Check out Netflix's 'Love Death + Robots' ahead of Shreveport's Geek'd Con
SHREVEPORT, La. (KTAL/KMSS) — Geek'd Con is a few months away, but to get in the mood, fans should check out some of Netflix's recent releases.
Shreveport's Geek'd Con returns, what you need to know
Geek'd Con will be held in Shreveport, providing fans with an opportunity to dive into an immersive experience filled with pop culture and comics. Additionally, Netflix's latest release, 'Love, Death & Robots,' is likely to captivate fans alike. The streaming giant has recently launched a new season of this popular animated anthology series, which first premiered in 2019. 'Love, Death & Robots' explores various genres, including science fiction, horror, fantasy, and comedy. Since its debut, the show has garnered a significant following, with each episode telling a unique story featuring different characters, settings, plots, and artistic styles.
Kai Cenat goes from King to Headmaster with launch of Streamer University, Louisiana native joins him
Several episodes in the latest season have caught the attention of fans on social media. Two episodes worth checking out are from season 4: episodes four and nine. Episode four, titled '400 Boys,' is set in a post-apocalyptic dystopian world where gangs battle for territory. However, the story takes an unexpected turn when these gangs must unite to fight against giant mutants known as the 400 Boys. This episode reflects today's political climate and explores themes of unity and survival within society.
Episode nine, titled 'Smart Appliances, Stupid Owners,' features modern appliances and objects sharing their sarcastic opinions about the humans who use them daily. The episode explores the absurdity of human behavior. To check out the trailer for Love Death + Robots, visit YouTube.
For more information on Geek'd Con, visit their website geekdcon.com.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
The Spider-Verse Inspired The Directors Of KPop Demon Hunters To Make A Movie That Looks Nothing Like Spider-Verse
When you buy through links on our articles, Future and its syndication partners may earn a commission. When I watched KPop Demon Hunters ahead of its premiere on the 2025 movie schedule, I immediately knew I was in for a wonderful ride when I saw that Sony was behind it. Based on stills, I was already in love with the Netflix movie's animation style, but knowing it came from the same studio as the Spider-verse films upped my enthusiasm even more. So, when I interviewed the directors, I asked how the Marvel movie influenced and inspired them. In return, they told me you can see that influence in the fact that their movie on Netflix's 2025 schedule looks absolutely nothing like the beloved Spider-Man movies. During my interview with KPop Demon Hunters' directors, Maggie Kang and Chris Appelhans, I asked if their new streaming movie was influenced by other beloved Sony projects, like Spider-Man: Into the Spider-verse and The Mitchells vs. The Machines. In response, Appelhans told me that like those two movies, their primary goal was to do 'something new:' What they both did so well was something new. And so part of it was we did some early exploration with flash frames and graphic elements. And we're like, 'I don't know, this looks like Spider-verse, and it's not our movie.'...In a way, they raised the bar, which is 'Bring something fresh and new to the animation sphere.' Up Next Spider-Man: Beyond The Spider-Verse: What We Know So Far Spider-verse movies take clear influence from comic books, and they mix various animation styles seamlessly. KPop Demon Hunters, a movie about a KPop group who fight off demons, does that too, as Appelhans and Kang explained, by using subtle anime influences, K dramas, editorial photography and high-level music videos as its points of inspiration and reference. While it looks nothing like Spider-verse, that's what makes it like it, because they managed to create something 'we haven't seen' in animation, as Chris Appelhans told me. He also brought up the personal points of inspiration. Noting that K dramas do a good job of showing how 'silly and flawed and weird' characters can be, his co-director's own point of view played into that too. He explained that Kang 'had a point of view' about the three leading women of their movie that added to their unique style. So, through all those influences, they were able to craft a look that is totally unique to their own story, like Spider-verse did a few years ago. It also helped that their shared studio, Sony, was all for this unique vision, as Appelhans said: We were like, 'This is it. How do we make it special? How do we make it visually striking?' And the nice thing was, Sony, has such a deep, talented group of animators and lighters and everything-ers that when we brought those influences to them, they're like, 'Cool, dude. We love this stuff too.' How exciting we get to do this kind of thing. Piggybacking off that point, Maggie Kang told me that Sony never wants to do the same thing twice, which you can see through the aforementioned films. That made it even easier for them to execute their vision and create something new and innovative, like Spider-verse and The Mitchells vs. The Machines did: They also don't want to do the same thing twice. So they were already on the mind of, like, 'We want to be innovative and show something different.' So that was really great. As the stellar reviews for Spider-Man: Into the Spider-verse and Across the Spider-verse prove, this innovative and wickedly unique style they've developed is something audiences love. I can safely say that kind of creativity is also one of the reasons why KPop Demon Hunters works so well. Now, if you are looking to see how all of this is 'done, done, done,' you can buy or rent the Spider-verse movies and stream The Mitchells vs. The Machines and KPop Demon Hunters with a Netflix subscription.
