logo
Movie Theater Ceiling Collapses During 'Final Destination: Bloodlines' Screening

Movie Theater Ceiling Collapses During 'Final Destination: Bloodlines' Screening

Yahoo25-05-2025

A movie theater ceiling collapsed at Cinema Ocho in La Plata, Argentina, during a screening of Final Destination: Bloodlines
On May 19, Fiamma Villaverde was with her 11-year-old-daughter and a friend when the ceiling fell on top of her
'Imagine if they hit my daughter in the head?' she told InfobaeTheatergoers were in for an unfortunate surprise during a recent screening of supernatural horror film Final Destination: Bloodlines.
On May 19, Fiamma Villaverde, 29, went to see the new movie at Cinema Ocho in La Plata, Argentina, with her 11-year-old-daughter and a friend, according to the Argentine news outlet Infobae.
However, when she sat down to watch the sixth flick in the popular Final Destination franchise — which follows a group of people who die in a series of gruesome deaths after narrowly surviving a catastrophic event — a portion of the ceiling in the theater fell on top of her.
Villaverde told the outlet that toward the end of the movie, she heard "a really loud noise" in the theater: "At first, we thought it was part of the movie, because we were so involved; but then a huge piece fell on me."
Fortunately, the collapsed ceiling "didn't hit my head because I was leaning slightly over the armrest," she explained.
Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human-interest stories.
Villaverde asked for a refund for her ticket while waiting for an ambulance. She also said the theater manager asked her, "How do you want to fix this?" and she said she was going to "file a complaint."
The patron then expressed concern for her daughter, saying, "Imagine if they hit my daughter in the head?"
PEOPLE reached out to Cinema Ocho for additional information on Sunday, May 25, but did not immediately hear back.
Villaverde, who sustained bruises after the ceiling fell on top of her, said she needed to get an X-ray at the hospital following incident. She added that she hasn't "been able to go to work for days."
She noted that she was not initially planning on going to the movies that day — but decided to go to celebrate her birthday.
"I have a hard time being in crowded places," the woman said. "I haven't been to the movies in years. I went because it was my birthday, and look what happened to me."
Villaverde said she has gotten in touch with a lawyer.
Final Destination: Bloodlines arrived in theaters on May 16. The movie was released 14 years after the previous installment in 2011. The flick follows Iris (Brec Bassinger) as she saves everyone dining at a high-rise restaurant after a premonition, which causes consequences for her descendants.
Bloodlines broke the record for 'the oldest person ever on fire, on camera,' according to an Entertainment Weekly interview with director Zach Lipovsky, who said Yvette Ferguson, a 71-year-old former actress and stuntwoman, was brought out of retirement for the movie's opening scene.
Read the original article on People

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Sueño Stereo' at 30: How the Seminal Album Came Together and Changed Latin Rock Forever
‘Sueño Stereo' at 30: How the Seminal Album Came Together and Changed Latin Rock Forever

Yahoo

timea day ago

  • Yahoo

‘Sueño Stereo' at 30: How the Seminal Album Came Together and Changed Latin Rock Forever

