
Prime Video's new mystery thriller series is now streaming — and the twists will keep you guessing until the very end
Summer might be the season for getting outside and soaking up the sun, but for me, it always puts me in the mood to binge a good mystery thriller. Thankfully, Prime Video came through, because the streaming service has dropped its new series 'We Were Liars,' and I can confidently say it's a twist-filled treat.
'We Were Liars' is based on E. Lockhart's bestselling 2014 novel, and if you're an avid Tumblr or BookTok user, you know this story has had a grip on people ever since its publication.
The story follows a tight-knit group of teens who spend every summer together on their family's exclusive island. After a mysterious and traumatic incident, the oldest of the group is left with gaps in her memory and a deep sense that something is being hidden. As you can tell, it's a pretty gripping premise.
I love reading books, and after watching the show, I'm now convinced to pick up the novel. There are plenty of twists sprinkled throughout, leading to an ending that will either shock or surprise you, depending on whether you pick up on the clues.
So, if you need something to binge-watch now that we're approaching the first official day of summer, here's why 'We Were Liars' deserves a spot on your Prime Video watchlist.
'We Were Liars' centers around 17‑year‑old Cadence Sinclair Eastman (Emily Alyn Lind), who returns to her family's private island off Martha's Vineyard after a traumatic accident wiped out her memories of the previous summer.
Raised within the wealthy Sinclair clan, Cadence spent childhood summers in the company of three close friends — her cousins Johnny (Joseph Zada) and Mirren (Esther McGregor), and their longtime friend Gat (Shubham Maheshwari) — together known as 'the Liars.' When she comes back, two years have passed, and everyone is tight‑lipped about the incident that left her injured and confused.
Determined to piece things together, Cadence reconnects with Johnny, Mirren and Gat, retracing their final days before the accident. As she follows the trail of fragmented flashbacks, she uncovers shocking details about that summer, including romantic entanglements, hidden emotions, and family secrets that challenge everything she believed about her loved ones.
If you've watched your fair share of teen dramas about wealthy families hiding ugly secrets, 'We Were Liars' might feel like very familiar ground. But fortunately, it still manages to rise above the crowd.
Prime Video's latest series drops us into the lavish, picture-perfect world of the Sinclair family, where one traumatic event shatters everything. The story unfolds through the eyes of their granddaughter, Cadence, who returns to the family's private island, desperate to piece together what really happened during a summer she can't fully remember.
We're essentially in the same position as her, with no idea what's going on, especially when the show slips into sudden, eerie montages of water and blonde hair floating on the surface. While those moments felt a little jarring at first, they start to make sense as the story progresses since they're visual cues tied to Cadence's fractured memories coming back to life.
The show leans hard into mystery, shifting between timelines to slowly peel back layers of denial and long-held resentment. And while I usually roll my eyes at the 'rich people problems' genre, I have to admit: the mess is juicy. I'm sure anyone who loves teen dramas like 'The Summer I Turned Pretty' will find themselves hooked by every episode.
However, the real standout is the dynamic between the older generation, especially the three sisters, played brilliantly by Mamie Gummer, Candice King and Caitlin FitzGerald. Their tension is so obvious, their history brutal, and honestly, I found them more compelling than the younger characters.
With so many characters, though, I'm impressed that 'We Were Liars' managed to mirror the past and present without ever feeling confusing, and the family still got enough screen time even when the majority of the plot centers around Cadence and her friends.
Throughout the show, you watch as these kids admire the island like it's some kind of fairy tale getaway, completely blind to the sexism and racism woven into its foundation. As the truth comes out, the illusion starts to crack, and each episode does a good job of showing how inherited trauma doesn't just fade but festers.
Some storylines get more attention than others (which feels inevitable), but I respect the attempt to tackle weightier topics like privilege, patriarchy, and grief within the framework of a YA mystery.
Not every twist lands, and yes, the wigs are a little distracting (had to be said), but it's still a satisfying binge. If you like messy family secrets, moody beach settings, and emotional gut-punches, this one's worth your time.
Just be prepared for a final scene that veers off-book in a way that might leave you scratching your head. Feels like Prime Video is keeping the door open for a second season, just in case.
'We Were Liars' earns its place on your must-binge list not just for the mystery, but for the way it slowly pulls you into a world that seems polished on the surface yet unravels in deeply uncomfortable ways.
The pacing might be slow and especially long-winded at times, but the emotional payoff and final reveals make the ride worthwhile. The performances, especially from the older cast, bring enough emotion that cuts through the gloss, giving the story a much-needed weight.
And while the series doesn't land every swing, it does enough to keep you watching, theorizing, and feeling unsettled in the best way.
