to come back fine and with her sight. While it was an under-the-radar show, the fanbase was strong, but sadly not strong enough to dissuade Netflix from canceling it after two seasons due to budget cuts.
Starring Ali Wong and Tiffany Haddish, Tuca & Bertie was a fan-favorite show following two 30-year-old bird women BFFs navigating everything life throw at them. After one season, it was canceled by Netflix, but Adult Swim picked it up for the next two seasons, only to cancel it again. While it was technically over two seasons, Netflix did cancel it after one, so we're going to count this one.
American Vandal was one of the most unique shows to hit Netflix. It was a true-crime satire that grew a total fanbase in no time, but Netflix still thought it was good to cancel it after two seasons.
One cancellation that still stings fans to this day is when Netflix abruptly canceled the show Mindhunter ahead of its third season. The intelligent true crime show followed a couple of FBI agents who interviewed serial killers to solve open cases in the 1970s.
Along with Inside Job, Netflix also announced at the beginning of 2023 that they were canceling the mystery series 1899 after one season. 1899 followed a group of European immigrants on a steamship to start new lives in New York City but obviously, things went asunder.
After one electric season, I'm Not Okay With This was canceled. The fantasy dramedy followed a girl navigating the regular tribulations of high school, along with some mysterious superpowers she can't control. It was originally set to have at least two seasons, but due to COVID hardships, it was scrapped.
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Yahoo
29 minutes ago
- Yahoo
‘People Are Going To See Something They've Never Seen Before': How Pixar's Next Hit Film Was Made
Fans of laughing out loud one moment and crying into your popcorn bucket the next are in for a treat with Pixar's latest release. Elio is the newest offering from the award-winning animation studio, centring around a lonely boy who becomes obsessed with the idea of being abducted by aliens – and gets more than he bargained for when his dream comes true. As has come to be expected from the studio that gave us the likes of Inside Out, Coco and Toy Story 3, Elio dives into some pretty hefty themes, exploring everything from loneliness and grief to toxic masculinity, all with Pixar's signature sense of humour and adventure to keep younger viewers as gripped as everyone else in the cinema. In the lead-up to the film's release, we spoke to directors Madeline Sharafian and Domee Shi about how sci-fi horror had a surprising influence on Elio, creating something people have 'never seen before' with their unique take on space and releasing an original film in the current sea of sequels and live-action remakes at Walt Disney Studios… Right at the beginning of the film, there's a key scene soundtracked by Talking Heads' Once In A Lifetime. Why was that song chosen, and how easy was it to get? Madeline Sharafian: That scene and that song were in the film from the beginning that Domee and I started. That montage of Elio going out to the beach every day, desperately trying to be abducted, was almost the way that we explored his character as we changed his motivations to wanting to be abducted by aliens. And I think the song was [Domee's] idea of just a way to showcase that he's stuck in this cycle, and he wants to get out. It was a great idea. Domee Shi: Yeah, I always loved that song, I always felt like David Byrne kind of gave off alien boy vibes as well. And the way that the song starts always sounded kind of synthy and celestial and spacey in some way. I felt like there was a connection between Byrne and Elio, and it felt like a cool needle drop choice to put in this montage where we're introduced to Elio's obsession with getting abducted, but being unable to, every single day that went by. MS: It helped a lot that Pete Docter and Jim Morris, our company leadership, really like that song. So I do think that kind of helped us hang onto it and get it for the final, and we're very grateful that we got to keep it. It adds so much to the scene. DS: There was one moment where we did try another song… MS: Oh god, yeah… DS: I was like, 'what about Beastie Boys' Intergalactic?'. And then we tried that for a minute and we were like, 'no, I think we miss Talking Heads', and we went back to that. And also I feel like I haven't really seen [Once In A Lifetime] used a lot in media, in like TV or movies, whereas Intergalactic is used quite a lot. I love that song, though! But yeah… Something else people are going to pick up on is Elio's eyepatch. It really works as a plot device later in the film, but was that always going to be there, or were other ideas explored? MS: It was always an eyepatch, I'm pretty sure. I mean, the eyepatch was there in Adrian Molina's original version [Coco writer and director Adrian Molina originally conceived the idea of Elio to helm the film himself, but left the project halfway through to focus on Coco 2, at which point Madeline and Domee took over as lead directors]. When we took the story, we loved [the eyepatch], just as a way that it supports Elio's feeling of otherness, when he's on Earth, he feels even more out of place. And when he goes to space, all of a sudden, he looks like a dashing space sci-fi captain with this cape and his eyepatch, and the aliens love it, it's like '[you have] one eye, [I have] one eye, this is amazing'. All of a sudden it's accepted and loved. DS: Yeah, it's been great seeing the response to Elio's eyepatch online and with audience members that have come up to us and thanked us for including a kid with an eyepatch – it is something that kids do deal with, and it makes them feel othered. And it sucks! To have a sci-fi hero in a Pixar movie sporting one and looking cool I think is very empowering. Let's talk about the look of the film – sci-fi is a huge