logo
This 3 hour 33 minute was a superhit, was highest grossing film in 1991, featured Dilip Kumar, film is.., earned Rs..

This 3 hour 33 minute was a superhit, was highest grossing film in 1991, featured Dilip Kumar, film is.., earned Rs..

India.com7 days ago

This 3 hour 33 minute was a superhit, was highest grossing film in 1991, featured Dilip Kumar, film is.., earned Rs..
In the golden era of Bollywood, many films came and went. While a few were great entertainers, some rare films stood out that resonate with the audience even today. One such cult classic is a blockbuster that came out 34 years ago, but its strong storyline and impeccable performance of actors still strikes a chord.
The film that we are talking about is none other than 'Saudagar'. Released in the year 1991, the film's plot revolves around friendship and animosity. The film features a power-packed cast with Vivek Mushran and Manisha Koirala in the lead and Amrish Puri, Anupam Kher, Mukesh Khanna, Dalip Tahil, Gulshan Grover, Dina Pathak, and Jackie Shroff in supporting roles.
This Subash Ghai film was inspired by a Punjabi film called 'Haq Mehar' and it broke records by becoming one of the highest-grossing films of the year 1991. The plot of the film revolves around an old disabled man named Mandhari, who shares the story of two friends with some kids. One of the two friends happens to be the son of a rich landlord, and the other is the son of a poor farmer. Both of them became good friends. Both of them used to call each other Raju and Veeru. When both of them grow up, the film takes a turn that will keep the audience hooked and entertained throughout.
Becoming one of the highest-grossing films of 1991, this film collected Rs. Rs 15.75 crores, and its songs became a superhit.
Even after 34 years since its release, Saudagar resonates with the audience even today and is a cult classic. So if you are in the mood for nostalgia, that can entertain you as well as give a message, you must add this in your must watch list.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

You won't believe how much Kapil Sharma charges for a single episode of The Great Indian Kapil Show, you can buy a luxurious flat in Mumbai for this price
You won't believe how much Kapil Sharma charges for a single episode of The Great Indian Kapil Show, you can buy a luxurious flat in Mumbai for this price

India.com

time39 minutes ago

  • India.com

You won't believe how much Kapil Sharma charges for a single episode of The Great Indian Kapil Show, you can buy a luxurious flat in Mumbai for this price

You won't believe how much Kapil Sharma charges for a single episode of The Great Indian Kapil Show, you can buy a luxurious flat in Mumbai for this price In the world of comedy, there is an array of comedians who are carving a niche for themselves in this space. But out of the many comedians, one person who stands out the most, not just for keeping the audience entertained but also owning the stage, is Kapil Sharma. With the new season of his show, The Great Indian Kapil Show Season 3, Kapil is once again in the limelight, not just for what's coming next in his show but also for the whopping fees he charges. If reports are to be believed, Kapil reportedly charged around Rs 5 crores per episode for the first season of his show. The season featured 13 episodes, attributing to Rs. 65 crores as his total earnings from the first season. However, these reports are not confirmed by Netflix officially. The second season came out in the year 2024 from the 21st of September to 14 December. Following the same format, this season has featured 13 episodes wherein Kapil Sharma charged Rs. 5 crores for each episode. Totaling to Rs. 65 crores. Now the third episode of the season is also out, and it is expected to maintain the same number of episodes. If Kapil's charges remain consistent, he would be earning another Rs 65 crores this season, making a total of a whopping Rs 195 crores. The first episode of season 3 came out on June 21 on Netflix, and the first guest was none other than the 'Bhai Jaan' of Bollywood – Salman Khan. Salman Khan further added star power to the already electric launch. Salman was joined by regulars like Navjot Singh Sidhu, Archana Puran Singh, and Krushna Abhishek for a laughter-packed episode. Archana Puran Singh, who has been a fixed member of Kapil's shows, replaced Sidhu in 2019. Archana reportedly earns between ₹10 to ₹12 lakh per episode. Meanwhile, Sunil Grover, who returned to the team, is said to be charging ₹25 lakh per episode, and Kiku Sharda is reportedly earning around ₹7 lakh per episode, as per The Economic Times.