You can stream 'We Were Liars' on Prime Video now. For more streaming recommendations, see what else is new on Prime Video in June 2025.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


UPI
40 minutes ago
- UPI
Summer reading: 5 books being adapted for film, TV
1 of 5 | Pierce Brosnan stars in a film adaptation of "The Thursday Murder Club." File Photo by John Angelillo/UPI | License Photo June 20 (UPI) -- We Were Liars, 20,000 Leagues Under the Sea, The Rainmaker and other books are getting film and television adaptations this summer. The new adaptations will arrive on streaming platforms in June, July and August. John Slattery and Pierce Brosnan are among the stars who appear in upcoming film or TV adaptations. Read on for an overview of what to expect: 'We Were Liars' E. Lockhart's young adult suspense novel was published in 2018, followed by a prequel novel, Family of Liars, in 2022. Prime Video's adaptation stars Emily Alyn Lind as Cadence Sinclair Eastman, a wealthy girl trying to uncover secrets after an accident that she doesn't remember. The series also stars Caitlin Fitzgerald, Shubham Mahewshwari, Esther McGregor, Joseph Zada, Mamie Gummer, Candice King, Rahul Kohli and David Morse. Prime Video released a trailer for the series in June that shows Cadence returning to the scene of the incident to try and remember what happened to her. We Were Liars began streaming Wednesday. '20,000 Leagues Under the Sea' Twenty Thousand Leagues Under the Sea was penned by Jules Verne in 1869 and follows the adventures of Captain Nemo as he helms the Nautilus submarine. AMC is delivering a series inspired by the novel, titled Nautilus. Shazad Latif stars as Nemo, a prince and East India Mercantile Company prisoner who steals the submarine and escapes captivity. His adventure sends him on a quest to find mythic treasure while outrunning his captors. Georgia Flood, Celine Menville, Thierry Fremont, Richard E. Grant, Anna Torv and Noah Taylor also star. Two episodes arrive on AMC and AMC+ on June 29. 'The Institute' The Institute, written by Stephen King, was published in 2019, and will serve as inspiration for an upcoming show of the same name. MGM+ is adapting the book, and King will also serve as an executive producer on the project. Luke Ellis (Joe Freeman) is teenager who is abducted and taken to a facility where other kidnapped children with unique abilities are living. Ben Barnes portrays the police officer Tim Jamieson, who crosses paths with Luke. Mary-Louise Parker, Simone Miller, Fionn Laird, Hannah Galway, Julian Richings, Robert Joy and Martin Roach also star. Two episodes arrive on MGM+ July 13. 'The Rainmaker' John Grisham penned the 1995 novel The Rainmaker, which was previously adapted as a 1997 film directed by Francis Ford Coppola and starring Matt Damon and Claire Danes. The story will also serve as the inspiration for a new series on USA Network. Rudy Baylor (Milo Callaghan) gets fired from Leo Drummond's (John Slattery) law firm on his first day of work. His new gig working for Bruiser (Lana Parrilla) forces Rudy to face his old boss and his girlfriend (Madison Iseman) in the courtroom. P.J. Byrne, Dan Fogler, Wade Briggs and Robyn Cara also star in the series, which premieres Aug. 15. 'Thursday Murder Club' Richard Osman's 2020 novel serves as the inspiration for an upcoming Netflix film starring Pierce Brosnan and Helen Mirren. Harry Potter and the Philosopher's Stone director Chris Columbus helms the movie, and he described the cast as "the finest" since that film. Mirren portrays Elizabeth and Brosnan portrays Ron, retirees who solve cold cases as a hobby alongside Ben Kingsley's character Ibrahim and Celia Imrie's Joyce. An actual murder," however, gives the group their first "real case." The film also stars Naomi Ackie, Daniel Mays, Henry Lloyd-Hughes, Tom Ellis, Jonathan Pryce, David Tennant, Paul Freeman, Geoff Bell, Richard E. Grant and Ingrid Oliver and lands on the streamer Aug. 28. Helen Mirren turns 75: a look back Dame Helen Mirren (L) and husband, Taylor Hackford, arrive at the Directors Guild of America Honors in New York City on December 10, 2000. The couple has been married since 1997. Photo by Laura Cavanaugh/UPI | License Photo


Tom's Guide
2 hours ago
- Tom's Guide
Prime Video is about to lose one of the best Leonardo DiCaprio movies you (probably) haven't watched — stream this 90%-rated war thriller while you still can
'Blood Diamond' is a 2006 movie seared into my psyche. That's not necessarily because I've rewatched it loads of times, but rather it's because for about a decade, my family's DVD copy took up permanent residence on top of our player. I guess we were all too lazy to put the case back in the adjacent bookshelf. Years later, and with that dusty DVD copy probably now in a landfill somewhere or sitting neglected in a thrift store, 'Blood Diamond' is a movie I don't hear people talk about very often. In some ways, that's a little surprising considering it stars Leonardo DiCaprio, Jennifer Connelly, Michael Sheen and Djimon Hounsou, so there are a lot of recognizable names involved. Plus, Leo scooped an Oscar nomination for his work on the picture. While scrolling the list of movies being removed from Prime Video at the end of this month (on June 29, 2025), I stumbled across 'Blood