Machine Gun Kelly Thanks Megan Fox for Giving Him ‘the Ultimate Gift', Reveals Their Daughter's Name
Machine Gun Kelly has finally revealed the name of his daughter, who he welcomed with Megan Fox in March — and it's fierce!
On Tuesday, June 17, the 'Cliché' singer, 35, took to Instagram to share a video of himself playing the ukulele while their child — who could not be seen — bounced in a rocker. MGK (real name: Colson Baker) captioned the post, 'Saga Blade Fox-Baker.'
Though he turned the comments off on the post, it garnered nearly 60,000 'likes' in an hour. He later edited the caption to include, 'thank you for the ultimate gift,' tagging Fox's Instagram account. (Fox, for her part, has wiped her Instagram clean.)
In March, MGK revealed that he and Fox, 39, had welcomed their first child together. (MGK is already dad to daughter Casie, 15, while Fox shares Noah, 12, Bodhi, 11, and Journey, 8, with ex-husband Brian Austin Green.)
'She's finally here!! Our little celestial seed,' the rocker wrote via Instagram, noting their baby girl was born on March 27. He then followed up his post with an Instagram story to clarify that the former couple had not actually named their child 'Celestial Seed' — and that the Jennifer's Body star would 'tell you the name when we're ready.'
MGK and Fox's rollercoaster relationship began in 2020 and was reported to have ended in 2024, shortly after the couple revealed they were expecting.
Last November, Fox shared a since-deleted post featuring a photo of herself debuting her baby bump while covered in what appeared to be black paint.
'Nothing is ever really lost,' the actress captioned the photos, seemingly referencing a previous pregnancy loss the former couple suffered. 'Welcome back 👼🏼❤️.'
Despite their split, it seems as though Fox and MGK are making it work as co-parents. During his June 14 appearance at Warped Tour, a fan approached him while wearing a t-shirt with Fox's face.
'So sick,' he said, before asking to take a picture.
In April, People reported that the former flames were focused on their daughter and not rekindling their romance — yet. 'They're not making any big decisions about their future together as a couple because they just want to focus on the present and this new chapter as parents to their daughter together,' a source told the outlet.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
29 minutes ago
- Yahoo
Here's why a classic Radiohead song is back in the charts again – and our pick of their best test tracks
When you buy through links on our articles, Future and its syndication partners may earn a commission. If you're the sort of backwards cap-wearing whippersnapper who spends more time than they'd like to admit trawling the endless swathes of short-form content on popular social media platform TikTok, you may have already run into Radiohead's Let Down without even realising it. The jury's still out on TikTok and its impact on the still-forming brains of our society's youth, but for exposing audiences to new (and old) music that's often outside of the mainstream, it's performing a surprisingly valuable service. Let Down is just one of the many tracks enjoying a major resurgence thanks to its popularity on short-form social media. According to Forbes, the fifth track from Radiohead's seminal 1997 behemoth OK Computer has enjoyed such a revival that it's in danger of troubling the official US Hot 100 chart ranking, and it's not the only tune to have enjoyed such a retroactive bump. The likes of Alphaville's Forever Young, Coldplay's Everything's Not Lost and Modern Talking's Cheri Cheri Lady have become reborn colossi across the likes of YouTube, Instagram and TikTok, accompanying everything from Premier League goals compilations to in-depth makeup tutorials. I'll let you decide which of those I watch more often. Long may this continue. If TikTok gets more people listening to Radiohead and OK Computer, so much the better. That said, much as I appreciate the love for Let Down, it wouldn't be my go-to for testing anything from headphones to hi-fi. Instead, I'd direct audiences, be they teen TikTok trawlers or grizzled fellow Millennials, to the delights of another masterwork, this time taken from 2000's equally acclaimed masterwork Kid A. Let Down is great, but Everything In Its Right Place is the one to go for if you're serious about