
How ‘The Handmaid's Tale' Pulled Off That Surprising Finale Reunion
If you've been following io9's coverage of The Handmaid's Tale season six, you might have caught our list of five things viewers needed to remember about season five. There was a long gap between seasons, and quite a few high-stakes plot threads to keep track of.
One of the items on that list was the departure of fan-favorite character, whose absence was explained away in the season five premiere. We wondered if perhaps that person might return in season six, and, well…
Yes! Alexis Bledel's Emily, fearless fighter and noted salted caramel ice cream fan, did indeed show up for some closure in 'The Handmaid's Tale,' the series finale episode. In season five, we learned she'd left her wife and son—after a hard-fought escape to safety—to return to Gilead and keep fighting.
It was an abrupt end for a character who'd been so important as both a friend to June (Elisabeth Moss) as well as to the plot of The Handmaid's Tale as a whole; it's because of Emily that we learned about Mayday. She's the reason why Bradley Whitford's Commander Lawrence entered the story. Her experiences also illuminated the bleak life for exiles in the Colonies, as well as the genital mutilation forced upon women who refused to obey Gilead's draconian laws.
Though the character's absence was due to Bledel choosing to leave the series, it was tempting to imagine Emily would soon pop up again. But she was MIA throughout season five and all of season six until the very end. In interviews with the Hollywood Reporter, Bledel as well as Moss and show creator Bruce Miller discussed how they planned her cameo.
'We were both thrilled that it might work out,' Miller told THR. 'I think she was really excited when we talked. The only thing that was hard was the logistics to get her up for the time we needed … It was wonderful to see her and [Moss] get right back into it after all that time.'
Moss added, 'She wanted to do it from the beginning. She didn't need convincing at all. My first official scene on day one [on set] was with Alexis. So it meant a lot to get to work with her again.'
In a separate interview with THR, Bledel said returning to The Handmaid's Tale was 'an immediate yes' because 'it felt right to bring closure to Emily's journey and offer the audience a sense of completion … I hope viewers take away to keep hope alive when things seem impossible. Even if it seems like seeds you plant couldn't possibly grow, plant seeds of hope anyway. You never know; they might find a way.'
The Handmaid's Tale finale is now streaming on Hulu.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
5 hours ago
- Yahoo
Lynn Hamilton, of Sanford and Son and The Waltons, Dead at 95
Lynn Hamilton, best known to TV audiences for work on Sanford and Son and The Waltons, has passed away at the age of 95. According to The Hollywood Reporter, Hamilton died June 19 of natural causes at her home in Chicago. More from TVLine R.I.P., Anne Burrell: Rachael Ray, Bobby Flay and More Food Network Stars Pay Tribute ('She Was a Radiant Spirit') Dave Scott, So You Think You Can Dance Choreographer, Dead at 52 Food Network Star Anne Burrell, Host of Worst Cooks in America, Dead at 55 Hamilton recurred throughout Sanford and Son's six-season run; she appeared in 22 episodes across six seasons, between 1972 and 1977. She initially played Lamont's landlady in Season 1, Episode 7, but was reintroduced just three weeks later as Fred's girlfriend-turned-fiancée, registered nurse Donna Harris (aka 'The Barracuda'). Between 1973 and 1981, Hamilton also recurred on CBS' The Waltons, on which she played Verdie Grant Foster — a role she would later reprise in two made-for-TV movies: A Walton Thanksgiving Reunion (1993) and A Walton Easter (1997). Hamilton also starred in a pair of short-lived soap operas — as matriarch Vivian Potter on NBC's Generations (1989-91), and as Cissie Johnson in the syndicated drama Dangerous Woman (1991-92). Additional small-screen roles included Cousin Georgia Anderson on Roots: The Next Generations (1979), Emma Johnson on 227 (1986-89) and Judge P. Fulton on The Practice (1997-2002). Film credits included Shadows (1959), Brother John (1971), Buck and the Preacher (1972), Lady Sings the Blues (1972), Leadbelly (1976) and Legal Eagles (1986). TV Stars We Lost in 2025 View Gallery40 Images Best of TVLine 'Missing' Shows, Found! Get the Latest on Ahsoka, Monarch, P-Valley, Sugar, Anansi Boys and 25+ Others Yellowjackets Mysteries: An Up-to-Date List of the Series' Biggest Questions (and Answers?) The Emmys' Most Memorable Moments: Laughter, Tears, Historical Wins, 'The Big One' and More


Elle
10 hours ago
- Elle
'The Handmaid's Tale' Season 6, Episode 8 Recap: The Wedding Attack Explained