Diamond' and figured now would be a good time for a long-overdue rewatch while it's still available on one of the best streaming services. The movie is carried mostly by the strength of its cast and isn't without its flaws, but if you're looking for something to watch on Prime Video this week, 'Blood Diamond' is a chunky action-thriller that viewers really love. Set in 1999, "Blood Diamond" opens as Sierra Leone is in the midst of a bloody civil war, with a ruthless revolutionary force roaming the countryside and forcing locals to harvest valuable diamonds to fund their campaign of terror. Stuck in the middle of the conflict is Solomon Vandy (Djimon Hounsou), a fisherman separated from his family and forced into a work camp. After discovering a seemingly priceless diamond and burying it in the ground to avoid having to give it up to the authorities, he becomes involved with a South African mercenary, Danny Archer (Leonardo DiCaprio). The two strike up a reluctant agreement to work together to retrieve the diamond, along with help from an American journalist (Jennifer Connelly). But getting back to the stone's location will force them to venture into rebel territory, a price that might be too great for even such a valuable treasure. 'Blood Diamond's' biggest asset is definitely Leo. The A-lister gives one of his finest performances as Danny Archer, and completely captures your attention in every single scene. Archer is a well-realized character, at first seeming entirely self-serving but eventually revealing a capacity to care for others and striking up a romance with Connelly's Maddy. And his tragic backstory only adds more dimension. DiCaprio brings Archer to life beautifully. No wonder he was nominated for an Academy Award. Plus, he's got a pretty great South African accent to boot. But that's not to say DiCaprio completely outshines his castmates. Djimon Hounsou is the movie's heart, and rightfully received an Oscar nomination of his own. Vandy's emotional journey to be reunited with his family is the movie's best character arc, and by the end, don't be shocked if you shed a few tears. The movie's biggest failing is that it gets bogged down repeating its thesis. Its comments on man's greed and the craven exploitation of the innocent civilizations in society (particularly during periods of conflict) are valuable. However, this worthwhile commentary is too often presented in a rather cookie-cutter, very Hollywood manner. Some subtlety would be nice. But even when 'Blood Diamond' verges into emotional manipulation, DiCaprio and Hounsou are so darn good that they easily sell you the material. And while it presents an African continent torn apart by Civil War, it still manages to highlight the undeniable beauty of the region. Viewers wanting bombastic thrills and frenetic firefights are well catered to, with several high-production action sequences. While the adrenaline-pumping moments perhaps feel at odds with the movie's message, they are quite well crafted, and there is one scene in particular involving Hounsou's son, which is smaller in scale, but it really leaves a devastating mark. The movie received a mixed reception from critics. It currently scored a middling 60% on Rotten Tomatoes. However, viewers found a lot more to like about 'Blood Diamond,' rating it a strong 90%. Recent reviews praise the cast, and one even calls it 'one of the greatest films of all time.' I'm not sure I'd echo that sentiment, but clearly lots of viewers liked this one quite a lot. As noted, you have until Sunday, June 29, 2025, to watch 'Blood Diamond' on Prime Video. So don't throw this one in your wishlist and forget about it (we all do it!), give it a stream as soon as possible. Meanwhile, if you want some alternative picks which aren't expiring soon, here's a rundown of everything new heading to Prime Video this month. Watch "Blood Diamond" on Prime Video until June 29, 2025
Yahoo
5 hours ago
- Yahoo
‘Hope for the best, prepare for the worst': ‘Overcompensating' breakout Wally Baram on making her acting debut, defiling prop toilet
When writer and stand-up comic Wally Baram joined the writers' room for the debut season of Prime Video's breakout coming-of-age college dramedy Overcompensating, she had no idea she would become one of the TV season's most celebrated new actresses. In a story she charmed Kelly Clarkson with on The Kelly Clarkson Show, Baram's years in the writers' rooms of Shrinking and What We Do in the Shadows hadn't included much time spent on sets. Which is how she ended up unknowingly using a prop toilet on the Overcompensating set, and having to quickly remove it and hide the evidence in her purse. The good news: the poop oops didn't get her fired (as she feared it might), and the series creator, showrunner, and star, comedian Benito Skinner, became convinced the writer, but inexperienced actor, was the perfect person to play Carmen, the new classmate and BFF of his college freshman Benny. Of hundreds of other contenders, Baram auditioned, convinced Prime execs that Skinner had made a good casting call, and she was all of a sudden joining him as one of the series leads. She had also helped shaped the episodes unfolding during the funny, sweet, raunchy, guest star-studded (Charlie XCX, Connie Britton, Kyle MacLachlan, Megan Fox, Bowen Yang, and James Van Der Beek) story about secretly gay Benny and his brief love interest-turned-best friend Carmen, who bond in their awkwardness and turn it into a sweet, dramatic, complicated relationship. More from GoldDerby The case of Leslie Abramson vs. Marcia Clark: Ari Graynor and Sarah Paulson on 'defending' their characters In Pixar's 'Elio,' Easter eggs are literally written in the stars - will you be able to spot them all? 