giving a product a chance to flex its muscles. We, as a What Hi-Fi? collective, have been using it since before TikTok was even a thing, and while it's another track enjoying something of a renaissance thanks to social media, we can't take much of the credit for the revival. Everything In Its Right Place represents, if such a thing exists, the definitive essence of Radiohead. It's an ethereal concoction, blending woozy, otherworldly synth sounds and warm, fuzzy keyboards with the unsettling glitches and twitches of a malfunctioning motherboard, pulling together seemingly contrary elements into a composition that feels both reassuringly warm and enveloping yet disturbingly fractured and bizarre. Perhaps the track's title would be best served by the inclusion of a question mark at its tail: Everything In Its Right Place? It's a sublime tester for anything you feel needs a test room challenge, but we particularly like the track for testing a pair of speakers. Those glitchy effects flit from one speaker to the other, elucidating how well a pair can handle organisation and separation, while Thom Yorke's arcing vocals should have both solidity and depth between your chosen pair of contenders. A great test of stereo imaging, then. We listen to a good deal of dear old Thom and his Oxford-born buddies, so we know which idiosyncrasies and vocal textures to seek out from that instantly recognisable falsetto. Yorke's voice should soar to appropriate heights, of course, but it's those oft-hidden elements, be they a slight hesitancy at the beginning of a line or the peaks and swells when singing words such as "everything" or "place" that should be tracked with absolute precision. We always come back to the same question: does he sound like he's singing at a pre-show rehearsal, or is this a man trying to communicate something with real emotional power? The longer it goes on, the more the intensity rises. Everything In Its Right Place might start off at a creeping pace, but it's the increasing sense of urgency as both tempo and volume build which creates, if you have the equipment, that paralysing sense of drama and heft. Once you're past the 1:30 mark, you should sense an active shift as the track changes gears from languid scene-setting to a clamorous and incessant climax in which layers upon layers pile upon one another, creating a dramatic denouement which should instil both panic and awe in equal measure. If you don't feel that change in tone, however, you may be dealing with hi-fi that doesn't have enough flexibility or sense of drama to take things to the next level. This being Radiohead, it's all about playing with your emotions. Do you feel unsettled yet intrigued by the track's moody, ambient opening, or just bored and uninvolved? Do you feel adrenalised yet slightly overwhelmed as it builds to its climax, or do you sense that the track, or the gear you're using to play it, is holding back? It's been something of a thrill to see social media reinvigorate the fortunes of various unexpected tunes, or else introduce a new generation of fans to music that isn't throwaway pop or a YouTube star's latest generic cash-in. If you're new to the world of Radiohead and want a truly mind-altering experience, I'd urge you to seek out Everything In Its Right Place. And if you want that experience to be genuinely life-altering, I'd urge you even more strongly to find headphones or hi-fi that can do it proper justice. MORE: JBL, Bose and Cambridge Audio: these are the 5 freshly announced products that are on our radar These are the best Radiohead tracks for testing your hi-fi 7 tracks we've been enjoying in our test rooms over the past month
Yahoo
41 minutes ago
- Yahoo
Quotes of the Week: Destination X, Buccaneers, The Daily Show and More
