Balletic grace in John Wick spin-off
THE vast John Wick Cinematic Universe is a place where grief is fuel and everyone owns a bulletproof suit and here, Ballerina struts in as a sleek, blood-splattered interquel with surprising elegance. Set between Parabellum and Chapter 4, this spin-off serves not only as connective tissue but also as a vehicle to introduce a fresh, revenge-driven protagonist into the world of coin-flipping, vow-bound assassins. And, yes, she dances. And yes, she kills, often at the same time.
Put on your dancing shoes
Helmed by Len Wiseman, a director best known for his stylish entries in the Underworld series, the film brings its signature flair to a new kind of assassin: one trained to pirouette before pulling the trigger. While the premise sounds like something cooked up in a fever dream – assassin ballerinas taking on underground cults – the execution (pun very much intended) is grounded in the franchise's distinct visual style and code-of-honour absurdity.
It must be said the beginning of Ballerina is a bit of a slow burn. The first act leans heavily on exposition, world-building and wistful flashbacks. For those expecting instant mayhem, the setup may feel like waiting too long for a gun to go off. However, once the shoes are laced and the bullets start flying, the film snaps into place like a well-choreographed fight scene.
The pacing issues early on are quickly forgiven thanks to an increasingly engaging plot, stylish kills and one-liner-filled banter from characters both new and familiar. Fans of the franchise will find plenty to geek out over, while newcomers will likely appreciate the sheer audacity of a film that treats pointed shoes like deadly weapons.
Armas surprises and slays
There was some scepticism when Ana de Armas was announced as the lead in an action-heavy John Wick spin-off. Known for her dramatic roles and subtle emotional range, few expected her to carry a full-blown action flick, much less one that requires both emotional depth and the stamina to survive close-quarters combat in heels.
But surprise, surprise: she delivers. De Armas glides through the film's many combat sequences with intensity and physical commitment. Her character's transformation from vengeful trainee to full-blown threat feels earned and her performance never falls into caricature. She holds her own amid seasoned action vets, proving that yes, a ballerina can suplex someone through a table without breaking form.
Bombs, ballet and brotherhood
Ballerina is, in part, a Trojan horse for a Keanu Reeves appearance. And that is perfectly fine. While the franchise's beloved Baba Yaga does not hog the spotlight, his presence is undeniably a crowd-pleasing highlight. The film smartly uses his character to anchor the story, rather than distract from it. Still, viewers should temper expectations, this is not John Wick 5.5 and the focus never strays far from Eve's own revenge arc.
That said, for anyone walking into the cinema thinking 'I just want to see John Wick fight someone again,' rest assured: patience will be rewarded.
Beyond the gun-fu and shadowy assassins, Ballerina also dips into themes of legacy, betrayal and identity. While it does not spend too long philosophising (this is not The Godfather), the script does offer moments of emotional clarity amid the chaos. Family ties and buried secrets lend the film a layer of depth, making the action sequences more than just stylish mayhem.
Still, the real highlight remains the inventive choreography. From close-quarter knife fights in velvet theatres to shootouts framed like a ballet recital gone terribly wrong, Ballerina injects some much-needed creativity into the modern action genre. It understands what the Wick-verse does best: turn violence into performance art.
Watch it for the Wick, stay for the wreckage
Ballerina succeeds because it knows what it is. It is not here to rewrite the formula, it is here to dance all over it in blood-soaked tights. De Armas proves herself more than capable in the action arena, the choreography is top-notch and the world-building continues to deepen the Wick lore in ways that feel exciting and absurdly operatic.
Yes, the early pacing could have been snappier. Yes, some characters exist purely as cannon fodder. And yes, the entire concept teeters dangerously close to parody at times. But none of that matters when the third act kicks in and Ballerina fully embraces its role as a stylish, standalone thrill ride.
Whether you are here for the Keanu cameo or just to watch a ballerina blow up a village of killers, Ballerina delivers.
Just remember: do not expect a masterpiece. Expect carnage with class and that is more than enough.
The poster teases the stylish spin-off that pirouettes straight into the John Wick universe.