'The messier, the better': How 'Andor' created the epic, heart-shattering Ghorman Massacre Baram, whose character experienced some on-screen bathroom-related drama in the sometimes bawdy dramedy, is planning a new stand-up tour in August, as she awaits, with her fellow writers and castmates, what should be a no-brainer Season 2 renewal for Overcompensating at Prime Video. In the meantime, she talked to Gold Derby about what it's been like to become a star if not overnight, within the last month; how she totally understands why people think she's exactly like her character (she isn't, though); what she can't wait to explore about Carmen next; why she agrees with lots of TV fans about what TV mom and dad she'd choose as her 'rents; and what she expected to be greeted with when she joined the writing staffs of the Emmy-nominated comedies she wrote for. Prime Video Gold Derby: The show has been the highlight of spring TV. It has been so well received by viewers and critics, and yours is definitely one of the breakout performances of the TV season. And it only premiered a month ago. How have you wrapped your mind around all that happening so quickly? Wally Baram: It's, I mean, it's crazy. It's been. in so many ways, such a novel experience. I've been a part of, you know, a couple of Season 1s in the writers room of TV shows and seeing them come out, and you really just never know. So I knew to have absolutely zero expectations; hope for the best, prepare for the worst. It's just been a thrill, of course. When was the first time that you realized, "Hey, people are watching this and they're really connecting to it?" Hmm… you know, when we had some interviews, and there were some press people that were being very extra nice about [the show]. I asked someone afterwards, 'Are they doing that to try to, you know, butter you up?' I think some of them had seen the series before it actually came out, and they were like, 'That spoke to my queer experience.' I was like, "Whoa, I thought they would be a little bit more close to the vest about that." And then when the show actually came out, the day it came out, people were stopping me to talk about it. It was bananas. What's the most surreal thing that's happened to you so far since it premiered? That's a good question. I think the most surreal thing has perhaps been people who have the experience of grief that my character does on the show coming up to me in the street and telling me that they felt what my character was feeling and they really identified with the experience of my character. I'm sure that feels like a very universal actor experience, but you know, people … to have it be a story that is tragic, that was really meaningful to me, especially because I came into this as a comedian and thinking and knowing that comedy was my wheelhouse and my character is actually not that hard-funny in the show. She definitely, absolutely has moments, but she also has some more heartful moments she has to play. I wasn't sure that I could tackle those moments, … it's still a relief when people tell me that they connect with the performance. People really do connect with Carmen, which is probably part of the reason they seem obsessed with knowing how much you are like the character, or not. Are you sick of answering those questions yet? That's funny. You know, I think it's difficult. It was even difficult for me, because at first glance, we're very similar, but at second glance, we're really so different. So it very quickly became, you're so similar to Carmen and you wrote in the room. I didn't know I was going to play this character when I wrote in the room. It was just contributing kind of my experiences. And then, when I was playing her, … I think if you saw me in between takes, you'd be like, wow, these are very different people, the character and me. You've written for and , some of the best TV series, the best comedies certainly of recent TV years. How did acting as one of the characters you were writing change the writing experience for you? My gosh, it definitely did. Now I notice when I'm writing, I'm imagining myself kind of, not that I expect to play any of the characters, but in a way I try to put myself in the place of the actor in sort of a new, three-dimensional way, and I think it's made my writing more active, where now I'm like, so this is kind of how I can build out more for that actor to play in a moment, based off of now what I know of the acting experience. I definitely in my own writing want to give more opportunities for the actors to bring more. More tools for the writer's toolbox… Yeah, absolutely. Coming back to new scripts or revisiting old scripts, it's made me do significant rewrites on things. So it's been really worthwhile. Prime Video What were your experiences like working in the and , writers' rooms? Again, those are fantastic comedies, obviously