genre and even within the Disney and Pixar canon, we've been to space a few times. How did you decide what your version of space was going to look like, and what was going to set the Elio universe apart? MS: Pixar has done two sci-fi movies already [2008's Wall-E and 2022's Lightyear] and Harley Jessup, our production designer, really wanted to shoot for a version that we've never seen. So, he knew that the Communiverse needed to be this sort of beautiful almost Utopia, that there would be aliens from all over the universe gathering there, and almost designed it, one of his very first pieces of production art that I saw that I fell in love with, it was kind of glittering in the sky, almost like a disco ball – the way the lights shimmer on it were like a disco ball. We ended up taking that and putting it in the [finished film], we were like, 'we need to hang onto that'. So, it's bright, it's colourful, it's also softer and round, which I do think is very different from other sci-fi movies. And everything – even the technology – feels very organic, and kind of squishy and alive, which I think gives it a very unique identity. DS: Yeah, all of it points to Elio just truly feeling like he belongs there, and that he doesn't want to leave when he first arrives. And I also love that Harley challenged our character designer to design non-humanoid-looking aliens, and kind of look at deep-sea, underwater creatures for reference. We went with designs that you couldn't possibly do with humans in a costume, right? MS: Yeah, because live-action, especially some of the classics are a little bit limited by that. Like, the alien in Alien is a guy. Really awesome, though, but we were like, 'we're in an animation, we can do whatever we want, so let's make sure that our aliens are taking advantage of what we can do'. Some parts of the film are quite intense and surprisingly quite scary – especially for a Disney film. Was there much pushback because of that? DS: I mean, we were excited to explore other aspects of the sci-fi genre that maybe you don't usually see in a Disney and Pixar movie. We're both sci-fi horror fans, and I think there's a good balance between scary and fun – like a fun scary. There's a sweet spot that you can hit, and we tried to do that with all the scenes with Elio's clone, really pushing the clone's friendliness, but also upping the weirdness and the horror surrounding him, from Olga's point of view where she's slowly realising, 'am I living with a clone?'... MS: …which is a pretty crazy realisation for her! Especially since she starts off the movie as a sceptic of aliens, she doesn't really believe that they're out there, so to take her to becoming a believer… we almost talked about her B-story as in, 'she's in a totally different kind of movie', she is in a pod person movie, and I thought it was fun that we treated her sections almost like a different genre, a little bit. DS: And you know… we'll fine-tune the execution of it, just to make sure that the music isn't too crazy and the sound effects don't give you too much of a heart attack and we release the tension immediately with a joke or a gag or something. But I don't know – I remember being a kid and loving movies like A Nightmare Before Christmas and Coraline, where there is like a fun scare. I feel like the original Monsters Inc. taps into that a little bit, too. Elio is coming out at an interesting time for Walt Disney Studios, where there area lot of films coming up that are either sequels, live-action remakes and other ideas based on existing IP, so it's great to see an original story coming from the studio, too. Is that something that's important to you both as filmmakers? MS: Yeah! DS: Definitely. MS: And it's important to Pixar, too, I think. Even though we release our own sequels [Inside Out 2 was the biggest film of 2024, with follow-ups to Toy Story, Coco and The Incredibles currently in the works at the studio], we do talk a lot about how important originality is to us, just as a filmmaking culture, we have a lot of originals coming [Pixar's next release, Hoppers, is slated for 2026, followed by Gatto in 2027] and I would say, whether they're sequels or originals, we hold ourselves to the same standard for both. And our main goal is just to make incredible movies, and amazing stories. I love originals – but Toy Story 3 is one of my favourite movies that Pixar has ever made! So, as long as we're holding that standard of storytelling, hopefully we can make any kind of movie great. But it is exciting to have an original coming out. I think we're the only original [Disney film] coming out this summer, which is so wild [the studio also has sequels to Freaky Friday and Tron coming later in 2025, with live-action remakes of Snow White and Lilo & Stitch having also been released earlier in the year, while Marvel projects have included Captain America: Brave New World, Thunderbolts* (which featured a main cast of existing characters) and the new reboot of The Fantastic Four]. I hope people enjoy [Elio] and they're going to see something they've never seen before – and that's really exciting, and worth seeing in a theatre. Elio is in cinemas now. Watch the trailer for yourself below: Lilo & Stitch Remake Director Addresses Backlash Over The New Film's Changed Ending 'Sobbing, Screaming, Traumatised': Frozen's Josh Gad Opens Up About Olaf's Axed Death Scene Snow White Remake Faces Yet More Criticism Over CGI Characters


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37 minutes ago
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I watch Netflix for a living — here are the 5 new shows and movies I'd stream this week
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Washington Post
43 minutes ago
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What to Stream: 'The Bear,' Lorde, 'Smoke,' 'A Minecraft Movie,' 'Nosferatu' and Nelly and Ashanti
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