Spoilers below. June Osborne (Elisabeth Moss) hasn't worn the crimson uniform on The Handmaid's Tale since season 4, and it seemed unlikely she would ever put on this garment again—unless forced. However, fate has a strange way of bringing things full circle, as the robe becomes vital in executing the Mayday plan to kill Gilead's warhawk commanders. Joined by Moira (Samira Wiley), the pair wear the red clothing that represented their imprisonment, turning it into a weapon to wield at Serena's (Yvonne Strahovski) wedding. June and Moira smuggled knives for the other handmaids, with Aunt Phoebe (D'Arcy Carden) standing by to handle potential obstacles. Aunt Lydia (Ann Dowd) has been sent to Washington, D.C., on business to ensure everything goes smoothly. Unfortunately, the lure of the grand ceremony ensures that Lydia doesn't adhere to Commander Lawrence's (Bradley Whitford) instructions. Hell, even pious women like Lydia get FOMO. With so many different moving pieces so close to the final episode of The Handmaid's Tale, it is safe to say that last-minute adjustments are a must. Luckily, June and Moira are used to pivoting. They aren't the only ones who have to rethink their options, as Serena quickly learns that her new husband isn't the man she thought he was. The handmaid outfit is a paradox: the color is impossible to ignore and erases the wearer's identity. Only their eyes are visible, meaning that, at a distance, June and Moira can blend in with the other handmaids and take their position at the back of the church. June tenses when Nick (Max Minghella) walks down the aisle with his wife Rose (Carey Cox);little does he know that June is watching from the pew. Nick makes his way to the front of the church, where he does the first reading after Commander Wharton (Josh Charles) and Serena have made their grand entrance. Meanwhile, the handmaids slyly distribute the knives to each other, and there is a nail-biting moment when one drops to the floor, causing a guardian to come over. Luckily, there is nothing to give the game away. The rest of the ceremony is skipped in favor of the reception. Unsurprisingly, a Gilead wedding is not popping off with an open bar and loud DJ. Phoebe brings all the handmaids together to share the remaining weapons with the rest of them. Meanwhile, other attendees hit the sedate dance floor after the happy couple's entrance. Nick sits to the side, nursing a large whisky while others like Commander Bell (Timothy Simons) dance. Suffice it to say, Nick looks miserable. Serena asks Lawrence why he's so nervous, and that he doesn't have to worry about her, as she is committed to reforms, even though she is now married again. I believe her to be completely sincere as she has zero desire to be a regular wife who has no say in how this society is run. Serena excuses herself to talk to her 'most important guests,' who happen to be the handmaids. June realizes Serena is coming over and moves to the back of the group with Moira. But June is in danger of giving herself away as she can't help but roll her eyes at Serena's platitudes, including that change is coming. June's eyes get more animated when Serena speaks about a former handmaid (a.k.a. June herself) and that they both could've been kinder to each other. She can call her ex-handmaid a 'good friend' and knows this woman has forgiven her. Don't worry, June doesn't yell out 'bullshit' even though it was only two episodes ago that June said she could not forgive Serena. Disaster almost strikes as Serena wants to see their faces. But it is time for cake, or so this is what Rita (Amanda Brugel) tells Serena. Rita has outdone herself with a five-tier red design, which adds to the 'dread wedding' vibe. Unlike the poisoned pie that killed Joffrey at the Purple Wedding in Game of Thrones, this dessert will send everyone to sleep within one to two hours of eating it. The strong sedative is key to the plan, and people like Lawrence skip the cake (though they encourage everyone else to eat). The handmaids slip their slice under their seats just before they leave. June goes to exit in a different direction from the other girls (because she is going on a separate mission), and stops dead in her tracks at the arrival of Aunt Lydia. June has to turn to avoid discovery, but Lydia recognizes the ex-handmaid (I guess from her walk or silhouette) and follows, calling out her name. Lawrence intercepts, calling Lydia crazy for thinking June is there, as he knows that June is in Alaska. Aunt Phoebe defends Lydia, saying she is tired and coming across as compassionate, but is figuring out the next moves now that Lydia is back. The newlyweds arrive at their Boston home, and Wharton is told there is a gift from Commander Bell Sr. in the parlor. I bet it isn't something from the registry. Wharton carries Serena over the threshold, and she thinks everything is perfect. But the romantic glow quickly changes to anger when Serena sees a handmaid in her house (the gift from Bell Sr.). Wharton explains that Ofgabriel is the most fertile handmaid in Gilead. 