Yahoo
2 hours ago
- Yahoo
Syncing Up Music And Choreography In An Animated Movie Is Apparently ‘Torturous,' And The KPop Demon Hunters Directors Told Me Why
When you buy through links on our articles, Future and its syndication partners may earn a commission. There are tons of reasons why KPop Demon Hunters had me wide-eyed and in awe while watching. From creating a totally unique animated world like Spider-verse did to its incredibly catchy pop music, there's a lot to love. However, one of my favorite elements of this film is how almost every choreographed moment, whether it be a fight or dance, is perfectly synchronized with the film's original music. So, when I had the chance to interview the directors of this 2025 Netflix release, I asked how they did that, and they detailed the 'torturous process.' While interviewing KPop Demon Hunters' writers and directors, Chris Appelhans and Maggie Kang, for CinemaBlend, I asked them to walk me through the process of syncing music with animation. They both quickly laughed while saying that it's a very arduous process. However, it's one they nailed through a workflow with their editors that Appelhans explained here: It's a horrible, torturous process [laughs]. No, I mean, I think what we had was a great editor, and then within our editorial department, a guy named Oren Yaacoby, who's a really incredible music editor. And so he's a musician and an editor at the same time. So our picture editor, Nathan [Schauf], could create [a] great rhythmic picture thing, and then Oren could reverse engineer the song, trim bits and pieces. He'd go to Nathan and say, 'I figured it all out, but I need eight more frames here to make this tick.' So it was this math problem that was also a story and entertainment problem, but having people who could do that was the key. Well, that does sound like a 'torturous' process. However, that detail-oriented frame-by-frame approach paid off big time. Throughout all KPop Demon Hunters, I was in awe as the demon hunters and demons danced like the pop stars they are, while also literally fighting to the beat. To that point, after Appelhans described the work the editors put into making sure everything was synched to perfection, Kang spoke about how their team animated the musical moments of this new streaming movie. Explaining that they used their own sort of metronome in the form of a 'bouncing ball' to track the rhythm, she said: The music always comes first, because the music was also part of story. It was so integrated into storytelling…And then they used kind of a bouncing ball to really track the rhythm and then to match animation beats to the music. I figured this process had to be strenuous, but actually hearing it spelled out tells me it's ten times more intense than I had originally thought. It adds an entirely new appreciation to the film for me, too. So, with that in mind, I asked the directors what it was like to hear the songs for the first time. They told me they were in 'tears,' and when I asked which moment specifically in the film caused said reaction, Maggie Kang said: Oh, I mean, I think even the version of 'How It's Done' that we're hearing, I think that really was like, 'Okay that this felt -- [we hit the level] of coolness, and the lyrics kind of suggesting that they were more than what meets the eye and not just idols, but we're also warriors.' And all of those ingredients just felt like they came together, and it was like, 'This is it? This is our song.' It's so cool to hear that, because 'How It's Done' sets the tone for this story. This scene is the first time we see the girls fight, sing and dance, and it highlights all their skills in a visually stunning way. It's also an epic example of how this project times its action-packed moments to music. Featuring both fight choreography and dancing, it shows off everything we talked about here, and you can watch it below: Did you see that? She literally caught a coffee pot on the beat! The weapons were flying in time with the music! The way the shots cut, it was on beat too. It's honestly mindblowing, and I'm even more impressed now that I know just how much work goes into pulling off sequences like this. Now, to go watch this project on the 2025 movie schedule and take in all this musical perfection, you can stream KPop Demon Hunters right now with a Netflix subscription.


UPI
9 hours ago
- UPI
Jake Weary: Playing charismatic Cane on 'Waterfront' is a game changer
1 of 3 | Holt McCallany (L) and Jake Weary star in "The Waterfront." Photo courtesy of Netflix NEW YORK, June 21 (UPI) -- Animal Kingdom and Walking Dead: Dead City actor Jake Weary says he wanted to star in The Waterfront because the new Netflix drama gives him the chance to play a type of character he doesn't usually get offered. "It was a character that I've never really explored before, someone who is really outwardly charismatic and charming and trying to use his charms to get certain things and manipulate people," Weary, 35, told UPI in a phone interview Thursday. "I'd always played more introverted characters and characters that are harboring secrets and there's just a lot of darkness," he said. "There are elements there with Cane, but I think, for the most part, he's someone that actually smiles. I usually play characters that just scowl all the time, so I thought it was kind of a nice game changer for me." Now streaming on Netflix, the show was written-produced by Dawson's Creek and Scream creator Kevin Williamson. It follows the Buckleys, a wealthy North Carolina family as they try to save their fishing empire by smuggling drugs. Weary plays Cane Buckley, while Holt McCallany plays his father Harlan, Maria Bello plays his mother Belle and Melissa Benoist plays his older sister Bree. "I always thought Cane is kind of the glue that kept the family together," the actor said. "I feel like he's the one that creates the big Buckley family group chat, just to check in with everybody," he added. "When he notices that the family is in dire straits, he really jumps at the opportunity to take the bull by the horns and fix things." Weary and his co-stars quickly bonded when they arrived on the show's set in North Carolina. The actor described himself and Bello as "besties" and said they frequently text since she has been working out of the country and haven't been able to see each other for awhile. "And me and Holt have this really, really strong relationship, too, because I think there are a lot of parallels in our lives," he added. "We both had mothers who were big-time divas. His mother was a ballroom singer and my mom was a soap opera actress," Weary said, referring to McCallany's mother, entertainer Julie Wilson, and his own, Guiding Light icon Kim Zimmer. "We both grew up on the East Coast and have similar interests and can, literally, talk for hours. Having the two of them together [Bello and McCallany] together was just a dream come true." Further connecting the cast and crew was the fact that Hurricane Helene ravaged North Carolina while they were there. "There's a lot of people on the crew whose homes were affected by the hurricane," Weary recalled. "You could see how it brought the crew together. Everybody was super-supportive of each other," he said. "It was just really beautiful to see." One perfect Holt McCallany scene to welcome you to The Waterfront. The new series from Scream and Dawson's Creek creator Kevin Williamson is now playing. Netflix (@netflix) June 19, 2025