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The Sun
9 hours ago
- The Sun
Balletic grace in John Wick spin-off
THE vast John Wick Cinematic Universe is a place where grief is fuel and everyone owns a bulletproof suit and here, Ballerina struts in as a sleek, blood-splattered interquel with surprising elegance. Set between Parabellum and Chapter 4, this spin-off serves not only as connective tissue but also as a vehicle to introduce a fresh, revenge-driven protagonist into the world of coin-flipping, vow-bound assassins. And, yes, she dances. And yes, she kills, often at the same time. Put on your dancing shoes Helmed by Len Wiseman, a director best known for his stylish entries in the Underworld series, the film brings its signature flair to a new kind of assassin: one trained to pirouette before pulling the trigger. While the premise sounds like something cooked up in a fever dream – assassin ballerinas taking on underground cults – the execution (pun very much intended) is grounded in the franchise's distinct visual style and code-of-honour absurdity. It must be said the beginning of Ballerina is a bit of a slow burn. The first act leans heavily on exposition, world-building and wistful flashbacks. For those expecting instant mayhem, the setup may feel like waiting too long for a gun to go off. However, once the shoes are laced and the bullets start flying, the film snaps into place like a well-choreographed fight scene. The pacing issues early on are quickly forgiven thanks to an increasingly engaging plot, stylish kills and one-liner-filled banter from characters both new and familiar. Fans of the franchise will find plenty to geek out over, while newcomers will likely appreciate the sheer audacity of a film that treats pointed shoes like deadly weapons. Armas surprises and slays There was some scepticism when Ana de Armas was announced as the lead in an action-heavy John Wick spin-off. Known for her dramatic roles and subtle emotional range, few expected her to carry a full-blown action flick, much less one that requires both emotional depth and the stamina to survive close-quarters combat in heels. But surprise, surprise: she delivers. De Armas glides through the film's many combat sequences with intensity and physical commitment. Her character's transformation from vengeful trainee to full-blown threat feels earned and her performance never falls into caricature. She holds her own amid seasoned action vets, proving that yes, a ballerina can suplex someone through a table without breaking form. Bombs, ballet and brotherhood Ballerina is, in part, a Trojan horse for a Keanu Reeves appearance. And that is perfectly fine. While the franchise's beloved Baba Yaga does not hog the spotlight, his presence is undeniably a crowd-pleasing highlight. The film smartly uses his character to anchor the story, rather than distract from it. Still, viewers should temper expectations, this is not John Wick 5.5 and the focus never strays far from Eve's own revenge arc. That said, for anyone walking into the cinema thinking 'I just want to see John Wick fight someone again,' rest assured: patience will be rewarded. Beyond the gun-fu and shadowy assassins, Ballerina also dips into themes of legacy, betrayal and identity. While it does not spend too long philosophising (this is not The Godfather), the script does offer moments of emotional clarity amid the chaos. Family ties and buried secrets lend the film a layer of depth, making the action sequences more than just stylish mayhem. Still, the real highlight remains the inventive choreography. From close-quarter knife fights in velvet theatres to shootouts framed like a ballet recital gone terribly wrong, Ballerina injects some much-needed creativity into the modern action genre. It understands what the Wick-verse does best: turn violence into performance art. Watch it for the Wick, stay for the wreckage Ballerina succeeds because it knows what it is. It is not here to rewrite the formula, it is here to dance all over it in blood-soaked tights. De Armas proves herself more than capable in the action arena, the choreography is top-notch and the world-building continues to deepen the Wick lore in ways that feel exciting and absurdly operatic. Yes, the early pacing could have been snappier. Yes, some characters exist purely as cannon fodder. And yes, the entire concept teeters dangerously close to parody at times. But none of that matters when the third act kicks in and Ballerina fully embraces its role as a stylish, standalone thrill ride. Whether you are here for the Keanu cameo or just to watch a ballerina blow up a village of killers, Ballerina delivers. Just remember: do not expect a masterpiece. Expect carnage with class and that is more than enough. The poster teases the stylish spin-off that pirouettes straight into the John Wick universe.