'But I'm fertile,' Serena answers. Serena immediately refuses to be in a house with a handmaid and addresses the trembling woman by her real name. Serena says Christina is not a vessel but a human being and wants her to leave, run, and 'don't ever come back.' Serena wasn't just putting on the act of a liberal woman (well, liberal for Gilead) and is sticking to her guns about handmaids. The change of heart cannot make up for past crimes, but Serena is not who she was when she married Fred (Joseph Fiennes). 'You're just like the rest of them!' yells Serena. Suddenly, everything June said to her about whether Wharton was different is shifting into focus. Wharton did love-bomb her with the gift of a library and false promises, and he thinks he did everything he could to bend her liberal attitudes. It is Wharton who thinks Serena has deceived him. Baby Noah's cries give Serena an additional wake-up call. She also has her son to think about. Wharton blocks her exit, forbidding Serena from leaving this house. Serena isn't scared of his threats as she has already endured and survived many horrors (like being beaten with a belt and having a finger cut off). 'I'm not something to survive. I'm a good man and a good husband,' Wharton replies. Serena says this is impossible because he is a commander. At this, Wharton lets her leave. This two-hander between Strahovski and Charles made the hairs on my arms stand on end. Do they do annulments in Gilead? After the wedding, the handmaids return to either the Red Center or their commanders; June takes the latter option. Or rather, she goes to Commander Bell's home to rescue Janine (Madeline Brewer). A snoozy Bell answers the phone and tells whoever is on the other end to 'repeat yourself.' We don't find out who was on the other end as June makes her presence known. Bell recognizes June and quips that it is nice to meet her. June then stabs him in the eye before sitting down and drinking his whisky. It is a fitting end for a vile man. Janine enters the room, finding Bell dead and June waiting. A relieved Janine thanks her friend for making good on a promise. After everyone else has left the reception, Lydia stays to eat. Just before she takes a bite of cake, she spots something strange about where the handmaids were sitting. Lydia gets down on her knees, discovers the uneaten cake, and immediately knows there is a larger conspiracy. It was either tiredness or paranoia that made her think she saw June. Back at the Red Center, Lydia spots several guards and Aunts have passed out, and when she runs into Phoebe, Lydia won't fall for her attempted diversion. Lydia wants to see the girls, and Phoebe pulls a knife behind her back, but quickly hides it when a young guardian walks in. Phoebe does everything she can to stall unlocking the door to where the handmaids are sleeping, and they are all in their beds. Lydia still knows something is amiss and pulls the covers back on one girl to find she is fully dressed (including her boots). With everyone kneeling on the floor, Lydia preaches about punishing the wicked, which in this case means Phoebe, and this punishment is death. Before the guardian can pull the trigger, Moira tells Lydia to 'get the fuck away from her.' Lydia seemingly doesn't remember Moira, and Moira refuses to reveal her name. 'Why do you care when you stole it from me?' Lydia demands to know June's location. 'I'm right here,' says June. Talk about perfect timing. June gives Lydia the credit for what they have been planning because she trained her girls to be like this after all the horrors she inflicted on them. June appeals to Lydia's moral core. Despite everything Lydia has facilitated in her role training handmaids, June believes that Lydia knows 'rape is rape' (even within a Gilead ceremony). Handmaids are not the 'fallen women' that Gilead has deemed them to be. She uses the language of the Bible to hammer home her point: 'Is there a God that would empower a woman like you to stand up for us? To arc toward the light and to finally declare enough?' It is a convincing argument, but Janine steps in to finish the job. 'He hurt me, Aunt Lydia. They hurt us. They raped us. You gave us to them,' Janine says. It is a dynamite scene with everyone in the room giving Emmy-worthy performances. Lydia says she only meant to save her girls, and for a brief moment, I wondered if she would relent or if another bloodbath was about to take place. 'If you want to save us, let us go. Please, Aunt Lydia,' says Janine. With that last plea, Lydia gets the guardian to lower his gun. She hugs Janine, and Phoebe guides everyone else out of the room. As the last to leave, June nods at Lydia. 'Oh God, help me,' Lydia says over and over. Across the city, handmaids kill their abusive commanders, and the women from the Red Center are now free to finish the job. 'The dress became our uniform and we became an army,' says June. Soon, the bombs will go off, and with only two more episodes left, Gilead will have to reckon with the women it has wronged. ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today HERE. Emma Fraser is a freelance culture writer with a focus on TV, movies, and costume design. You can find her talking about all of these things on Twitter.