Drummer Suffers Cardiac Arrest On Stage Just Before Sting's Performance In Liverpool
Drummer Suffers Cardiac Arrest On Stage Just Before Sting's Performance In Liverpool

Time of India

timean hour ago

  • Time of India

Drummer Suffers Cardiac Arrest On Stage Just Before Sting's Performance In Liverpool

Diljit Dosanjh Faces Major Backlash for Casting Hania Aamir | Sardaar Ji 3 Sparks Outrage Diljit Dosanjh is facing massive online backlash after releasing the trailer of Sardaar Ji 3, which prominently features Pakistani actress Hania Aamir. The trailer has been geo-blocked in India and the film will only release overseas on June 27 — a move that has infuriated many are slamming Diljit for going ahead with a Pakistani lead amid rising India-Pak tensions post the Pahalgam terror attack. Critics have flooded social media, questioning his silence and calling the move 'tone-deaf.' From angry tweets to calls for boycotts, Sardaar Ji 3 has turned into one of the most controversial Punjabi films of the year. Watch how the internet is reacting and why this debate isn't dying down anytime soon. 4.4K views | 4 hours ago

Kochi's film renaissance
Kochi's film renaissance

Time of India

timean hour ago

  • Time of India

Kochi's film renaissance

Kochi: There was pin-drop silence inside the state-of-the-art dubbing suite, even as heavy rains pounded on the tin roofs in the neighbourhood. Actor Fahadh Faasil peered into the 150-inch projection screen, emoting the dialogue, fully immersed in the character from the yet-to-be-released Tamil movie 'Mareeshan'. Dubbing engineer Subin Joseph worked meticulously to match the actor's resonant voice with the fast-moving images, to get a frame-byframe precision. After a short break on the verandah, Fahadh returned to the Audi 1 suite situated on the third floor of Lal Media Arts film studio to continue dubbing. Although a major portion of the road movie was shot in Chennai, Fahadh chose Kochi for its post-production work: A testament to the city's rise in prominence in the South Indian film production ecosystem. Lal Media in fact has two more dubbing studios on its third floor that have been booked for two major upcoming film projects. Next to it, the post-production work of another major movie was on at DLS Studio — one of the largest and most advanced Dolby atmos studios in Kerala — and a team led by sound designer P C Vishnu was in the final stages of mixing a movie starring Saiju Kurup. With nearly 20 digital studios, sound and editing suites and production floors equipped with cutting-edge technology coming up in Kochi in the last five years, the state's business capital has metamorphosed into a post-production and virtual film production hub in South India. Gone are the days when Malayalam cine artists and singers used to travel to Chennai, for post-production work and even made Chennai their second home due to easy access to big studios there. Today, blockbusters like the Rs 200-crore hit 'Thudarum' were entirely produced and post-produced in Kochi, from concept to completion. The AI-generated young look of Mammootty of the 80s for Rekhachithram was created at a Kochi-based AI studio. It earned nationwide acclaim and became a box office success. Similarly, the stunning Computer-Generated Imagery (CGI) of '2018', based on Kerala floods, was developed by Kochi's visual effects team and the movie proved that a world-class post-production can be done on a modest budget, redefining what's possible for regional cinema. 'Premalu' which grossed Rs 100 crore had completed its post-production including Digital Intermediate (DI) and VFX in Kochi. Producers of several upcoming bigbudget films, including 'Kadamattathu Kathanar' and 'Aadu 3', are planning to carry out large-scale VFX work in Kochi. The city has firmly established itself as one of the country's leading post-production hubs — home to cutting- edge DI studios and one of the largest studio floors in India by Gokulam Group, spanning a massive 45,000 sq ft at Pookkattupady on the city outskirts. Today, a leading film studio in Kochi handles the post-production works — including editing, dubbing, sound mixing, VFX and DI — for over a hundred films each year. "It was a revolutionary step," recalls senior sound designer Vinod P Sivaram, an FTII Pune alumnus who played a key role in this transformation by helping set up Lal Media. "Our studio began in a modest rented building and the first recording done there was of the songs of the movie Kannaki," he says. Shibu G Susheelan, senior production executive and general secretary of Fefka's production executive wing, said currently, post-production work for at least 10 films is under way in the city, with studios operating in three six-hour shifts due to packed schedules. "The relatively low production costs for computer graphics (CG) and DI work in Kochi, coupled with the improved quality of output, are prompting many producers to choose Kochi over post-production teams from other states," he says. Even Tamil and Telugu films are increasingly turning to Kochi. "In Malayalam, almost all major