The Star
04-06-2025
- The Star
Once mocked, now coveted – 'dad style' is the fashion trend redefining cool
While formerly overlooked, 'dad style' has become iconic. It is as though the aesthetic simply swaggered out of family photo albums and into the spotlight – redefining comfort as the new cool. From chunky loafers and faded jeans to dull-looking cardigans, such apparels are now embraced by trendsetters and designers alike. Fashion houses have scrambled to replicate the accidental confidence of pairing white athletic socks with sandals. What was once a source of teenage embarrassment has turned into streetwear gold. Youths may spend hours curating their OOTD (outfit of the day), but for unbothered dads, it is just a matter of five minutes to get dressed. Yet somehow, that unenthusiastic approach has become something to emulate. Perhaps it is a shift in mindset, rather than merely a visual one. Comfort-driven, unpretentious staples prove style does not have to be complicated to make a statement. Photo: Alexio Yeoh In a world saturated with image-consciousness and performative style, 'dadcore' (as it is also known in modern slang) stands out by not standing out. 'I think it's being celebrated by the same people who once mocked it,' comments 43-year-old British-Malaysian model Peter Davis, a father of two. 'They simply grew older and had to embrace it themselves,' he adds. Read more: Why the fashion industry is obsessed with sportswear right now Davis says that he currently shows up for social gatherings dressed casually. His self-deprecating term for this, is 'being lazy'. He credits his style evolution to time spent with his kids, where practicality took priority. 'I wear a sling bag most of the time now to carry more stuff!' he says with a laugh, referring to the accessory more often linked to parenting duties than runway style. Hollywood actor Pedro Pascal dresses the same way. Although known as a fashion icon for his occasional avant-garde choices, the man has no problem dressing down. At the recent Ballerina premiere in London, he sauntered onto the red carpet wearing a beige bomber jacket over a grey sweater and loose jeans (not as part of the cast, but to support the lead actress). Pascal has nevertheless, also worn cardigans and baggy trousers while promoting his own films. The fashion industry remains obsessed with his effortlessly cool 'dad style'. Whether he is in a slouchy sweater and sneakers or a classic suit, Pascal proves that dressing like a dad – even though he isn't one – can be just as stylish as it is relatable. All about comfort and practicality Pedro Pascal's red carpet outfits often embody the 'dad style' trend. Photo: Reuters From 'dad shoes' to 'dad jeans', 'dad glasses' and more, there is certainly an unironic charm to the 'dad' label. It has become a style statement in its own right. Local fashion designer Joe Chia, 38, says the aesthetic is resonating, perhaps because it feels honest. 'I think there's something refreshing about clothes that aren't trying too hard – those that are worn for comfort, practicality or even habit,' he mulls. 'In a world where everything is so curated, the unpretentiousness of a boxy shirt or chunky sneakers feels grounding.' Chia is new to fatherhood. His wife, Melissa Deng, co-founder of his eponymous label, gave birth to their daughter in February last year. For him, becoming a dad has not changed how he views fashion. The milestone has reinforced his approach to design instead. He describes his clothes as 'pieces you can move in, live in and return to'. 'Fatherhood didn't create that perspective, but it did make me appreciate it on a more personal level,' he adds. On the issue of whether 'dad style' is just a passing trend, he says that fashion is merely going back to something more down-to-earth. 'People are drawn to clothes that feel lived-in and familiar. Maybe there's nostalgia there, but more than that, it's about ease, function and subtle character.' Although not a father himself, Malaysian fashion photographer Alexio Yeoh feels he can relate to the trend. This shows that it has little to do with actual fatherhood. He calls it 'refreshing' and highlights staples that embody the vibe – like straight-cut roomy jeans, breathable polo tees and comfortable sneakers. His professional view on the subject is to fully embrace one's 'dad-ness' without skepticism, allowing it to shape a style that feels authentic. Read more: How today's best-dressed men aren't just wearing style – they're shaping it Classics like a denim shirt, while traditional, can stand the test of time. Photo: Sacoor Brothers Yeoh, 37, receives all kinds of commissions in his line of work, most accompanied by detailed instructions – meaning it is not up to him to interpret them freely. 'If the shirt is oversized and the pants are pleated, I won't hide it,' he nevertheless says, imagining a 'dad style' fashion spread. 'The confidence will make the look fashion-forward. If they believe in it, the viewer will too. Sell it, make it work!' Classics remain a favourite For some brands, this trend offers an opportunity to tap into a wider emotional current – one that values timeless fashion essentials over hype. Sacoor Brothers recently launched a collection for the upcoming Fathers' Day celebration. It features menswear designed not only to transcend seasons, but generations. In addition to formal suits and lightweight blazers, the offerings also include denim shirts that embody a quiet confidence and masculinity. Mostafa Wehbe, area manager for Sacoor Brothers South-East Asia, says the idea is to give men something to wear with pride. 'What's exciting is how the younger generation is reinterpreting these classics, blending clean tailoring with modern cuts, or mixing formal and casual elements in a polished way.' Wehbe believes 'dad style' is here to stay, describing it as part of the evolving standards in men's fashion . 'At Sacoor Brothers, our version of 'dad style' isn't baggy or overly casual. It's tailored, comfortable, and designed to look good,' he adds. 'By refining and elevating these elements, we ensure that the trend remains not only relevant, but aspirational.' Ultimately, what started as a punchline ('You dress like dad!') has become fashion's most unexpected flex. Designers, wearers and brands alike are definitely leaning into clothing that doesn't scream for attention, but still speaks volumes. Whether out of nostalgia, comfort, or a newfound appreciation for simplicity, the appeal is clear: style does not always have to be flashy to feel fresh. Also, the way your dad dresses might not just be acceptable now – it might actually be cooler than yours...