As you seek refuge from the summer heat this Sunday, take a dip in our latest edition of Quotes of the Week. In the list below — which features our picks for TV's most memorable sound bites of the past seven days — you'll find nearly a dozen shows represented, including The Buccaneers, The Daily Show, Resident Alien and Beyond the Gates. More from TVLine Quotes of the Week: I May Destroy You, Greenleaf, Yellowstone and More Quotes of the Week: Stargirl, Blindspot, Penny Dreadful, S.H.I.E.L.D. and More Quotes of the Week: The Twilight Zone, Search Party, Yellowstone and More Also featured in this week's roundup: quotable moments from Last Week Tonight With John Oliver, Jimmy Kimmel Live! and Criminal Minds: Evolution, plus double doses of Destination X and America's Sweethearts: Dallas Cowboys Cheerleaders. Scroll through the list below to see all of our picks for the week, then hit the comments and tell us if we missed any of your faves! (With contributions from Nick Caruso, Charlie Mason, Matt Webb Mitovich and Kimberly Roots) 'She's still so young, really only a child.' 'Nan is a year older than I was when your husband took me to his bed.' Nelle (Leighton Meester) isn't going easy on her estranged sister (Christina Hendricks) 'I grew up all over the world: Korea, Philippines, Turkey. You'd think I'd want to join the military and make my dad proud. Problem is, look at these nails.' Military brat JaNa knows a good manicure must be protected at all costs 'Have you guys been around Europe a lot?' 'Not at all. I've been to all seven continents, but none of Europe.' Considering this is a geography competition of sorts, Ally is doomed 'When you show footage of the world's chillest zebra, looking bored in a flying hammock, you don't call that 'being hoisted in a helicopter harness,' you call that what it is: 'Last Week Tonight bait.' And in case it wasn't clear, you got me. Because look at me right now. I'm squawking zebra news at you and Disney isn't even paying me to do it.' 'Never mentioned me? Not once?' 'No, that is not accurate. I always called you Asta's useless appendage.' D'arcy (Alice Wetterlund) is insulted that Harry (Alan Tudyk) never mentioned her to McCallister 'You are a sexier, younger Pedro Pascal.' Jon Stewart marvels at the handsomeness of the show's lighting designer, George Gountas, who won the Pedro Pascal lookalike contest in New York 'OK, why is there a neurologist here?' 'Because she's Chelsea's new girlfriend.' 'Oh. That's… that's… wonderful. I, I, I had, um… had no idea that Chelsea was… or that Madison was… seeing each other.' 'That's a lovely sentiment, sissy. Grammatically torturous but lovely.' Dani (Karla Mosley) gives Nicole (Daphnée Duplaix) credit for trying to absorb her niece's romance with her Garland Memorial colleague 'Don't take it personally, Evan. Tara has some trouble letting her guard down. Sometimes I even have to check her for weapons before we go to bed.' Rebecca (Nicole Pacent) jokes to her ex about loving a Leo 'Hi, I'm Madie. I'm 18 years old, from La Porte, Texas. This fall I will be an incoming freshman at Texas Women's University in Denton. An interesting fact about me is I've never eaten a raw vegetable before.' Interesting! 'And then can I get a Sprite?' 'Starry?' 'A Sprite.' 'Starry?' '… Starry? Oh, I thought you said, 'Sorry? Sorry?'' Abby is a rookie at training camp — and the Taco Bell drive-thru 'I'm pretty certain that, deep down, Hamish prefers men.' 'No, no. No, he doesn't. Why does everyone say that? He doesn't. We discussed it. He assures me not.' 'Of course he doesn't admit it. Bloody hell, a man could be thrown in jail for that. But I was in school with him. I've witnessed him in action.' 'You've actually seen him in bed with another boy?' 'I've been in bed with him.' Tom (Toby Regbo) has an awkward, yet necessary, conversation with his sister Nancy (Bessie Carter) about her longtime boyfriend 'Drinking gross things somehow made me miss prison.' Ex-con Bryan made quick work of a glass of curdled ricotta cheese mixed with cow heart puree 'Trump did post about Juneteenth. He wrote, 'Too many non-working holidays in America. Soon, we'll end up having a holiday for every once working day of the year.' Says the guy who just had a birthday parade for himself. Says the guy who has been in office for 150 days and has golfed 37 times that we know of.' Best of TVLine 20+ Age-Defying Parent-Child Castings From Blue Bloods, ER, Ginny & Georgia, Golden Girls, Supernatural and More Young Sheldon Easter Eggs: Every Nod to The Big Bang Theory (and Every Future Reveal) Across 7 Seasons Weirdest TV Crossovers: Always Sunny Meets Abbott, Family Guy vs. Simpsons, Nine-Nine Recruits New Girl and More


CBS News
41 minutes ago
- CBS News
"Break on Through": How The Doors began