very different from each other, to have so early on your résumé. Yeah, I feel very fortunate in that I've worked with some season one rooms, and some first-time showrunners, as was this experience with Benito, who hadn't run a room before and yet he led the show with such grace. It was kind of unbelievable. I felt very privileged coming into this experience, because I've worked with a lot of showrunners too who have done this job at great lengths. Paul Simms, who does What We Do in the Shadows, Bill Lawrence on Shrinking. And even before that, I worked with Greg Garcia [who created My Name Is Earl and Raising Hope]. Just people that have TV down to a well-oiled machine in terms of how they run the room, make the show, and get the most creativity out of the people that they're working with. So if i got anything out of those experiences, in addition to just meeting great people, I feel like I definitely observed a lot of ways in which I would want to run a room if I ever run a room, and also just how to professionally interact with people in productive and kind ways. Because all those guys are, I would say, remarkably kind as bosses in the industry. You hear so many crazy stories … every time I would land somewhere and someone would open with like, 'It's hard to get fired.' I'd be like, 'How is that possible?' I think that was told to me at like all of those places. I don't know if I can imagine. I don't know if I'm not supposed to say that, but everyone was like, 'Yeah, don't worry.' But I thought like, I'm supposed to be here and someone's supposed to be hitting me with a stick as I pump out jokes at 2 a.m., and I'm not sleeping, and I'm getting like racist and sexist threats yelled at me. That's what I thought Hollywood was kind of going to be like. And I've been very fortunate to work with who I've worked with. You've talked about being a fan of and finding inspiration in memoirs written by uber-talented writer-actors like Tina Fey, Amy Poehler, and Mindy Kaling. Is that something that you hope to do or would want to do? Well, I love the practice of writing, and I read a lot of fiction. I don't actually know if I could ever write fiction, but I would love to write something that stays on the page. I think it's the way I feel about what exactly I'm doing, whether it's acting, stand up, or writing scripts, it all has to do sort of with what I'm trying to express and explore. Like recently I wrote an essay about my mom, and I think I could have only articulated exactly what I was trying to articulate in an essay form. I think I use writing in a way that's sort of cathartic, that's cathartic and artistic. So I don't know that I'd get to it. Definitely right now I don't feel like, 'Ooh, I need to look back and tell my story' yet. I don't know, but I definitely would want to write something that would exist in book form. saved one of its best episodes for the penultimate spot in the season, with 'Welcome to the Black Parade,' where Carmen goes home to Idaho with Benny and Grace for the holidays. It was funny and sweet and redemptive, hilariously horrifying from Benny and Grace's point of view. But for Carmen, there was a real affection for the Scanlon parents and an appreciation for how much they just wanted to be a part of their kids' lives. As the portrayer of Carmen and a series writer, do you want to know more specifics about her family's backstory? Yeah, I definitely am interested. It's funny, when we shot the first scene of the show, we casted my parents. We had two people be my parents in the car that I'm getting out of, and they, I don't know if this was intentional for Benny or not, but they looked exactly like my real parents. But I think I'm excited for us to explore that, because that's where Carmen and I are actually really different. I think there were a lot of emotions from my childhood that I could pull from that kind of add up to this experience that she could have had, but I think her childhood was ultimately very different than mine. And I'm excited to explore that on a writing level and on an acting level, because I think that'll be where I get to do a lot more invention of the character. So yeah, we have chatted about what that could look like, and I'm excited to see more of what ideas [Benito] brings in. And I will say in that episode, Kyle MacLachlan and Connie Britton are, you're around them, and you're like, 'My gosh, I want you to be my parents.' Like you feel that from them. One more question before you have to go: when, not if is renewed for Season 2, what might Benny and Carmen (and Grace and Hailee and Miles and Peter and George and Mr. and Mrs. and Scanlan) be up to? I just knocked on wood. I think non-spoiler, something that I've definitely heard Benito talk about is a spring break episode, which sounds like it would be an absolute blast. Imagine Hailee, Carmen, and Benny on a beach, or on a cruise. Best of GoldDerby Adam Brody, Seth Rogen, Jason Segel, and the best of our Emmy Comedy Actor interviews Kristen Bell, Tina Fey, Bridget Everett, and the best of our Emmy Comedy Actress interviews 'It was wonderful to be on that ride': Christian Slater talks his beloved roles, from cult classics ('Heathers,' 'True Romance') to TV hits ('Mr. Robot,' 'Dexter: Original Sin') Click here to read the full article.