First, there's the black and white portrait. It unfolds when you'd open up the CD booklet of Sueño Stereo, Soda Stereo's seminal album, released on June 21, 1995, 30 years ago. The photo, taken by Cecilia Amenábar, depicts the iconic Argentine trio — singer/guitarist Gustavo Cerati, bassist Zeta Bosio, drummer Charly Alberti — at work in their private Buenos Aires studio, surrounded by a beautiful mess of guitars, keyboards, amplifiers, a drum kit, and a computer monitor that looks prehistoric by today's standards. Decades later, the picture remains evocative, encapsulating the idealized mystique of everything a rock & roll session is supposed to look like. More from Rolling Stone These Fans Won't Rest Until Their Favorite Latin Band Is Inducted Into the Rock & Roll Hall of Fame Soda Stereo Says An Unreleased Song Is on the Way Soda Stereo, Ana Torroja Among Latin Recording Academy Lifetime Achievement Honorees And the music? It reflects the same kind of majestic, mournful introspection; a flash of genius. A visionary blend of Beatles-esque hooks, thorny psychedelia, Nineties ambient, and South American existentialism, Sueño Stereo is, beyond any reasonable doubt, Soda's tour de force, but also one of Latin rock's most baffling, otherworldly masterpieces — a record that never ceases to surprise and delight. ' 'It was an amazing time,' says Bosio from his home in Miami. 'At that stage, we were completely in sync. When we played together it felt like we were a single being instead of three different people. Many of the Sueño Stereo songs stemmed from us improvising together at Supersónico, an old, now demolished home in the Belgrano neighborhood of Buenos Aires that we turned into a studio. The music poured out. We recorded jam sessions in DAT, and they quickly developed into completed songs.' 'A long time had elapsed between albums; when we reconvened, there was a moment of hesitation,' Alberti recalls. 'And then we asked ourselves: What if instead of looking ahead into the future, like we always do, we take a breather and look at ourselves? I'm not talking about reversion, but rather the idea of Soda looking at Soda. Why don't we make it a point to sound like ourselves for once?' In retrospect, Soda never really sounded like Soda, as the trio's restless identity kept morphing from album to album since the release of its new wave inflected 1984 debut. And because the band quickly became the official ambassador of stadium-sized rock en español throughout Latin America, every stylistic shift, every reinvention was scrutinized by fans and critics alike. In 1992, Sueño Stereo's predecessor, Dynamo, offered a grand experiment in shoegaze. But once they were done touring behind it, everything went south. On July 4, 1994, a car transporting Bosio's two young children was rammed by a colectivo — the Buenos Aires public buses, often manned by notoriously aggressive drivers. The car caught fire, one of Bosio's sons died on the scene, while the other one — now a musician himself — suffered severe burns. Understandably, the tragedy brought the band closer together. Even though Cerati had already released a solo album — 1993's esoteric Amor Amarillo — and harbored the desire to dismantle Soda, he pushed for the trio to reconvene, thinking perhaps that making music would provide a modicum of healing. 'By the time we started work on Sueño, we had gone through hell and back,' says Alberti. 'For Zeta, it was the toughest moment,' says producer and keyboardist Tweety González, who toured extensively with the band. 'His son was only three years old and died in the most horrific way. On top of that, even though it wasn't verbalized, there was a sense that this would be the band's last album. As could be expected, those feelings seeped into the record.' Not surprisingly, the album's 12 tracks appear to float in some sort of amorphous realm, halfway between the kingdom of the living and a subaquatic, amniotic abyss. The electronica elements that permeate the record — the machine-made whirring on 'Pasos,' the guitar reverb at the conclusion of 'Disco Eterno' —give the songs a languid, dreamlike quality. Only the brassy minor hit 'Paseando por Roma,' Cerati's musical fantasy about riding a Vespa on the streets of the Italian capital, has the propulsive punch of previous Soda anthems. For a band that rehearsed furiously and relished the chance to generate songs out of spontaneous jams, employing electronica had a liberating effect. Having switched labels, from Sony to the more controlling Ariola/BMG, Soda considered kick-starting their new record deal with a double album. 'It was named Sueño Stereo because the original conceit was to do a bit of mischief and have two separate records,' says Bosio with a grin. 'One would house the more conventional pop songs, and the other would be totally ambient, inspired by the bands that we loved at the time: The Orb, Aphex Twin, and Orbital.' Sadly, the label would have none of that experimental nonsense. Eager to recoup the initial investment, they pushed for a more commercial release. 'That was the duality that plagued us,' reflects Bosio. 'We were a famous pop band, but with a rebellious attitude and an alternative edge. Sony had given us more freedom in that respect.' More to the point, the sessions had yet to yield a proper lead single. According to Bosio, Cerati decried the absence of an in-your-face tune like the 1990 smash 'De Música Ligera.' Even Dynamo had yielded the rollicking 'Primavera 0.' 