"Break on Through": How The Doors began "Break on Through": How The Doors began "Break on Through": How The Doors began In 1967, this video introduced a new American band: The Doors, who would quickly light the music world on fire, with a sound hypnotic, mystical, and almost menacing: You know the day destroys the night Night divides the day Tried to run, tried to hide Break on through to the other side Break on through to the other side Break on through to the other side, yeah They came together 60 years ago in Venice, California: Jim Morrison, a poet in leather pants, backed by Ray Manzarek on keys, Robby Krieger on guitar, and John Densmore on drums. The Doors soon got their break, in May of '66, at London Fog, a tiny nightclub on the Sunset Strip. It's now a barber shop. "Oh, I need a haircut," laughed Densmore on a recent return visit. The barber shop's owner, Chad Oringer, an avid Doors fan, asked for a photo with Densmore and Krieger, the band's last surviving members. The Doors (from left, Jim Morrison, Ray Manzarek, Robbie Krieger and John Densmore) pose for a portrait in Los Angeles, c. 1966. MichaelThe Doors were fired by London Fog, but quickly got another gig just a few doors down Sunset, at the Whisky a Go Go. Playing there, said Krieger, was "the biggest deal in town." "It was Mecca," Densmore added. The room isn't much different from what it was back then. "The stage is lower," Densmore said. People would dance in front of the stage. "And they would just all be down there writhing around. Very inspirational!" he laughed. He described the improvisational attitude of the band: "Ray handed me a crumpled piece of paper and it said, 'Day destroys the night. Night divides the day. Try to run. Try to hide … Break on through.'" Morrison had never sung lead before, and Densmore wasn't sure about him at first: "He was so shy, it was ridiculous. And I thought, 'This is not the next Mick Jagger! But I love playing music, so I'll fool around here.'" I asked, "Why did you have confidence the band would work if he was so inexperienced as a singer?" "It was the words," Krieger said. "They were so different than anything that was out there." "Gifted," said Densmore. "'Let's swim to the moon. Let's climb through the tide… ' A psychedelic love song. Wow!" Correspondent Anthony Mason with John Densmore and Robby Krieger, back on stage at the Whisky a Go Go, where The Doors played in 1966. CBS News In 1967, Los Angeles DJ Dave Diamond began playing their records on his show, "The Diamond Mine." Krieger said, "And he would call us all the time and say, 'Hey, man. Every time I play 'Light My Fire,' people go nuts!'" "Light My Fire," written by Krieger, went to #1. But Morrison's troubles with alcohol and drugs were already apparent. Densmore said, "At first I remember we talked about, 'Oh, he's an Irish drunk. He'll live forever. But deep down, maybe he's just a shooting star that'll be a quick impact.'" "You knew that right away?" I asked. "Kinda sensed it." "Was that hard to accept?" "Yeah," Densmore said. "I mean, we miss his artistry like crazy. We don't miss his self-destruction." After Morrison's sudden death in Paris in 1971 at age 27, Densmore and Krieger didn't always agree with Manzarek about the band's legacy. "At times, I felt he was selling The Doors too much. It's for the critics to do that," Densmore said. Krieger said, "He would try to spread the rumor Jim's not really dead." Why? "He loved the mythology," Densmore replied. "He lived for The Doors," said Krieger. "I mean, that was his whole life, you know? And he didn't want it to be over." Genesis Publications Manzarek died in 2013. The band's 60th anniversary is celebrated in a new book "Night Divides the Day." To the end, The Doors were an improvisational group. One of their best-known songs grew out of another tune they were jamming on in a session. "We were goofing around," said Densmore, and "Ghost Riders in the Sky" morphed into "Riders on the Storm." It would be Morrison's final recording. At the Whisky a Go Go every month, Krieger (now 79) has been playing a Doors album in its entirety. Densmore (80) recently sat in on drums. "Well, these two geezers are still breathing," Densmore laughed. "Keith and Mick are 80 and they're out there pumpin'. There's other roads!" Robby Krieger (guitar) and John Densmore (on drums) perform The Doors album "L.A. Woman" at the Whisky a Go Go in Hollywood. CBS News For more info: Story produced by Gabriel Falcon. Editor: Joseph Frandino. See also: