
BTS Army celebrate group's return from military service by helping Korean adoptees
K-pop megaband BTS are back from military service, and their international fandom – known for its progressive activism – is celebrating by rallying behind a cause: adoptees from South Korea.
Advertisement
Now Asia's fourth-largest economy and a global cultural powerhouse, the idols' native South Korea remains one of the biggest exporters of adopted babies in the world, having sent more than 140,000 children overseas between 1955 and 1999.
The country only recently acknowledged, after years of activism by adult adoptees, that the government was responsible for abuse in some such adoptions of local children, including record fabrication and inadequate consent from birth parents.
BTS's fandom, dubbed Army, is known for backing causes like Black Lives Matter and ARMY4Palestine, and launched the #ReuniteWithBTS fundraising project last week to support Korean adoptees seeking to reconnect with or learn about their birth families, which can be a painful and legally tricky process.
Jungkook (left) and Jimin of BTS salute for the media and fans shortly after their release from 18 months of South Korean military service. Photo: AFP
Almost all the
BTS members have completed
their mandatory military service , required of all men due to the country's military tensions with North Korea.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


South China Morning Post
8 hours ago
- South China Morning Post
Russian pianist Mikhail Pletnev plays subdued Beethoven and colourful Grieg in Hong Kong
The secret to a good story is, as they say, in the telling. Legendary Russian pianist Mikhail Pletnev wasted no time telling his tale to a packed audience in Hong Kong on June 17, launching into the Shigeru Kawai grand piano the very second he sat down. His recital was made up of two clearly opposed halves. The first saw his subdued yet thoughtful expressions of pathos and beauty in two of Beethoven's pillar sonatas, while a vivid depiction of Nordic nostalgia in a selection of Grieg's Lyric Pieces came after the intermission. The multifaceted musician-composer, whose distinguished international career began when he won first prize in the 1978 Tchaikovsky Competition, showed he had some real doozies up his sleeves despite exercising considerable emotional restraint in the first piece, Beethoven's Piano Sonata No. 8, the 'Pathétique'. Indeed, those expecting more outward expressions of the dramatic, agitated aspects of the music may have felt like they showed up at the wrong wedding. Expressions of pathos in the Grave introduction were more introspective in his hands, and any showy displays in the ensuing Allegro di molto con brio were equally shunned.


South China Morning Post
9 hours ago
- South China Morning Post
‘I'll keep writing': Chinese novelist Mai Jia will not be outdone by AI
At this year's Beijing International Book Fair, a forum on writers' perceptions of artificial intelligence (AI) saw Chinese author Mai Jia make a gentle but firm stand. Dressed in a light beige jacket, the celebrated novelist sat alongside three other panellists as he offered an unusually personal and philosophical take on AI and human creativity. A recipient of the prestigious Mao Dun Literature Prize, Mai Jia is best known for his espionage fiction. His reflections touched on a deeper unease shared by writers and artists around the world: where human creativity stands in a time when machines are learning to imitate – and even threatening to outpace – human imagination. 'I've never really used AI,' the novelist said. 'But I've played with it. And I played with the intent of proving it's not worth playing with.' His remarks drew laughter, but it was evident he was serious about the mindset behind his experiment. Amid AI threat, Hong Kong artists say they must hone what makes art uniquely human 'I approached it with distrust. I hoped to mock it. And to a certain extent, I succeeded in doing that, so I never really used it.' Reports that Mai Jia had somehow contributed to the development of AI-generated fiction in his style were, in his own words, 'pure rumour'. 'I never demonstrated anything. I never helped build such a thing,' he said plainly. For the novelist, the rise of AI is not just a question about the future – it's a reckoning with the past. 'When we talk about AI, we think we're talking about the future. But that's not the wise thing to do,' he said. 'AI has a surging, even violent vitality. It's coming at us like a monster, like a giant we can't stop, and we have no idea where it's going or what it will become.' The 31st Beijing International Book Fair opened on Wednesday, displaying around 220,000 books from China and abroad. Photo: AFP He suggested that rather than speculate about the future of AI, people should examine its roots and view it as the culmination of a long 'digital revolution'. In his view, this revolution began when numbers first entered the human language roughly 5,000 years ago. 'When early writing systems emerged, numbers were a part of them. But numbers were never content to remain just a part of writing. They've always wanted to rebel.' The writer traces the first major turning point back to 1837, with the invention of Morse code – 'a great technology created by a great man,' he said – which allowed a message to be transmitted across oceans using only digits. This marked the first true success of the digital revolution for Mai Jia. But it came at a cost. 'Digital encoding brought us immense convenience. A message could travel from China to Europe or the United States [in one] morning. But it also introduced trouble,' he said. 'It brought cryptography. It dissolved language. It turned language into a puzzle, an obstacle.' British musicians protest government's AI plans with an 'almost' silent album Later came the second wave – computers, developed in the mid-20th century through the foundational work of figures like John von Neumann and Alan Turing. 'Instead of converting writing into ten digits, they reduced it to just two: zero and one,' he said. This, he argued, was a more complete digitisation than Morse code ever achieved. The benefits were vast – 'an entire library can now fit in a screen, a single phone' – but so were the downsides. 'When that screen is in your hand, yes, it holds endless text. But it also drains your time, digs into your greed, and pulls you downward,' he said. 'It disintegrates your attention. It exaggerates your desire to sink.' The third wave, the novelist believes, is AI. And it's the most transformative yet. 'For the first time, we are talking not just about reading or attention but about writing itself. Before, no one imagined that technology could replace the human mind in creating.' He said that today's AI revolution has created something new: a creative anxiety disorder. Over 1,700 exhibitors from 80 countries and regions took part in the fair, with Malaysia as this year's guest country of honour. Photo: Xinhua 'I don't know how this revolution will evolve. But here's what I do know: Even if AI defeats me, even if every word it writes is better than mine, I will still write,' he said. 'Not because I want to compete with it. But because writing is how I survive. If I don't read, if I don't write, I don't know how to live.' He ended with a quiet but firm conviction: 'If AI writes better than me, I'll write. If I write better than it – of course, I'll write.'


South China Morning Post
10 hours ago
- South China Morning Post
Pop-up afternoon parties in Hong Kong proving a hit for health-conscious clubbers
Woo and Sandy Lam Sin-yi, who founded Riffs, a music discovery and ticketing platform, had been thinking about daytime parties since December 2024, but did not come across 'a good venue and DJ pairing that we thought might make some noise', Woo says. 'Every time we go clubbing, we get so drunk and can't do anything the next day,' says series co-founder Isaac Woo Siu-hin, a commercial and music video director. 'An afternoon event would give us time to party, have dinner with friends and still go home [at a reasonable hour]. It's a healthier lifestyle, which I think a lot of people in Hong Kong are also looking for.' The idea is to create interesting events for Hongkongers looking for fun things to do on weekend afternoons. Their 'Social Club Series' consists of pop-up parties that are themed around a distinctive music genre and have a specific dress code. They are always held during the day and at a different venue only disclosed to ticket-holders. Tired of staying out all night at the weekend and being hungover on Monday morning, two clubbers and music industry professionals in their late 20s have turned to the new global 'coffee rave' trend – which turns cafes into dance clubs – to infuse some light into Hong Kong's nightlife. That changed in March, when they learned that Dcr Milda, a Toronto-based DJ born in Prague to Vietnamese parents, was in town to spin at a nightclub. Lam quickly DM'd him on Instagram, and she and Woo put the event together in less than a week while also getting local DJ Hyphen on board. They mostly invited their friends for a small and intimate party, but had 'a strong instinct that we needed to film the first event to see if anyone would resonate [with this kind of party]', she says. The first party took place at Islet Coffee Lab in Central on a Sunday afternoon, on March 16, with an all-white dress code. Woo's most popular video of the event has since racked up 159,000 views on Instagram, and the Social Club Series page has already garnered more than 5,000 followers. Since then, there have been three more editions: two on Sunday afternoons at coffee shops in Sheung Wan and Wan Chai, and one on a Saturday afternoon at a craft beer bar and restaurant in Central. Both coffee and alcoholic drinks were available. Lam thinks each party having a dress code is 'part of the fun'. She explains that the second party's theme was 'sporty', with most attendees wearing tennis outfits thanks to a tennis racquet in the centre of the promotional poster. Though the dress code was a looser rule at the third and fourth events – wearing green and basketball shirts, respectively – many attendees still followed it. Lam says that 70 per cent of tickets for each party typically sell within the first 30 minutes. All four parties so far have sold out within 24 hours of their announcement. Social Club Series attendees are mostly in their 20s and 30s, although Woo recalls seeing a few 50-year-old women dancing at the second party – he reckons they found out about it on social media. He believes that revealing the event venues only after ticket purchases generates a sense of mystery. 'We like to surprise our attendees, who like us because of our concept of pairing different venues with different genres of electronic dance music. 'Every time, there are people who don't want to leave and still want to go on partying, which is very encouraging to us.' The fourth party in the Social Club Series was held in a craft beer bar in Central, Hong Kong. Photo: Social Club Series But it is also about creating something new and exciting. 'We know some restaurants [in Hong Kong] have been struggling with business in the afternoons, so this can be a win-win situation for both our attendees and venues, which can make use of off-peak hours to do something that brings joy and good business,' Lam says. On June 21, the duo will host one of their biggest events. They will turn Messina and Peak Pizza, two interconnected restaurants on The Peak, into a mini music festival, with two stages and a maximum capacity of 300. The event is a collaboration between Social Club Series and Black Sheep Restaurants , one of Hong Kong's biggest hospitality groups. 'Initially, we were thinking of just hosting the party at the pizza restaurant, but when we visited the site, we were inspired to do it at both shops,' Woo says. 'We want to give different formats and experiences to surprise the crowd. 'We will fly in DJs from Thailand and the Philippines, and maybe one more from overseas, but the rest of the line-up will be Hong Kong DJs. We want to draw in people with international acts but put the spotlight on local DJs, too.' Daytime party-goers have fun at Social Club Series' third edition, at a coffee shop in Wan Chai. Photo: Social Club Series One stage will have house music, Afro house and open-format music, while the other will consist of more hard-hitting genres like hard hip-hop, UK garage and baile funk. Tickets for the event sold out in 10 minutes, so the duo added one more date, on June 22. 'We're starting small, but as we learn more about the scene, hopefully we can evolve into something bigger,' says Lam. 'I think there's a lack of Asian faces when it comes to headlining acts at the bigger festivals in Hong Kong. There are a lot of good DJs locally and in other Asian cities that people should know, and as we develop our project that belongs to these regions, we want to promote them more.' Advertisement