Yahoo
a day ago
- Yahoo
'Pretty Little Liars' cast and creator discuss the 'wildly inappropriate' age gap relationships in the series
It's been 15 years since Pretty Little Liars premiered on ABC Family and gave fans one of TV's most controversial couples: Aria Montgomery and Ezra Fitz. The couple, played by Lucy Hale and Ian Harding, was one of the show's most talked about couples for its depiction of a teacher-student relationship with a noticeable age-gap, but it was far from the only problematic coupling. Looking back on PLL's iconic seven-season run with the Hollywood Reporter, the stars and creator Marlene King admit that the couple is one they "probably" wouldn't include if they remade the show today. "What we know now about grooming, that was not something we talked about 15 years ago," King told the outlet. "I've always thought that if we revisit the world, we would have to deal with that. That would be a storyline we'd have to pay attention to and give focus to. But I think they can have their happily ever after because they were everybody's favorite couple." Aria and Ezra - couple name: Ezria - met at a bar right before Aria began her junior year of high school and became the show's longest-running couple despite the fact that it was fairly controversial to have a college graduate/high school English teacher kiss his 16-year-old student. King noted, "We were definitely probably crossing a line I wouldn't cross now, but I don't want to take away from what they had, either. It was very satisfying for a lot of fans." Harding has been known to give his character a hard time, once jokingly referring to Ezra as "America's most beloved pedophile" in his memoir Odd Birds, published in 2017. While he acknowledges that it isn't a pairing that would easily be digested in this decade, he hopes that the couple's "meaningful connection" is "enough to justify the deeply problematic relationship that was certainly not great at the time." "As society has progressed, we realized how wildly inappropriate it was," Harding added. "But at the same time, just because you depict something on TV doesn't mean you condone the behavior," he pointed out. "It is a story meant for entertainment, and the show was a thriller. Now that I look back on it, I see that it was just like the show, with the twists and turns, and it had some horror elements and then it also had this romance component. So I don't deeply regret it, because it's fiction. But I also realize that it did bring up a lot of harder discussions about what is actually considered abuse and what is considered love." Harding reasoned that, despite their trials and tribulations, Aria and Ezra "found happiness, and there was little collateral damage or pain inflicted by the relationship. There was plenty of pain and horror everywhere on the show, but oddly enough, their relationship seemed to be a safe haven in the storm." "There's no part of me that is feeling such great shame for having played this part. I don't have any apologies for playing this character," Harding emphasized. "I do think he was definitely icky in some knowledge, but on the whole, he's fictional." On the other hand, Hale has always been a strong proponent for the couple, even if she can acknowledge how it's a relic of "a different time." "At the time I was cast as Aria, I was 19 years old and I wasn't really thinking about the bigger themes of it all," the actress told THR. "I was just stoked to be cast in a TV show. Of course, it hits differently at my age now and I think about the bigger message in anything I play."But despite the ire it may cause with some viewers over a decade later, Hale said she doesn't have regrets about bringing them onscreen. "I stand behind their love story forever. That forbidden love story drew a lot of people in." Of course, Ezria was far from the only couple in Pretty Little Liars that had a troubling age Bellisario's Spencer Hastings got caught up with two older men during her time on the show, and star Sasha Pieterse was only 12 years old when they shot the pilot and in her early teens while shooting opposite actors considerably older than her. In Pieterse's experience, working on PLL with the awkward age gaps was something that "never felt weird in the moment." As a mother herself now, the actress said she's "very aware" of the dynamics in a different way. "When I go back [and watch] I think, 'How did I feel filming that?' I always felt protected," she recalled. "But it's a weird thing that we do because even though everybody else was over 18, those storylines are still depicting minors. I feel comfortable with it, but it's an odd thing to wrap your head around." Read the original article on Entertainment Weekly