Hype Malaysia
16-05-2025
- Hype Malaysia
Streaming Tea: 'Gears Of War' Movie Director Named; First Image Of Nicholas Cage's 'Spider-Noir' Drops
Big things are coming to streaming platforms in the coming years, especially in the world of adaptations. For one, the long-benched 'Gears of War' movie has finally found its director, one who won't shy away from any action-packed goodness. Meanwhile, the first official image of the highly-anticipated 'Spider-Noir' series has been released, alongside some juicy news. All that and more in today's article. David Leitch Tapped To Direct 'Gears Of War' Movie After years of silence, a director for the proposed movie adaptation of 'Gears of War' has finally been named! After a lengthy behind-closed-door discussion, Netflix has finally secured David Leitch to direct one of Xbox's biggest game franchises. For those unaware, Leitch is known for his work in creating action-packed hits such as 'The Fall Guy,' 'John Wick,' and 'Fast & Furious: Hobbs & Shaw'. Furthermore, it has also been confirmed that Jon Spaihts, known for working alongside Denis Villeneuve in bringing the recent 'Dune' movies to life, will be penning the script for the coming adaptation. It has also been confirmed by Netflix that the company and Spaihts will be working alongside The Coalition Studio, the Canadian game developer that brought the original franchise to life. It has also been reported that Leitch and his wife and producing partner, Kelly McCormick, will help produce this film through their joint production company, 87North Productions. The Coalition will also contribute to funding the film and help bring it to life. With all these details, one can't help but be intrigued by what Leitch and Netflix discussed behind closed doors, but unfortunately, it will stay under wraps as both parties refuse to comment on the deal. This is incredibly interesting, especially since Netflix has been trying to develop the movie since it got the rights to it back in 2022. However, the streaming giant refused to share any major updates about the production until Dave Bautista himself called out and pressured the company to release new information about the project earlier this year. We can only speculate if this long delay and eventual call-out resulted in this almost secretive discussion. What we do know is that the movie is in good hands, as both the director and writer have had an incredible track record with recent films, specifically for gritty sci-fi war movies filled with over-the-top stunts and action. How it will turn out, only time will tell. MGM+ & Prime Video Unveil Images Of 'Spider-Noir' It's been a hot minute since Nicolas Cage donned a supersuit, but it's nice to see him back in the saddle once again! As you may have known, ever since his showing in the beloved animated movie 'Spider-Man: Into the Spider-Verse' as Spider-Man Noir, the veteran actor was given the rare opportunity to bring the titular character to life in its very own live-action film. With the hype surrounding the project, several behind-the-scenes and production images have already been leaked online, namely, shots of Cage in costume on top of set items, but never an official image. That is, until today. After months of waiting, MGM+ and Prime Video finally unveiled the first official shot of the highly-anticipated film at Amazon's annual upfront presentation last Monday. Though the image is in black and white to stick to the noir theming of the show, it has been confirmed that the series will be available in both black and white and colour to suit the audiences' tastes. Based on the Spider-Man Noir Marvel comic, the series is about 'an ageing and down-on-his-luck private investigator (Cage) in 1930s New York, who is forced to grapple with his past life as the city's one and only superhero.' Though no official release date has been announced, it has been confirmed that the series is set to drop in 2026 and will be available to be streamed on MGM+ and on Prime Video. But it won't just be Cage who appears on the screen; Lamorne Morris, Brendan Gleeson, Abraham Popoola, Li Jun Li, Karen Rodriguez, and Jack Huston will also be there. Additionally, it has been confirmed that the series will feature guest stars such as Lukas Haas, Cameron Britton, Cary Christopher, Michael Kostroff, Scott MacArthur, Joe Massingill, Whitney Rice, Amanda Schull, Andrew Caldwell, Amy Aquino, Andrew Robinson, and Kai Caster. For those behind the camera, it has been confirmed that Harry Bradbeer will direct and executive produce the first two episodes of the series. Oren Uziel and Steve Lightfoot will serve as co-showrunners and executive producers, while Phil Lord, Christopher Miller, Amy Pascal, Aditya Sood, and Dan Shear will be on board as executive producers. The fact that the show has eight – count 'em – eight executive producers demonstrates that this is going to be a big series which is setting itself up to be one that we won't soon forget. Sources: Amazon, Netflix, The Hollywood Reporter, IGN