production houses — such as Anto Joseph Film Company, Aashirvad Cinemas, Gokulam Movies, Friday Film House, Kavya Films etc — are now based in Kochi and rely on local studios for post-production. Gokulam's studio floor to come up in Pookkattupady will be a milestone in virtual film production," Susheelan says. Alan, who is managing the Lal Media says the studio has all modern post-production facilities in Kochi including two Dolby Atmos mixing studios, through an investment of Dolby Atmos mixing facility costing around Rs 2 crore. "DLS Studio has already done Dolby Atmos mixing for 35-40 films, including several non-Malayalam projects, in the past one year alone. During the same period, Lal Media handled 45 to 50 dubbing assignments, reflecting Kochi's growing strength in post-production services. If we opt for Chennai, logistics and accommodation costs can be more than four times higher than what we spend in Kochi," he says. Jithendran, a senior dubbing engineer pointed out that almost all advanced studio microphone systems, such as the well-regarded U-87 and AKG are available in Kochi now and even the senior film stars are very satisfied with the post-production services available here. Although the roots of Malayalam cinema trace back to Kerala's capital, Thiruvananthapuram, where J C Daniel — the father of Malayalam cinema — made the first film with a locally assembled crew and studio, the industry soon migrated to Madras (now Chennai). By the 1930s, Malayalam cinema was entirely based there. For over five decades, Madras remained the nerve centre of Mollywood, where stars lived, technicians thrived and production houses flourished — many of them dominated by Tamil-speaking professionals, particularly in the technical departments. It wasn't until the 1960s that Kerala began to build its own cinematic infrastructure with the emergence of two major studios — Udaya and Merryland. The establishment of Chitranjali Studio in 1980 further strengthened local production capabilities. Even then, post-production and technical work remained tied to Kodambakkam in Tamil Nadu for many decades. The real shift began in the early 2000s, when Kochi started attracting young new-gen filmmakers with its modern facilities. Until the turn of the millennium, almost all post-production work for Malayalam films was done in Chennai. That pattern began to shift when filmmaker Lal, of the Siddique-Lal duo, launched Lal Media in Kochi. In 2001, 'Kalyanaraman' became the first Malayalam film to complete nearly 90% of its post-production work in Kochi. The movie went on to become a massive hit. The momentum continued with Thilakkam, followed by other notable movies like 'Vellithira' and 'Mizhi Randilum', all of which completed their post-production at the same studio. In 2004, the studio moved to a permanent facility and during Vishu 2006, six out of seven Malayalam releases had completed their post-production there. Building on this momentum, several prominent film personalities also established their own ventures. Actor Dileep, in collaboration with Lal and Suresh Gopi, founded DLS Studios — a full-fledged post-production facility that quickly became one of the busiest in the city. Similarly, Mohanlal launched Vismayas Max Studios in Kochi in 2006, expanding from his original base in Thiruvananthapuram. "Now known as Aries Vismayas Max,the studio has grown into one of the region's most technically advanced facilities, serving both Malayalam and other South Indian language productions," Vinod says. 'Colour Planet' -- a joint venture of Fahadh, Dileesh Pothan and Shyam Pushakaran -- started an advanced post-production DI studio in the city, specialising in colour correction and grading. 'Sapthaa Records' which established the first Atmos studio in Kochi, in 2020 became a favourite among South Indian filmmakers. The studio has provided services for nearly 200 films across Tamil, Telugu, Kannada and Malayalam, including notable titles like Kanthara. Kerala now does not depend on Hyderabad for good sound designing technology. "Currently we have two Dolby Atmos mixing facilities in Kochi and many more are to come. Specialised sound mixing facilities for OTT release are available in Kochi's studios. Many more Malayalam movies are coming with Dolby Atmos, as the number of Dolby Atmos theatres are increasing in the state," sound designer Dan Jose says. Over the past five years, most music studios associated with the Malayalam film industry have also relocated from Chennai to Kochi and popular musicians like Bijipal, Deepak Dev and Alphons have their own studios in the city. "Many talented musicians from Kerala are now able to stay and work within the state, instead of seeking opportunities elsewhere. With studios in Kochi, costs are lower and the overall environment is comfortable and thriving. Currently, only foreign-style string and brass recordings are done in Chennai. But even that may soon shift to Kochi, making the city self-sufficient in the orchestral segment as well," Deepak Dev says.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store