'We went back to the studio, started playing a chorus, and just like that, we wrote 'Ella Usó Mi Cabeza Como Un Revólver' in a single session,' says the bassist. 'There was only a part missing, and we were whistling where the string section was supposed to be.' With its strains of Cerati's guitar, echoey electronic textures and an imperial keyboard line that evoked an aura of cinematic decadence, 'Ella Usó Mi Cabeza Como Un Revólver' was not only Sueño's triumphant opening cut, but also a clear indication of how sophisticated and articulate the trio's vision had become. Flaunting their Beatles influences like never before, it was as powerful and finely crafted as anything by Radiohead or Massive Attack. Latin rock had arrived. 'Gustavo was incredibly brave in his aesthetic choices,' says Alejandro Terán, who contributed string arrangements and played viola on the album. 'He would jump into the void laughing like a madman, without a care in the world. The most beautiful part of it was that he would carry you by the hand with that gaze of his, so electric and serene at the same time. He was also fascinated with silence. 'Even though I didn't play on it, I have a soft spot for Sueño Stereo,' says González, who missed the sessions because he was busy working on Fito Páez's Circo Beat. 'When I finally listened to it, I wanted to kill myself. 'Ella Usó Mi Cabeza' is so epic, like a miniature rock opera. I think it's their finest moment.' In reality, the zenith of Sueño Stereo — and, arguably, of the entire Argentine rock movement — arrives at the tail end of the album, when Soda bids farewell to the world and fades into oblivion in a suite of three interconnected songs inspired by Cerati's experiences with psychotropic substances: 'Planta,' an orchestral rocker with Floydian undertones; 'X-Playo,' the only surviving fragment of the shipwrecked ambient record; and 'Moirè,' a delicate, hallucinogenic slice of folktronica with abstract lyrics ('cerrá la escotilla, nena, que no hay gravedad,') and Cerati's voice sounding even more regal than usual. 'It's meant to be the perfect goodbye,' explains Bosio. 'Inspired by those Seventies records that ended with a medley, like Pink Floyd, or Paul McCartney and Wings. You also see that in the B side of Abbey Road; the band bidding farewell. 'X-Playo' is a weird track. We connected two MIDI islands with Gustavo, and recorded a bunch of experimental electronica that was subtle and smooth.' 'Those are the darkest songs in the album — no wonder they show up at the end,' adds González. 'It's quite a cinematic record, filled with imagery. Gustavo's intros lasted well over a minute — he could generate a mood even before he started singing. When you listen to Sueño, you realize what music was about in those days. Unlike today.' The Sueño journey was not over yet. The trio traveled to London, where Cerati refined his vocal tracks, and the album was mixed by recording engineer Clive Goddard. 'I think mixing it in England gave it an international flavor,' Bosio says. 'Gustavo didn't care for hi-hats, and the English happen to love them,' Alberti adds. 'The finished album sounds so incredibly well balanced because it was mixed by someone who clearly knew what he was doing.' Still, no amount of artistic success could heal the rift that had poisoned the group. In his book Algún tiempo atrás — La vida de Gustavo Cerati, veteran journalist Sergio Marchi describes Cerati lunging at Alberti and grabbing him by the throat on a bus ride in Tegucigalpa during the Sueño tour. 'Musically, we were in a moment of glory and could have continued making great records,' says Bosio. 'On a personal level, it was over. Such is the reality of bands. If one member doesn't want to do it anymore, it's impossible to keep going.' 'Gustavo wanted to carry on without the other two and play with other people,' says Marchi from Buenos Aires. 'It's like a guy who has been with the same girl since he was a teenager. Naturally, he wants to date other women. This wasn't about Zeta or Charly not being good enough musicians. Gustavo was already out.' 'His creative leadership had become increasingly huge,' González agrees. 'It was sort of like The Police, where Sting had all the power and everyone else was dependent on the genius of the almighty singer/songwriter. The proof is in the pudding: Where are all the great albums made by Soda's other members? For better or for worse, it's the actual work that speaks volumes about who you are.' Cerati's solo career vindicated him as one of the most transcendent artists in Latin music. Eventually, he reconciled with Bosio and Alberti for a successful comeback tour in 2007. There were even rumors of a new studio album. But while on tour in Caracas, Cerati suffered a stroke in 2010 and remained in a coma for four years, until he passed away in September of 2014. He was 55. 'Soda was going to continue,' says Alberti. 'Gustavo and I talked over the phone, had a good cry together, and told each other everything that we weren't able to voice out in person. On Sueño we sounded free like never before. I think it's the best record we ever made.' 'Sueño has a darkness to it that reflects everything that was going on,' Bosio says. 'When we were mixing in London, I would wake up early in the morning and walk to a kindergarten nearby in the hope that my son would suddenly show up. I thought that maybe I would be able to reunite with him in England. When you are processing grief, your mind can play tricks like that.' Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked

5 best new movies to stream this weekend on Max, Netflix, Disney Plus, and more
5 best new movies to stream this weekend on Max, Netflix, Disney Plus, and more

Tom's Guide

timea day ago

  • Tom's Guide

5 best new movies to stream this weekend on Max, Netflix, Disney Plus, and more

Another weekend means a fresh wave of new movies across the best streaming services just arrived, including some of this year's biggest blockbusters. But figuring out what to watch with so much to choose from can quickly become a headache. That's why we regularly comb through all the new movies on streaming to highlight the best of the bunch. The biggest newcomer this week is easily "A Minecraft Movie" on Max, though my top pick would have to be 'Final Destination Bloodlines' arriving on premium video-on-demand streaming platforms. On Netflix, you can check out 'Kpop Demon Hunters," a fun and vibrant new animated adventure from the studio behind the "Spider-Verse" films. Over on Disney Plus, there's a new live-action musical version of "Frozen" with new songs from the original movie's songwriters. Lastly, Paramount Plus has a millennia-spanning love story starring Kristen Stewart and Steven Yeun called "Love Me." So if you're looking for what to watch this weekend, your search is over. Here are our picks for the best new movies on streaming to add to your watchlist. Working as a prequel and a sequel, the long-awaited sixth "Final Destination" film reinvigorates the franchise by taking its iconic premise to a new level: If death hunts down those who cheat fate, what happens when those survivors have children? While this generational angle adds a fun new layer, "Bloodlines" still delivers on all the inventive gore and over-the-top kills that fans have come to expect. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. Like every movie in the series, "Bloodlines" kicks off with a jaw-dropping premonition where a character foresees a deadly catastrophe and manages to save a few would-be victims. The twist this time is that a survivor's grandchild, college student Stefani Reyes (Kaitlyn Santa Juana), finds herself in the crosshairs when death comes to collect his dues. The time gap works in the film's favor, making the familiar formula of death stalking survivors feel fresh again for one of the best entries in the series since "Final Destination 2." Buy or rent now on Amazon or Apple Parents everywhere can breathe a sigh of relief: you don't have to brave the Chicken Jockey frenzy in theaters to see "A Minecraft Movie" anymore, now that it's landed on Max. Whether you find this year's biggest blockbuster delightfully entertaining or an exhausting barrage of meme fodder depends on your taste, but it's hard to deny the cultural impact it's had. Jason Momoa, Danielle Brooks, Emma Myers, and Sebastian Hansen star as a scrappy group of misfits who stumble through a portal into the pixelated world of Minecraft. To survive their blocky new world, their imagination will be put to the test as they team up with Steve (Jack Black), a seasoned crafter who's been stuck there for decades. Director Jared Hess ("Napoleon Dynamite") brings his signature offbeat humor, while Jack Black once again proves he's a comedic powerhouse capable of winning over a whole new generation of kids. Stream it now on Max What happens when a chart-topping music genre crashes headfirst into an animated realm crawling with soul-sucking demons? That's what we'll find out in "KPop Demon Hunters," Netflix's latest animated adventure. It's from the same animation studio behind the "Spider-Verse" films and "The Mitchells vs. the Machines," so if nothing else, this promises to be a stunning feast for the eyes. "KPop Demon Hunters" follows superstars Rumi (voiced by Arden Cho), Mira (May Hong), and Zoey (Ji-young Yoo), who split their time between selling out stadiums and (what else?) slaying demons. But they're faced with their biggest challenge yet when a rival boy band turns out to be a group of demons in disguise. With the souls of their fans at stake, not to mention their reputation, the idols gear up to slay the day. Watch it now on Netflix Anyone counting down the days until "Wicked: For Good" will be excited to learn that one of Disney's most popular movies of all time, "Frozen," is getting the "Hamilton" treatment on Disney Plus. The musical tells the same story as the animated film, only in a live stage format. You'd be forgiven for thinking this is the Broadway version based on the title, but it's actually a taping of the show's West End production at Theatre Royal Drury Lane in London, which ran from 2021 to 2024. The show features 12 new songs written exclusively for the musical by Kristen Anderson-Lopez and Robert Lopez, who co-wrote the songs for both "Frozen" and "Frozen 2." And of course, there's still all the original earworms from the movie, only this time with "Pretty Woman: The Musical" star Samantha Barks belting out "Let It Go" instead of Idina Menzel. Watch it now on Disney Plus For an offbeat romantic drama with a heavy helping of sci-fi, look no further than Kristen Stewart and Steven Yeun's "Love Me." Set in a future where humanity has gone extinct, it follows an unexpected duo: a weather buoy (voiced by Stewart) that becomes self-aware after a brief encounter with a passing satellite (Yeun). Yearning for a sense of self, the buoy calls itself 'Me' and dubs the satellite 'Iam.' Me persuades Iam to study the remnants of the internet with her to better understand what it means to be human. Though Iam doesn't realize it, Me begins to construct new identities for them both based on social media posts from a once-living couple. As their bond evolves into something that resembles love, the cracks in their borrowed identities as well as their growing connection begin to show. Watch it now on Paramount Plus

Female Gazes: Ana Margarita Flores & Marisol Mendez
Female Gazes: Ana Margarita Flores & Marisol Mendez

Vogue

time2 days ago

  • Vogue

Female Gazes: Ana Margarita Flores & Marisol Mendez

It's about being resourceful and even if it takes longer, if it's what you're meant to do, just keep doing it. Let's be honest, nobody is waiting for our work, so take your time and try to find ways to produce it. CDB Final question. There's this myth that I want us to dismantle, that men, especially in working environments, are better at creating connections and solidarity. Would you tell me about the people who helped you? MM I dedicated my book to my mum because she was really the person that was with me throughout the project. I called her assistant, but she deserves a more intersectional kind of named tag for what she did. My mom, even though she is not an artist, knows me and she knew the work, so even when I was sequencing, I would show it to her. I would share the work that I was doing in my family group chat and ask my sisters: we took these pictures, which one is better? I feel very happy to have this nucleus of family that is very supportive. The project would not be what it is if it wasn't for every woman that participated in it. I wish I could take credit, but I was surrounded by all this beautiful energy. And I must say that back then I had also these two male photographer friends who helped me a lot. My book editor was a woman, she was the one who convinced the publisher to make the book. My writing teacher, who is a poet from Argentina, and Elisa Medde wrote for my book. The book was a collective effort of all these women. Many eyes that go into a project, many conversations, many voices. ANA So for me it was very solitary at the beginning, but when I feel stuck, obviously many times during the process, I like sharing my ideas with my closest friends. Especially with my housemate, one of my best friends. She understands my background because we both grew up in Geneva and we are both Latin Americans. Then obviously my mother even though at the beginning she didn't really understand what I was doing but we opened up a dialogue which helped me to see many things.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store